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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 170 106 it is the complementary color RGB 175 85 149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 170 106. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 170 106 shade: RGB 85 170 101, RGB 102 188 120, RGB 119 206 139, RGB 136 224 158 and RGB 153 242 177

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 170 106. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 170 106 shade: RGB 80 170 106, RGB 63 152 87, RGB 46 134 68, RGB 29 116 49 and RGB 12 98 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 170 106 shade: RGB 79 169 105, RGB 79 169 81, RGB 102 169 79, RGB 126 169 79 and RGB 151 169 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 170 106 shade: RGB 79 169 105, RGB 79 169 130, RGB 79 169 154, RGB 79 161 169 and RGB 79 136 169

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 170 106 shade matches the following richer shades: RGB 79 169 105, RGB 59 190 97, RGB 39 210 88 and RGB 19 230 80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 170 106 shade: RGB 79 169 105, RGB 100 149 114, RGB 120 129 123, RGB 140 109 131 and RGB 160 89 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 170 106 shade: RGB 102 169 79, RGB 79 169 81, RGB 79 169 105, RGB 79 169 129 and RGB 79 169 153

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 170 106 shade: RGB 53 113 70, RGB 66 141 88, RGB 79 169 105, RGB 106 184 128 and RGB 134 198 152

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 170 106 shade: RGB 80 170 106, RGB 79 126 169 and RGB 169 79 90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 170 106 shade: RGB 80 170 106, RGB 105 79 169 and RGB 169 105 79

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 170 106 shade: RGB 80 170 106, RGB 79 126 169, RGB 169 79 144 and RGB 169 123 79

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 170 106 shade: RGB 80 170 106, RGB 79 99 169, RGB 169 79 144 and RGB 169 150 79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 38 / 33

HEX #50AA6A

RGB 80 170 106

HSL 137.33, 0.36%, 0.49%

LAB 62.92, -41.39, 25.01

 

Complementary color

CMYK 0 / 51 / 15 / 31

HEX #AF5595

RGB 175 85 149

HSL 317.33, 0.36%, 0.51%

LAB 49.23, 44.87, -18.36

 

CMYK 50 / 0 / 41 / 33

HEX #55AA65

RGB 85 170 101

HSL 131.29, 0.33%, 0.5%

LAB 63.03, -40.93, 27.85

 

CMYK 46 / 0 / 36 / 26

HEX #66BC78

RGB 102 188 120

HSL 132.56, 0.39%, 0.57%

LAB 69.57, -40.77, 26.56

 

CMYK 42 / 0 / 33 / 19

HEX #77CE8B

RGB 119 206 139

HSL 133.79, 0.47%, 0.64%

LAB 76.03, -40.55, 25.34

 

CMYK 39 / 0 / 29 / 12

HEX #88E09E

RGB 136 224 158

HSL 135, 0.59%, 0.71%

LAB 82.39, -40.3, 24.21

 

CMYK 37 / 0 / 27 / 5

HEX #99F2B1

RGB 153 242 177

HSL 136.18, 0.77%, 0.77%

LAB 88.66, -40.04, 23.14

 

CMYK 53 / 0 / 38 / 33

HEX #50AA6A

RGB 80 170 106

HSL 137.33, 0.36%, 0.49%

LAB 62.92, -41.39, 25.01

 

CMYK 59 / 0 / 43 / 40

HEX #3F9857

RGB 63 152 87

HSL 136.18, 0.41%, 0.42%

LAB 56.29, -41.4, 26.41

 

CMYK 66 / 0 / 49 / 47

HEX #2E8644

RGB 46 134 68

HSL 135, 0.49%, 0.35%

LAB 49.55, -41.17, 27.92

 

CMYK 75 / 0 / 58 / 55

HEX #1D7431

RGB 29 116 49

HSL 133.79, 0.6%, 0.28%

LAB 42.72, -40.52, 29.51

 

CMYK 88 / 0 / 69 / 62

HEX #0C621E

RGB 12 98 30

HSL 132.56, 0.78%, 0.22%

LAB 35.81, -39.08, 31.02

 

CMYK 53 / 0 / 38 / 34

HEX #4FA969

RGB 79 169 105

HSL 137.33, 0.36%, 0.49%

LAB 62.56, -41.4, 25.06

 

