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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 175 143 it is the complementary color RGB 176 80 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 175 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 175 143 shade: RGB 84 175 138, RGB 101 193 157, RGB 118 211 176, RGB 135 229 195 and RGB 152 247 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 175 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 175 143 shade: RGB 79 175 143, RGB 62 157 124, RGB 45 139 105, RGB 28 121 86 and RGB 11 103 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 175 143 shade: RGB 79 175 143, RGB 79 175 117, RGB 79 175 91, RGB 92 175 79 and RGB 118 175 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 175 143 shade: RGB 79 175 143, RGB 79 175 169, RGB 79 155 175, RGB 79 129 175 and RGB 79 103 175

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 175 143 shade matches the following richer shades: RGB 79 175 143, RGB 58 196 150, RGB 37 217 157 and RGB 17 237 164

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 175 143 shade: RGB 79 175 143, RGB 99 155 136, RGB 120 134 129, RGB 140 114 123 and RGB 161 93 116

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 175 143 shade: RGB 79 175 91, RGB 79 175 117, RGB 79 175 143, RGB 79 175 169 and RGB 79 156 175

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 175 143 shade: RGB 53 119 97, RGB 66 147 120, RGB 79 175 143, RGB 107 188 161 and RGB 135 201 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 175 143 shade: RGB 79 175 143, RGB 79 91 175 and RGB 175 104 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 175 143 shade: RGB 79 175 143, RGB 143 79 175 and RGB 175 143 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 175 143 shade: RGB 79 175 143, RGB 79 91 175, RGB 175 79 111 and RGB 175 163 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 175 143 shade: RGB 79 175 143, RGB 95 79 175, RGB 175 79 111 and RGB 159 175 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 18 / 31

HEX #4FAF8F

RGB 79 175 143

HSL 160, 0.38%, 0.5%

LAB 65.2, -36.14, 7.92

 

Complementary color

CMYK 0 / 55 / 36 / 31

HEX #B05070

RGB 176 80 112

HSL 340, 0.38%, 0.5%

LAB 47.15, 42.48, 0.78

 

CMYK 52 / 0 / 21 / 31

HEX #54AF8A

RGB 84 175 138

HSL 155.6, 0.36%, 0.51%

LAB 65.26, -36.12, 10.78

 

CMYK 48 / 0 / 19 / 24

HEX #65C19D

RGB 101 193 157

HSL 156.52, 0.43%, 0.58%

LAB 71.79, -35.99, 9.74

 

CMYK 44 / 0 / 17 / 17

HEX #76D3B0

RGB 118 211 176

HSL 157.42, 0.51%, 0.65%

LAB 78.21, -35.81, 8.78

 

CMYK 41 / 0 / 15 / 10

HEX #87E5C3

RGB 135 229 195

HSL 158.3, 0.64%, 0.71%

LAB 84.55, -35.62, 7.88

 

CMYK 38 / 0 / 13 / 3

HEX #98F7D6

RGB 152 247 214

HSL 159.16, 0.86%, 0.78%

LAB 90.8, -35.42, 7.04

 

CMYK 55 / 0 / 18 / 31

HEX #4FAF8F

RGB 79 175 143

HSL 160, 0.38%, 0.5%

LAB 65.2, -36.14, 7.92

 

CMYK 61 / 0 / 21 / 38

HEX #3E9D7C

RGB 62 157 124

HSL 159.16, 0.43%, 0.43%

LAB 58.6, -36.11, 9.04

 

CMYK 68 / 0 / 24 / 45

HEX #2D8B69

RGB 45 139 105

HSL 158.3, 0.51%, 0.36%

LAB 51.89, -35.89, 10.3

 

CMYK 77 / 0 / 29 / 53

HEX #1C7956

RGB 28 121 86

HSL 157.42, 0.62%, 0.29%

LAB 45.07, -35.38, 11.74

 

CMYK 89 / 0 / 35 / 60

HEX #0B6743

RGB 11 103 67

HSL 156.52, 0.81%, 0.22%

LAB 38.16, -34.34, 13.42

 

CMYK 55 / 0 / 18 / 31

HEX #4FAF8F

RGB 79 175 143

HSL 160, 0.38%, 0.5%

LAB 65.2, -36.14, 7.92

 

