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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 187 72 it is the complementary color RGB 175 68 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 187 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 187 72 shade: RGB 85 187 67, RGB 102 205 86, RGB 119 223 105, RGB 136 241 124 and RGB 153 255 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 187 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 187 72 shade: RGB 80 187 72, RGB 63 169 53, RGB 46 151 34, RGB 29 133 15 and RGB 12 115 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 187 72 shade: RGB 80 187 72, RGB 111 187 72, RGB 142 187 72, RGB 173 187 72 and RGB 187 170 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 187 72 shade: RGB 80 187 72, RGB 72 187 95, RGB 72 187 126, RGB 72 187 157 and RGB 72 186 187

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 187 72 shade matches the following richer shades: RGB 80 187 72, RGB 63 207 52, RGB 45 227 32 and RGB 28 248 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 187 72 shade: RGB 80 187 72, RGB 97 167 92, RGB 115 147 113, RGB 132 126 133 and RGB 150 106 153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 187 72 shade: RGB 143 187 72, RGB 112 187 72, RGB 82 187 72, RGB 72 187 93 and RGB 72 187 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 187 72 shade: RGB 53 129 47, RGB 66 159 59, RGB 80 187 72, RGB 109 198 102 and RGB 138 209 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 187 72 shade: RGB 80 187 72, RGB 72 174 187 and RGB 187 72 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 187 72 shade: RGB 80 187 72, RGB 72 82 187 and RGB 187 72 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 187 72 shade: RGB 80 187 72, RGB 72 174 187, RGB 177 72 187 and RGB 187 85 72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 187 72 shade: RGB 80 187 72, RGB 72 139 187, RGB 177 72 187 and RGB 187 120 72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 61 / 27

HEX #50BB48

RGB 80 187 72

HSL 115.83, 0.46%, 0.51%

LAB 67.81, -53.1, 47.98

 

Complementary color

CMYK 4 / 63 / 0 / 28

HEX #AF44B7

RGB 175 68 183

HSL 295.83, 0.46%, 0.49%

LAB 47.84, 58.69, -40.57

 

CMYK 55 / 0 / 64 / 27

HEX #55BB43

RGB 85 187 67

HSL 111, 0.47%, 0.5%

LAB 67.93, -52.33, 50.35

 

CMYK 50 / 0 / 58 / 20

HEX #66CD56

RGB 102 205 86

HSL 111.93, 0.54%, 0.57%

LAB 74.29, -52.62, 49.31

 

CMYK 47 / 0 / 53 / 13

HEX #77DF69

RGB 119 223 105

HSL 112.88, 0.65%, 0.64%

LAB 80.58, -52.72, 48.14

 

CMYK 44 / 0 / 49 / 5

HEX #88F17C

RGB 136 241 124

HSL 113.85, 0.81%, 0.72%

LAB 86.8, -52.7, 46.93

 

CMYK 40 / 0 / 44 / 0

HEX #99FF8F

RGB 153 255 143

HSL 114.64, 1%, 0.78%

LAB 91.81, -50.95, 44.28

 

CMYK 57 / 0 / 61 / 27

HEX #50BB48

RGB 80 187 72

HSL 115.83, 0.46%, 0.51%

LAB 67.81, -53.1, 47.98

 

CMYK 63 / 0 / 69 / 34

HEX #3FA935

RGB 63 169 53

HSL 114.83, 0.52%, 0.44%

LAB 61.39, -52.51, 48.93

 

CMYK 70 / 0 / 77 / 41

HEX #2E9722

RGB 46 151 34

HSL 113.85, 0.63%, 0.36%

LAB 54.9, -51.44, 49.39

 

CMYK 78 / 0 / 89 / 48

HEX #1D850F

RGB 29 133 15

HSL 112.88, 0.8%, 0.29%

LAB 48.35, -49.64, 48.76

 

CMYK 90 / 0 / 100 / 55

HEX #0C7300

RGB 12 115 0

HSL 113.74, 1%, 0.23%

LAB 41.75, -46.76, 46.36

 

CMYK 57 / 0 / 61 / 27

HEX #50BB48

RGB 80 187 72

HSL 115.83, 0.46%, 0.51%

LAB 67.81, -53.1, 47.98

 

