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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 79 206 139 it is the complementary color RGB 176 49 116. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 79 206 139. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 79 206 139 shade: RGB 84 206 134, RGB 101 224 153, RGB 118 242 172, RGB 135 255 191 and RGB 152 255 210

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 79 206 139. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 79 206 139 shade: RGB 79 206 139, RGB 62 188 120, RGB 45 170 101, RGB 28 152 82 and RGB 11 134 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 79 206 139 shade: RGB 79 205 139, RGB 79 205 105, RGB 88 205 79, RGB 122 205 79 and RGB 156 205 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 79 206 139 shade: RGB 79 205 139, RGB 79 205 173, RGB 79 204 205, RGB 79 170 205 and RGB 79 136 205

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 79 206 139 shade matches the following richer shades: RGB 79 205 139, RGB 61 223 138 and RGB 43 241 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 79 206 139 shade: RGB 79 205 139, RGB 98 187 140, RGB 116 169 141, RGB 134 151 142 and RGB 152 133 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 79 206 139 shade: RGB 88 205 79, RGB 79 205 105, RGB 79 205 138, RGB 79 205 172 and RGB 79 205 205

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 79 206 139 shade: RGB 44 158 98, RGB 53 190 118, RGB 79 205 139, RGB 112 214 160 and RGB 144 223 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 79 206 139 shade: RGB 79 206 139, RGB 79 121 205 and RGB 205 88 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 79 206 139 shade: RGB 79 206 139, RGB 138 79 205 and RGB 205 138 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 79 206 139 shade: RGB 79 206 139, RGB 79 121 205, RGB 205 79 146 and RGB 205 163 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 79 206 139 shade: RGB 79 206 139, RGB 79 84 205, RGB 205 79 146 and RGB 205 201 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 33 / 19

HEX #4FCE8B

RGB 79 206 139

HSL 148.35, 0.56%, 0.56%

LAB 74.62, -50.32, 23.2

 

Complementary color

CMYK 0 / 72 / 34 / 31

HEX #B03174

RGB 176 49 116

HSL 328.35, 0.56%, 0.44%

LAB 42.29, 56.47, -8.87

 

CMYK 59 / 0 / 35 / 19

HEX #54CE86

RGB 84 206 134

HSL 144.59, 0.55%, 0.57%

LAB 74.67, -50.25, 25.91

 

CMYK 55 / 0 / 32 / 12

HEX #65E099

RGB 101 224 153

HSL 145.37, 0.66%, 0.64%

LAB 80.95, -50.28, 24.62

 

CMYK 51 / 0 / 29 / 5

HEX #76F2AC

RGB 118 242 172

HSL 146.13, 0.83%, 0.71%

LAB 87.16, -50.2, 23.41

 

CMYK 47 / 0 / 25 / 0

HEX #87FFBF

RGB 135 255 191

HSL 148, 1%, 0.76%

LAB 91.88, -47.94, 20.31

 

CMYK 40 / 0 / 18 / 0

HEX #98FFD2

RGB 152 255 210

HSL 153.79, 1%, 0.8%

LAB 92.95, -39.87, 12.17

 

CMYK 62 / 0 / 33 / 19

HEX #4FCE8B

RGB 79 206 139

HSL 148.35, 0.56%, 0.56%

LAB 74.62, -50.32, 23.2

 

CMYK 67 / 0 / 36 / 26

HEX #3EBC78

RGB 62 188 120

HSL 147.62, 0.5%, 0.49%

LAB 68.28, -50.06, 24.59

 

CMYK 74 / 0 / 41 / 33

HEX #2DAA65

RGB 45 170 101

HSL 146.88, 0.58%, 0.42%

LAB 61.87, -49.54, 26.11

 

CMYK 82 / 0 / 46 / 40

HEX #1C9852

RGB 28 152 82

HSL 146.13, 0.69%, 0.35%

LAB 55.39, -48.6, 27.78

 

CMYK 92 / 0 / 53 / 47

HEX #0B863F

RGB 11 134 63

HSL 145.37, 0.85%, 0.28%

LAB 48.86, -47.04, 29.58

 