CMYK 55 / 0 / 33 / 31

HEX #4FAF75

RGB 79 175 117

HSL 143.75, 0.38%, 0.5%

LAB 64.65, -41.73, 21.39

 

CMYK 55 / 0 / 48 / 31

HEX #4FAF5B

RGB 79 175 91

HSL 127.5, 0.38%, 0.5%

LAB 64.22, -46.22, 34.56

 

CMYK 47 / 0 / 55 / 31

HEX #5CAF4F

RGB 92 175 79

HSL 111.88, 0.38%, 0.5%

LAB 64.56, -44.24, 41.06

 

CMYK 33 / 0 / 55 / 31

HEX #76AF4F

RGB 118 175 79

HSL 95.63, 0.38%, 0.5%

LAB 65.81, -35.66, 42.84

 

CMYK 55 / 0 / 18 / 31

HEX #4FAF8F

RGB 79 175 143

HSL 160, 0.38%, 0.5%

LAB 65.2, -36.14, 7.92

 

CMYK 55 / 0 / 3 / 31

HEX #4FAFA9

RGB 79 175 169

HSL 176.25, 0.38%, 0.5%

LAB 65.89, -29.6, -5.51

 

CMYK 55 / 11 / 0 / 31

HEX #4F9BAF

RGB 79 155 175

HSL 192.5, 0.38%, 0.5%

LAB 60.07, -17.74, -17.61

 

CMYK 55 / 26 / 0 / 31

HEX #4F81AF

RGB 79 129 175

HSL 208.75, 0.38%, 0.5%

LAB 52.35, -3.23, -29.47

 

CMYK 55 / 41 / 0 / 31

HEX #4F67AF

RGB 79 103 175

HSL 225, 0.38%, 0.5%

LAB 44.88, 12.57, -41.21

 

CMYK 55 / 0 / 18 / 31

HEX #4FAF8F

RGB 79 175 143

HSL 160, 0.38%, 0.5%

LAB 65.2, -36.14, 7.92

 

CMYK 70 / 0 / 23 / 23

HEX #3AC496

RGB 58 196 150

HSL 160, 0.54%, 0.5%

LAB 71.27, -47.52, 12.62

 

CMYK 83 / 0 / 28 / 15

HEX #25D99D

RGB 37 217 157

HSL 160, 0.71%, 0.5%

LAB 77.55, -56.63, 17.63

 

CMYK 93 / 0 / 31 / 7

HEX #11EDA4

RGB 17 237 164

HSL 160.09, 0.87%, 0.5%

LAB 83.64, -63.67, 22.38

 

CMYK 55 / 0 / 18 / 31

HEX #4FAF8F

RGB 79 175 143

HSL 160, 0.38%, 0.5%

LAB 65.2, -36.14, 7.92

 

CMYK 36 / 0 / 12 / 39

HEX #639B88

RGB 99 155 136

HSL 159.64, 0.22%, 0.5%

LAB 59.77, -22.86, 4.15

 

CMYK 10 / 0 / 4 / 47

HEX #788681

RGB 120 134 129

HSL 158.57, 0.06%, 0.5%

LAB 54.69, -6.14, 0.94

 

CMYK 0 / 19 / 12 / 45

HEX #8C727B

RGB 140 114 123

HSL 339.23, 0.1%, 0.5%

LAB 50.73, 11.76, -1.11

 

CMYK 0 / 42 / 28 / 37

HEX #A15D74

RGB 161 93 116

HSL 339.71, 0.27%, 0.5%

LAB 47.84, 30.74, -0.89

 

CMYK 55 / 0 / 48 / 31

HEX #4FAF5B

RGB 79 175 91

HSL 127.5, 0.38%, 0.5%

LAB 64.22, -46.22, 34.56

 

CMYK 55 / 0 / 33 / 31

HEX #4FAF75

RGB 79 175 117

HSL 143.75, 0.38%, 0.5%

LAB 64.65, -41.73, 21.39

 

CMYK 55 / 0 / 18 / 31

HEX #4FAF8F

RGB 79 175 143

HSL 160, 0.38%, 0.5%

LAB 65.2, -36.14, 7.92

 

