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Color name
RGB 79 185 125

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 185 125 it is the complementary color RGB 176 70 130. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 185 125. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 185 125 shade: RGB 84 185 120, RGB 101 203 139, RGB 118 221 158, RGB 135 239 177 and RGB 152 255 196

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 185 125. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 185 125 shade: RGB 79 185 125, RGB 62 167 106, RGB 45 149 87, RGB 28 131 68 and RGB 11 113 49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 185 125 shade: RGB 79 185 125, RGB 79 185 97, RGB 91 185 79, RGB 119 185 79 and RGB 147 185 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 185 125 shade: RGB 79 185 125, RGB 79 185 154, RGB 79 185 182, RGB 79 159 185 and RGB 79 131 185

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 185 125 shade matches the following richer shades: RGB 79 185 125, RGB 60 205 123, RGB 40 224 120 and RGB 20 244 117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 185 125 shade: RGB 79 185 125, RGB 99 165 128, RGB 119 145 130, RGB 139 125 133 and RGB 159 106 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 185 125 shade: RGB 90 185 79, RGB 79 185 97, RGB 79 185 125, RGB 79 185 153 and RGB 79 185 181

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 185 125 shade: RGB 52 130 86, RGB 63 160 105, RGB 79 185 125, RGB 109 196 147 and RGB 138 208 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 185 125 shade: RGB 79 185 125, RGB 79 118 185 and RGB 185 83 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 185 125 shade: RGB 79 185 125, RGB 125 79 185 and RGB 185 125 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 185 125 shade: RGB 79 185 125, RGB 79 118 185, RGB 185 79 139 and RGB 185 146 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 185 125 shade: RGB 79 185 125, RGB 79 86 185, RGB 185 79 139 and RGB 185 178 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 32 / 27

HEX #4FB97D

RGB 79 185 125

HSL 146.04, 0.43%, 0.52%

LAB 67.9, -44.42, 21.5

 

Complementary color

CMYK 0 / 60 / 26 / 31

HEX #B04682

RGB 176 70 130

HSL 326.04, 0.43%, 0.48%

LAB 45.94, 49.6, -11.95

 

CMYK 55 / 0 / 35 / 27

HEX #54B978

RGB 84 185 120

HSL 141.39, 0.42%, 0.53%

LAB 67.98, -44.21, 24.3

 

CMYK 50 / 0 / 32 / 20

HEX #65CB8B

RGB 101 203 139

HSL 142.35, 0.5%, 0.6%

LAB 74.41, -44.11, 23.03

 

CMYK 47 / 0 / 29 / 13

HEX #76DD9E

RGB 118 221 158

HSL 143.3, 0.6%, 0.66%

LAB 80.76, -43.93, 21.85

 

CMYK 44 / 0 / 26 / 6

HEX #87EFB1

RGB 135 239 177

HSL 144.23, 0.76%, 0.73%

LAB 87.03, -43.72, 20.75

 

CMYK 40 / 0 / 23 / 0

HEX #98FFC4

RGB 152 255 196

HSL 145.63, 1%, 0.8%

LAB 92.65, -42.61, 18.94

 

CMYK 57 / 0 / 32 / 27

HEX #4FB97D

RGB 79 185 125

HSL 146.04, 0.43%, 0.52%

LAB 67.9, -44.42, 21.5

 

CMYK 63 / 0 / 37 / 35

HEX #3EA76A

RGB 62 167 106

HSL 145.14, 0.46%, 0.45%

LAB 61.4, -44.33, 22.87

 

CMYK 70 / 0 / 42 / 42

HEX #2D9557

RGB 45 149 87

HSL 144.23, 0.54%, 0.38%

LAB 54.8, -43.99, 24.38

 

CMYK 79 / 0 / 48 / 49

HEX #1C8344

RGB 28 131 68

HSL 143.3, 0.65%, 0.31%

LAB 48.13, -43.26, 26.03

 

CMYK 90 / 0 / 57 / 56

HEX #0B7131

RGB 11 113 49

HSL 142.35, 0.82%, 0.24%

LAB 41.38, -41.84, 27.82

 

CMYK 57 / 0 / 32 / 27

HEX #4FB97D

RGB 79 185 125

HSL 146.04, 0.43%, 0.52%

LAB 67.9, -44.42, 21.5

 

