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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 7 167 216 it is the complementary color RGB 248 88 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 7 167 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 7 167 216 shade: RGB 12 167 211, RGB 29 185 230, RGB 46 203 249, RGB 63 221 255 and RGB 80 239 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 7 167 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 7 167 216 shade: RGB 7 167 216, RGB 0 149 197, RGB 0 131 178, RGB 0 113 159 and RGB 0 95 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 7 167 216 shade: RGB 6 168 217, RGB 6 111 217, RGB 6 54 217, RGB 15 6 217 and RGB 72 6 217

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 7 167 216 shade: RGB 6 168 217, RGB 6 111 217, RGB 6 54 217 and RGB 6 6 217

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 7 167 216 shade matches the following richer shades: RGB 6 168 217

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 7 167 216 shade: RGB 6 168 217, RGB 24 158 199, RGB 43 148 181, RGB 61 139 163 and RGB 79 129 145

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 7 167 216 shade: RGB 6 217 154, RGB 6 217 210, RGB 6 168 217, RGB 6 112 217 and RGB 6 55 217

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 7 167 216 shade: RGB 4 106 137, RGB 5 137 177, RGB 6 168 217, RGB 17 193 247 and RGB 58 204 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 7 167 216 shade: RGB 7 167 216, RGB 98 6 217 and RGB 217 182 6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 7 167 216 shade: RGB 7 167 216, RGB 217 6 168 and RGB 168 217 6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 7 167 216 shade: RGB 7 167 216, RGB 98 6 217, RGB 217 55 6 and RGB 126 217 6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 7 167 216 shade: RGB 7 167 216, RGB 161 6 217, RGB 217 55 6 and RGB 62 217 6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 23 / 0 / 15

HEX #07A7D8

RGB 7 167 216

HSL 194.07, 0.94%, 0.44%

LAB 63.87, -18.44, -34.81

 

Complementary color

CMYK 0 / 65 / 84 / 3

HEX #F85827

RGB 248 88 39

HSL 14.07, 0.94%, 0.56%

LAB 59.05, 59.05, 58.24

 

CMYK 94 / 21 / 0 / 17

HEX #0CA7D3

RGB 12 167 211

HSL 193.27, 0.89%, 0.44%

LAB 63.69, -20.04, -32.32

 

CMYK 87 / 20 / 0 / 10

HEX #1DB9E6

RGB 29 185 230

HSL 193.43, 0.8%, 0.51%

LAB 69.95, -22.12, -33.05

 

CMYK 82 / 18 / 0 / 2

HEX #2ECBF9

RGB 46 203 249

HSL 193.6, 0.94%, 0.58%

LAB 76.15, -23.82, -33.7

 

CMYK 75 / 13 / 0 / 0

HEX #3FDDFF

RGB 63 221 255

HSL 190.63, 1%, 0.62%

LAB 81.83, -29.25, -28.14

 

CMYK 69 / 6 / 0 / 0

HEX #50EFFF

RGB 80 239 255

HSL 185.49, 1%, 0.66%

LAB 87.32, -35.81, -19.77

 

CMYK 97 / 23 / 0 / 15

HEX #07A7D8

RGB 7 167 216

HSL 194.07, 0.94%, 0.44%

LAB 63.87, -18.44, -34.81

 

CMYK 100 / 24 / 0 / 23

HEX #0095C5

RGB 0 149 197

HSL 194.62, 1%, 0.39%

LAB 57.58, -15.74, -33.99

 

CMYK 100 / 26 / 0 / 30

HEX #0083B2

RGB 0 131 178

HSL 195.84, 1%, 0.35%

LAB 51.21, -12.73, -33.13

 

CMYK 100 / 29 / 0 / 38

HEX #00719F

RGB 0 113 159

HSL 197.36, 1%, 0.31%

LAB 44.68, -9.58, -32.28

 

CMYK 100 / 32 / 0 / 45

HEX #005F8C

RGB 0 95 140

HSL 199.29, 1%, 0.27%

LAB 37.98, -6.26, -31.47

 

