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Color name
RGB 83 38 34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 83 38 34 it is the complementary color RGB 172 217 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 83 38 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 83 38 34 shade: RGB 88 38 29, RGB 105 56 48, RGB 122 74 67, RGB 139 92 86 and RGB 156 110 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 83 38 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 83 38 34 shade: RGB 83 38 34, RGB 66 20 15, RGB 49 2 0, RGB 32 0 0 and RGB 15 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 83 38 34 shade: RGB 83 38 34 and RGB 83 34 34

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 83 38 34 shade: RGB 83 38 34, RGB 83 51 34, RGB 83 64 34, RGB 83 77 34 and RGB 75 83 34

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 83 38 34 shade matches the following richer shades: RGB 83 38 34, RGB 92 30 24, RGB 102 22 15 and RGB 111 14 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 83 38 34 shade: RGB 83 38 34, RGB 73 45 43, RGB 64 53 52, RGB 54 61 62 and RGB 45 69 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 83 38 34 shade: RGB 83 34 57, RGB 83 34 43, RGB 83 37 34, RGB 83 50 34 and RGB 83 63 34

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 83 38 34 shade: RGB 24 11 10, RGB 53 24 22, RGB 83 38 34, RGB 112 51 45 and RGB 141 64 57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 83 38 34 shade: RGB 83 38 34, RGB 70 83 34 and RGB 34 50 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 83 38 34 shade: RGB 83 38 34, RGB 34 83 37 and RGB 37 34 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 83 38 34 shade: RGB 83 38 34, RGB 70 83 34, RGB 34 79 83 and RGB 47 34 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 83 38 34 shade: RGB 83 38 34, RGB 55 83 34, RGB 34 79 83 and RGB 61 34 83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 59 / 67

HEX #532622

RGB 83 38 34

HSL 4.9, 0.42%, 0.23%

LAB 21.36, 20.5, 12.37

 

Complementary color

CMYK 22 / 2 / 0 / 13

HEX #ACD9DD

RGB 172 217 221

HSL 184.9, 0.42%, 0.77%

LAB 83.77, -13.68, -6.79

 

CMYK 0 / 57 / 67 / 65

HEX #58261D

RGB 88 38 29

HSL 9.15, 0.5%, 0.23%

LAB 22.12, 22.26, 16.87

 

CMYK 0 / 47 / 54 / 59

HEX #693830

RGB 105 56 48

HSL 8.42, 0.37%, 0.3%

LAB 29.53, 20.8, 14.58

 

CMYK 0 / 39 / 45 / 52

HEX #7A4A43

RGB 122 74 67

HSL 7.64, 0.29%, 0.37%

LAB 36.82, 19.55, 12.79

 

CMYK 0 / 34 / 38 / 45

HEX #8B5C56

RGB 139 92 86

HSL 6.79, 0.24%, 0.44%

LAB 43.97, 18.48, 11.33

 

CMYK 0 / 29 / 33 / 39

HEX #9C6E69

RGB 156 110 105

HSL 5.88, 0.2%, 0.51%

LAB 50.97, 17.58, 10.08

 

CMYK 0 / 54 / 59 / 67

HEX #532622

RGB 83 38 34

HSL 4.9, 0.42%, 0.23%

LAB 21.36, 20.5, 12.37

 

CMYK 0 / 70 / 77 / 74

HEX #42140F

RGB 66 20 15

HSL 5.88, 0.63%, 0.16%

LAB 13.79, 21.94, 14.58

 

CMYK 0 / 96 / 100 / 81

HEX #310200

RGB 49 2 0

HSL 2.45, 1%, 0.1%

LAB 6.29, 23.14, 9.89

 

CMYK 0 / 100 / 100 / 87

HEX #200000

RGB 32 0 0

HSL 0, 1%, 0.06%

LAB 2.77, 12.44, 4.38

 

CMYK 0 / 100 / 100 / 94

HEX #0F0000

RGB 15 0 0

HSL 0, 1%, 0.03%

LAB 0.92, 4.12, 1.45

 

