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Color name
RGB 78 233 128

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 78 233 128 it is the complementary color RGB 177 22 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 78 233 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 78 233 128 shade: RGB 83 233 123, RGB 100 251 142, RGB 117 255 161, RGB 134 255 180 and RGB 151 255 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 78 233 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 78 233 128 shade: RGB 78 233 128, RGB 61 215 109, RGB 44 197 90, RGB 27 179 71 and RGB 10 161 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 78 233 128 shade: RGB 77 233 128, RGB 77 233 86, RGB 111 233 77, RGB 153 233 77 and RGB 195 233 77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 78 233 128 shade: RGB 77 233 128, RGB 77 233 169, RGB 77 233 211, RGB 77 212 233 and RGB 77 170 233

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 78 233 128 shade matches the following richer shades: RGB 77 233 128 and RGB 61 249 122

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 78 233 128 shade: RGB 77 233 128, RGB 94 217 133, RGB 110 200 139, RGB 126 184 145 and RGB 142 168 150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 78 233 128 shade: RGB 111 233 77, RGB 77 233 85, RGB 77 233 127, RGB 77 233 168 and RGB 77 233 209

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 78 233 128 shade: RGB 25 203 82, RGB 41 228 101, RGB 77 233 128, RGB 114 237 154 and RGB 151 242 180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 78 233 128 shade: RGB 78 233 128, RGB 77 152 233 and RGB 233 77 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 78 233 128 shade: RGB 78 233 128, RGB 127 77 233 and RGB 233 127 77

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 78 233 128 shade: RGB 78 233 128, RGB 77 152 233, RGB 233 77 183 and RGB 233 158 77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 78 233 128 shade: RGB 78 233 128, RGB 77 106 233, RGB 233 77 183 and RGB 233 204 77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 45 / 9

HEX #4EE980

RGB 78 233 128

HSL 139.35, 0.78%, 0.61%

LAB 82.62, -62.74, 39.35

 

Complementary color

CMYK 0 / 88 / 28 / 31

HEX #B1167F

RGB 177 22 127

HSL 319.35, 0.78%, 0.39%

LAB 40.33, 65.33, -18.64

 

CMYK 64 / 0 / 47 / 9

HEX #53E97B

RGB 83 233 123

HSL 136, 0.77%, 0.62%

LAB 82.67, -62.61, 41.88

 

CMYK 60 / 0 / 43 / 2

HEX #64FB8E

RGB 100 251 142

HSL 136.69, 0.95%, 0.69%

LAB 88.76, -62.91, 40.48

 

CMYK 54 / 0 / 37 / 0

HEX #75FFA1

RGB 117 255 161

HSL 139.13, 1%, 0.73%

LAB 90.72, -57.66, 33.78

 

CMYK 47 / 0 / 29 / 0

HEX #86FFB4

RGB 134 255 180

HSL 142.81, 1%, 0.76%

LAB 91.63, -50.25, 25.56

 

CMYK 41 / 0 / 22 / 0

HEX #97FFC7

RGB 151 255 199

HSL 147.69, 1%, 0.8%

LAB 92.67, -42.3, 17.42

 

CMYK 67 / 0 / 45 / 9

HEX #4EE980

RGB 78 233 128

HSL 139.35, 0.78%, 0.61%

LAB 82.62, -62.74, 39.35

 

CMYK 72 / 0 / 49 / 16

HEX #3DD76D

RGB 61 215 109

HSL 138.7, 0.66%, 0.54%

LAB 76.5, -62.14, 40.84

 

CMYK 78 / 0 / 54 / 23

HEX #2CC55A

RGB 44 197 90

HSL 138.04, 0.63%, 0.47%

LAB 70.32, -61.17, 42.37

 

CMYK 85 / 0 / 60 / 30

HEX #1BB347

RGB 27 179 71

HSL 137.37, 0.74%, 0.4%

LAB 64.1, -59.69, 43.89

 

CMYK 94 / 0 / 68 / 37

HEX #0AA134

RGB 10 161 52

HSL 136.69, 0.88%, 0.34%

LAB 57.85, -57.5, 45.28

 

