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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 144 205 it is the complementary color RGB 172 111 50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 144 205. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 144 205 shade: RGB 88 144 200, RGB 105 162 219, RGB 122 180 238, RGB 139 198 255 and RGB 156 216 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 144 205. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 144 205 shade: RGB 83 144 205, RGB 66 126 186, RGB 49 108 167, RGB 32 90 148 and RGB 15 72 129

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 144 205 shade: RGB 81 142 204, RGB 81 109 204, RGB 85 81 204, RGB 119 81 204 and RGB 152 81 204

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 144 205 shade: RGB 81 142 204, RGB 81 109 204 and RGB 81 81 204

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 144 205 shade matches the following richer shades: RGB 81 142 204, RGB 62 142 222 and RGB 44 142 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 144 205 shade: RGB 81 142 204, RGB 99 142 186, RGB 117 142 168, RGB 135 142 150 and RGB 153 142 131

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 144 205 shade: RGB 81 204 200, RGB 81 175 204, RGB 81 142 204, RGB 81 109 204 and RGB 85 81 204

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 144 205 shade: RGB 45 101 157, RGB 54 122 189, RGB 81 142 204, RGB 113 163 213 and RGB 145 184 223

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 144 205 shade: RGB 83 144 205, RGB 167 81 204 and RGB 192 204 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 144 205 shade: RGB 83 144 205, RGB 204 81 142 and RGB 142 204 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 144 205 shade: RGB 83 144 205, RGB 167 81 204, RGB 204 142 81 and RGB 118 204 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 144 205 shade: RGB 83 144 205, RGB 204 81 204, RGB 204 142 81 and RGB 81 204 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 30 / 0 / 20

HEX #5390CD

RGB 83 144 205

HSL 210, 0.55%, 0.56%

LAB 58.22, -1.45, -37.38

 

Complementary color

CMYK 0 / 35 / 71 / 33

HEX #AC6F32

RGB 172 111 50

HSL 30, 0.55%, 0.44%

LAB 52.25, 18.61, 42.76

 

CMYK 56 / 28 / 0 / 22

HEX #5890C8

RGB 88 144 200

HSL 210, 0.5%, 0.56%

LAB 58.22, -2.03, -34.55

 

CMYK 52 / 26 / 0 / 14

HEX #69A2DB

RGB 105 162 219

HSL 210, 0.61%, 0.64%

LAB 64.93, -2.7, -34.64

 

CMYK 49 / 24 / 0 / 7

HEX #7AB4EE

RGB 122 180 238

HSL 210, 0.77%, 0.71%

LAB 71.52, -3.25, -34.74

 

CMYK 45 / 22 / 0 / 0

HEX #8BC6FF

RGB 139 198 255

HSL 209.48, 1%, 0.77%

LAB 77.93, -4.26, -33.92

 

CMYK 39 / 15 / 0 / 0

HEX #9CD8FF

RGB 156 216 255

HSL 203.64, 1%, 0.81%

LAB 83.65, -9.58, -25.07

 

CMYK 60 / 30 / 0 / 20

HEX #5390CD

RGB 83 144 205

HSL 210, 0.55%, 0.56%

LAB 58.22, -1.45, -37.38

 

CMYK 65 / 32 / 0 / 27

HEX #427EBA

RGB 66 126 186

HSL 210, 0.48%, 0.49%

LAB 51.41, -0.43, -37.31

 

CMYK 71 / 35 / 0 / 35

HEX #316CA7

RGB 49 108 167

HSL 210, 0.55%, 0.42%

LAB 44.47, 0.89, -37.26

 

CMYK 78 / 39 / 0 / 42

HEX #205A94

RGB 32 90 148

HSL 210, 0.64%, 0.35%

LAB 37.4, 2.64, -37.19

 

CMYK 88 / 44 / 0 / 49

HEX #0F4881

RGB 15 72 129

HSL 210, 0.79%, 0.28%

LAB 30.21, 5.05, -37.06

 