CMYK 61 / 0 / 32 / 20

HEX #4FCD8B

RGB 79 205 139

HSL 148.57, 0.56%, 0.56%

LAB 74.31, -49.91, 22.78

 

CMYK 61 / 0 / 49 / 20

HEX #4FCD69

RGB 79 205 105

HSL 132.38, 0.56%, 0.56%

LAB 73.77, -55.81, 39.49

 

CMYK 57 / 0 / 61 / 20

HEX #58CD4F

RGB 88 205 79

HSL 115.71, 0.56%, 0.56%

LAB 73.74, -57.05, 51.67

 

CMYK 40 / 0 / 61 / 20

HEX #7ACD4F

RGB 122 205 79

HSL 99.52, 0.56%, 0.56%

LAB 75.05, -47.31, 53.5

 

CMYK 24 / 0 / 61 / 20

HEX #9CCD4F

RGB 156 205 79

HSL 83.33, 0.56%, 0.56%

LAB 76.86, -35.32, 56.01

 

CMYK 61 / 0 / 32 / 20

HEX #4FCD8B

RGB 79 205 139

HSL 148.57, 0.56%, 0.56%

LAB 74.31, -49.91, 22.78

 

CMYK 61 / 0 / 16 / 20

HEX #4FCDAD

RGB 79 205 173

HSL 164.76, 0.56%, 0.56%

LAB 75.04, -42.42, 5.66

 

CMYK 61 / 0 / 0 / 20

HEX #4FCCCD

RGB 79 204 205

HSL 180.48, 0.56%, 0.56%

LAB 75.61, -33.66, -10.78

 

CMYK 61 / 17 / 0 / 20

HEX #4FAACD

RGB 79 170 205

HSL 196.67, 0.56%, 0.56%

LAB 65.61, -16.63, -25.93

 

CMYK 61 / 34 / 0 / 20

HEX #4F88CD

RGB 79 136 205

HSL 212.86, 0.56%, 0.56%

LAB 55.76, 2.47, -41.24

 

CMYK 61 / 0 / 32 / 20

HEX #4FCD8B

RGB 79 205 139

HSL 148.57, 0.56%, 0.56%

LAB 74.31, -49.91, 22.78

 

CMYK 73 / 0 / 38 / 13

HEX #3DDF8A

RGB 61 223 138

HSL 148.52, 0.72%, 0.56%

LAB 79.39, -60.09, 30.06

 

CMYK 82 / 0 / 43 / 5

HEX #2BF189

RGB 43 241 137

HSL 148.48, 0.88%, 0.56%

LAB 84.6, -68.66, 37.36

 

CMYK 61 / 0 / 32 / 20

HEX #4FCD8B

RGB 79 205 139

HSL 148.57, 0.56%, 0.56%

LAB 74.31, -49.91, 22.78

 

CMYK 48 / 0 / 25 / 27

HEX #62BB8C

RGB 98 187 140

HSL 148.31, 0.4%, 0.56%

LAB 69.49, -37.63, 15.71

 

CMYK 31 / 0 / 17 / 34

HEX #74A98D

RGB 116 169 141

HSL 148.3, 0.24%, 0.56%

LAB 64.97, -23.62, 8.91

 

CMYK 11 / 0 / 6 / 41

HEX #86978E

RGB 134 151 142

HSL 148.24, 0.08%, 0.56%

LAB 60.92, -7.88, 2.68

 

CMYK 0 / 13 / 6 / 40

HEX #98858F

RGB 152 133 143

HSL 328.42, 0.08%, 0.56%

LAB 57.5, 9, -2.71

 

CMYK 57 / 0 / 61 / 20

HEX #58CD4F

RGB 88 205 79

HSL 115.71, 0.56%, 0.56%

LAB 73.74, -57.05, 51.67

 

CMYK 61 / 0 / 49 / 20

HEX #4FCD69

RGB 79 205 105

HSL 132.38, 0.56%, 0.56%

LAB 73.77, -55.81, 39.49

 

CMYK 61 / 0 / 33 / 20

HEX #4FCD8A

RGB 79 205 138

HSL 148.1, 0.56%, 0.56%

LAB 74.29, -50.11, 23.28

 

CMYK 61 / 0 / 16 / 20

HEX #4FCDAC

RGB 79 205 172

HSL 164.29, 0.56%, 0.56%

LAB 75.02, -42.66, 6.16

 

