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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 178 221 it is the complementary color RGB 176 77 34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 178 221. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 178 221 shade: RGB 84 178 216, RGB 101 196 235, RGB 118 214 254, RGB 135 232 255 and RGB 152 250 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 178 221. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 178 221 shade: RGB 79 178 221, RGB 62 160 202, RGB 45 142 183, RGB 28 124 164 and RGB 11 106 145

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 178 221 shade: RGB 79 178 221, RGB 79 140 221, RGB 79 101 221, RGB 95 79 221 and RGB 133 79 221

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 178 221 shade: RGB 79 178 221, RGB 79 140 221, RGB 79 101 221 and RGB 79 79 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 178 221 shade matches the following richer shades: RGB 79 178 221 and RGB 62 185 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 178 221 shade: RGB 79 178 221, RGB 96 171 204, RGB 113 165 187, RGB 130 158 170 and RGB 147 151 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 178 221 shade: RGB 79 221 188, RGB 79 216 221, RGB 79 178 221, RGB 79 140 221 and RGB 79 103 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 178 221 shade: RGB 34 138 183, RGB 44 163 214, RGB 79 178 221, RGB 114 193 228 and RGB 148 208 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 178 221 shade: RGB 79 178 221, RGB 150 79 221 and RGB 221 207 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 178 221 shade: RGB 79 178 221, RGB 221 79 178 and RGB 178 221 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 178 221 shade: RGB 79 178 221, RGB 150 79 221, RGB 221 122 79 and RGB 150 221 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 178 221 shade: RGB 79 178 221, RGB 193 79 221, RGB 221 122 79 and RGB 107 221 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 19 / 0 / 13

HEX #4FB2DD

RGB 79 178 221

HSL 198.17, 0.68%, 0.59%

LAB 68.55, -15.9, -30.21

 

Complementary color

CMYK 0 / 56 / 81 / 31

HEX #B04D22

RGB 176 77 34

HSL 18.17, 0.68%, 0.41%

LAB 45.16, 37.93, 43.45

 

CMYK 61 / 18 / 0 / 15

HEX #54B2D8

RGB 84 178 216

HSL 197.27, 0.63%, 0.59%

LAB 68.52, -16.59, -27.5

 

CMYK 57 / 17 / 0 / 8

HEX #65C4EB

RGB 101 196 235

HSL 197.46, 0.77%, 0.66%

LAB 74.98, -17.14, -27.87

 

CMYK 54 / 16 / 0 / 0

HEX #76D6FE

RGB 118 214 254

HSL 197.65, 0.99%, 0.73%

LAB 81.35, -17.57, -28.22

 

CMYK 47 / 9 / 0 / 0

HEX #87E8FF

RGB 135 232 255

HSL 191.5, 1%, 0.76%

LAB 87.04, -22.73, -20.03

 

CMYK 40 / 2 / 0 / 0

HEX #98FAFF

RGB 152 250 255

HSL 182.91, 1%, 0.8%

LAB 92.69, -27.57, -11.47

 

CMYK 64 / 19 / 0 / 13

HEX #4FB2DD

RGB 79 178 221

HSL 198.17, 0.68%, 0.59%

LAB 68.55, -15.9, -30.21

 

CMYK 69 / 21 / 0 / 21

HEX #3EA0CA

RGB 62 160 202

HSL 198, 0.57%, 0.52%

LAB 62.02, -15.02, -29.83

 

CMYK 75 / 22 / 0 / 28

HEX #2D8EB7

RGB 45 142 183

HSL 197.83, 0.61%, 0.45%

LAB 55.4, -13.88, -29.41

 

CMYK 83 / 24 / 0 / 36

HEX #1C7CA4

RGB 28 124 164

HSL 197.65, 0.71%, 0.38%

LAB 48.69, -12.36, -28.92

 

CMYK 92 / 27 / 0 / 43

HEX #0B6A91

RGB 11 106 145

HSL 197.46, 0.86%, 0.31%

LAB 41.88, -10.32, -28.35

 

