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Color name
RGB 83 145 28

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 145 28 it is the complementary color RGB 172 110 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 145 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 145 28 shade: RGB 88 145 23, RGB 105 163 42, RGB 122 181 61, RGB 139 199 80 and RGB 156 217 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 145 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 145 28 shade: RGB 83 145 28, RGB 66 127 9, RGB 49 109 0, RGB 32 91 0 and RGB 15 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 145 28 shade: RGB 83 145 27, RGB 114 145 27, RGB 145 144 27, RGB 145 112 27 and RGB 145 80 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 145 28 shade: RGB 83 145 27, RGB 51 145 27, RGB 27 145 35, RGB 27 145 67 and RGB 27 145 99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 145 28 shade matches the following richer shades: RGB 83 145 27 and RGB 82 159 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 145 28 shade: RGB 83 145 27, RGB 84 131 41, RGB 84 117 55, RGB 85 103 69 and RGB 86 89 83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 145 28 shade: RGB 145 143 27, RGB 116 145 27, RGB 84 145 27, RGB 53 145 27 and RGB 27 145 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 145 28 shade: RGB 43 76 14, RGB 63 110 21, RGB 83 145 27, RGB 102 180 34 and RGB 122 214 41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 145 28 shade: RGB 83 145 28, RGB 27 145 112 and RGB 145 27 131

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 145 28 shade: RGB 83 145 28, RGB 27 84 145 and RGB 145 27 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 145 28 shade: RGB 83 145 28, RGB 27 145 112, RGB 88 27 145 and RGB 145 27 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 145 28 shade: RGB 83 145 28, RGB 27 143 145, RGB 88 27 145 and RGB 145 29 27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 81 / 43

HEX #53911C

RGB 83 145 28

HSL 91.79, 0.68%, 0.34%

LAB 54.21, -39.19, 51.17

 

Complementary color

CMYK 24 / 52 / 0 / 11

HEX #AC6EE3

RGB 172 110 227

HSL 271.79, 0.68%, 0.66%

LAB 57.53, 46.34, -50.38

 

CMYK 39 / 0 / 84 / 43

HEX #589117

RGB 88 145 23

HSL 88.03, 0.73%, 0.33%

LAB 54.44, -37.64, 52.92

 

CMYK 36 / 0 / 74 / 36

HEX #69A32A

RGB 105 163 42

HSL 88.76, 0.59%, 0.4%

LAB 61.1, -38.25, 53.43

 

CMYK 33 / 0 / 66 / 29

HEX #7AB53D

RGB 122 181 61

HSL 89.5, 0.5%, 0.47%

LAB 67.67, -38.61, 53.07

 

CMYK 30 / 0 / 60 / 22

HEX #8BC750

RGB 139 199 80

HSL 90.25, 0.52%, 0.55%

LAB 74.14, -38.81, 52.27

 

CMYK 28 / 0 / 54 / 15

HEX #9CD963

RGB 156 217 99

HSL 91.02, 0.61%, 0.62%

LAB 80.51, -38.9, 51.27

 

CMYK 43 / 0 / 81 / 43

HEX #53911C

RGB 83 145 28

HSL 91.79, 0.68%, 0.34%

LAB 54.21, -39.19, 51.17

 

CMYK 48 / 0 / 93 / 50

HEX #427F09

RGB 66 127 9

HSL 91.02, 0.87%, 0.27%

LAB 47.44, -38.31, 49.69

 

CMYK 55 / 0 / 100 / 57

HEX #316D00

RGB 49 109 0

HSL 93.03, 1%, 0.21%

LAB 40.56, -36.87, 45.8

 

CMYK 65 / 0 / 100 / 64

HEX #205B00

RGB 32 91 0

HSL 98.9, 1%, 0.18%

LAB 33.54, -34.87, 40

 

CMYK 79 / 0 / 100 / 71

HEX #0F4900

RGB 15 73 0

HSL 107.67, 1%, 0.14%

LAB 26.35, -32.29, 33.94

 