CMYK 53 / 0 / 52 / 34

HEX #4FA951

RGB 79 169 81

HSL 121.33, 0.36%, 0.49%

LAB 62.2, -45.22, 37.1

 

CMYK 40 / 0 / 53 / 34

HEX #66A94F

RGB 102 169 79

HSL 104.67, 0.36%, 0.49%

LAB 63.15, -38.51, 39.47

 

CMYK 25 / 0 / 53 / 34

HEX #7EA94F

RGB 126 169 79

HSL 88.67, 0.36%, 0.49%

LAB 64.46, -29.91, 41.36

 

CMYK 11 / 0 / 53 / 34

HEX #97A94F

RGB 151 169 79

HSL 72, 0.36%, 0.49%

LAB 66.15, -19.98, 43.77

 

CMYK 53 / 0 / 38 / 34

HEX #4FA969

RGB 79 169 105

HSL 137.33, 0.36%, 0.49%

LAB 62.56, -41.4, 25.06

 

CMYK 53 / 0 / 23 / 34

HEX #4FA982

RGB 79 169 130

HSL 154, 0.36%, 0.49%

LAB 63.05, -36.37, 12.06

 

CMYK 53 / 0 / 9 / 34

HEX #4FA99A

RGB 79 169 154

HSL 170, 0.36%, 0.49%

LAB 63.65, -30.63, -0.45

 

CMYK 53 / 5 / 0 / 34

HEX #4FA1A9

RGB 79 161 169

HSL 185.33, 0.36%, 0.49%

LAB 61.67, -22.61, -11.8

 

CMYK 53 / 20 / 0 / 34

HEX #4F88A9

RGB 79 136 169

HSL 202, 0.36%, 0.49%

LAB 54.17, -9.13, -23.2

 

CMYK 53 / 0 / 38 / 34

HEX #4FA969

RGB 79 169 105

HSL 137.33, 0.36%, 0.49%

LAB 62.56, -41.4, 25.06

 

CMYK 69 / 0 / 49 / 25

HEX #3BBE61

RGB 59 190 97

HSL 137.4, 0.53%, 0.49%

LAB 68.47, -55.39, 36.73

 

CMYK 81 / 0 / 58 / 18

HEX #27D258

RGB 39 210 88

HSL 137.19, 0.69%, 0.49%

LAB 74.34, -66.29, 48.06

 

CMYK 92 / 0 / 65 / 10

HEX #13E650

RGB 19 230 80

HSL 137.35, 0.85%, 0.49%

LAB 80.35, -74.84, 58.29

 

CMYK 53 / 0 / 38 / 34

HEX #4FA969

RGB 79 169 105

HSL 137.33, 0.36%, 0.49%

LAB 62.56, -41.4, 25.06

 

CMYK 33 / 0 / 23 / 42

HEX #649572

RGB 100 149 114

HSL 137.14, 0.2%, 0.49%

LAB 57.48, -24.17, 13.34

 

CMYK 7 / 0 / 5 / 49

HEX #78817B

RGB 120 129 123

HSL 140, 0.04%, 0.49%

LAB 53.08, -4.55, 2.1

 

CMYK 0 / 22 / 6 / 45

HEX #8C6D83

RGB 140 109 131

HSL 317.42, 0.12%, 0.49%

LAB 49.68, 16.17, -7.41

 

CMYK 0 / 44 / 13 / 37

HEX #A0598C

RGB 160 89 140

HSL 316.9, 0.29%, 0.49%

LAB 47.64, 36.38, -15.61

 

CMYK 40 / 0 / 53 / 34

HEX #66A94F

RGB 102 169 79

HSL 104.67, 0.36%, 0.49%

LAB 63.15, -38.51, 39.47

 

CMYK 53 / 0 / 52 / 34

HEX #4FA951

RGB 79 169 81

HSL 121.33, 0.36%, 0.49%

LAB 62.2, -45.22, 37.1

 

CMYK 53 / 0 / 38 / 34

HEX #4FA969

RGB 79 169 105

HSL 137.33, 0.36%, 0.49%

LAB 62.56, -41.4, 25.06

 

