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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 140 17 it is the complementary color RGB 172 115 238. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 140 17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 140 17 shade: RGB 88 140 12, RGB 105 158 31, RGB 122 176 50, RGB 139 194 69 and RGB 156 212 88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 140 17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 140 17 shade: RGB 83 140 17, RGB 66 122 0, RGB 49 104 0, RGB 32 86 0 and RGB 15 68 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 140 17 shade: RGB 83 140 17, RGB 116 140 17, RGB 140 131 17, RGB 140 98 17 and RGB 140 64 17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 140 17 shade: RGB 83 140 17, RGB 50 140 17, RGB 17 140 17, RGB 17 140 50 and RGB 17 140 84

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 140 17 shade matches the following richer shades: RGB 83 140 17 and RGB 84 153 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 140 17 shade: RGB 83 140 17, RGB 82 127 30, RGB 81 115 42, RGB 80 102 55 and RGB 79 89 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 140 17 shade: RGB 140 130 17, RGB 118 140 17, RGB 85 140 17, RGB 52 140 17 and RGB 19 140 17

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 140 17 shade: RGB 39 67 8, RGB 61 103 12, RGB 83 140 17, RGB 105 177 21 and RGB 127 214 26

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 140 17 shade: RGB 83 140 17, RGB 17 140 97 and RGB 140 17 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 140 17 shade: RGB 83 140 17, RGB 17 85 140 and RGB 140 17 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 140 17 shade: RGB 83 140 17, RGB 17 140 97, RGB 72 17 140 and RGB 140 17 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 140 17 shade: RGB 83 140 17, RGB 17 140 134, RGB 72 17 140 and RGB 140 17 23

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 88 / 45

HEX #538C11

RGB 83 140 17

HSL 87.8, 0.78%, 0.31%

LAB 52.55, -37.54, 52.68

 

Complementary color

CMYK 28 / 52 / 0 / 7

HEX #AC73EE

RGB 172 115 238

HSL 267.8, 0.78%, 0.69%

LAB 59.16, 46.21, -53.91

 

CMYK 37 / 0 / 91 / 45

HEX #588C0C

RGB 88 140 12

HSL 84.38, 0.84%, 0.3%

LAB 52.79, -35.85, 54.04

 

CMYK 34 / 0 / 80 / 38

HEX #699E1F

RGB 105 158 31

HSL 85.04, 0.67%, 0.37%

LAB 59.49, -36.65, 55.55

 

CMYK 31 / 0 / 72 / 31

HEX #7AB032

RGB 122 176 50

HSL 85.71, 0.56%, 0.44%

LAB 66.07, -37.18, 55.75

 

CMYK 28 / 0 / 64 / 24

HEX #8BC245

RGB 139 194 69

HSL 86.4, 0.51%, 0.52%

LAB 72.56, -37.51, 55.27

 

CMYK 26 / 0 / 58 / 17

HEX #9CD458

RGB 156 212 88

HSL 87.1, 0.59%, 0.59%

LAB 78.96, -37.72, 54.44

 

CMYK 41 / 0 / 88 / 45

HEX #538C11

RGB 83 140 17

HSL 87.8, 0.78%, 0.31%

LAB 52.55, -37.54, 52.68

 

CMYK 46 / 0 / 100 / 52

HEX #427A00

RGB 66 122 0

HSL 87.54, 1%, 0.24%

LAB 45.74, -36.5, 50.18

 

CMYK 53 / 0 / 100 / 59

HEX #316800

RGB 49 104 0

HSL 91.73, 1%, 0.2%

LAB 38.82, -34.83, 44.44

 

CMYK 63 / 0 / 100 / 66

HEX #205600

RGB 32 86 0

HSL 97.67, 1%, 0.17%

LAB 31.72, -32.9, 38.56

 

CMYK 78 / 0 / 100 / 73

HEX #0F4400

RGB 15 68 0

HSL 106.76, 1%, 0.13%

LAB 24.44, -30.43, 32.14

 