CMYK 0 / 54 / 59 / 67

HEX #532622

RGB 83 38 34

HSL 4.9, 0.42%, 0.23%

LAB 21.36, 20.5, 12.37

 

CMYK 0 / 59 / 59 / 67

HEX #532222

RGB 83 34 34

HSL 0, 0.42%, 0.23%

LAB 20.43, 22.87, 11.14

 

CMYK 0 / 54 / 59 / 67

HEX #532622

RGB 83 38 34

HSL 4.9, 0.42%, 0.23%

LAB 21.36, 20.5, 12.37

 

CMYK 0 / 39 / 59 / 67

HEX #533322

RGB 83 51 34

HSL 20.82, 0.42%, 0.23%

LAB 24.71, 12.37, 16.71

 

CMYK 0 / 23 / 59 / 67

HEX #534022

RGB 83 64 34

HSL 36.73, 0.42%, 0.23%

LAB 28.44, 4.05, 21.34

 

CMYK 0 / 7 / 59 / 67

HEX #534D22

RGB 83 77 34

HSL 52.65, 0.42%, 0.23%

LAB 32.4, -4.03, 26.06

 

CMYK 10 / 0 / 59 / 67

HEX #4B5322

RGB 75 83 34

HSL 69.8, 0.42%, 0.23%

LAB 33.56, -11.44, 27.21

 

CMYK 0 / 54 / 59 / 67

HEX #532622

RGB 83 38 34

HSL 4.9, 0.42%, 0.23%

LAB 21.36, 20.5, 12.37

 

CMYK 0 / 67 / 74 / 64

HEX #5C1E18

RGB 92 30 24

HSL 5.29, 0.59%, 0.23%

LAB 21.09, 27.99, 19.08

 

CMYK 0 / 78 / 85 / 60

HEX #66160F

RGB 102 22 15

HSL 4.83, 0.74%, 0.23%

LAB 21.7, 34.94, 25.89

 

CMYK 0 / 87 / 95 / 56

HEX #6F0E05

RGB 111 14 5

HSL 5.09, 0.91%, 0.23%

LAB 22.67, 40.28, 31.89

 

CMYK 0 / 54 / 59 / 67

HEX #532622

RGB 83 38 34

HSL 4.9, 0.42%, 0.23%

LAB 21.36, 20.5, 12.37

 

CMYK 0 / 38 / 41 / 71

HEX #492D2B

RGB 73 45 43

HSL 4, 0.26%, 0.23%

LAB 21.83, 12.62, 6.63

 

CMYK 0 / 17 / 19 / 75

HEX #403534

RGB 64 53 52

HSL 5, 0.1%, 0.23%

LAB 23.28, 4.69, 2.45

 

CMYK 13 / 2 / 0 / 76

HEX #363D3E

RGB 54 61 62

HSL 187.5, 0.07%, 0.23%

LAB 25.17, -2.67, -1.61

 

CMYK 37 / 3 / 0 / 72

HEX #2D4547

RGB 45 69 71

HSL 184.62, 0.22%, 0.23%

LAB 27.49, -8.63, -4.17

 

CMYK 0 / 59 / 31 / 67

HEX #532239

RGB 83 34 57

HSL 331.84, 0.42%, 0.23%

LAB 21.13, 25.78, -3.81

 

CMYK 0 / 59 / 48 / 67

HEX #53222B

RGB 83 34 43

HSL 348.98, 0.42%, 0.23%

LAB 20.66, 23.85, 5.23

 

CMYK 0 / 55 / 59 / 67

HEX #532522

RGB 83 37 34

HSL 3.67, 0.42%, 0.23%

LAB 21.12, 21.1, 12.06

 

CMYK 0 / 40 / 59 / 67

HEX #533222

RGB 83 50 34

HSL 19.59, 0.42%, 0.23%

LAB 24.44, 13.01, 16.36

 

