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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 174 70 it is the complementary color RGB 172 81 185. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 174 70. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 174 70 shade: RGB 88 174 65, RGB 105 192 84, RGB 122 210 103, RGB 139 228 122 and RGB 156 246 141

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 174 70. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 174 70 shade: RGB 83 174 70, RGB 66 156 51, RGB 49 138 32, RGB 32 120 13 and RGB 15 102 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 174 70 shade: RGB 82 175 69, RGB 111 175 69, RGB 139 175 69, RGB 168 175 69 and RGB 175 153 69

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 174 70 shade: RGB 82 175 69, RGB 69 175 84, RGB 69 175 113, RGB 69 175 141 and RGB 69 175 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 174 70 shade matches the following richer shades: RGB 82 175 69, RGB 68 194 49, RGB 53 214 30 and RGB 38 234 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 174 70 shade: RGB 82 175 69, RGB 97 155 89, RGB 112 135 109, RGB 127 115 129 and RGB 142 95 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 174 70 shade: RGB 139 175 69, RGB 111 175 69, RGB 83 175 69, RGB 69 175 83 and RGB 69 175 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 174 70 shade: RGB 54 116 46, RGB 68 145 58, RGB 82 175 69, RGB 106 191 94 and RGB 134 202 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 174 70 shade: RGB 83 174 70, RGB 69 168 175 and RGB 175 69 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 174 70 shade: RGB 83 174 70, RGB 69 83 175 and RGB 175 69 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 174 70 shade: RGB 83 174 70, RGB 69 168 175, RGB 160 69 175 and RGB 175 76 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 174 70 shade: RGB 83 174 70, RGB 69 136 175, RGB 160 69 175 and RGB 175 108 69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 60 / 32

HEX #53AE46

RGB 83 174 70

HSL 112.5, 0.43%, 0.48%

LAB 63.8, -47.51, 44.34

 

Complementary color

CMYK 7 / 56 / 0 / 27

HEX #AC51B9

RGB 172 81 185

HSL 292.5, 0.43%, 0.52%

LAB 49.69, 52.36, -38.84

 

CMYK 49 / 0 / 63 / 32

HEX #58AE41

RGB 88 174 65

HSL 107.34, 0.46%, 0.47%

LAB 63.94, -46.61, 46.82

 

CMYK 45 / 0 / 56 / 25

HEX #69C054

RGB 105 192 84

HSL 108.33, 0.46%, 0.54%

LAB 70.42, -46.76, 45.74

 

CMYK 42 / 0 / 51 / 18

HEX #7AD267

RGB 122 210 103

HSL 109.35, 0.54%, 0.61%

LAB 76.81, -46.77, 44.55

 

CMYK 39 / 0 / 46 / 11

HEX #8BE47A

RGB 139 228 122

HSL 110.38, 0.66%, 0.69%

LAB 83.12, -46.68, 43.34

 

CMYK 37 / 0 / 43 / 4

HEX #9CF68D

RGB 156 246 141

HSL 111.43, 0.85%, 0.76%

LAB 89.35, -46.53, 42.14

 

CMYK 52 / 0 / 60 / 32

HEX #53AE46

RGB 83 174 70

HSL 112.5, 0.43%, 0.48%

LAB 63.8, -47.51, 44.34

 

CMYK 58 / 0 / 67 / 39

HEX #429C33

RGB 66 156 51

HSL 111.43, 0.51%, 0.41%

LAB 57.24, -47.12, 45.35

 

CMYK 64 / 0 / 77 / 46

HEX #318A20

RGB 49 138 32

HSL 110.38, 0.62%, 0.33%

LAB 50.61, -46.32, 45.89

 

CMYK 73 / 0 / 89 / 53

HEX #20780D

RGB 32 120 13

HSL 109.35, 0.8%, 0.26%

LAB 43.9, -44.83, 45.32

 

CMYK 85 / 0 / 100 / 60

HEX #0F6600

RGB 15 102 0

HSL 111.18, 1%, 0.2%

LAB 37.12, -42.28, 42.67

 

CMYK 53 / 0 / 61 / 31

HEX #52AF45

RGB 82 175 69

HSL 112.64, 0.43%, 0.48%

LAB 64.07, -48.3, 45.1

 

