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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 134 79 it is the complementary color RGB 175 121 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 134 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 134 79 shade: RGB 85 134 74, RGB 102 152 93, RGB 119 170 112, RGB 136 188 131 and RGB 153 206 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 134 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 134 79 shade: RGB 80 134 79, RGB 63 116 60, RGB 46 98 41, RGB 29 80 22 and RGB 12 62 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 134 79 shade: RGB 80 134 79, RGB 95 134 79, RGB 110 134 79, RGB 125 134 79 and RGB 134 129 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 134 79 shade: RGB 80 134 79, RGB 79 134 93, RGB 79 134 108, RGB 79 134 123 and RGB 79 131 134

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 134 79 shade matches the following richer shades: RGB 80 134 79, RGB 63 152 61, RGB 46 169 44, RGB 30 186 27 and RGB 13 204 9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 134 79 shade: RGB 80 134 79, RGB 96 117 96, RGB 113 100 113, RGB 130 82 131 and RGB 147 65 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 134 79 shade: RGB 110 134 79, RGB 95 134 79, RGB 81 134 79, RGB 79 134 92 and RGB 79 134 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 134 79 shade: RGB 49 82 48, RGB 64 108 63, RGB 80 134 79, RGB 95 160 94 and RGB 121 176 120

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 134 79 shade: RGB 80 134 79, RGB 79 125 134 and RGB 134 79 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 134 79 shade: RGB 80 134 79, RGB 79 81 134 and RGB 134 79 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 134 79 shade: RGB 80 134 79, RGB 79 125 134, RGB 133 79 134 and RGB 134 88 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 134 79 shade: RGB 80 134 79, RGB 79 108 134, RGB 133 79 134 and RGB 134 105 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 41 / 47

HEX #50864F

RGB 80 134 79

HSL 118.91, 0.26%, 0.42%

LAB 51.06, -29.83, 24.11

 

Complementary color

CMYK 1 / 31 / 0 / 31

HEX #AF79B0

RGB 175 121 176

HSL 298.91, 0.26%, 0.58%

LAB 57.96, 30.3, -20.76

 

CMYK 37 / 0 / 45 / 47

HEX #55864A

RGB 85 134 74

HSL 109, 0.29%, 0.41%

LAB 51.24, -28.9, 27.14

 

CMYK 33 / 0 / 39 / 40

HEX #66985D

RGB 102 152 93

HSL 110.85, 0.24%, 0.48%

LAB 58.1, -28.7, 25.86

 

CMYK 30 / 0 / 34 / 33

HEX #77AA70

RGB 119 170 112

HSL 112.76, 0.25%, 0.55%

LAB 64.84, -28.47, 24.65

 

CMYK 28 / 0 / 30 / 26

HEX #88BC83

RGB 136 188 131

HSL 114.74, 0.3%, 0.63%

LAB 71.45, -28.24, 23.52

 

CMYK 26 / 0 / 27 / 19

HEX #99CE96

RGB 153 206 150

HSL 116.79, 0.36%, 0.7%

LAB 77.94, -28.02, 22.46

 

CMYK 40 / 0 / 41 / 47

HEX #50864F

RGB 80 134 79

HSL 118.91, 0.26%, 0.42%

LAB 51.06, -29.83, 24.11

 

CMYK 46 / 0 / 48 / 55

HEX #3F743C

RGB 63 116 60

HSL 116.79, 0.32%, 0.35%

LAB 44.05, -30.01, 25.48

 

CMYK 53 / 0 / 58 / 62

HEX #2E6229

RGB 46 98 41

HSL 114.74, 0.41%, 0.27%

LAB 36.89, -30.04, 26.89

 

CMYK 64 / 0 / 73 / 69

HEX #1D5016

RGB 29 80 22

HSL 112.76, 0.57%, 0.2%

LAB 29.55, -29.69, 28.14

 

CMYK 81 / 0 / 95 / 76

HEX #0C3E03

RGB 12 62 3

HSL 110.85, 0.91%, 0.13%

LAB 22.05, -28.54, 28.47

 

CMYK 40 / 0 / 41 / 47

HEX #50864F

RGB 80 134 79

HSL 118.91, 0.26%, 0.42%

LAB 51.06, -29.83, 24.11

 