CMYK 0 / 24 / 59 / 67

HEX #533F22

RGB 83 63 34

HSL 35.51, 0.42%, 0.23%

LAB 28.14, 4.69, 20.98

 

CMYK 0 / 54 / 58 / 91

HEX #180B0A

RGB 24 11 10

HSL 4.29, 0.41%, 0.07%

LAB 4.11, 4.84, 2.14

 

CMYK 0 / 55 / 58 / 79

HEX #351816

RGB 53 24 22

HSL 3.87, 0.41%, 0.15%

LAB 12.4, 14.21, 7.94

 

CMYK 0 / 54 / 59 / 67

HEX #532622

RGB 83 38 34

HSL 4.9, 0.42%, 0.23%

LAB 21.36, 20.5, 12.37

 

CMYK 0 / 54 / 60 / 56

HEX #70332D

RGB 112 51 45

HSL 5.37, 0.43%, 0.31%

LAB 29.42, 26.42, 16.58

 

CMYK 0 / 55 / 60 / 45

HEX #8D4039

RGB 141 64 57

HSL 5, 0.42%, 0.39%

LAB 37.16, 32.1, 19.97

 

CMYK 0 / 54 / 59 / 67

HEX #532622

RGB 83 38 34

HSL 4.9, 0.42%, 0.23%

LAB 21.36, 20.5, 12.37

 

CMYK 16 / 0 / 59 / 67

HEX #465322

RGB 70 83 34

HSL 75.92, 0.42%, 0.23%

LAB 33.14, -13.77, 26.63

 

CMYK 59 / 40 / 0 / 67

HEX #223253

RGB 34 50 83

HSL 220.41, 0.42%, 0.23%

LAB 21, 4.63, -22.12

 

CMYK 0 / 54 / 59 / 67

HEX #532622

RGB 83 38 34

HSL 4.9, 0.42%, 0.23%

LAB 21.36, 20.5, 12.37

 

CMYK 59 / 0 / 55 / 67

HEX #225325

RGB 34 83 37

HSL 123.67, 0.42%, 0.23%

LAB 31.02, -27.51, 21.89

 

CMYK 55 / 59 / 0 / 67

HEX #252253

RGB 37 34 83

HSL 243.67, 0.42%, 0.23%

LAB 16.31, 16.88, -29.59

 

CMYK 0 / 54 / 59 / 67

HEX #532622

RGB 83 38 34

HSL 4.9, 0.42%, 0.23%

LAB 21.36, 20.5, 12.37

 

CMYK 16 / 0 / 59 / 67

HEX #465322

RGB 70 83 34

HSL 75.92, 0.42%, 0.23%

LAB 33.14, -13.77, 26.63

 

CMYK 59 / 5 / 0 / 67

HEX #224F53

RGB 34 79 83

HSL 184.9, 0.42%, 0.23%

LAB 30.78, -14.06, -7.07

 

CMYK 43 / 59 / 0 / 67

HEX #2F2253

RGB 47 34 83

HSL 255.92, 0.42%, 0.23%

LAB 17.33, 19.53, -27.9

 

CMYK 0 / 54 / 59 / 67

HEX #532622

RGB 83 38 34

HSL 4.9, 0.42%, 0.23%

LAB 21.36, 20.5, 12.37

 

CMYK 34 / 0 / 59 / 67

HEX #375322

RGB 55 83 34

HSL 94.29, 0.42%, 0.23%

LAB 32.07, -20.36, 25.09

 

CMYK 59 / 5 / 0 / 67

HEX #224F53

RGB 34 79 83

HSL 184.9, 0.42%, 0.23%

LAB 30.78, -14.06, -7.07

 

CMYK 27 / 59 / 0 / 67

HEX #3D2253

RGB 61 34 83

HSL 273.06, 0.42%, 0.23%

LAB 19.06, 23.64, -25.04

 

Description

Color code: RGB 83 38 34 | qconv.com Color code: RGB 83 38 34 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 38 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 38 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 59 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 59% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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