CMYK 67 / 0 / 45 / 9

HEX #4DE980

RGB 77 233 128

HSL 139.62, 0.78%, 0.61%

LAB 82.6, -62.92, 39.32

 

CMYK 67 / 0 / 63 / 9

HEX #4DE956

RGB 77 233 86

HSL 123.46, 0.78%, 0.61%

LAB 82.12, -68.43, 58.01

 

CMYK 52 / 0 / 67 / 9

HEX #6FE94D

RGB 111 233 77

HSL 106.92, 0.78%, 0.61%

LAB 83.02, -61.6, 62.87

 

CMYK 34 / 0 / 67 / 9

HEX #99E94D

RGB 153 233 77

HSL 90.77, 0.78%, 0.61%

LAB 84.78, -48.76, 65.27

 

CMYK 16 / 0 / 67 / 9

HEX #C3E94D

RGB 195 233 77

HSL 74.62, 0.78%, 0.61%

LAB 87.2, -33.33, 68.53

 

CMYK 67 / 0 / 45 / 9

HEX #4DE980

RGB 77 233 128

HSL 139.62, 0.78%, 0.61%

LAB 82.6, -62.92, 39.32

 

CMYK 67 / 0 / 27 / 9

HEX #4DE9A9

RGB 77 233 169

HSL 155.38, 0.78%, 0.61%

LAB 83.29, -55.31, 19.44

 

CMYK 67 / 0 / 9 / 9

HEX #4DE9D3

RGB 77 233 211

HSL 171.54, 0.78%, 0.61%

LAB 84.26, -45.47, -1.2

 

CMYK 67 / 9 / 0 / 9

HEX #4DD4E9

RGB 77 212 233

HSL 188.08, 0.78%, 0.61%

LAB 78.78, -29.79, -21.06

 

CMYK 67 / 27 / 0 / 9

HEX #4DAAE9

RGB 77 170 233

HSL 204.23, 0.78%, 0.61%

LAB 66.68, -8.03, -39.69

 

CMYK 67 / 0 / 45 / 9

HEX #4DE980

RGB 77 233 128

HSL 139.62, 0.78%, 0.61%

LAB 82.6, -62.92, 39.32

 

CMYK 76 / 0 / 51 / 2

HEX #3DF97A

RGB 61 249 122

HSL 139.47, 0.94%, 0.61%

LAB 87.07, -71.73, 47.74

 

CMYK 67 / 0 / 45 / 9

HEX #4DE980

RGB 77 233 128

HSL 139.62, 0.78%, 0.61%

LAB 82.6, -62.92, 39.32

 

CMYK 57 / 0 / 39 / 15

HEX #5ED985

RGB 94 217 133

HSL 139.02, 0.62%, 0.61%

LAB 78.29, -52.65, 31.3

 

CMYK 45 / 0 / 31 / 22

HEX #6EC88B

RGB 110 200 139

HSL 139.33, 0.45%, 0.61%

LAB 73.86, -40.42, 22.34

 

CMYK 32 / 0 / 21 / 28

HEX #7EB891

RGB 126 184 145

HSL 139.66, 0.29%, 0.61%

LAB 70.01, -27.09, 13.91

 

CMYK 15 / 0 / 11 / 34

HEX #8EA896

RGB 142 168 150

HSL 138.46, 0.13%, 0.61%

LAB 66.49, -12.63, 6.3

 

CMYK 52 / 0 / 67 / 9

HEX #6FE94D

RGB 111 233 77

HSL 106.92, 0.78%, 0.61%

LAB 83.02, -61.6, 62.87

 

CMYK 67 / 0 / 64 / 9

HEX #4DE955

RGB 77 233 85

HSL 123.08, 0.78%, 0.61%

LAB 82.12, -68.54, 58.41

 

CMYK 67 / 0 / 45 / 9

HEX #4DE97F

RGB 77 233 127

HSL 139.23, 0.78%, 0.61%

LAB 82.59, -63.08, 39.79

 

CMYK 67 / 0 / 28 / 9

HEX #4DE9A8

RGB 77 233 168

HSL 155, 0.78%, 0.61%

LAB 83.28, -55.52, 19.93

 