CMYK 43 / 0 / 81 / 43

HEX #53911B

RGB 83 145 27

HSL 91.53, 0.69%, 0.34%

LAB 54.21, -39.24, 51.47

 

CMYK 21 / 0 / 81 / 43

HEX #72911B

RGB 114 145 27

HSL 75.76, 0.69%, 0.34%

LAB 55.99, -27.17, 53.76

 

CMYK 0 / 1 / 81 / 43

HEX #91901B

RGB 145 144 27

HSL 59.49, 0.69%, 0.34%

LAB 58.08, -13.02, 56.52

 

CMYK 0 / 23 / 81 / 43

HEX #91701B

RGB 145 112 27

HSL 43.22, 0.69%, 0.34%

LAB 49.11, 4.7, 48.56

 

CMYK 0 / 45 / 81 / 43

HEX #91501B

RGB 145 80 27

HSL 26.95, 0.69%, 0.34%

LAB 40.95, 23.16, 41.02

 

CMYK 43 / 0 / 81 / 43

HEX #53911B

RGB 83 145 27

HSL 91.53, 0.69%, 0.34%

LAB 54.21, -39.24, 51.47

 

CMYK 65 / 0 / 81 / 43

HEX #33911B

RGB 51 145 27

HSL 107.8, 0.69%, 0.34%

LAB 52.99, -48.71, 49.89

 

CMYK 81 / 0 / 76 / 43

HEX #1B9123

RGB 27 145 35

HSL 124.07, 0.69%, 0.34%

LAB 52.51, -52.54, 46.54

 

CMYK 81 / 0 / 54 / 43

HEX #1B9143

RGB 27 145 67

HSL 140.34, 0.69%, 0.34%

LAB 52.83, -48.73, 32.42

 

CMYK 81 / 0 / 32 / 43

HEX #1B9163

RGB 27 145 99

HSL 156.61, 0.69%, 0.34%

LAB 53.37, -42.52, 15.72

 

CMYK 43 / 0 / 81 / 43

HEX #53911B

RGB 83 145 27

HSL 91.53, 0.69%, 0.34%

LAB 54.21, -39.24, 51.47

 

CMYK 48 / 0 / 92 / 38

HEX #529F0D

RGB 82 159 13

HSL 91.64, 0.85%, 0.34%

LAB 58.62, -45.85, 58.61

 

CMYK 43 / 0 / 81 / 43

HEX #53911B

RGB 83 145 27

HSL 91.53, 0.69%, 0.34%

LAB 54.21, -39.24, 51.47

 

CMYK 36 / 0 / 69 / 49

HEX #548329

RGB 84 131 41

HSL 91.33, 0.52%, 0.34%

LAB 49.83, -31.72, 41.96

 

CMYK 28 / 0 / 53 / 54

HEX #547537

RGB 84 117 55

HSL 91.94, 0.36%, 0.34%

LAB 45.47, -23.49, 30.21

 

CMYK 17 / 0 / 33 / 60

HEX #556745

RGB 85 103 69

HSL 91.76, 0.2%, 0.34%

LAB 41.31, -13.62, 17.02

 

CMYK 3 / 0 / 7 / 65

HEX #565953

RGB 86 89 83

HSL 90, 0.03%, 0.34%

LAB 37.39, -2.46, 3.05

 

CMYK 0 / 1 / 81 / 43

HEX #918F1B

RGB 145 143 27

HSL 58.98, 0.69%, 0.34%

LAB 57.79, -12.49, 56.27

 

CMYK 20 / 0 / 81 / 43

HEX #74911B

RGB 116 145 27

HSL 74.75, 0.69%, 0.34%

LAB 56.13, -26.32, 53.94

 

CMYK 42 / 0 / 81 / 43

HEX #54911B

RGB 84 145 27

HSL 91.02, 0.69%, 0.34%

LAB 54.25, -38.89, 51.53

 

CMYK 63 / 0 / 81 / 43

HEX #35911B

RGB 53 145 27

HSL 106.78, 0.69%, 0.34%

LAB 53.04, -48.23, 49.97

 