CMYK 57 / 0 / 48 / 27

HEX #4FB961

RGB 79 185 97

HSL 130.19, 0.43%, 0.52%

LAB 67.44, -49.31, 35.55

 

CMYK 51 / 0 / 57 / 27

HEX #5BB94F

RGB 91 185 79

HSL 113.21, 0.43%, 0.52%

LAB 67.64, -48.6, 44.68

 

CMYK 36 / 0 / 57 / 27

HEX #77B94F

RGB 119 185 79

HSL 97.36, 0.43%, 0.52%

LAB 68.88, -39.78, 46.45

 

CMYK 21 / 0 / 57 / 27

HEX #93B94F

RGB 147 185 79

HSL 81.51, 0.43%, 0.52%

LAB 70.5, -29.44, 48.73

 

CMYK 57 / 0 / 32 / 27

HEX #4FB97D

RGB 79 185 125

HSL 146.04, 0.43%, 0.52%

LAB 67.9, -44.42, 21.5

 

CMYK 57 / 0 / 17 / 27

HEX #4FB99A

RGB 79 185 154

HSL 162.45, 0.43%, 0.52%

LAB 68.53, -38.09, 6.62

 

CMYK 57 / 0 / 2 / 27

HEX #4FB9B6

RGB 79 185 182

HSL 178.3, 0.43%, 0.52%

LAB 69.28, -30.92, -7.67

 

CMYK 57 / 14 / 0 / 27

HEX #4F9FB9

RGB 79 159 185

HSL 194.72, 0.43%, 0.52%

LAB 61.62, -16.89, -20.88

 

CMYK 57 / 29 / 0 / 27

HEX #4F83B9

RGB 79 131 185

HSL 210.57, 0.43%, 0.52%

LAB 53.38, -1.18, -33.61

 

CMYK 57 / 0 / 32 / 27

HEX #4FB97D

RGB 79 185 125

HSL 146.04, 0.43%, 0.52%

LAB 67.9, -44.42, 21.5

 

CMYK 71 / 0 / 40 / 20

HEX #3CCD7B

RGB 60 205 123

HSL 146.07, 0.59%, 0.52%

LAB 73.58, -56.35, 30.07

 

CMYK 82 / 0 / 46 / 12

HEX #28E078

RGB 40 224 120

HSL 146.09, 0.75%, 0.52%

LAB 79.11, -66.07, 38.68

 

CMYK 92 / 0 / 52 / 4

HEX #14F475

RGB 20 244 117

HSL 145.98, 0.91%, 0.52%

LAB 85.06, -74.36, 47.51

 

CMYK 57 / 0 / 32 / 27

HEX #4FB97D

RGB 79 185 125

HSL 146.04, 0.43%, 0.52%

LAB 67.9, -44.42, 21.5

 

CMYK 40 / 0 / 22 / 35

HEX #63A580

RGB 99 165 128

HSL 146.36, 0.27%, 0.52%

LAB 62.61, -29.55, 12.67

 

CMYK 18 / 0 / 10 / 43

HEX #779182

RGB 119 145 130

HSL 145.38, 0.11%, 0.52%

LAB 57.83, -12.35, 4.91

 

CMYK 0 / 10 / 4 / 45

HEX #8B7D85

RGB 139 125 133

HSL 325.71, 0.06%, 0.52%

LAB 53.87, 6.84, -2.39

 

CMYK 0 / 33 / 14 / 38

HEX #9F6A88

RGB 159 106 136

HSL 326.04, 0.22%, 0.52%

LAB 51.22, 25.84, -7.85

 

CMYK 51 / 0 / 57 / 27

HEX #5AB94F

RGB 90 185 79

HSL 113.77, 0.43%, 0.52%

LAB 67.6, -48.88, 44.63

 

CMYK 57 / 0 / 48 / 27

HEX #4FB961

RGB 79 185 97

HSL 130.19, 0.43%, 0.52%

LAB 67.44, -49.31, 35.55

 

CMYK 57 / 0 / 32 / 27

HEX #4FB97D

RGB 79 185 125

HSL 146.04, 0.43%, 0.52%

LAB 67.9, -44.42, 21.5

 

