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Color name
RGB 80 108 104

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 108 104 it is the complementary color RGB 175 147 151. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 108 104. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 108 104 shade: RGB 85 108 99, RGB 102 126 118, RGB 119 144 137, RGB 136 162 156 and RGB 153 180 175

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 108 104. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 108 104 shade: RGB 80 108 104, RGB 63 90 85, RGB 46 72 66, RGB 29 54 47 and RGB 12 36 28

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 108 104 shade: RGB 80 108 104, RGB 80 108 96, RGB 80 108 89, RGB 80 108 81 and RGB 86 108 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 108 104 shade: RGB 80 108 104, RGB 80 104 108, RGB 80 97 108, RGB 80 89 108 and RGB 80 82 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 108 104 shade matches the following richer shades: RGB 80 108 104, RGB 64 123 115, RGB 49 139 126, RGB 34 154 137 and RGB 19 169 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 108 104 shade: RGB 80 108 104, RGB 95 93 93, RGB 110 77 82, RGB 125 62 71 and RGB 141 47 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 108 104 shade: RGB 80 108 89, RGB 80 108 96, RGB 80 108 104, RGB 80 105 108 and RGB 80 97 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 108 104 shade: RGB 45 61 58, RGB 62 84 81, RGB 80 108 104, RGB 97 132 127 and RGB 117 153 148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 108 104 shade: RGB 80 108 104, RGB 81 80 108 and RGB 108 92 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 108 104 shade: RGB 80 108 104, RGB 104 80 108 and RGB 108 104 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 108 104 shade: RGB 80 108 104, RGB 81 80 108, RGB 108 80 84 and RGB 107 108 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 108 104 shade: RGB 80 108 104, RGB 90 80 108, RGB 108 80 84 and RGB 98 108 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 4 / 58

HEX #506C68

RGB 80 108 104

HSL 171.43, 0.15%, 0.37%

LAB 43.4, -11.15, -1.1

 

Complementary color

CMYK 0 / 16 / 14 / 31

HEX #AF9397

RGB 175 147 151

HSL 351.43, 0.15%, 0.63%

LAB 63.52, 11.12, 1.79

 

CMYK 21 / 0 / 8 / 58

HEX #556C63

RGB 85 108 99

HSL 156.52, 0.12%, 0.38%

LAB 43.59, -10.56, 2.23

 

CMYK 19 / 0 / 6 / 51

HEX #667E76

RGB 102 126 118

HSL 160, 0.11%, 0.45%

LAB 50.75, -10.44, 1.47

 

CMYK 17 / 0 / 5 / 44

HEX #779089

RGB 119 144 137

HSL 163.2, 0.1%, 0.52%

LAB 57.73, -10.35, 0.76

 

CMYK 16 / 0 / 4 / 36

HEX #88A29C

RGB 136 162 156

HSL 166.15, 0.12%, 0.58%

LAB 64.54, -10.28, 0.09

 

CMYK 15 / 0 / 3 / 29

HEX #99B4AF

RGB 153 180 175

HSL 168.89, 0.15%, 0.65%

LAB 71.22, -10.23, -0.56

 

CMYK 26 / 0 / 4 / 58

HEX #506C68

RGB 80 108 104

HSL 171.43, 0.15%, 0.37%

LAB 43.4, -11.15, -1.1

 

CMYK 30 / 0 / 6 / 65

HEX #3F5A55

RGB 63 90 85

HSL 168.89, 0.18%, 0.3%

LAB 36.03, -11.3, -0.37

 

CMYK 36 / 0 / 8 / 72

HEX #2E4842

RGB 46 72 66

HSL 166.15, 0.22%, 0.23%

LAB 28.4, -11.49, 0.44

 

CMYK 46 / 0 / 13 / 79

HEX #1D362F

RGB 29 54 47

HSL 163.2, 0.3%, 0.16%

LAB 20.46, -11.72, 1.36

 

CMYK 67 / 0 / 22 / 86

HEX #0C241C

RGB 12 36 28

HSL 160, 0.5%, 0.09%

LAB 12.11, -11.91, 2.52

 

CMYK 26 / 0 / 4 / 58

HEX #506C68

RGB 80 108 104

HSL 171.43, 0.15%, 0.37%

LAB 43.4, -11.15, -1.1

 

