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Color name
RGB 83 54 18

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 54 18 it is the complementary color RGB 172 201 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 54 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 54 18 shade: RGB 88 54 13, RGB 105 72 32, RGB 122 90 51, RGB 139 108 70 and RGB 156 126 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 54 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 54 18 shade: RGB 83 54 18, RGB 66 36 0, RGB 49 18 0, RGB 32 0 0 and RGB 15 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 54 18 shade: RGB 83 54 18, RGB 83 36 18, RGB 83 19 18 and RGB 83 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 54 18 shade: RGB 83 54 18, RGB 83 72 18, RGB 77 83 18, RGB 59 83 18 and RGB 42 83 18

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 54 18 shade matches the following richer shades: RGB 83 54 18, RGB 91 55 10 and RGB 100 56 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 54 18 shade: RGB 83 54 18, RGB 75 53 26, RGB 67 52 34, RGB 58 51 43 and RGB 50 50 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 54 18 shade: RGB 83 19 18, RGB 83 36 18, RGB 83 54 18, RGB 83 71 18 and RGB 78 83 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 54 18 shade: RGB 15 10 3, RGB 49 32 10, RGB 83 54 18, RGB 117 76 25 and RGB 151 98 33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 54 18 shade: RGB 83 54 18, RGB 34 83 18 and RGB 28 18 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 54 18 shade: RGB 83 54 18, RGB 18 83 54 and RGB 54 18 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 54 18 shade: RGB 83 54 18, RGB 34 83 18, RGB 18 47 83 and RGB 67 18 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 54 18 shade: RGB 83 54 18, RGB 18 83 21, RGB 18 47 83 and RGB 83 18 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 78 / 67

HEX #533612

RGB 83 54 18

HSL 33.23, 0.64%, 0.2%

LAB 25.32, 9.17, 26.97

 

Complementary color

CMYK 27 / 15 / 0 / 7

HEX #ACC9ED

RGB 172 201 237

HSL 213.23, 0.64%, 0.8%

LAB 79.99, -1.71, -20.98

 

CMYK 0 / 39 / 85 / 65

HEX #58360D

RGB 88 54 13

HSL 32.8, 0.74%, 0.2%

LAB 25.99, 11.43, 30.36

 

CMYK 0 / 31 / 70 / 59

HEX #694820

RGB 105 72 32

HSL 32.88, 0.53%, 0.27%

LAB 33.44, 9.64, 29.03

 

CMYK 0 / 26 / 58 / 52

HEX #7A5A33

RGB 122 90 51

HSL 32.96, 0.41%, 0.34%

LAB 40.72, 8.3, 27.43

 

CMYK 0 / 22 / 50 / 45

HEX #8B6C46

RGB 139 108 70

HSL 33.04, 0.33%, 0.41%

LAB 47.82, 7.25, 25.9

 

CMYK 0 / 19 / 43 / 39

HEX #9C7E59

RGB 156 126 89

HSL 33.13, 0.27%, 0.48%

LAB 54.77, 6.4, 24.5

 

CMYK 0 / 35 / 78 / 67

HEX #533612

RGB 83 54 18

HSL 33.23, 0.64%, 0.2%

LAB 25.32, 9.17, 26.97

 

CMYK 0 / 45 / 100 / 74

HEX #422400

RGB 66 36 0

HSL 32.73, 1%, 0.13%

LAB 17.55, 11.21, 25.75

 

CMYK 0 / 63 / 100 / 81

HEX #311200

RGB 49 18 0

HSL 22.04, 1%, 0.1%

LAB 9.68, 14.23, 14.82

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 35 / 78 / 67

HEX #533612

RGB 83 54 18

HSL 33.23, 0.64%, 0.2%

LAB 25.32, 9.17, 26.97

 

CMYK 0 / 57 / 78 / 67

HEX #532412

RGB 83 36 18

HSL 16.62, 0.64%, 0.2%

LAB 20.61, 20.45, 21.92

 

