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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 57 48 it is the complementary color RGB 172 198 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 57 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 57 48 shade: RGB 88 57 43, RGB 105 75 62, RGB 122 93 81, RGB 139 111 100 and RGB 156 129 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 57 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 57 48 shade: RGB 83 57 48, RGB 66 39 29, RGB 49 21 10, RGB 32 3 0 and RGB 15 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 57 48 shade: RGB 84 57 48 and RGB 84 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 57 48 shade: RGB 84 57 48, RGB 84 67 48, RGB 84 76 48, RGB 81 84 48 and RGB 72 84 48

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 57 48 shade matches the following richer shades: RGB 84 57 48, RGB 94 52 37, RGB 105 47 26, RGB 116 41 16 and RGB 127 36 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 57 48 shade: RGB 84 57 48, RGB 73 62 59, RGB 62 68 69, RGB 52 73 80 and RGB 41 78 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 57 48 shade: RGB 84 48 58, RGB 84 48 48, RGB 84 57 48, RGB 84 66 48 and RGB 84 76 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 57 48 shade: RGB 31 21 18, RGB 58 39 33, RGB 84 57 48, RGB 110 75 63 and RGB 136 93 78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 57 48 shade: RGB 83 57 48, RGB 68 84 48 and RGB 48 53 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 57 48 shade: RGB 83 57 48, RGB 48 84 57 and RGB 57 48 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 57 48 shade: RGB 83 57 48, RGB 68 84 48, RGB 48 75 84 and RGB 64 48 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 57 48 shade: RGB 83 57 48, RGB 57 84 48, RGB 48 75 84 and RGB 75 48 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 42 / 67

HEX #533930

RGB 83 57 48

HSL 15.43, 0.27%, 0.26%

LAB 26.67, 10.2, 10.2

 

Complementary color

CMYK 17 / 4 / 0 / 19

HEX #ACC6CF

RGB 172 198 207

HSL 195.43, 0.27%, 0.74%

LAB 78.27, -6.85, -7.45

 

CMYK 0 / 35 / 51 / 65

HEX #58392B

RGB 88 57 43

HSL 18.67, 0.34%, 0.26%

LAB 27.23, 11.91, 14.31

 

CMYK 0 / 29 / 41 / 59

HEX #694B3E

RGB 105 75 62

HSL 18.14, 0.26%, 0.33%

LAB 34.77, 10.84, 12.76

 

CMYK 0 / 24 / 34 / 52

HEX #7A5D51

RGB 122 93 81

HSL 17.56, 0.2%, 0.4%

LAB 42.09, 9.99, 11.45

 

CMYK 0 / 20 / 28 / 45

HEX #8B6F64

RGB 139 111 100

HSL 16.92, 0.16%, 0.47%

LAB 49.23, 9.31, 10.31

 

CMYK 0 / 17 / 24 / 39

HEX #9C8177

RGB 156 129 119

HSL 16.22, 0.16%, 0.54%

LAB 56.19, 8.73, 9.29

 

CMYK 0 / 31 / 42 / 67

HEX #533930

RGB 83 57 48

HSL 15.43, 0.27%, 0.26%

LAB 26.67, 10.2, 10.2

 

CMYK 0 / 41 / 56 / 74

HEX #42271D

RGB 66 39 29

HSL 16.22, 0.39%, 0.19%

LAB 18.79, 11.39, 11.88

 

CMYK 0 / 57 / 80 / 81

HEX #31150A

RGB 49 21 10

HSL 16.92, 0.66%, 0.12%

LAB 10.64, 13.04, 12.09

 

CMYK 0 / 91 / 100 / 87

HEX #200300

RGB 32 3 0

HSL 5.63, 1%, 0.06%

LAB 3.36, 11.24, 5.24

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 32 / 43 / 67

HEX #543930

RGB 84 57 48

HSL 15, 0.27%, 0.26%

LAB 26.8, 10.67, 10.4

 