CMYK 97 / 23 / 0 / 15

HEX #06A8D9

RGB 6 168 217

HSL 193.93, 0.95%, 0.44%

LAB 64.2, -18.65, -34.84

 

CMYK 97 / 49 / 0 / 15

HEX #066FD9

RGB 6 111 217

HSL 210.14, 0.95%, 0.44%

LAB 47.52, 14.85, -61.32

 

CMYK 97 / 75 / 0 / 15

HEX #0636D9

RGB 6 54 217

HSL 226.35, 0.95%, 0.44%

LAB 33.32, 50.95, -84.56

 

CMYK 93 / 97 / 0 / 15

HEX #0F06D9

RGB 15 6 217

HSL 242.56, 0.95%, 0.44%

LAB 27.41, 69.08, -94.4

 

CMYK 67 / 97 / 0 / 15

HEX #4806D9

RGB 72 6 217

HSL 258.77, 0.95%, 0.44%

LAB 30.68, 70.55, -88.86

 

CMYK 97 / 23 / 0 / 15

HEX #06A8D9

RGB 6 168 217

HSL 193.93, 0.95%, 0.44%

LAB 64.2, -18.65, -34.84

 

CMYK 97 / 49 / 0 / 15

HEX #066FD9

RGB 6 111 217

HSL 210.14, 0.95%, 0.44%

LAB 47.52, 14.85, -61.32

 

CMYK 97 / 75 / 0 / 15

HEX #0636D9

RGB 6 54 217

HSL 226.35, 0.95%, 0.44%

LAB 33.32, 50.95, -84.56

 

CMYK 97 / 97 / 0 / 15

HEX #0606D9

RGB 6 6 217

HSL 240, 0.95%, 0.44%

LAB 27.24, 69.01, -94.69

 

CMYK 97 / 23 / 0 / 15

HEX #06A8D9

RGB 6 168 217

HSL 193.93, 0.95%, 0.44%

LAB 64.2, -18.65, -34.84

 

CMYK 97 / 23 / 0 / 15

HEX #06A8D9

RGB 6 168 217

HSL 193.93, 0.95%, 0.44%

LAB 64.2, -18.65, -34.84

 

CMYK 88 / 21 / 0 / 22

HEX #189EC7

RGB 24 158 199

HSL 194.06, 0.78%, 0.44%

LAB 60.58, -18.9, -30.44

 

CMYK 76 / 18 / 0 / 29

HEX #2B94B5

RGB 43 148 181

HSL 194.35, 0.62%, 0.44%

LAB 57.1, -18.07, -25.64

 

CMYK 63 / 15 / 0 / 36

HEX #3D8BA3

RGB 61 139 163

HSL 194.12, 0.46%, 0.44%

LAB 54.13, -16.41, -19.86

 

CMYK 46 / 11 / 0 / 43

HEX #4F8191

RGB 79 129 145

HSL 194.55, 0.29%, 0.44%

LAB 51.16, -12.34, -13.89

 

CMYK 97 / 0 / 29 / 15

HEX #06D99A

RGB 6 217 154

HSL 162.09, 0.95%, 0.44%

LAB 77.28, -58.93, 18.8

 

CMYK 97 / 0 / 3 / 15

HEX #06D9D2

RGB 6 217 210

HSL 178.01, 0.95%, 0.44%

LAB 78.65, -44.46, -9.04

 

CMYK 97 / 23 / 0 / 15

HEX #06A8D9

RGB 6 168 217

HSL 193.93, 0.95%, 0.44%

LAB 64.2, -18.65, -34.84

 

CMYK 97 / 48 / 0 / 15

HEX #0670D9

RGB 6 112 217

HSL 209.86, 0.95%, 0.44%

LAB 47.8, 14.21, -60.86

 

CMYK 97 / 75 / 0 / 15

HEX #0637D9

RGB 6 55 217

HSL 226.07, 0.95%, 0.44%

LAB 33.52, 50.38, -84.23

 