CMYK 0 / 77 / 78 / 67

HEX #531312

RGB 83 19 18

HSL 0.92, 0.64%, 0.2%

LAB 17.22, 29.41, 17.97

 

CMYK 0 / 78 / 78 / 67

HEX #531212

RGB 83 18 18

HSL 0, 0.64%, 0.2%

LAB 17.06, 29.84, 17.77

 

CMYK 0 / 35 / 78 / 67

HEX #533612

RGB 83 54 18

HSL 33.23, 0.64%, 0.2%

LAB 25.32, 9.17, 26.97

 

CMYK 0 / 13 / 78 / 67

HEX #534812

RGB 83 72 18

HSL 49.85, 0.64%, 0.2%

LAB 30.68, -2.2, 32.39

 

CMYK 7 / 0 / 78 / 67

HEX #4D5312

RGB 77 83 18

HSL 65.54, 0.64%, 0.2%

LAB 33.58, -11.75, 35.02

 

CMYK 29 / 0 / 78 / 67

HEX #3B5312

RGB 59 83 18

HSL 82.15, 0.64%, 0.2%

LAB 32.17, -20.2, 33.16

 

CMYK 49 / 0 / 78 / 67

HEX #2A5312

RGB 42 83 18

HSL 97.85, 0.64%, 0.2%

LAB 31.17, -27.14, 31.82

 

CMYK 0 / 35 / 78 / 67

HEX #533612

RGB 83 54 18

HSL 33.23, 0.64%, 0.2%

LAB 25.32, 9.17, 26.97

 

CMYK 0 / 40 / 89 / 64

HEX #5B370A

RGB 91 55 10

HSL 33.33, 0.8%, 0.2%

LAB 26.67, 12.18, 32.46

 

CMYK 0 / 44 / 99 / 61

HEX #643801

RGB 100 56 1

HSL 33.33, 0.98%, 0.2%

LAB 28.22, 15.68, 37.98

 

CMYK 0 / 35 / 78 / 67

HEX #533612

RGB 83 54 18

HSL 33.23, 0.64%, 0.2%

LAB 25.32, 9.17, 26.97

 

CMYK 0 / 29 / 65 / 71

HEX #4B351A

RGB 75 53 26

HSL 33.06, 0.49%, 0.2%

LAB 24.05, 6.36, 20.67

 

CMYK 0 / 22 / 49 / 74

HEX #433422

RGB 67 52 34

HSL 32.73, 0.33%, 0.2%

LAB 22.88, 3.86, 13.93

 

CMYK 0 / 12 / 26 / 77

HEX #3A332B

RGB 58 51 43

HSL 32, 0.15%, 0.2%

LAB 21.73, 1.54, 6.22

 

CMYK 2 / 2 / 0 / 80

HEX #323233

RGB 50 50 51

HSL 240, 0.01%, 0.2%

LAB 20.82, 0.24, -0.64

 

CMYK 0 / 77 / 78 / 67

HEX #531312

RGB 83 19 18

HSL 0.92, 0.64%, 0.2%

LAB 17.22, 29.41, 17.97

 

CMYK 0 / 57 / 78 / 67

HEX #532412

RGB 83 36 18

HSL 16.62, 0.64%, 0.2%

LAB 20.61, 20.45, 21.92

 

CMYK 0 / 35 / 78 / 67

HEX #533612

RGB 83 54 18

HSL 33.23, 0.64%, 0.2%

LAB 25.32, 9.17, 26.97

 

CMYK 0 / 14 / 78 / 67

HEX #534712

RGB 83 71 18

HSL 48.92, 0.64%, 0.2%

LAB 30.37, -1.58, 32.09

 

CMYK 6 / 0 / 78 / 67

HEX #4E5312

RGB 78 83 18

HSL 64.62, 0.64%, 0.2%

LAB 33.67, -11.26, 35.13

 