CMYK 41 / 0 / 88 / 45

HEX #538C11

RGB 83 140 17

HSL 87.8, 0.78%, 0.31%

LAB 52.55, -37.54, 52.68

 

CMYK 17 / 0 / 88 / 45

HEX #748C11

RGB 116 140 17

HSL 71.71, 0.78%, 0.31%

LAB 54.56, -24.21, 55.2

 

CMYK 0 / 6 / 88 / 45

HEX #8C8311

RGB 140 131 17

HSL 55.61, 0.78%, 0.31%

LAB 53.87, -8.63, 55.42

 

CMYK 0 / 30 / 88 / 45

HEX #8C6211

RGB 140 98 17

HSL 39.51, 0.78%, 0.31%

LAB 44.73, 10.12, 47.91

 

CMYK 0 / 54 / 88 / 45

HEX #8C4011

RGB 140 64 17

HSL 22.93, 0.78%, 0.31%

LAB 36.52, 29.56, 41.06

 

CMYK 41 / 0 / 88 / 45

HEX #538C11

RGB 83 140 17

HSL 87.8, 0.78%, 0.31%

LAB 52.55, -37.54, 52.68

 

CMYK 64 / 0 / 88 / 45

HEX #328C11

RGB 50 140 17

HSL 103.9, 0.78%, 0.31%

LAB 51.24, -47.68, 51.03

 

CMYK 88 / 0 / 88 / 45

HEX #118C11

RGB 17 140 17

HSL 120, 0.78%, 0.31%

LAB 50.59, -53.28, 50.21

 

CMYK 88 / 0 / 64 / 45

HEX #118C32

RGB 17 140 50

HSL 136.1, 0.78%, 0.31%

LAB 50.81, -50.49, 38.38

 

CMYK 88 / 0 / 40 / 45

HEX #118C54

RGB 17 140 84

HSL 152.68, 0.78%, 0.31%

LAB 51.28, -44.82, 21.3

 

CMYK 41 / 0 / 88 / 45

HEX #538C11

RGB 83 140 17

HSL 87.8, 0.78%, 0.31%

LAB 52.55, -37.54, 52.68

 

CMYK 45 / 0 / 97 / 40

HEX #549904

RGB 84 153 4

HSL 87.79, 0.95%, 0.31%

LAB 56.76, -43, 58.5

 

CMYK 41 / 0 / 88 / 45

HEX #538C11

RGB 83 140 17

HSL 87.8, 0.78%, 0.31%

LAB 52.55, -37.54, 52.68

 

CMYK 35 / 0 / 76 / 50

HEX #527F1E

RGB 82 127 30

HSL 87.84, 0.62%, 0.31%

LAB 48.34, -31.46, 44.86

 

CMYK 30 / 0 / 63 / 55

HEX #51732A

RGB 81 115 42

HSL 87.95, 0.46%, 0.31%

LAB 44.49, -25.13, 35.64

 

CMYK 22 / 0 / 46 / 60

HEX #506637

RGB 80 102 55

HSL 88.09, 0.3%, 0.31%

LAB 40.38, -17.27, 23.87

 

CMYK 11 / 0 / 24 / 65

HEX #4F5944

RGB 79 89 68

HSL 88.57, 0.13%, 0.31%

LAB 36.41, -8.26, 10.88

 

CMYK 0 / 7 / 88 / 45

HEX #8C8211

RGB 140 130 17

HSL 55.12, 0.78%, 0.31%

LAB 53.58, -8.08, 55.19

 

CMYK 16 / 0 / 88 / 45

HEX #768C11

RGB 118 140 17

HSL 70.73, 0.78%, 0.31%

LAB 54.71, -23.34, 55.38

 

CMYK 39 / 0 / 88 / 45

HEX #558C11

RGB 85 140 17

HSL 86.83, 0.78%, 0.31%

LAB 52.65, -36.81, 52.81

 

CMYK 63 / 0 / 88 / 45

HEX #348C11

RGB 52 140 17

HSL 102.93, 0.78%, 0.31%

LAB 51.3, -47.19, 51.1

 