CMYK 60 / 30 / 0 / 20

HEX #518ECC

RGB 81 142 204

HSL 210.24, 0.55%, 0.56%

LAB 57.52, -1, -37.92

 

CMYK 60 / 47 / 0 / 20

HEX #516DCC

RGB 81 109 204

HSL 226.34, 0.55%, 0.56%

LAB 48.32, 18.97, -52.5

 

CMYK 58 / 60 / 0 / 20

HEX #5551CC

RGB 85 81 204

HSL 241.95, 0.55%, 0.56%

LAB 41.49, 37.1, -63.51

 

CMYK 42 / 60 / 0 / 20

HEX #7751CC

RGB 119 81 204

HSL 258.54, 0.55%, 0.56%

LAB 44.47, 43.76, -58.54

 

CMYK 25 / 60 / 0 / 20

HEX #9851CC

RGB 152 81 204

HSL 274.63, 0.55%, 0.56%

LAB 48.16, 51.28, -52.42

 

CMYK 60 / 30 / 0 / 20

HEX #518ECC

RGB 81 142 204

HSL 210.24, 0.55%, 0.56%

LAB 57.52, -1, -37.92

 

CMYK 60 / 47 / 0 / 20

HEX #516DCC

RGB 81 109 204

HSL 226.34, 0.55%, 0.56%

LAB 48.32, 18.97, -52.5

 

CMYK 60 / 60 / 0 / 20

HEX #5151CC

RGB 81 81 204

HSL 240, 0.55%, 0.56%

LAB 41.21, 36.43, -63.99

 

CMYK 60 / 30 / 0 / 20

HEX #518ECC

RGB 81 142 204

HSL 210.24, 0.55%, 0.56%

LAB 57.52, -1, -37.92

 

CMYK 72 / 36 / 0 / 13

HEX #3E8EDE

RGB 62 142 222

HSL 210, 0.71%, 0.56%

LAB 57.7, 2.03, -47.78

 

CMYK 82 / 41 / 0 / 6

HEX #2C8EF0

RGB 44 142 240

HSL 210, 0.87%, 0.56%

LAB 58.2, 6.56, -57.01

 

CMYK 60 / 30 / 0 / 20

HEX #518ECC

RGB 81 142 204

HSL 210.24, 0.55%, 0.56%

LAB 57.52, -1, -37.92

 

CMYK 47 / 24 / 0 / 27

HEX #638EBA

RGB 99 142 186

HSL 210.34, 0.39%, 0.56%

LAB 57.6, -2.62, -27.54

 

CMYK 30 / 15 / 0 / 34

HEX #758EA8

RGB 117 142 168

HSL 210.59, 0.23%, 0.56%

LAB 57.99, -2.57, -16.6

 

CMYK 10 / 5 / 0 / 41

HEX #878E96

RGB 135 142 150

HSL 212, 0.07%, 0.56%

LAB 58.69, -0.88, -5.12

 

CMYK 0 / 7 / 14 / 40

HEX #998E83

RGB 153 142 131

HSL 30, 0.1%, 0.56%

LAB 59.67, 2.15, 7.33

 

CMYK 60 / 0 / 2 / 20

HEX #51CCC8

RGB 81 204 200

HSL 178.05, 0.55%, 0.56%

LAB 75.52, -34.69, -8.21

 

CMYK 60 / 14 / 0 / 20

HEX #51AFCC

RGB 81 175 204

HSL 194.15, 0.55%, 0.56%

LAB 67.1, -19.21, -23.08

 

CMYK 60 / 30 / 0 / 20

HEX #518ECC

RGB 81 142 204

HSL 210.24, 0.55%, 0.56%

LAB 57.52, -1, -37.92

 

CMYK 60 / 47 / 0 / 20

HEX #516DCC

RGB 81 109 204

HSL 226.34, 0.55%, 0.56%

LAB 48.32, 18.97, -52.5

 

