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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 202 186 it is the complementary color RGB 172 53 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 202 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 202 186 shade: RGB 88 202 181, RGB 105 220 200, RGB 122 238 219, RGB 139 255 238 and RGB 156 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 202 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 202 186 shade: RGB 83 202 186, RGB 66 184 167, RGB 49 166 148, RGB 32 148 129 and RGB 15 130 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 202 186 shade: RGB 83 202 186, RGB 83 202 154, RGB 83 202 122, RGB 83 202 90 and RGB 108 202 83

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 202 186 shade: RGB 83 202 186, RGB 83 186 202, RGB 83 154 202, RGB 83 122 202 and RGB 83 89 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 202 186 shade matches the following richer shades: RGB 83 202 186, RGB 65 220 199 and RGB 47 238 212

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 202 186 shade: RGB 83 202 186, RGB 101 184 172, RGB 119 165 159, RGB 137 147 146 and RGB 155 129 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 202 186 shade: RGB 83 202 120, RGB 83 202 152, RGB 83 202 184, RGB 83 188 202 and RGB 83 156 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 202 186 shade: RGB 47 155 140, RGB 57 186 169, RGB 83 202 186, RGB 114 211 198 and RGB 146 221 211

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 202 186 shade: RGB 83 202 186, RGB 89 83 202 and RGB 202 136 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 202 186 shade: RGB 83 202 186, RGB 184 83 202 and RGB 202 184 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 202 186 shade: RGB 83 202 186, RGB 89 83 202, RGB 202 83 101 and RGB 196 202 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 202 186 shade: RGB 83 202 186, RGB 124 83 202, RGB 202 83 101 and RGB 160 202 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

Complementary color

CMYK 0 / 69 / 60 / 33

HEX #AC3545

RGB 172 53 69

HSL 351.93, 0.53%, 0.44%

LAB 40.81, 49.32, 18.3

 

CMYK 56 / 0 / 10 / 21

HEX #58CAB5

RGB 88 202 181

HSL 168.95, 0.52%, 0.57%

LAB 74.6, -37.4, 0.74

 

CMYK 52 / 0 / 9 / 14

HEX #69DCC8

RGB 105 220 200

HSL 169.57, 0.62%, 0.64%

LAB 80.94, -37.47, -0.14

 

CMYK 49 / 0 / 8 / 7

HEX #7AEEDB

RGB 122 238 219

HSL 170.17, 0.77%, 0.71%

LAB 87.19, -37.47, -0.96

 

CMYK 45 / 0 / 7 / 0

HEX #8BFFEE

RGB 139 255 238

HSL 171.21, 1%, 0.77%

LAB 93.09, -36.97, -2.13

 

CMYK 39 / 0 / 0 / 0

HEX #9CFFFF

RGB 156 255 255

HSL 180, 1%, 0.81%

LAB 94.23, -28.99, -9.17

 

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

CMYK 64 / 0 / 9 / 28

HEX #42B8A7

RGB 66 184 167

HSL 171.36, 0.47%, 0.49%

LAB 68.19, -36.81, -1.07

 

CMYK 70 / 0 / 11 / 35

HEX #31A694

RGB 49 166 148

HSL 170.77, 0.54%, 0.42%

LAB 61.71, -36.33, -0.03

 

CMYK 78 / 0 / 13 / 42

HEX #209481

RGB 32 148 129

HSL 170.17, 0.64%, 0.35%

LAB 55.15, -35.58, 1.15

 

CMYK 88 / 0 / 15 / 49

HEX #0F826E

RGB 15 130 110

HSL 169.57, 0.79%, 0.28%

LAB 48.5, -34.41, 2.49

 

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

CMYK 59 / 0 / 24 / 21

HEX #53CA9A

RGB 83 202 154

HSL 155.8, 0.53%, 0.56%

LAB 73.81, -44.73, 14.13

 

CMYK 59 / 0 / 40 / 21

HEX #53CA7A

RGB 83 202 122

HSL 139.66, 0.53%, 0.56%

LAB 73.21, -51.04, 30.2

 

CMYK 59 / 0 / 55 / 21

HEX #53CA5A

RGB 83 202 90

HSL 123.53, 0.53%, 0.56%

LAB 72.77, -55.86, 45.52

 

CMYK 47 / 0 / 59 / 21

HEX #6CCA53

RGB 108 202 83

HSL 107.39, 0.53%, 0.56%

LAB 73.58, -50.03, 49.9

 

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

CMYK 59 / 8 / 0 / 21

HEX #53BACA

RGB 83 186 202

HSL 188.07, 0.53%, 0.56%

LAB 70.33, -25.05, -17.07

 

CMYK 59 / 24 / 0 / 21

HEX #539ACA

RGB 83 154 202

HSL 204.2, 0.53%, 0.56%

LAB 60.97, -8.1, -31.4

 

CMYK 59 / 40 / 0 / 21

HEX #537ACA

RGB 83 122 202

HSL 220.34, 0.53%, 0.56%

LAB 51.86, 10.66, -45.7

 

CMYK 59 / 56 / 0 / 21

HEX #5359CA

RGB 83 89 202

HSL 236.97, 0.53%, 0.56%

LAB 43.13, 31.18, -59.7

 