CMYK 53 / 0 / 24 / 34

HEX #4FA981

RGB 79 169 129

HSL 153.33, 0.36%, 0.49%

LAB 63.03, -36.59, 12.58

 

CMYK 53 / 0 / 9 / 34

HEX #4FA999

RGB 79 169 153

HSL 169.33, 0.36%, 0.49%

LAB 63.62, -30.89, 0.07

 

CMYK 53 / 0 / 38 / 56

HEX #357146

RGB 53 113 70

HSL 137, 0.36%, 0.33%

LAB 42.78, -29.94, 18.07

 

CMYK 53 / 0 / 38 / 45

HEX #428D58

RGB 66 141 88

HSL 137.6, 0.36%, 0.41%

LAB 52.85, -35.69, 21.37

 

CMYK 53 / 0 / 38 / 34

HEX #4FA969

RGB 79 169 105

HSL 137.33, 0.36%, 0.49%

LAB 62.56, -41.4, 25.06

 

CMYK 42 / 0 / 30 / 28

HEX #6AB880

RGB 106 184 128

HSL 136.92, 0.35%, 0.57%

LAB 68.68, -36.4, 21.12

 

CMYK 32 / 0 / 23 / 22

HEX #86C698

RGB 134 198 152

HSL 136.88, 0.36%, 0.65%

LAB 74.65, -30, 16.68

 

CMYK 53 / 0 / 38 / 33

HEX #50AA6A

RGB 80 170 106

HSL 137.33, 0.36%, 0.49%

LAB 62.92, -41.39, 25.01

 

CMYK 53 / 25 / 0 / 34

HEX #4F7EA9

RGB 79 126 169

HSL 208.67, 0.36%, 0.49%

LAB 51.21, -3.37, -27.78

 

CMYK 0 / 53 / 47 / 34

HEX #A94F5A

RGB 169 79 90

HSL 352.67, 0.36%, 0.49%

LAB 45.31, 38.02, 11.4

 

CMYK 53 / 0 / 38 / 33

HEX #50AA6A

RGB 80 170 106

HSL 137.33, 0.36%, 0.49%

LAB 62.92, -41.39, 25.01

 

CMYK 38 / 53 / 0 / 34

HEX #694FA9

RGB 105 79 169

HSL 257.33, 0.36%, 0.49%

LAB 40.34, 31.96, -44.79

 

CMYK 0 / 38 / 53 / 34

HEX #A9694F

RGB 169 105 79

HSL 17.33, 0.36%, 0.49%

LAB 50.81, 22.82, 25.31

 

CMYK 53 / 0 / 38 / 33

HEX #50AA6A

RGB 80 170 106

HSL 137.33, 0.36%, 0.49%

LAB 62.92, -41.39, 25.01

 

CMYK 53 / 25 / 0 / 34

HEX #4F7EA9

RGB 79 126 169

HSL 208.67, 0.36%, 0.49%

LAB 51.21, -3.37, -27.78

 

CMYK 0 / 53 / 15 / 34

HEX #A94F90

RGB 169 79 144

HSL 316.67, 0.36%, 0.49%

LAB 47.03, 45.2, -18.83

 

CMYK 0 / 27 / 53 / 34

HEX #A97B4F

RGB 169 123 79

HSL 29.33, 0.36%, 0.49%

LAB 55.24, 12.67, 30.95

 

CMYK 53 / 0 / 38 / 33

HEX #50AA6A

RGB 80 170 106

HSL 137.33, 0.36%, 0.49%

LAB 62.92, -41.39, 25.01

 

CMYK 53 / 41 / 0 / 34

HEX #4F63A9

RGB 79 99 169

HSL 226.67, 0.36%, 0.49%

LAB 43.43, 13.1, -39.99

 

CMYK 0 / 53 / 15 / 34

HEX #A94F90

RGB 169 79 144

HSL 316.67, 0.36%, 0.49%

LAB 47.03, 45.2, -18.83

 

CMYK 0 / 11 / 53 / 34

HEX #A9964F

RGB 169 150 79

HSL 47.33, 0.36%, 0.49%

LAB 62.35, -2.35, 39.64

 

Description

Color code: RGB 80 170 106 | qconv.com Color code: RGB 80 170 106 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 170 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 170 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 38 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 38% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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