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Color name
RGB 80 139 129

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 139 129 it is the complementary color RGB 175 116 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 139 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 139 129 shade: RGB 85 139 124, RGB 102 157 143, RGB 119 175 162, RGB 136 193 181 and RGB 153 211 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 139 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 139 129 shade: RGB 80 139 129, RGB 63 121 110, RGB 46 103 91, RGB 29 85 72 and RGB 12 67 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 139 129 shade: RGB 80 139 129, RGB 80 139 113, RGB 80 139 97, RGB 80 139 81 and RGB 94 139 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 139 129 shade: RGB 80 139 129, RGB 80 133 139, RGB 80 117 139, RGB 80 101 139 and RGB 80 85 139

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 139 129 shade matches the following richer shades: RGB 80 139 129, RGB 62 156 140, RGB 44 174 152, RGB 26 192 164 and RGB 9 210 176

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 139 129 shade: RGB 80 139 129, RGB 97 121 117, RGB 115 103 105, RGB 133 86 94 and RGB 151 68 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 139 129 shade: RGB 80 139 96, RGB 80 139 112, RGB 80 139 128, RGB 80 134 139 and RGB 80 118 139

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 139 129 shade: RGB 49 86 80, RGB 64 113 104, RGB 80 139 129, RGB 96 163 152 and RGB 122 179 169

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 139 129 shade: RGB 80 139 129, RGB 81 80 139 and RGB 139 104 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 139 129 shade: RGB 80 139 129, RGB 128 80 139 and RGB 139 128 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 139 129 shade: RGB 80 139 129, RGB 81 80 139, RGB 139 80 90 and RGB 138 139 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 139 129 shade: RGB 80 139 129, RGB 98 80 139, RGB 139 80 90 and RGB 120 139 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 7 / 45

HEX #508B81

RGB 80 139 129

HSL 169.83, 0.27%, 0.43%

LAB 53.77, -21.78, -0.69

 

Complementary color

CMYK 0 / 34 / 28 / 31

HEX #AF747E

RGB 175 116 126

HSL 349.83, 0.27%, 0.57%

LAB 55.19, 24.62, 4.07

 

CMYK 39 / 0 / 11 / 45

HEX #558B7C

RGB 85 139 124

HSL 163.33, 0.24%, 0.44%

LAB 53.87, -21.58, 2.38

 

CMYK 35 / 0 / 9 / 38

HEX #669D8F

RGB 102 157 143

HSL 164.73, 0.22%, 0.51%

LAB 60.71, -21.38, 1.57

 

CMYK 32 / 0 / 7 / 31

HEX #77AFA2

RGB 119 175 162

HSL 166.07, 0.26%, 0.58%

LAB 67.42, -21.19, 0.82

 

CMYK 30 / 0 / 6 / 24

HEX #88C1B5

RGB 136 193 181

HSL 167.37, 0.31%, 0.65%

LAB 74, -21.02, 0.11

 

CMYK 27 / 0 / 5 / 17

HEX #99D3C8

RGB 153 211 200

HSL 168.62, 0.4%, 0.71%

LAB 80.48, -20.87, -0.56

 

CMYK 42 / 0 / 7 / 45

HEX #508B81

RGB 80 139 129

HSL 169.83, 0.27%, 0.43%

LAB 53.77, -21.78, -0.69

 

CMYK 48 / 0 / 9 / 53

HEX #3F796E

RGB 63 121 110

HSL 168.62, 0.32%, 0.36%

LAB 46.79, -21.9, 0.15

 

CMYK 55 / 0 / 12 / 60

HEX #2E675B

RGB 46 103 91

HSL 167.37, 0.38%, 0.29%

LAB 39.64, -21.95, 1.09

 

CMYK 66 / 0 / 15 / 67

HEX #1D5548

RGB 29 85 72

HSL 166.07, 0.49%, 0.22%

LAB 32.32, -21.85, 2.18

 

CMYK 82 / 0 / 21 / 74

HEX #0C4335

RGB 12 67 53

HSL 164.73, 0.7%, 0.15%

LAB 24.79, -21.39, 3.52

 

CMYK 42 / 0 / 7 / 45

HEX #508B81

RGB 80 139 129

HSL 169.83, 0.27%, 0.43%

LAB 53.77, -21.78, -0.69

 