CMYK 0 / 33 / 80 / 94

HEX #0F0A03

RGB 15 10 3

HSL 35, 0.67%, 0.04%

LAB 2.94, 0.53, 3.18

 

CMYK 0 / 35 / 80 / 81

HEX #31200A

RGB 49 32 10

HSL 33.85, 0.66%, 0.12%

LAB 13.87, 5.44, 16.48

 

CMYK 0 / 35 / 78 / 67

HEX #533612

RGB 83 54 18

HSL 33.23, 0.64%, 0.2%

LAB 25.32, 9.17, 26.97

 

CMYK 0 / 35 / 79 / 54

HEX #754C19

RGB 117 76 25

HSL 33.26, 0.65%, 0.28%

LAB 36.02, 12.55, 35.82

 

CMYK 0 / 35 / 78 / 41

HEX #976221

RGB 151 98 33

HSL 33.05, 0.64%, 0.36%

LAB 46.21, 15.78, 43.68

 

CMYK 0 / 35 / 78 / 67

HEX #533612

RGB 83 54 18

HSL 33.23, 0.64%, 0.2%

LAB 25.32, 9.17, 26.97

 

CMYK 59 / 0 / 78 / 67

HEX #225312

RGB 34 83 18

HSL 105.23, 0.64%, 0.2%

LAB 30.81, -29.86, 31.34

 

CMYK 66 / 78 / 0 / 67

HEX #1C1253

RGB 28 18 83

HSL 249.23, 0.64%, 0.2%

LAB 11.3, 26.02, -37.78

 

CMYK 0 / 35 / 78 / 67

HEX #533612

RGB 83 54 18

HSL 33.23, 0.64%, 0.2%

LAB 25.32, 9.17, 26.97

 

CMYK 78 / 0 / 35 / 67

HEX #125336

RGB 18 83 54

HSL 153.23, 0.64%, 0.2%

LAB 30.83, -27.83, 11.35

 

CMYK 35 / 78 / 0 / 67

HEX #361253

RGB 54 18 83

HSL 273.23, 0.64%, 0.2%

LAB 14.63, 31.06, -32.21

 

CMYK 0 / 35 / 78 / 67

HEX #533612

RGB 83 54 18

HSL 33.23, 0.64%, 0.2%

LAB 25.32, 9.17, 26.97

 

CMYK 59 / 0 / 78 / 67

HEX #225312

RGB 34 83 18

HSL 105.23, 0.64%, 0.2%

LAB 30.81, -29.86, 31.34

 

CMYK 78 / 43 / 0 / 67

HEX #122F53

RGB 18 47 83

HSL 213.23, 0.64%, 0.2%

LAB 19.17, 3.34, -25.09

 

CMYK 19 / 78 / 0 / 67

HEX #431253

RGB 67 18 83

HSL 285.23, 0.64%, 0.2%

LAB 16.75, 34.08, -28.68

 

CMYK 0 / 35 / 78 / 67

HEX #533612

RGB 83 54 18

HSL 33.23, 0.64%, 0.2%

LAB 25.32, 9.17, 26.97

 

CMYK 78 / 0 / 75 / 67

HEX #125315

RGB 18 83 21

HSL 122.77, 0.64%, 0.2%

LAB 30.33, -33.68, 29.35

 

CMYK 78 / 43 / 0 / 67

HEX #122F53

RGB 18 47 83

HSL 213.23, 0.64%, 0.2%

LAB 19.17, 3.34, -25.09

 

CMYK 0 / 78 / 4 / 67

HEX #531250

RGB 83 18 80

HSL 302.77, 0.64%, 0.2%

LAB 19.44, 37.45, -22.19

 

Description

Color code: RGB 83 54 18 | qconv.com Color code: RGB 83 54 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 54 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 54 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 78 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 78% 67% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - VALA Group
Link: http://valagroup.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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