CMYK 64 / 19 / 0 / 13

HEX #4FB2DD

RGB 79 178 221

HSL 198.17, 0.68%, 0.59%

LAB 68.55, -15.9, -30.21

 

CMYK 64 / 37 / 0 / 13

HEX #4F8CDD

RGB 79 140 221

HSL 214.23, 0.68%, 0.59%

LAB 57.69, 5.49, -47.19

 

CMYK 64 / 54 / 0 / 13

HEX #4F65DD

RGB 79 101 221

HSL 230.7, 0.68%, 0.59%

LAB 47.22, 29.42, -63.96

 

CMYK 57 / 64 / 0 / 13

HEX #5F4FDD

RGB 95 79 221

HSL 246.76, 0.68%, 0.59%

LAB 43.13, 45.3, -70.57

 

CMYK 40 / 64 / 0 / 13

HEX #854FDD

RGB 133 79 221

HSL 262.82, 0.68%, 0.59%

LAB 46.71, 52.26, -64.59

 

CMYK 64 / 19 / 0 / 13

HEX #4FB2DD

RGB 79 178 221

HSL 198.17, 0.68%, 0.59%

LAB 68.55, -15.9, -30.21

 

CMYK 64 / 37 / 0 / 13

HEX #4F8CDD

RGB 79 140 221

HSL 214.23, 0.68%, 0.59%

LAB 57.69, 5.49, -47.19

 

CMYK 64 / 54 / 0 / 13

HEX #4F65DD

RGB 79 101 221

HSL 230.7, 0.68%, 0.59%

LAB 47.22, 29.42, -63.96

 

CMYK 64 / 64 / 0 / 13

HEX #4F4FDD

RGB 79 79 221

HSL 240, 0.68%, 0.59%

LAB 41.96, 42.89, -72.52

 

CMYK 64 / 19 / 0 / 13

HEX #4FB2DD

RGB 79 178 221

HSL 198.17, 0.68%, 0.59%

LAB 68.55, -15.9, -30.21

 

CMYK 74 / 22 / 0 / 7

HEX #3EB9EE

RGB 62 185 238

HSL 198.07, 0.84%, 0.59%

LAB 70.8, -16.54, -36.04

 

CMYK 64 / 19 / 0 / 13

HEX #4FB2DD

RGB 79 178 221

HSL 198.17, 0.68%, 0.59%

LAB 68.55, -15.9, -30.21

 

CMYK 53 / 16 / 0 / 20

HEX #60ABCC

RGB 96 171 204

HSL 198.33, 0.51%, 0.59%

LAB 66.5, -14.09, -23.95

 

CMYK 40 / 12 / 0 / 27

HEX #71A5BB

RGB 113 165 187

HSL 197.84, 0.35%, 0.59%

LAB 64.97, -11.49, -16.77

 

CMYK 24 / 7 / 0 / 33

HEX #829EAA

RGB 130 158 170

HSL 198, 0.19%, 0.59%

LAB 63.43, -6.96, -9.47

 

CMYK 4 / 1 / 0 / 40

HEX #939799

RGB 147 151 153

HSL 200, 0.03%, 0.59%

LAB 62.2, -1.04, -1.56

 

CMYK 64 / 0 / 15 / 13

HEX #4FDDBC

RGB 79 221 188

HSL 166.06, 0.68%, 0.59%

LAB 80.18, -45.73, 5.05

 

CMYK 64 / 2 / 0 / 13

HEX #4FD8DD

RGB 79 216 221

HSL 182.11, 0.68%, 0.59%

LAB 79.61, -34.84, -13.39

 

CMYK 64 / 19 / 0 / 13

HEX #4FB2DD

RGB 79 178 221

HSL 198.17, 0.68%, 0.59%

LAB 68.55, -15.9, -30.21

 

CMYK 64 / 37 / 0 / 13

HEX #4F8CDD

RGB 79 140 221

HSL 214.23, 0.68%, 0.59%

LAB 57.69, 5.49, -47.19

 