CMYK 29 / 0 / 41 / 47

HEX #5F864F

RGB 95 134 79

HSL 102.55, 0.26%, 0.42%

LAB 51.89, -24.52, 25.36

 

CMYK 18 / 0 / 41 / 47

HEX #6E864F

RGB 110 134 79

HSL 86.18, 0.26%, 0.42%

LAB 52.87, -18.69, 26.81

 

CMYK 7 / 0 / 41 / 47

HEX #7D864F

RGB 125 134 79

HSL 69.82, 0.26%, 0.42%

LAB 54, -12.51, 28.48

 

CMYK 0 / 4 / 41 / 47

HEX #86814F

RGB 134 129 79

HSL 54.55, 0.26%, 0.42%

LAB 53.31, -5.93, 27.76

 

CMYK 40 / 0 / 41 / 47

HEX #50864F

RGB 80 134 79

HSL 118.91, 0.26%, 0.42%

LAB 51.06, -29.83, 24.11

 

CMYK 41 / 0 / 31 / 47

HEX #4F865D

RGB 79 134 93

HSL 135.27, 0.26%, 0.42%

LAB 51.27, -27.64, 16.51

 

CMYK 41 / 0 / 19 / 47

HEX #4F866C

RGB 79 134 108

HSL 151.64, 0.26%, 0.42%

LAB 51.6, -24.5, 8.35

 

CMYK 41 / 0 / 8 / 47

HEX #4F867B

RGB 79 134 123

HSL 168, 0.26%, 0.42%

LAB 52, -20.96, 0.2

 

CMYK 41 / 2 / 0 / 47

HEX #4F8386

RGB 79 131 134

HSL 183.27, 0.26%, 0.42%

LAB 51.4, -16.51, -7.1

 

CMYK 40 / 0 / 41 / 47

HEX #50864F

RGB 80 134 79

HSL 118.91, 0.26%, 0.42%

LAB 51.06, -29.83, 24.11

 

CMYK 59 / 0 / 60 / 40

HEX #3F983D

RGB 63 152 61

HSL 118.68, 0.43%, 0.42%

LAB 55.94, -45.26, 39.32

 

CMYK 73 / 0 / 74 / 34

HEX #2EA92C

RGB 46 169 44

HSL 119.04, 0.59%, 0.42%

LAB 60.9, -56.74, 51.81

 

CMYK 84 / 0 / 85 / 27

HEX #1EBA1B

RGB 30 186 27

HSL 118.87, 0.75%, 0.42%

LAB 66.12, -65.27, 61.76

 

CMYK 94 / 0 / 96 / 20

HEX #0DCC09

RGB 13 204 9

HSL 118.77, 0.92%, 0.42%

LAB 71.75, -72.14, 69.44

 

CMYK 40 / 0 / 41 / 47

HEX #50864F

RGB 80 134 79

HSL 118.91, 0.26%, 0.42%

LAB 51.06, -29.83, 24.11

 

CMYK 18 / 0 / 18 / 54

HEX #607560

RGB 96 117 96

HSL 120, 0.1%, 0.42%

LAB 47.05, -12.19, 9.06

 

CMYK 0 / 12 / 0 / 56

HEX #716471

RGB 113 100 113

HSL 300, 0.06%, 0.42%

LAB 43.97, 7.74, -5.41

 

CMYK 1 / 37 / 0 / 49

HEX #825283

RGB 130 82 131

HSL 298.78, 0.23%, 0.42%

LAB 41.87, 28.45, -19.34

 

CMYK 1 / 56 / 0 / 42

HEX #934194

RGB 147 65 148

HSL 299.28, 0.39%, 0.42%

LAB 41.41, 46.27, -30.2

 

CMYK 18 / 0 / 41 / 47

HEX #6E864F

RGB 110 134 79

HSL 86.18, 0.26%, 0.42%

LAB 52.87, -18.69, 26.81

 

CMYK 29 / 0 / 41 / 47

HEX #5F864F

RGB 95 134 79

HSL 102.55, 0.26%, 0.42%

LAB 51.89, -24.52, 25.36

 

CMYK 40 / 0 / 41 / 47

HEX #51864F

RGB 81 134 79

HSL 117.82, 0.26%, 0.42%

LAB 51.11, -29.49, 24.19

 