CMYK 61 / 0 / 0 / 20

HEX #4FCDCD

RGB 79 205 205

HSL 180, 0.56%, 0.56%

LAB 75.9, -34.13, -10.34

 

CMYK 72 / 0 / 38 / 38

HEX #2C9E62

RGB 44 158 98

HSL 148.42, 0.56%, 0.4%

LAB 57.91, -45.6, 22.49

 

CMYK 72 / 0 / 38 / 25

HEX #35BE76

RGB 53 190 118

HSL 148.47, 0.56%, 0.48%

LAB 68.67, -52.71, 26.15

 

CMYK 61 / 0 / 32 / 20

HEX #4FCD8B

RGB 79 205 139

HSL 148.57, 0.56%, 0.56%

LAB 74.31, -49.91, 22.78

 

CMYK 48 / 0 / 25 / 16

HEX #70D6A0

RGB 112 214 160

HSL 148.24, 0.55%, 0.64%

LAB 78.51, -42.03, 17.65

 

CMYK 35 / 0 / 19 / 13

HEX #90DFB5

RGB 144 223 181

HSL 148.1, 0.55%, 0.72%

LAB 82.94, -33.23, 13

 

CMYK 62 / 0 / 33 / 19

HEX #4FCE8B

RGB 79 206 139

HSL 148.35, 0.56%, 0.56%

LAB 74.62, -50.32, 23.2

 

CMYK 61 / 41 / 0 / 20

HEX #4F79CD

RGB 79 121 205

HSL 220, 0.56%, 0.56%

LAB 51.55, 11.51, -47.92

 

CMYK 0 / 57 / 61 / 20

HEX #CD584F

RGB 205 88 79

HSL 4.29, 0.56%, 0.56%

LAB 52.42, 45.8, 28.42

 

CMYK 62 / 0 / 33 / 19

HEX #4FCE8B

RGB 79 206 139

HSL 148.35, 0.56%, 0.56%

LAB 74.62, -50.32, 23.2

 

CMYK 33 / 61 / 0 / 20

HEX #8A4FCD

RGB 138 79 205

HSL 268.1, 0.56%, 0.56%

LAB 46.18, 49.3, -56.26

 

CMYK 0 / 33 / 61 / 20

HEX #CD8A4F

RGB 205 138 79

HSL 28.1, 0.56%, 0.56%

LAB 63.11, 19.68, 41.48

 

CMYK 62 / 0 / 33 / 19

HEX #4FCE8B

RGB 79 206 139

HSL 148.35, 0.56%, 0.56%

LAB 74.62, -50.32, 23.2

 

CMYK 61 / 41 / 0 / 20

HEX #4F79CD

RGB 79 121 205

HSL 220, 0.56%, 0.56%

LAB 51.55, 11.51, -47.92

 

CMYK 0 / 61 / 29 / 20

HEX #CD4F92

RGB 205 79 146

HSL 328.1, 0.56%, 0.56%

LAB 52.56, 56.47, -11.11

 

CMYK 0 / 20 / 61 / 20

HEX #CDA34F

RGB 205 163 79

HSL 40, 0.56%, 0.56%

LAB 69.28, 6.11, 48.62

 

CMYK 62 / 0 / 33 / 19

HEX #4FCE8B

RGB 79 206 139

HSL 148.35, 0.56%, 0.56%

LAB 74.62, -50.32, 23.2

 

CMYK 61 / 59 / 0 / 20

HEX #4F54CD

RGB 79 84 205

HSL 237.62, 0.56%, 0.56%

LAB 41.86, 34.58, -63.51

 

CMYK 0 / 61 / 29 / 20

HEX #CD4F92

RGB 205 79 146

HSL 328.1, 0.56%, 0.56%

LAB 52.56, 56.47, -11.11

 

CMYK 0 / 2 / 61 / 20

HEX #CDC94F

RGB 205 201 79

HSL 58.1, 0.56%, 0.56%

LAB 79.22, -13.73, 59.59

 

Description

Color code: RGB 79 206 139 | qconv.com Color code: RGB 79 206 139 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 206 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 206 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 33 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 33% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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