CMYK 58 / 60 / 0 / 20

HEX #5551CC

RGB 85 81 204

HSL 241.95, 0.55%, 0.56%

LAB 41.49, 37.1, -63.51

 

CMYK 71 / 36 / 0 / 38

HEX #2D659D

RGB 45 101 157

HSL 210, 0.55%, 0.4%

LAB 41.69, 0.93, -35.76

 

CMYK 71 / 35 / 0 / 26

HEX #367ABD

RGB 54 122 189

HSL 209.78, 0.56%, 0.48%

LAB 49.95, 1.08, -41.37

 

CMYK 60 / 30 / 0 / 20

HEX #518ECC

RGB 81 142 204

HSL 210.24, 0.55%, 0.56%

LAB 57.52, -1, -37.92

 

CMYK 47 / 23 / 0 / 16

HEX #71A3D5

RGB 113 163 213

HSL 210, 0.54%, 0.64%

LAB 65.36, -3.17, -30.61

 

CMYK 35 / 17 / 0 / 13

HEX #91B8DF

RGB 145 184 223

HSL 210, 0.55%, 0.72%

LAB 73.3, -3.68, -23.75

 

CMYK 60 / 30 / 0 / 20

HEX #5390CD

RGB 83 144 205

HSL 210, 0.55%, 0.56%

LAB 58.22, -1.45, -37.38

 

CMYK 18 / 60 / 0 / 20

HEX #A751CC

RGB 167 81 204

HSL 281.95, 0.55%, 0.56%

LAB 50.05, 54.89, -49.29

 

CMYK 6 / 0 / 60 / 20

HEX #C0CC51

RGB 192 204 81

HSL 65.85, 0.55%, 0.56%

LAB 79.03, -20.46, 58.23

 

CMYK 60 / 30 / 0 / 20

HEX #5390CD

RGB 83 144 205

HSL 210, 0.55%, 0.56%

LAB 58.22, -1.45, -37.38

 

CMYK 0 / 60 / 30 / 20

HEX #CC518E

RGB 204 81 142

HSL 330.24, 0.55%, 0.56%

LAB 52.59, 54.79, -8.7

 

CMYK 30 / 0 / 60 / 20

HEX #8ECC51

RGB 142 204 81

HSL 90.24, 0.55%, 0.56%

LAB 75.78, -39.86, 53.72

 

CMYK 60 / 30 / 0 / 20

HEX #5390CD

RGB 83 144 205

HSL 210, 0.55%, 0.56%

LAB 58.22, -1.45, -37.38

 

CMYK 18 / 60 / 0 / 20

HEX #A751CC

RGB 167 81 204

HSL 281.95, 0.55%, 0.56%

LAB 50.05, 54.89, -49.29

 

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

CMYK 42 / 0 / 60 / 20

HEX #76CC51

RGB 118 204 81

HSL 101.95, 0.55%, 0.56%

LAB 74.59, -47.98, 52.06

 

CMYK 60 / 30 / 0 / 20

HEX #5390CD

RGB 83 144 205

HSL 210, 0.55%, 0.56%

LAB 58.22, -1.45, -37.38

 

CMYK 0 / 60 / 0 / 20

HEX #CC51CC

RGB 204 81 204

HSL 300, 0.55%, 0.56%

LAB 55.16, 64.02, -40.86

 

CMYK 0 / 30 / 60 / 20

HEX #CC8E51

RGB 204 142 81

HSL 29.76, 0.55%, 0.56%

LAB 63.98, 17.22, 41.45

 

CMYK 60 / 0 / 60 / 20

HEX #51CC51

RGB 81 204 81

HSL 120, 0.55%, 0.56%

LAB 73.24, -58.13, 50.16

 

Description

Color code: RGB 83 144 205 | qconv.com Color code: RGB 83 144 205 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 144 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 144 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 30 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 30% 0% 20% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

34% - ENTECCOgroup
Link: http://www.entecco.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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