CMYK 41 / 0 / 31 / 47

HEX #4F865C

RGB 79 134 92

HSL 134.18, 0.26%, 0.42%

LAB 51.25, -27.83, 17.05

 

CMYK 41 / 0 / 20 / 47

HEX #4F866B

RGB 79 134 107

HSL 150.55, 0.26%, 0.42%

LAB 51.58, -24.73, 8.89

 

CMYK 40 / 0 / 41 / 68

HEX #315230

RGB 49 82 48

HSL 118.24, 0.26%, 0.25%

LAB 31.58, -20.05, 16.25

 

CMYK 41 / 0 / 42 / 58

HEX #406C3F

RGB 64 108 63

HSL 118.67, 0.26%, 0.34%

LAB 41.49, -25.32, 20.51

 

CMYK 40 / 0 / 41 / 47

HEX #50864F

RGB 80 134 79

HSL 118.91, 0.26%, 0.42%

LAB 51.06, -29.83, 24.11

 

CMYK 41 / 0 / 41 / 37

HEX #5FA05E

RGB 95 160 94

HSL 119.09, 0.26%, 0.5%

LAB 60.23, -34.65, 28.03

 

CMYK 31 / 0 / 32 / 31

HEX #79B078

RGB 121 176 120

HSL 118.93, 0.26%, 0.58%

LAB 66.88, -29.36, 23.1

 

CMYK 40 / 0 / 41 / 47

HEX #50864F

RGB 80 134 79

HSL 118.91, 0.26%, 0.42%

LAB 51.06, -29.83, 24.11

 

CMYK 41 / 7 / 0 / 47

HEX #4F7D86

RGB 79 125 134

HSL 189.82, 0.26%, 0.42%

LAB 49.56, -13.21, -9.85

 

CMYK 0 / 41 / 23 / 47

HEX #864F67

RGB 134 79 103

HSL 333.82, 0.26%, 0.42%

LAB 40.64, 26.53, -3.97

 

CMYK 40 / 0 / 41 / 47

HEX #50864F

RGB 80 134 79

HSL 118.91, 0.26%, 0.42%

LAB 51.06, -29.83, 24.11

 

CMYK 41 / 40 / 0 / 47

HEX #4F5186

RGB 79 81 134

HSL 237.82, 0.26%, 0.42%

LAB 36.5, 13.41, -29.95

 

CMYK 0 / 41 / 40 / 47

HEX #864F51

RGB 134 79 81

HSL 357.82, 0.26%, 0.42%

LAB 40.01, 23.36, 8.76

 

CMYK 40 / 0 / 41 / 47

HEX #50864F

RGB 80 134 79

HSL 118.91, 0.26%, 0.42%

LAB 51.06, -29.83, 24.11

 

CMYK 41 / 7 / 0 / 47

HEX #4F7D86

RGB 79 125 134

HSL 189.82, 0.26%, 0.42%

LAB 49.56, -13.21, -9.85

 

CMYK 1 / 41 / 0 / 47

HEX #854F86

RGB 133 79 134

HSL 298.91, 0.26%, 0.42%

LAB 41.69, 31.79, -21.42

 

CMYK 0 / 34 / 41 / 47

HEX #86584F

RGB 134 88 79

HSL 9.82, 0.26%, 0.42%

LAB 42.17, 17.84, 13

 

CMYK 40 / 0 / 41 / 47

HEX #50864F

RGB 80 134 79

HSL 118.91, 0.26%, 0.42%

LAB 51.06, -29.83, 24.11

 

CMYK 41 / 19 / 0 / 47

HEX #4F6C86

RGB 79 108 134

HSL 208.36, 0.26%, 0.42%

LAB 44.39, -3.41, -17.69

 

CMYK 1 / 41 / 0 / 47

HEX #854F86

RGB 133 79 134

HSL 298.91, 0.26%, 0.42%

LAB 41.69, 31.79, -21.42

 

CMYK 0 / 22 / 41 / 47

HEX #86694F

RGB 134 105 79

HSL 28.36, 0.26%, 0.42%

LAB 46.63, 7.82, 19.04

 

Description

Color code: RGB 80 134 79 | qconv.com Color code: RGB 80 134 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 134 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 134 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 41 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 41% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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