CMYK 26 / 0 / 11 / 58

HEX #506C60

RGB 80 108 96

HSL 154.29, 0.15%, 0.37%

LAB 43.17, -13.02, 3.39

 

CMYK 26 / 0 / 18 / 58

HEX #506C59

RGB 80 108 89

HSL 139.29, 0.15%, 0.37%

LAB 42.99, -14.56, 7.34

 

CMYK 26 / 0 / 25 / 58

HEX #506C51

RGB 80 108 81

HSL 122.14, 0.15%, 0.37%

LAB 42.8, -16.19, 11.86

 

CMYK 20 / 0 / 26 / 58

HEX #566C50

RGB 86 108 80

HSL 107.14, 0.15%, 0.37%

LAB 43.19, -14.08, 13.05

 

CMYK 26 / 0 / 4 / 58

HEX #506C68

RGB 80 108 104

HSL 171.43, 0.15%, 0.37%

LAB 43.4, -11.15, -1.1

 

CMYK 26 / 4 / 0 / 58

HEX #50686C

RGB 80 104 108

HSL 188.57, 0.15%, 0.37%

LAB 42.29, -7.85, -5.17

 

CMYK 26 / 10 / 0 / 58

HEX #50616C

RGB 80 97 108

HSL 203.57, 0.15%, 0.37%

LAB 40.14, -3.7, -8.37

 

CMYK 26 / 18 / 0 / 58

HEX #50596C

RGB 80 89 108

HSL 220.71, 0.15%, 0.37%

LAB 37.72, 1.19, -12.03

 

CMYK 26 / 24 / 0 / 58

HEX #50526C

RGB 80 82 108

HSL 235.71, 0.15%, 0.37%

LAB 35.64, 5.58, -15.2

 

CMYK 26 / 0 / 4 / 58

HEX #506C68

RGB 80 108 104

HSL 171.43, 0.15%, 0.37%

LAB 43.4, -11.15, -1.1

 

CMYK 48 / 0 / 7 / 52

HEX #407B73

RGB 64 123 115

HSL 171.86, 0.32%, 0.37%

LAB 47.62, -21.36, -1.6

 

CMYK 65 / 0 / 9 / 45

HEX #318B7E

RGB 49 139 126

HSL 171.33, 0.48%, 0.37%

LAB 52.54, -29.7, -0.89

 

CMYK 78 / 0 / 11 / 40

HEX #229A89

RGB 34 154 137

HSL 171.5, 0.64%, 0.37%

LAB 57.33, -35.84, -0.24

 

CMYK 89 / 0 / 12 / 34

HEX #13A994

RGB 19 169 148

HSL 171.6, 0.8%, 0.37%

LAB 62.21, -40.72, 0.66

 

CMYK 26 / 0 / 4 / 58

HEX #506C68

RGB 80 108 104

HSL 171.43, 0.15%, 0.37%

LAB 43.4, -11.15, -1.1

 

CMYK 0 / 2 / 2 / 63

HEX #5F5D5D

RGB 95 93 93

HSL 0, 0.01%, 0.37%

LAB 39.67, 0.8, 0.28

 

CMYK 0 / 30 / 25 / 57

HEX #6E4D52

RGB 110 77 82

HSL 350.91, 0.18%, 0.37%

LAB 36.43, 14.75, 2.61

 

CMYK 0 / 50 / 43 / 51

HEX #7D3E47

RGB 125 62 71

HSL 351.43, 0.34%, 0.37%

LAB 34.52, 28.23, 7.14

 

CMYK 0 / 67 / 57 / 45

HEX #8D2F3C

RGB 141 47 60

HSL 351.7, 0.5%, 0.37%

LAB 34.03, 40.76, 13.94

 

CMYK 26 / 0 / 18 / 58

HEX #506C59

RGB 80 108 89

HSL 139.29, 0.15%, 0.37%

LAB 42.99, -14.56, 7.34

 

CMYK 26 / 0 / 11 / 58

HEX #506C60

RGB 80 108 96

HSL 154.29, 0.15%, 0.37%

LAB 43.17, -13.02, 3.39

 

CMYK 26 / 0 / 4 / 58

HEX #506C68

RGB 80 108 104

HSL 171.43, 0.15%, 0.37%

LAB 43.4, -11.15, -1.1

 