CMYK 81 / 0 / 77 / 43

HEX #1B9121

RGB 27 145 33

HSL 123.05, 0.69%, 0.34%

LAB 52.5, -52.7, 47.25

 

CMYK 43 / 0 / 82 / 70

HEX #2B4C0E

RGB 43 76 14

HSL 91.94, 0.69%, 0.18%

LAB 28.68, -23.74, 31.03

 

CMYK 43 / 0 / 81 / 57

HEX #3F6E15

RGB 63 110 21

HSL 91.69, 0.68%, 0.26%

LAB 41.63, -31.49, 41.28

 

CMYK 43 / 0 / 81 / 43

HEX #53911B

RGB 83 145 27

HSL 91.53, 0.69%, 0.34%

LAB 54.21, -39.24, 51.47

 

CMYK 43 / 0 / 81 / 29

HEX #66B422

RGB 102 180 34

HSL 92.05, 0.68%, 0.42%

LAB 66.2, -46.9, 60.78

 

CMYK 43 / 0 / 81 / 16

HEX #7AD629

RGB 122 214 41

HSL 91.91, 0.68%, 0.5%

LAB 77.51, -53.54, 69.52

 

CMYK 43 / 0 / 81 / 43

HEX #53911C

RGB 83 145 28

HSL 91.79, 0.68%, 0.34%

LAB 54.21, -39.19, 51.17

 

CMYK 81 / 0 / 23 / 43

HEX #1B9170

RGB 27 145 112

HSL 163.22, 0.69%, 0.34%

LAB 53.66, -39.36, 8.74

 

CMYK 0 / 81 / 10 / 43

HEX #911B83

RGB 145 27 131

HSL 307.12, 0.69%, 0.34%

LAB 34.89, 57.68, -30.07

 

CMYK 43 / 0 / 81 / 43

HEX #53911C

RGB 83 145 28

HSL 91.79, 0.68%, 0.34%

LAB 54.21, -39.19, 51.17

 

CMYK 81 / 42 / 0 / 43

HEX #1B5491

RGB 27 84 145

HSL 211.02, 0.69%, 0.34%

LAB 35.24, 4.77, -38.83

 

CMYK 0 / 81 / 42 / 43

HEX #911B54

RGB 145 27 84

HSL 331.02, 0.69%, 0.34%

LAB 32.8, 51.63, -3.32

 

CMYK 43 / 0 / 81 / 43

HEX #53911C

RGB 83 145 28

HSL 91.79, 0.68%, 0.34%

LAB 54.21, -39.19, 51.17

 

CMYK 81 / 0 / 23 / 43

HEX #1B9170

RGB 27 145 112

HSL 163.22, 0.69%, 0.34%

LAB 53.66, -39.36, 8.74

 

CMYK 39 / 81 / 0 / 43

HEX #581B91

RGB 88 27 145

HSL 271.02, 0.69%, 0.34%

LAB 26.46, 49.26, -52.81

 

CMYK 0 / 81 / 58 / 43

HEX #911B3D

RGB 145 27 61

HSL 342.71, 0.69%, 0.34%

LAB 32.12, 49.59, 10.82

 

CMYK 43 / 0 / 81 / 43

HEX #53911C

RGB 83 145 28

HSL 91.79, 0.68%, 0.34%

LAB 54.21, -39.19, 51.17

 

CMYK 81 / 1 / 0 / 43

HEX #1B8F91

RGB 27 143 145

HSL 181.02, 0.69%, 0.34%

LAB 53.94, -28.99, -9.85

 

CMYK 39 / 81 / 0 / 43

HEX #581B91

RGB 88 27 145

HSL 271.02, 0.69%, 0.34%

LAB 26.46, 49.26, -52.81

 

CMYK 0 / 80 / 81 / 43

HEX #911D1B

RGB 145 29 27

HSL 1.02, 0.69%, 0.34%

LAB 31.76, 47.16, 32.01

 

Description

Color code: RGB 83 145 28 | qconv.com Color code: RGB 83 145 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 145 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 145 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 81 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 81% 43% C M Y K

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Provide designers and agencies with accurate color values.

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