CMYK 64 / 53 / 0 / 13

HEX #4F67DD

RGB 79 103 221

HSL 229.86, 0.68%, 0.59%

LAB 47.73, 28.17, -63.14

 

CMYK 81 / 25 / 0 / 28

HEX #228AB7

RGB 34 138 183

HSL 198.12, 0.69%, 0.43%

LAB 53.96, -12.85, -31.67

 

CMYK 79 / 24 / 0 / 16

HEX #2CA3D6

RGB 44 163 214

HSL 198, 0.67%, 0.51%

LAB 63, -14.8, -35.03

 

CMYK 64 / 19 / 0 / 13

HEX #4FB2DD

RGB 79 178 221

HSL 198.17, 0.68%, 0.59%

LAB 68.55, -15.9, -30.21

 

CMYK 50 / 15 / 0 / 11

HEX #72C1E4

RGB 114 193 228

HSL 198.42, 0.68%, 0.67%

LAB 74.39, -14.89, -24.94

 

CMYK 37 / 11 / 0 / 8

HEX #94D0EA

RGB 148 208 234

HSL 198.14, 0.67%, 0.75%

LAB 80.38, -12.81, -18.92

 

CMYK 64 / 19 / 0 / 13

HEX #4FB2DD

RGB 79 178 221

HSL 198.17, 0.68%, 0.59%

LAB 68.55, -15.9, -30.21

 

CMYK 32 / 64 / 0 / 13

HEX #964FDD

RGB 150 79 221

HSL 270, 0.68%, 0.59%

LAB 48.63, 55.78, -61.38

 

CMYK 0 / 6 / 64 / 13

HEX #DDCF4F

RGB 221 207 79

HSL 54.08, 0.68%, 0.59%

LAB 82.14, -10.09, 63.09

 

CMYK 64 / 19 / 0 / 13

HEX #4FB2DD

RGB 79 178 221

HSL 198.17, 0.68%, 0.59%

LAB 68.55, -15.9, -30.21

 

CMYK 0 / 64 / 19 / 13

HEX #DD4FB2

RGB 221 79 178

HSL 318.17, 0.68%, 0.59%

LAB 56.27, 65.22, -23.98

 

CMYK 19 / 0 / 64 / 13

HEX #B2DD4F

RGB 178 221 79

HSL 78.17, 0.68%, 0.59%

LAB 82.78, -34.26, 62.8

 

CMYK 64 / 19 / 0 / 13

HEX #4FB2DD

RGB 79 178 221

HSL 198.17, 0.68%, 0.59%

LAB 68.55, -15.9, -30.21

 

CMYK 32 / 64 / 0 / 13

HEX #964FDD

RGB 150 79 221

HSL 270, 0.68%, 0.59%

LAB 48.63, 55.78, -61.38

 

CMYK 0 / 45 / 64 / 13

HEX #DD7A4F

RGB 221 122 79

HSL 18.17, 0.68%, 0.59%

LAB 61.53, 34.77, 40.11

 

CMYK 32 / 0 / 64 / 13

HEX #96DD4F

RGB 150 221 79

HSL 90, 0.68%, 0.59%

LAB 81.16, -44.58, 60.59

 

CMYK 64 / 19 / 0 / 13

HEX #4FB2DD

RGB 79 178 221

HSL 198.17, 0.68%, 0.59%

LAB 68.55, -15.9, -30.21

 

CMYK 13 / 64 / 0 / 13

HEX #C14FDD

RGB 193 79 221

HSL 288.17, 0.68%, 0.59%

LAB 54.19, 65.3, -52.17

 

CMYK 0 / 45 / 64 / 13

HEX #DD7A4F

RGB 221 122 79

HSL 18.17, 0.68%, 0.59%

LAB 61.53, 34.77, 40.11

 

CMYK 52 / 0 / 64 / 13

HEX #6BDD4F

RGB 107 221 79

HSL 108.17, 0.68%, 0.59%

LAB 79.27, -58.07, 57.99

 

Description

Color code: RGB 79 178 221 | qconv.com Color code: RGB 79 178 221 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 178 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 178 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 19 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 19% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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