CMYK 67 / 0 / 10 / 9

HEX #4DE9D1

RGB 77 233 209

HSL 170.77, 0.78%, 0.61%

LAB 84.2, -45.98, -0.23

 

CMYK 88 / 0 / 60 / 20

HEX #19CB52

RGB 25 203 82

HSL 139.21, 0.78%, 0.45%

LAB 71.91, -66.09, 47.92

 

CMYK 82 / 0 / 56 / 11

HEX #29E465

RGB 41 228 101

HSL 139.25, 0.78%, 0.53%

LAB 80.12, -70.12, 48.98

 

CMYK 67 / 0 / 45 / 9

HEX #4DE980

RGB 77 233 128

HSL 139.62, 0.78%, 0.61%

LAB 82.6, -62.92, 39.32

 

CMYK 52 / 0 / 35 / 7

HEX #72ED9A

RGB 114 237 154

HSL 139.51, 0.77%, 0.69%

LAB 85.24, -52.38, 29.97

 

CMYK 38 / 0 / 26 / 5

HEX #97F2B4

RGB 151 242 180

HSL 139.12, 0.78%, 0.77%

LAB 88.63, -40.08, 21.53

 

CMYK 67 / 0 / 45 / 9

HEX #4EE980

RGB 78 233 128

HSL 139.35, 0.78%, 0.61%

LAB 82.62, -62.74, 39.35

 

CMYK 67 / 35 / 0 / 9

HEX #4D98E9

RGB 77 152 233

HSL 211.15, 0.78%, 0.61%

LAB 61.58, 2.19, -47.71

 

CMYK 0 / 67 / 61 / 9

HEX #E94D5A

RGB 233 77 90

HSL 355, 0.78%, 0.61%

LAB 55.45, 60.7, 26.84

 

CMYK 67 / 0 / 45 / 9

HEX #4EE980

RGB 78 233 128

HSL 139.35, 0.78%, 0.61%

LAB 82.62, -62.74, 39.35

 

CMYK 45 / 67 / 0 / 9

HEX #7F4DE9

RGB 127 77 233

HSL 259.23, 0.78%, 0.61%

LAB 46.58, 55.3, -71.62

 

CMYK 0 / 45 / 67 / 9

HEX #E97F4D

RGB 233 127 77

HSL 19.23, 0.78%, 0.61%

LAB 64.19, 36.79, 44.67

 

CMYK 67 / 0 / 45 / 9

HEX #4EE980

RGB 78 233 128

HSL 139.35, 0.78%, 0.61%

LAB 82.62, -62.74, 39.35

 

CMYK 67 / 35 / 0 / 9

HEX #4D98E9

RGB 77 152 233

HSL 211.15, 0.78%, 0.61%

LAB 61.58, 2.19, -47.71

 

CMYK 0 / 67 / 21 / 9

HEX #E94DB7

RGB 233 77 183

HSL 319.23, 0.78%, 0.61%

LAB 58.08, 69.8, -23.92

 

CMYK 0 / 32 / 67 / 9

HEX #E99E4D

RGB 233 158 77

HSL 31.15, 0.78%, 0.61%

LAB 71.09, 20.49, 52.42

 

CMYK 67 / 0 / 45 / 9

HEX #4EE980

RGB 78 233 128

HSL 139.35, 0.78%, 0.61%

LAB 82.62, -62.74, 39.35

 

CMYK 67 / 55 / 0 / 9

HEX #4D6AE9

RGB 77 106 233

HSL 228.85, 0.78%, 0.61%

LAB 49.21, 30.13, -67.51

 

CMYK 0 / 67 / 21 / 9

HEX #E94DB7

RGB 233 77 183

HSL 319.23, 0.78%, 0.61%

LAB 58.08, 69.8, -23.92

 

CMYK 0 / 12 / 67 / 9

HEX #E9CC4D

RGB 233 204 77

HSL 48.85, 0.78%, 0.61%

LAB 82.4, -3.65, 64.51

 

Description

Color code: RGB 78 233 128 | qconv.com Color code: RGB 78 233 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 78 red, 233 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
78 233 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 45 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 45% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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