CMYK 37 / 0 / 61 / 31

HEX #6FAF45

RGB 111 175 69

HSL 96.23, 0.43%, 0.48%

LAB 65.33, -39.18, 46.88

 

CMYK 21 / 0 / 61 / 31

HEX #8BAF45

RGB 139 175 69

HSL 80.38, 0.43%, 0.48%

LAB 66.96, -28.69, 49.14

 

CMYK 4 / 0 / 61 / 31

HEX #A8AF45

RGB 168 175 69

HSL 63.96, 0.43%, 0.48%

LAB 69.05, -16.77, 52.04

 

CMYK 0 / 13 / 61 / 31

HEX #AF9945

RGB 175 153 69

HSL 47.55, 0.43%, 0.48%

LAB 63.61, -2.17, 46.19

 

CMYK 53 / 0 / 61 / 31

HEX #52AF45

RGB 82 175 69

HSL 112.64, 0.43%, 0.48%

LAB 64.07, -48.3, 45.1

 

CMYK 61 / 0 / 52 / 31

HEX #45AF54

RGB 69 175 84

HSL 128.49, 0.43%, 0.48%

LAB 63.81, -49.68, 37.5

 

CMYK 61 / 0 / 35 / 31

HEX #45AF71

RGB 69 175 113

HSL 144.91, 0.43%, 0.48%

LAB 64.26, -44.79, 22.96

 

CMYK 61 / 0 / 19 / 31

HEX #45AF8D

RGB 69 175 141

HSL 160.75, 0.43%, 0.48%

LAB 64.84, -38.73, 8.46

 

CMYK 61 / 0 / 3 / 31

HEX #45AFAA

RGB 69 175 170

HSL 177.17, 0.43%, 0.48%

LAB 65.61, -31.26, -6.51

 

CMYK 53 / 0 / 61 / 31

HEX #52AF45

RGB 82 175 69

HSL 112.64, 0.43%, 0.48%

LAB 64.07, -48.3, 45.1

 

CMYK 65 / 0 / 75 / 24

HEX #44C231

RGB 68 194 49

HSL 112.14, 0.6%, 0.48%

LAB 69.49, -60.45, 58.82

 

CMYK 75 / 0 / 86 / 16

HEX #35D61E

RGB 53 214 30

HSL 112.5, 0.75%, 0.48%

LAB 75.42, -70.51, 69.48

 

CMYK 84 / 0 / 96 / 8

HEX #26EA0A

RGB 38 234 10

HSL 112.5, 0.92%, 0.48%

LAB 81.45, -78.55, 77.37

 

CMYK 53 / 0 / 61 / 31

HEX #52AF45

RGB 82 175 69

HSL 112.64, 0.43%, 0.48%

LAB 64.07, -48.3, 45.1

 

CMYK 37 / 0 / 43 / 39

HEX #619B59

RGB 97 155 89

HSL 112.73, 0.27%, 0.48%

LAB 58.7, -32.46, 28.74

 

CMYK 17 / 0 / 19 / 47

HEX #70876D

RGB 112 135 109

HSL 113.08, 0.11%, 0.48%

LAB 53.9, -13.58, 11.28

 

CMYK 2 / 11 / 0 / 49

HEX #7F7381

RGB 127 115 129

HSL 291.43, 0.06%, 0.48%

LAB 49.93, 7.39, -5.99

 

CMYK 4 / 36 / 0 / 42

HEX #8E5F94

RGB 142 95 148

HSL 293.21, 0.22%, 0.48%

LAB 47.07, 28.45, -21.45

 

CMYK 21 / 0 / 61 / 31

HEX #8BAF45

RGB 139 175 69

HSL 80.38, 0.43%, 0.48%

LAB 66.96, -28.69, 49.14

 

CMYK 37 / 0 / 61 / 31

HEX #6FAF45

RGB 111 175 69

HSL 96.23, 0.43%, 0.48%

LAB 65.33, -39.18, 46.88

 

CMYK 53 / 0 / 61 / 31

HEX #53AF45

RGB 83 175 69

HSL 112.08, 0.43%, 0.48%

LAB 64.1, -48.02, 45.15

 