CMYK 55 / 0 / 3 / 31

HEX #4FAFA9

RGB 79 175 169

HSL 176.25, 0.38%, 0.5%

LAB 65.89, -29.6, -5.51

 

CMYK 55 / 11 / 0 / 31

HEX #4F9CAF

RGB 79 156 175

HSL 191.88, 0.38%, 0.5%

LAB 60.37, -18.27, -17.15

 

CMYK 55 / 0 / 18 / 53

HEX #357761

RGB 53 119 97

HSL 160, 0.38%, 0.34%

LAB 45.38, -26.78, 5.78

 

CMYK 55 / 0 / 18 / 42

HEX #429378

RGB 66 147 120

HSL 160, 0.38%, 0.42%

LAB 55.46, -31.55, 6.87

 

CMYK 55 / 0 / 18 / 31

HEX #4FAF8F

RGB 79 175 143

HSL 160, 0.38%, 0.5%

LAB 65.2, -36.14, 7.92

 

CMYK 43 / 0 / 14 / 26

HEX #6BBCA1

RGB 107 188 161

HSL 160, 0.38%, 0.58%

LAB 70.64, -31.21, 5.96

 

CMYK 33 / 0 / 11 / 21

HEX #87C9B3

RGB 135 201 179

HSL 160, 0.38%, 0.66%

LAB 76.18, -25.73, 4.34

 

CMYK 55 / 0 / 18 / 31

HEX #4FAF8F

RGB 79 175 143

HSL 160, 0.38%, 0.5%

LAB 65.2, -36.14, 7.92

 

CMYK 55 / 48 / 0 / 31

HEX #4F5BAF

RGB 79 91 175

HSL 232.5, 0.38%, 0.5%

LAB 41.59, 20.16, -46.45

 

CMYK 0 / 41 / 55 / 31

HEX #AF684F

RGB 175 104 79

HSL 15.63, 0.38%, 0.5%

LAB 51.36, 25.87, 26.17

 

CMYK 55 / 0 / 18 / 31

HEX #4FAF8F

RGB 79 175 143

HSL 160, 0.38%, 0.5%

LAB 65.2, -36.14, 7.92

 

CMYK 18 / 55 / 0 / 31

HEX #8F4FAF

RGB 143 79 175

HSL 280, 0.38%, 0.5%

LAB 44.98, 43.51, -40.69

 

CMYK 0 / 18 / 55 / 31

HEX #AF8F4F

RGB 175 143 79

HSL 40, 0.38%, 0.5%

LAB 61.07, 4.09, 38.24

 

CMYK 55 / 0 / 18 / 31

HEX #4FAF8F

RGB 79 175 143

HSL 160, 0.38%, 0.5%

LAB 65.2, -36.14, 7.92

 

CMYK 55 / 48 / 0 / 31

HEX #4F5BAF

RGB 79 91 175

HSL 232.5, 0.38%, 0.5%

LAB 41.59, 20.16, -46.45

 

CMYK 0 / 55 / 37 / 31

HEX #AF4F6F

RGB 175 79 111

HSL 340, 0.38%, 0.5%

LAB 46.78, 42.51, 0.83

 

CMYK 0 / 7 / 55 / 31

HEX #AFA34F

RGB 175 163 79

HSL 52.5, 0.38%, 0.5%

LAB 66.42, -6.76, 44.58

 

CMYK 55 / 0 / 18 / 31

HEX #4FAF8F

RGB 79 175 143

HSL 160, 0.38%, 0.5%

LAB 65.2, -36.14, 7.92

 

CMYK 46 / 55 / 0 / 31

HEX #5F4FAF

RGB 95 79 175

HSL 250, 0.38%, 0.5%

LAB 39.78, 31.27, -49.3

 

CMYK 0 / 55 / 37 / 31

HEX #AF4F6F

RGB 175 79 111

HSL 340, 0.38%, 0.5%

LAB 46.78, 42.51, 0.83

 

CMYK 9 / 0 / 55 / 31

HEX #9FAF4F

RGB 159 175 79

HSL 70, 0.38%, 0.5%

LAB 68.46, -19.72, 46.6

 

Description

Color code: RGB 79 175 143 | qconv.com Color code: RGB 79 175 143 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 175 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 175 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 18 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 18% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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