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

CMYK 70 / 0 / 10 / 14

HEX #41DCC7

RGB 65 220 199

HSL 171.87, 0.69%, 0.56%

LAB 79.86, -44.58, -1.31

 

CMYK 80 / 0 / 11 / 7

HEX #2FEED4

RGB 47 238 212

HSL 171.83, 0.85%, 0.56%

LAB 85.25, -50.74, -0.33

 

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

CMYK 45 / 0 / 7 / 28

HEX #65B8AC

RGB 101 184 172

HSL 171.33, 0.37%, 0.56%

LAB 69.49, -28.23, -1.78

 

CMYK 28 / 0 / 4 / 35

HEX #77A59F

RGB 119 165 159

HSL 172.17, 0.2%, 0.56%

LAB 64.43, -16.71, -1.88

 

CMYK 7 / 0 / 1 / 42

HEX #899392

RGB 137 147 146

HSL 174, 0.04%, 0.56%

LAB 60.12, -3.8, -0.72

 

CMYK 0 / 17 / 14 / 39

HEX #9B8185

RGB 155 129 133

HSL 350.77, 0.12%, 0.56%

LAB 56.45, 10.63, 1.56

 

CMYK 59 / 0 / 41 / 21

HEX #53CA78

RGB 83 202 120

HSL 138.66, 0.53%, 0.56%

LAB 73.18, -51.39, 31.19

 

CMYK 59 / 0 / 25 / 21

HEX #53CA98

RGB 83 202 152

HSL 154.79, 0.53%, 0.56%

LAB 73.77, -45.17, 15.15

 

CMYK 59 / 0 / 9 / 21

HEX #53CAB8

RGB 83 202 184

HSL 170.92, 0.53%, 0.56%

LAB 74.53, -37.61, -1

 

CMYK 59 / 7 / 0 / 21

HEX #53BCCA

RGB 83 188 202

HSL 187.06, 0.53%, 0.56%

LAB 70.92, -26.05, -16.18

 

CMYK 59 / 23 / 0 / 21

HEX #539CCA

RGB 83 156 202

HSL 203.19, 0.53%, 0.56%

LAB 61.55, -9.21, -30.5

 

CMYK 70 / 0 / 10 / 39

HEX #2F9B8C

RGB 47 155 140

HSL 171.67, 0.53%, 0.4%

LAB 57.98, -33.75, -0.96

 

CMYK 69 / 0 / 9 / 27

HEX #39BAA9

RGB 57 186 169

HSL 172.09, 0.53%, 0.48%

LAB 68.64, -38.58, -1.52

 

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

CMYK 46 / 0 / 6 / 17

HEX #72D3C6

RGB 114 211 198

HSL 171.96, 0.52%, 0.64%

LAB 78.6, -31.75, -2.45

 

CMYK 34 / 0 / 5 / 13

HEX #92DDD3

RGB 146 221 211

HSL 172, 0.52%, 0.72%

LAB 83.19, -25.36, -2.48

 

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

CMYK 56 / 59 / 0 / 21

HEX #5953CA

RGB 89 83 202

HSL 243.03, 0.53%, 0.56%

LAB 42.12, 35.96, -61.33

 

CMYK 0 / 33 / 59 / 21

HEX #CA8853

RGB 202 136 83

HSL 26.72, 0.53%, 0.56%

LAB 62.33, 19.81, 38.38

 

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

CMYK 9 / 59 / 0 / 21

HEX #B853CA

RGB 184 83 202

HSL 290.92, 0.53%, 0.56%

LAB 52.55, 57.77, -44.02

 

CMYK 0 / 9 / 59 / 21

HEX #CAB853

RGB 202 184 83

HSL 50.92, 0.53%, 0.56%

LAB 74.48, -6.01, 52.54

 

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

CMYK 56 / 59 / 0 / 21

HEX #5953CA

RGB 89 83 202

HSL 243.03, 0.53%, 0.56%

LAB 42.12, 35.96, -61.33

 

CMYK 0 / 59 / 50 / 21

HEX #CA5365

RGB 202 83 101

HSL 350.92, 0.53%, 0.56%

LAB 51.48, 48.82, 14.11

 

CMYK 3 / 0 / 59 / 21

HEX #C4CA53

RGB 196 202 83

HSL 63.03, 0.53%, 0.56%

LAB 78.81, -17.69, 57.21

 

CMYK 59 / 0 / 8 / 21

HEX #53CABA

RGB 83 202 186

HSL 171.93, 0.53%, 0.56%

LAB 74.59, -37.1, -2.01

 

CMYK 39 / 59 / 0 / 21

HEX #7C53CA

RGB 124 83 202

HSL 260.67, 0.53%, 0.56%

LAB 45.27, 43.21, -56.08

 

CMYK 0 / 59 / 50 / 21

HEX #CA5365

RGB 202 83 101

HSL 350.92, 0.53%, 0.56%

LAB 51.48, 48.82, 14.11

 

CMYK 21 / 0 / 59 / 21

HEX #A0CA53

RGB 160 202 83

HSL 81.18, 0.53%, 0.56%

LAB 76.28, -32.08, 53.69

 

Description

Color code: RGB 83 202 186 | qconv.com Color code: RGB 83 202 186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 202 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 202 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 8 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 8% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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