CMYK 61 / 0 / 53 / 31

HEX #45AF53

RGB 69 175 83

HSL 127.92, 0.43%, 0.48%

LAB 63.79, -49.83, 37.98

 

CMYK 61 / 0 / 37 / 31

HEX #45AF6F

RGB 69 175 111

HSL 143.77, 0.43%, 0.48%

LAB 64.22, -45.18, 23.99

 

CMYK 53 / 0 / 60 / 55

HEX #36742E

RGB 54 116 46

HSL 113.14, 0.43%, 0.32%

LAB 43.47, -34.85, 32.12

 

CMYK 53 / 0 / 60 / 43

HEX #44913A

RGB 68 145 58

HSL 113.1, 0.43%, 0.4%

LAB 53.8, -41.45, 38.33

 

CMYK 53 / 0 / 61 / 31

HEX #52AF45

RGB 82 175 69

HSL 112.64, 0.43%, 0.48%

LAB 64.07, -48.3, 45.1

 

CMYK 45 / 0 / 51 / 25

HEX #6ABF5E

RGB 106 191 94

HSL 112.58, 0.43%, 0.56%

LAB 70.27, -44.82, 40.78

 

CMYK 34 / 0 / 39 / 21

HEX #86CA7C

RGB 134 202 124

HSL 112.31, 0.42%, 0.64%

LAB 75.3, -36.58, 32.3

 

CMYK 52 / 0 / 60 / 32

HEX #53AE46

RGB 83 174 70

HSL 112.5, 0.43%, 0.48%

LAB 63.8, -47.51, 44.34

 

CMYK 61 / 4 / 0 / 31

HEX #45A8AF

RGB 69 168 175

HSL 183.96, 0.43%, 0.48%

LAB 63.64, -26.41, -12.24

 

CMYK 0 / 61 / 29 / 31

HEX #AF457D

RGB 175 69 125

HSL 328.3, 0.43%, 0.48%

LAB 45.43, 49.08, -9.7

 

CMYK 52 / 0 / 60 / 32

HEX #53AE46

RGB 83 174 70

HSL 112.5, 0.43%, 0.48%

LAB 63.8, -47.51, 44.34

 

CMYK 61 / 53 / 0 / 31

HEX #4553AF

RGB 69 83 175

HSL 232.08, 0.43%, 0.48%

LAB 38.81, 23.25, -50.97

 

CMYK 0 / 61 / 53 / 31

HEX #AF4553

RGB 175 69 83

HSL 352.08, 0.43%, 0.48%

LAB 44.23, 44.44, 14.33

 

CMYK 52 / 0 / 60 / 32

HEX #53AE46

RGB 83 174 70

HSL 112.5, 0.43%, 0.48%

LAB 63.8, -47.51, 44.34

 

CMYK 61 / 4 / 0 / 31

HEX #45A8AF

RGB 69 168 175

HSL 183.96, 0.43%, 0.48%

LAB 63.64, -26.41, -12.24

 

CMYK 9 / 61 / 0 / 31

HEX #A045AF

RGB 160 69 175

HSL 291.51, 0.43%, 0.48%

LAB 45.39, 52.99, -39.89

 

CMYK 0 / 57 / 61 / 31

HEX #AF4C45

RGB 175 76 69

HSL 3.96, 0.43%, 0.48%

LAB 45.24, 39.93, 24.17

 

CMYK 52 / 0 / 60 / 32

HEX #53AE46

RGB 83 174 70

HSL 112.5, 0.43%, 0.48%

LAB 63.8, -47.51, 44.34

 

CMYK 61 / 22 / 0 / 31

HEX #4588AF

RGB 69 136 175

HSL 202.08, 0.43%, 0.48%

LAB 53.99, -9.36, -26.96

 

CMYK 9 / 61 / 0 / 31

HEX #A045AF

RGB 160 69 175

HSL 291.51, 0.43%, 0.48%

LAB 45.39, 52.99, -39.89

 

CMYK 0 / 38 / 61 / 31

HEX #AF6C45

RGB 175 108 69

HSL 22.08, 0.43%, 0.48%

LAB 52.14, 22.83, 32.78

 

Description

Color code: RGB 83 174 70 | qconv.com Color code: RGB 83 174 70 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 174 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 174 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 60 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 60% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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