CMYK 86 / 0 / 88 / 45

HEX #138C11

RGB 19 140 17

HSL 119.02, 0.78%, 0.31%

LAB 50.61, -53.08, 50.23

 

CMYK 42 / 0 / 88 / 74

HEX #274308

RGB 39 67 8

HSL 88.47, 0.79%, 0.15%

LAB 25.15, -21.34, 29.93

 

CMYK 41 / 0 / 88 / 60

HEX #3D670C

RGB 61 103 12

HSL 87.69, 0.79%, 0.23%

LAB 39.1, -29.53, 41.75

 

CMYK 41 / 0 / 88 / 45

HEX #538C11

RGB 83 140 17

HSL 87.8, 0.78%, 0.31%

LAB 52.55, -37.54, 52.68

 

CMYK 41 / 0 / 88 / 31

HEX #69B115

RGB 105 177 21

HSL 87.69, 0.79%, 0.39%

LAB 65.36, -45.17, 63.22

 

CMYK 41 / 0 / 88 / 16

HEX #7FD61A

RGB 127 214 26

HSL 87.77, 0.78%, 0.47%

LAB 77.69, -52.45, 73.11

 

CMYK 41 / 0 / 88 / 45

HEX #538C11

RGB 83 140 17

HSL 87.8, 0.78%, 0.31%

LAB 52.55, -37.54, 52.68

 

CMYK 88 / 0 / 31 / 45

HEX #118C61

RGB 17 140 97

HSL 159.02, 0.78%, 0.31%

LAB 51.54, -41.92, 14.32

 

CMYK 0 / 88 / 4 / 45

HEX #8C1186

RGB 140 17 134

HSL 302.93, 0.78%, 0.31%

LAB 33.34, 59.41, -34.43

 

CMYK 41 / 0 / 88 / 45

HEX #538C11

RGB 83 140 17

HSL 87.8, 0.78%, 0.31%

LAB 52.55, -37.54, 52.68

 

CMYK 88 / 39 / 0 / 45

HEX #11558C

RGB 17 85 140

HSL 206.83, 0.78%, 0.31%

LAB 35.02, 1.13, -36.14

 

CMYK 0 / 88 / 39 / 45

HEX #8C1155

RGB 140 17 85

HSL 326.83, 0.78%, 0.31%

LAB 30.95, 52.93, -6.83

 

CMYK 41 / 0 / 88 / 45

HEX #538C11

RGB 83 140 17

HSL 87.8, 0.78%, 0.31%

LAB 52.55, -37.54, 52.68

 

CMYK 88 / 0 / 31 / 45

HEX #118C61

RGB 17 140 97

HSL 159.02, 0.78%, 0.31%

LAB 51.54, -41.92, 14.32

 

CMYK 49 / 88 / 0 / 45

HEX #48118C

RGB 72 17 140

HSL 266.83, 0.78%, 0.31%

LAB 22.56, 49.28, -56.19

 

CMYK 0 / 88 / 57 / 45

HEX #8C113C

RGB 140 17 60

HSL 339.02, 0.78%, 0.31%

LAB 30.16, 50.67, 8.61

 

CMYK 41 / 0 / 88 / 45

HEX #538C11

RGB 83 140 17

HSL 87.8, 0.78%, 0.31%

LAB 52.55, -37.54, 52.68

 

CMYK 88 / 0 / 4 / 45

HEX #118C86

RGB 17 140 134

HSL 177.07, 0.78%, 0.31%

LAB 52.51, -31.77, -5.64

 

CMYK 49 / 88 / 0 / 45

HEX #48118C

RGB 72 17 140

HSL 266.83, 0.78%, 0.31%

LAB 22.56, 49.28, -56.19

 

CMYK 0 / 88 / 84 / 45

HEX #8C1117

RGB 140 17 23

HSL 357.07, 0.78%, 0.31%

LAB 29.51, 48.76, 31.75

 

Description

Color code: RGB 83 140 17 | qconv.com Color code: RGB 83 140 17 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 140 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 140 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 88 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 88% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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