CMYK 42 / 0 / 19 / 45

HEX #508B71

RGB 80 139 113

HSL 153.56, 0.27%, 0.43%

LAB 53.34, -25.6, 7.94

 

CMYK 42 / 0 / 30 / 45

HEX #508B61

RGB 80 139 97

HSL 137.29, 0.27%, 0.43%

LAB 52.99, -28.98, 16.59

 

CMYK 42 / 0 / 42 / 45

HEX #508B51

RGB 80 139 81

HSL 121.02, 0.27%, 0.43%

LAB 52.69, -31.86, 25.13

 

CMYK 32 / 0 / 42 / 45

HEX #5E8B50

RGB 94 139 80

HSL 105.76, 0.27%, 0.43%

LAB 53.41, -27.21, 26.76

 

CMYK 42 / 0 / 7 / 45

HEX #508B81

RGB 80 139 129

HSL 169.83, 0.27%, 0.43%

LAB 53.77, -21.78, -0.69

 

CMYK 42 / 4 / 0 / 45

HEX #50858B

RGB 80 133 139

HSL 186.1, 0.27%, 0.43%

LAB 52.22, -15.96, -8.78

 

CMYK 42 / 16 / 0 / 45

HEX #50758B

RGB 80 117 139

HSL 202.37, 0.27%, 0.43%

LAB 47.36, -6.97, -16.13

 

CMYK 42 / 27 / 0 / 45

HEX #50658B

RGB 80 101 139

HSL 218.64, 0.27%, 0.43%

LAB 42.58, 2.61, -23.48

 

CMYK 42 / 39 / 0 / 45

HEX #50558B

RGB 80 85 139

HSL 234.92, 0.27%, 0.43%

LAB 37.96, 12.66, -30.69

 

CMYK 42 / 0 / 7 / 45

HEX #508B81

RGB 80 139 129

HSL 169.83, 0.27%, 0.43%

LAB 53.77, -21.78, -0.69

 

CMYK 60 / 0 / 10 / 39

HEX #3E9C8C

RGB 62 156 140

HSL 169.79, 0.43%, 0.43%

LAB 58.69, -31.61, 0.12

 

CMYK 75 / 0 / 13 / 32

HEX #2CAE98

RGB 44 174 152

HSL 169.85, 0.6%, 0.43%

LAB 64.22, -39.52, 1.39

 

CMYK 86 / 0 / 15 / 25

HEX #1AC0A4

RGB 26 192 164

HSL 169.88, 0.76%, 0.43%

LAB 69.89, -45.76, 2.98

 

CMYK 96 / 0 / 16 / 18

HEX #09D2B0

RGB 9 210 176

HSL 169.85, 0.92%, 0.43%

LAB 75.63, -50.79, 4.76

 

CMYK 42 / 0 / 7 / 45

HEX #508B81

RGB 80 139 129

HSL 169.83, 0.27%, 0.43%

LAB 53.77, -21.78, -0.69

 

CMYK 20 / 0 / 3 / 53

HEX #617975

RGB 97 121 117

HSL 170, 0.11%, 0.43%

LAB 48.88, -9.61, -0.71

 

CMYK 0 / 10 / 9 / 55

HEX #736769

RGB 115 103 105

HSL 350, 0.06%, 0.43%

LAB 44.75, 5.12, 0.6

 

CMYK 0 / 35 / 29 / 48

HEX #85565E

RGB 133 86 94

HSL 349.79, 0.21%, 0.43%

LAB 41.92, 20.66, 3.45

 

CMYK 0 / 55 / 46 / 41

HEX #974452

RGB 151 68 82

HSL 349.88, 0.38%, 0.43%

LAB 40.12, 36.2, 8.66

 

CMYK 42 / 0 / 31 / 45

HEX #508B60

RGB 80 139 96

HSL 136.27, 0.27%, 0.43%

LAB 52.97, -29.17, 17.13

 

CMYK 42 / 0 / 19 / 45

HEX #508B70

RGB 80 139 112

HSL 152.54, 0.27%, 0.43%

LAB 53.32, -25.83, 8.48

 

CMYK 42 / 0 / 8 / 45

HEX #508B80

RGB 80 139 128

HSL 168.81, 0.27%, 0.43%

LAB 53.74, -22.03, -0.15

 