CMYK 57 / 0 / 17 / 27

HEX #4FB999

RGB 79 185 153

HSL 161.89, 0.43%, 0.52%

LAB 68.5, -38.33, 7.13

 

CMYK 57 / 0 / 2 / 27

HEX #4FB9B5

RGB 79 185 181

HSL 177.74, 0.43%, 0.52%

LAB 69.25, -31.2, -7.16

 

CMYK 60 / 0 / 34 / 49

HEX #348256

RGB 52 130 86

HSL 146.15, 0.43%, 0.36%

LAB 48.72, -34.72, 16.85

 

CMYK 61 / 0 / 34 / 37

HEX #3FA069

RGB 63 160 105

HSL 145.98, 0.43%, 0.44%

LAB 59.18, -41.38, 20.43

 

CMYK 57 / 0 / 32 / 27

HEX #4FB97D

RGB 79 185 125

HSL 146.04, 0.43%, 0.52%

LAB 67.9, -44.42, 21.5

 

CMYK 44 / 0 / 25 / 23

HEX #6DC493

RGB 109 196 147

HSL 146.21, 0.42%, 0.6%

LAB 72.78, -37.36, 16.59

 

CMYK 34 / 0 / 19 / 18

HEX #8AD0A9

RGB 138 208 169

HSL 146.57, 0.43%, 0.68%

LAB 78.1, -30.28, 12.47

 

CMYK 57 / 0 / 32 / 27

HEX #4FB97D

RGB 79 185 125

HSL 146.04, 0.43%, 0.52%

LAB 67.9, -44.42, 21.5

 

CMYK 57 / 36 / 0 / 27

HEX #4F76B9

RGB 79 118 185

HSL 217.92, 0.43%, 0.52%

LAB 49.64, 6.61, -39.48

 

CMYK 0 / 55 / 57 / 27

HEX #B9534F

RGB 185 83 79

HSL 2.26, 0.43%, 0.52%

LAB 48.34, 40.92, 22.54

 

CMYK 57 / 0 / 32 / 27

HEX #4FB97D

RGB 79 185 125

HSL 146.04, 0.43%, 0.52%

LAB 67.9, -44.42, 21.5

 

CMYK 32 / 57 / 0 / 27

HEX #7D4FB9

RGB 125 79 185

HSL 266.04, 0.43%, 0.52%

LAB 43.44, 41.24, -49.14

 

CMYK 0 / 32 / 57 / 27

HEX #B97D4F

RGB 185 125 79

HSL 26.04, 0.43%, 0.52%

LAB 57.6, 18.39, 34.29

 

CMYK 57 / 0 / 32 / 27

HEX #4FB97D

RGB 79 185 125

HSL 146.04, 0.43%, 0.52%

LAB 67.9, -44.42, 21.5

 

CMYK 57 / 36 / 0 / 27

HEX #4F76B9

RGB 79 118 185

HSL 217.92, 0.43%, 0.52%

LAB 49.64, 6.61, -39.48

 

CMYK 0 / 57 / 25 / 27

HEX #B94F8B

RGB 185 79 139

HSL 326.04, 0.43%, 0.52%

LAB 49.22, 49.45, -12.28

 

CMYK 0 / 21 / 57 / 27

HEX #B9924F

RGB 185 146 79

HSL 37.92, 0.43%, 0.52%

LAB 62.87, 6.76, 40.65

 

CMYK 57 / 0 / 32 / 27

HEX #4FB97D

RGB 79 185 125

HSL 146.04, 0.43%, 0.52%

LAB 67.9, -44.42, 21.5

 

CMYK 57 / 54 / 0 / 27

HEX #4F56B9

RGB 79 86 185

HSL 236.04, 0.43%, 0.52%

LAB 40.93, 26.66, -53.4

 

CMYK 0 / 57 / 25 / 27

HEX #B94F8B

RGB 185 79 139

HSL 326.04, 0.43%, 0.52%

LAB 49.22, 49.45, -12.28

 

CMYK 0 / 4 / 57 / 27

HEX #B9B24F

RGB 185 178 79

HSL 56.04, 0.43%, 0.52%

LAB 71.36, -10.37, 50.47

 

Description

Color code: RGB 79 185 125 | qconv.com Color code: RGB 79 185 125 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 185 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 185 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 32 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 32% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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