CMYK 26 / 3 / 0 / 58

HEX #50696C

RGB 80 105 108

HSL 186.43, 0.15%, 0.37%

LAB 42.6, -8.43, -4.71

 

CMYK 26 / 10 / 0 / 58

HEX #50616C

RGB 80 97 108

HSL 203.57, 0.15%, 0.37%

LAB 40.14, -3.7, -8.37

 

CMYK 26 / 0 / 5 / 76

HEX #2D3D3A

RGB 45 61 58

HSL 168.75, 0.15%, 0.21%

LAB 24.32, -7.24, -0.28

 

CMYK 26 / 0 / 4 / 67

HEX #3E5451

RGB 62 84 81

HSL 171.82, 0.15%, 0.29%

LAB 33.9, -9.12, -1

 

CMYK 26 / 0 / 4 / 58

HEX #506C68

RGB 80 108 104

HSL 171.43, 0.15%, 0.37%

LAB 43.4, -11.15, -1.1

 

CMYK 27 / 0 / 4 / 48

HEX #61847F

RGB 97 132 127

HSL 171.43, 0.15%, 0.45%

LAB 52.48, -13.41, -1.3

 

CMYK 24 / 0 / 3 / 40

HEX #759994

RGB 117 153 148

HSL 171.67, 0.15%, 0.53%

LAB 60.52, -13.47, -1.44

 

CMYK 26 / 0 / 4 / 58

HEX #506C68

RGB 80 108 104

HSL 171.43, 0.15%, 0.37%

LAB 43.4, -11.15, -1.1

 

CMYK 25 / 26 / 0 / 58

HEX #51506C

RGB 81 80 108

HSL 242.14, 0.15%, 0.37%

LAB 35.14, 7.19, -15.96

 

CMYK 0 / 15 / 26 / 58

HEX #6C5C50

RGB 108 92 80

HSL 25.71, 0.15%, 0.37%

LAB 40.28, 4.41, 9.31

 

CMYK 26 / 0 / 4 / 58

HEX #506C68

RGB 80 108 104

HSL 171.43, 0.15%, 0.37%

LAB 43.4, -11.15, -1.1

 

CMYK 4 / 26 / 0 / 58

HEX #68506C

RGB 104 80 108

HSL 291.43, 0.15%, 0.37%

LAB 37.41, 15.51, -12.28

 

CMYK 0 / 4 / 26 / 58

HEX #6C6850

RGB 108 104 80

HSL 51.43, 0.15%, 0.37%

LAB 43.75, -2.73, 14.12

 

CMYK 26 / 0 / 4 / 58

HEX #506C68

RGB 80 108 104

HSL 171.43, 0.15%, 0.37%

LAB 43.4, -11.15, -1.1

 

CMYK 25 / 26 / 0 / 58

HEX #51506C

RGB 81 80 108

HSL 242.14, 0.15%, 0.37%

LAB 35.14, 7.19, -15.96

 

CMYK 0 / 26 / 22 / 58

HEX #6C5054

RGB 108 80 84

HSL 351.43, 0.15%, 0.37%

LAB 37.05, 12.41, 2.23

 

CMYK 1 / 0 / 26 / 58

HEX #6B6C50

RGB 107 108 80

HSL 62.14, 0.15%, 0.37%

LAB 44.84, -5.48, 15.59

 

CMYK 26 / 0 / 4 / 58

HEX #506C68

RGB 80 108 104

HSL 171.43, 0.15%, 0.37%

LAB 43.4, -11.15, -1.1

 

CMYK 17 / 26 / 0 / 58

HEX #5A506C

RGB 90 80 108

HSL 261.43, 0.15%, 0.37%

LAB 35.97, 10.38, -14.61

 

CMYK 0 / 26 / 22 / 58

HEX #6C5054

RGB 108 80 84

HSL 351.43, 0.15%, 0.37%

LAB 37.05, 12.41, 2.23

 

CMYK 9 / 0 / 26 / 58

HEX #626C50

RGB 98 108 80

HSL 81.43, 0.15%, 0.37%

LAB 44.09, -9.25, 14.44

 

Description

Color code: RGB 80 108 104 | qconv.com Color code: RGB 80 108 104 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 108 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 108 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 4 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 4% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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