CMYK 42 / 4 / 0 / 45

HEX #50868B

RGB 80 134 139

HSL 185.08, 0.27%, 0.43%

LAB 52.53, -16.5, -8.32

 

CMYK 42 / 15 / 0 / 45

HEX #50768B

RGB 80 118 139

HSL 201.36, 0.27%, 0.43%

LAB 47.66, -7.55, -15.67

 

CMYK 43 / 0 / 7 / 66

HEX #315650

RGB 49 86 80

HSL 170.27, 0.27%, 0.26%

LAB 33.75, -14.88, -0.68

 

CMYK 43 / 0 / 8 / 56

HEX #407168

RGB 64 113 104

HSL 168.98, 0.28%, 0.35%

LAB 44.09, -18.95, -0.21

 

CMYK 42 / 0 / 7 / 45

HEX #508B81

RGB 80 139 129

HSL 169.83, 0.27%, 0.43%

LAB 53.77, -21.78, -0.69

 

CMYK 41 / 0 / 7 / 36

HEX #60A398

RGB 96 163 152

HSL 170.15, 0.27%, 0.51%

LAB 62.46, -23.99, -0.98

 

CMYK 32 / 0 / 6 / 30

HEX #7AB3A9

RGB 122 179 169

HSL 169.47, 0.27%, 0.59%

LAB 68.93, -20.75, -0.83

 

CMYK 42 / 0 / 7 / 45

HEX #508B81

RGB 80 139 129

HSL 169.83, 0.27%, 0.43%

LAB 53.77, -21.78, -0.69

 

CMYK 42 / 42 / 0 / 45

HEX #51508B

RGB 81 80 139

HSL 241.02, 0.27%, 0.43%

LAB 36.65, 16.14, -32.75

 

CMYK 0 / 25 / 42 / 45

HEX #8B6850

RGB 139 104 80

HSL 24.41, 0.27%, 0.43%

LAB 46.93, 10.7, 18.96

 

CMYK 42 / 0 / 7 / 45

HEX #508B81

RGB 80 139 129

HSL 169.83, 0.27%, 0.43%

LAB 53.77, -21.78, -0.69

 

CMYK 8 / 42 / 0 / 45

HEX #80508B

RGB 128 80 139

HSL 288.81, 0.27%, 0.43%

LAB 41.52, 30.61, -24.77

 

CMYK 0 / 8 / 42 / 45

HEX #8B8050

RGB 139 128 80

HSL 48.81, 0.27%, 0.43%

LAB 53.5, -3.09, 27.54

 

CMYK 42 / 0 / 7 / 45

HEX #508B81

RGB 80 139 129

HSL 169.83, 0.27%, 0.43%

LAB 53.77, -21.78, -0.69

 

CMYK 42 / 42 / 0 / 45

HEX #51508B

RGB 81 80 139

HSL 241.02, 0.27%, 0.43%

LAB 36.65, 16.14, -32.75

 

CMYK 0 / 42 / 35 / 45

HEX #8B505A

RGB 139 80 90

HSL 349.83, 0.27%, 0.43%

LAB 41.16, 25.98, 4.92

 

CMYK 1 / 0 / 42 / 45

HEX #8A8B50

RGB 138 139 80

HSL 61.02, 0.27%, 0.43%

LAB 56.53, -9.6, 31.37

 

CMYK 42 / 0 / 7 / 45

HEX #508B81

RGB 80 139 129

HSL 169.83, 0.27%, 0.43%

LAB 53.77, -21.78, -0.69

 

CMYK 29 / 42 / 0 / 45

HEX #62508B

RGB 98 80 139

HSL 258.31, 0.27%, 0.43%

LAB 38.2, 21.11, -30.21

 

CMYK 0 / 42 / 35 / 45

HEX #8B505A

RGB 139 80 90

HSL 349.83, 0.27%, 0.43%

LAB 41.16, 25.98, 4.92

 

CMYK 14 / 0 / 42 / 45

HEX #788B50

RGB 120 139 80

HSL 79.32, 0.27%, 0.43%

LAB 55.11, -17.13, 29.27

 

Description

Color code: RGB 80 139 129 | qconv.com Color code: RGB 80 139 129 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 139 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 139 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 7 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 7% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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