CMYK 0 / 43 / 43 / 67

HEX #543030

RGB 84 48 48

HSL 0, 0.27%, 0.26%

LAB 24.36, 16.41, 7.03

 

CMYK 0 / 32 / 43 / 67

HEX #543930

RGB 84 57 48

HSL 15, 0.27%, 0.26%

LAB 26.8, 10.67, 10.4

 

CMYK 0 / 20 / 43 / 67

HEX #544330

RGB 84 67 48

HSL 31.67, 0.27%, 0.26%

LAB 29.69, 4.28, 14.3

 

CMYK 0 / 10 / 43 / 67

HEX #544C30

RGB 84 76 48

HSL 46.67, 0.27%, 0.26%

LAB 32.41, -1.35, 17.86

 

CMYK 4 / 0 / 43 / 67

HEX #515430

RGB 81 84 48

HSL 65, 0.27%, 0.26%

LAB 34.61, -7.58, 20.63

 

CMYK 14 / 0 / 43 / 67

HEX #485430

RGB 72 84 48

HSL 80, 0.27%, 0.26%

LAB 33.84, -11.67, 19.49

 

CMYK 0 / 32 / 43 / 67

HEX #543930

RGB 84 57 48

HSL 15, 0.27%, 0.26%

LAB 26.8, 10.67, 10.4

 

CMYK 0 / 45 / 61 / 63

HEX #5E3425

RGB 94 52 37

HSL 15.79, 0.44%, 0.26%

LAB 26.65, 17.21, 17.58

 

CMYK 0 / 55 / 75 / 59

HEX #692F1A

RGB 105 47 26

HSL 15.95, 0.6%, 0.26%

LAB 27.05, 24.32, 25.3

 

CMYK 0 / 65 / 86 / 55

HEX #742910

RGB 116 41 16

HSL 15, 0.76%, 0.26%

LAB 27.67, 31.69, 32.14

 

CMYK 0 / 72 / 96 / 50

HEX #7F2405

RGB 127 36 5

HSL 15.25, 0.92%, 0.26%

LAB 28.86, 37.94, 38.83

 

CMYK 0 / 32 / 43 / 67

HEX #543930

RGB 84 57 48

HSL 15, 0.27%, 0.26%

LAB 26.8, 10.67, 10.4

 

CMYK 0 / 15 / 19 / 71

HEX #493E3B

RGB 73 62 59

HSL 12.86, 0.11%, 0.26%

LAB 27.23, 4.18, 3.6

 

CMYK 10 / 1 / 0 / 73

HEX #3E4445

RGB 62 68 69

HSL 188.57, 0.05%, 0.26%

LAB 28.35, -2.23, -1.46

 

CMYK 35 / 9 / 0 / 69

HEX #344950

RGB 52 73 80

HSL 195, 0.21%, 0.26%

LAB 29.6, -6.17, -6.81

 

CMYK 55 / 14 / 0 / 64

HEX #294E5B

RGB 41 78 91

HSL 195.6, 0.38%, 0.26%

LAB 31.06, -9.12, -11.72

 

CMYK 0 / 43 / 31 / 67

HEX #54303A

RGB 84 48 58

HSL 343.33, 0.27%, 0.26%

LAB 24.65, 17.9, 0.71

 

CMYK 0 / 43 / 43 / 67

HEX #543030

RGB 84 48 48

HSL 0, 0.27%, 0.26%

LAB 24.36, 16.41, 7.03

 

CMYK 0 / 32 / 43 / 67

HEX #543930

RGB 84 57 48

HSL 15, 0.27%, 0.26%

LAB 26.8, 10.67, 10.4

 

CMYK 0 / 21 / 43 / 67

HEX #544230

RGB 84 66 48

HSL 30, 0.27%, 0.26%

LAB 29.4, 4.91, 13.91

 

CMYK 0 / 10 / 43 / 67

HEX #544C30

RGB 84 76 48

HSL 46.67, 0.27%, 0.26%

LAB 32.41, -1.35, 17.86

 