CMYK 97 / 23 / 0 / 46

HEX #046A89

RGB 4 106 137

HSL 193.98, 0.94%, 0.28%

LAB 41.44, -13.76, -24.25

 

CMYK 97 / 23 / 0 / 31

HEX #0589B1

RGB 5 137 177

HSL 193.95, 0.95%, 0.36%

LAB 53.06, -16.25, -29.66

 

CMYK 97 / 23 / 0 / 15

HEX #06A8D9

RGB 6 168 217

HSL 193.93, 0.95%, 0.44%

LAB 64.2, -18.65, -34.84

 

CMYK 93 / 22 / 0 / 3

HEX #11C1F7

RGB 17 193 247

HSL 194.09, 0.93%, 0.52%

LAB 72.88, -21.02, -37.73

 

CMYK 77 / 18 / 0 / 3

HEX #3ACCF8

RGB 58 204 248

HSL 193.89, 0.93%, 0.6%

LAB 76.6, -23.55, -32.46

 

CMYK 97 / 23 / 0 / 15

HEX #07A7D8

RGB 7 167 216

HSL 194.07, 0.94%, 0.44%

LAB 63.87, -18.44, -34.81

 

CMYK 55 / 97 / 0 / 15

HEX #6206D9

RGB 98 6 217

HSL 266.16, 0.95%, 0.44%

LAB 33.43, 72.08, -84.22

 

CMYK 0 / 16 / 97 / 15

HEX #D9B606

RGB 217 182 6

HSL 50.05, 0.95%, 0.44%

LAB 74.96, -1.31, 76.38

 

CMYK 97 / 23 / 0 / 15

HEX #07A7D8

RGB 7 167 216

HSL 194.07, 0.94%, 0.44%

LAB 63.87, -18.44, -34.81

 

CMYK 0 / 97 / 23 / 15

HEX #D906A8

RGB 217 6 168

HSL 313.93, 0.95%, 0.44%

LAB 49.14, 80.14, -29.21

 

CMYK 23 / 0 / 97 / 15

HEX #A8D906

RGB 168 217 6

HSL 73.93, 0.95%, 0.44%

LAB 80.72, -39.12, 78.99

 

CMYK 97 / 23 / 0 / 15

HEX #07A7D8

RGB 7 167 216

HSL 194.07, 0.94%, 0.44%

LAB 63.87, -18.44, -34.81

 

CMYK 55 / 97 / 0 / 15

HEX #6206D9

RGB 98 6 217

HSL 266.16, 0.95%, 0.44%

LAB 33.43, 72.08, -84.22

 

CMYK 0 / 75 / 97 / 15

HEX #D93706

RGB 217 55 6

HSL 13.93, 0.95%, 0.44%

LAB 48.88, 60.83, 59.38

 

CMYK 42 / 0 / 97 / 15

HEX #7ED906

RGB 126 217 6

HSL 85.88, 0.95%, 0.44%

LAB 78.51, -54.34, 76.32

 

CMYK 97 / 23 / 0 / 15

HEX #07A7D8

RGB 7 167 216

HSL 194.07, 0.94%, 0.44%

LAB 63.87, -18.44, -34.81

 

CMYK 26 / 97 / 0 / 15

HEX #A106D9

RGB 161 6 217

HSL 284.08, 0.95%, 0.44%

LAB 42.33, 78.41, -69.25

 

CMYK 0 / 75 / 97 / 15

HEX #D93706

RGB 217 55 6

HSL 13.93, 0.95%, 0.44%

LAB 48.88, 60.83, 59.38

 

CMYK 71 / 0 / 97 / 15

HEX #3ED906

RGB 62 217 6

HSL 104.08, 0.95%, 0.44%

LAB 76.47, -70.59, 73.84

 

Description

Color code: RGB 7 167 216 | qconv.com Color code: RGB 7 167 216 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 167 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 167 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 23 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 23% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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