CMYK 0 / 32 / 42 / 88

HEX #1F1512

RGB 31 21 18

HSL 13.85, 0.27%, 0.1%

LAB 7.87, 4.53, 3.69

 

CMYK 0 / 33 / 43 / 77

HEX #3A2721

RGB 58 39 33

HSL 14.4, 0.27%, 0.18%

LAB 17.74, 7.98, 7.51

 

CMYK 0 / 32 / 43 / 67

HEX #543930

RGB 84 57 48

HSL 15, 0.27%, 0.26%

LAB 26.8, 10.67, 10.4

 

CMYK 0 / 32 / 43 / 57

HEX #6E4B3F

RGB 110 75 63

HSL 15.32, 0.27%, 0.34%

LAB 35.41, 13.2, 13.11

 

CMYK 0 / 32 / 43 / 47

HEX #885D4E

RGB 136 93 78

HSL 15.52, 0.27%, 0.42%

LAB 43.67, 15.62, 15.69

 

CMYK 0 / 31 / 42 / 67

HEX #533930

RGB 83 57 48

HSL 15.43, 0.27%, 0.26%

LAB 26.67, 10.2, 10.2

 

CMYK 19 / 0 / 43 / 67

HEX #445430

RGB 68 84 48

HSL 86.67, 0.27%, 0.26%

LAB 33.53, -13.43, 19.03

 

CMYK 43 / 37 / 0 / 67

HEX #303554

RGB 48 53 84

HSL 231.67, 0.27%, 0.26%

LAB 23.05, 6.93, -19.5

 

CMYK 0 / 31 / 42 / 67

HEX #533930

RGB 83 57 48

HSL 15.43, 0.27%, 0.26%

LAB 26.67, 10.2, 10.2

 

CMYK 43 / 0 / 32 / 67

HEX #305439

RGB 48 84 57

HSL 135, 0.27%, 0.26%

LAB 32.4, -19.7, 11.82

 

CMYK 32 / 43 / 0 / 67

HEX #393054

RGB 57 48 84

HSL 255, 0.27%, 0.26%

LAB 22.39, 13.31, -20.48

 

CMYK 0 / 31 / 42 / 67

HEX #533930

RGB 83 57 48

HSL 15.43, 0.27%, 0.26%

LAB 26.67, 10.2, 10.2

 

CMYK 19 / 0 / 43 / 67

HEX #445430

RGB 68 84 48

HSL 86.67, 0.27%, 0.26%

LAB 33.53, -13.43, 19.03

 

CMYK 43 / 11 / 0 / 67

HEX #304B54

RGB 48 75 84

HSL 195, 0.27%, 0.26%

LAB 30.16, -7.52, -8.57

 

CMYK 24 / 43 / 0 / 67

HEX #403054

RGB 64 48 84

HSL 266.67, 0.27%, 0.26%

LAB 23.15, 15.7, -19.23

 

CMYK 0 / 31 / 42 / 67

HEX #533930

RGB 83 57 48

HSL 15.43, 0.27%, 0.26%

LAB 26.67, 10.2, 10.2

 

CMYK 32 / 0 / 43 / 67

HEX #395430

RGB 57 84 48

HSL 105, 0.27%, 0.26%

LAB 32.75, -18.03, 17.88

 

CMYK 43 / 11 / 0 / 67

HEX #304B54

RGB 48 75 84

HSL 195, 0.27%, 0.26%

LAB 30.16, -7.52, -8.57

 

CMYK 11 / 43 / 0 / 67

HEX #4B3054

RGB 75 48 84

HSL 285, 0.27%, 0.26%

LAB 24.48, 19.6, -17.05

 

Description

Color code: RGB 83 57 48 | qconv.com Color code: RGB 83 57 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 57 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 57 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 42 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 42% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

25% - NIC Chile Research L...
Link: http://www.niclabs.cl

33% - About Me
Link: http://www.myworks.at

20% - iPad - Apple (UK)
Link: http://www.apple.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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