CMYK 41 / 0 / 61 / 27

HEX #6FBB48

RGB 111 187 72

HSL 99.65, 0.46%, 0.51%

LAB 69.03, -44.05, 49.69

 

CMYK 24 / 0 / 61 / 27

HEX #8EBB48

RGB 142 187 72

HSL 83.48, 0.46%, 0.51%

LAB 70.7, -32.93, 52.02

 

CMYK 7 / 0 / 61 / 27

HEX #ADBB48

RGB 173 187 72

HSL 67.3, 0.46%, 0.51%

LAB 72.82, -20.51, 54.94

 

CMYK 0 / 9 / 61 / 27

HEX #BBAA48

RGB 187 170 72

HSL 51.13, 0.46%, 0.51%

LAB 69.31, -5.84, 51.44

 

CMYK 57 / 0 / 61 / 27

HEX #50BB48

RGB 80 187 72

HSL 115.83, 0.46%, 0.51%

LAB 67.81, -53.1, 47.98

 

CMYK 61 / 0 / 49 / 27

HEX #48BB5F

RGB 72 187 95

HSL 132, 0.46%, 0.51%

LAB 67.83, -52, 37

 

CMYK 61 / 0 / 33 / 27

HEX #48BB7E

RGB 72 187 126

HSL 148.17, 0.46%, 0.51%

LAB 68.33, -46.56, 21.51

 

CMYK 61 / 0 / 16 / 27

HEX #48BB9D

RGB 72 187 157

HSL 164.35, 0.46%, 0.51%

LAB 69.01, -39.65, 5.63

 

CMYK 61 / 1 / 0 / 27

HEX #48BABB

RGB 72 186 187

HSL 180.52, 0.46%, 0.51%

LAB 69.53, -31.28, -10.07

 

CMYK 57 / 0 / 61 / 27

HEX #50BB48

RGB 80 187 72

HSL 115.83, 0.46%, 0.51%

LAB 67.81, -53.1, 47.98

 

CMYK 70 / 0 / 75 / 19

HEX #3FCF34

RGB 63 207 52

HSL 115.74, 0.62%, 0.51%

LAB 73.5, -65.49, 61.74

 

CMYK 80 / 0 / 86 / 11

HEX #2DE320

RGB 45 227 32

HSL 116, 0.78%, 0.51%

LAB 79.39, -75.27, 72.51

 

CMYK 89 / 0 / 96 / 3

HEX #1CF80B

RGB 28 248 11

HSL 115.7, 0.94%, 0.51%

LAB 85.71, -83.09, 80.74

 

CMYK 57 / 0 / 61 / 27

HEX #50BB48

RGB 80 187 72

HSL 115.83, 0.46%, 0.51%

LAB 67.81, -53.1, 47.98

 

CMYK 42 / 0 / 45 / 35

HEX #61A75C

RGB 97 167 92

HSL 116, 0.3%, 0.51%

LAB 62.47, -37.49, 31.97

 

CMYK 22 / 0 / 23 / 42

HEX #739371

RGB 115 147 113

HSL 116.47, 0.14%, 0.51%

LAB 57.76, -18.13, 14.42

 

CMYK 1 / 5 / 0 / 48

HEX #847E85

RGB 132 126 133

HSL 291.43, 0.03%, 0.51%

LAB 53.51, 3.64, -2.98

 

CMYK 2 / 31 / 0 / 40

HEX #966A99

RGB 150 106 153

HSL 296.17, 0.19%, 0.51%

LAB 50.79, 25.83, -18.61

 

CMYK 24 / 0 / 61 / 27

HEX #8FBB48

RGB 143 187 72

HSL 82.96, 0.46%, 0.51%

LAB 70.77, -32.55, 52.1

 

CMYK 40 / 0 / 61 / 27

HEX #70BB48

RGB 112 187 72

HSL 99.13, 0.46%, 0.51%

LAB 69.08, -43.72, 49.75

 

CMYK 56 / 0 / 61 / 27

HEX #52BB48

RGB 82 187 72

HSL 114.78, 0.46%, 0.51%

LAB 67.87, -52.59, 48.07

 

CMYK 61 / 0 / 50 / 27

HEX #48BB5D

RGB 72 187 93

HSL 130.96, 0.46%, 0.51%

LAB 67.81, -52.3, 37.97

 

CMYK 61 / 0 / 34 / 27

HEX #48BB7C

RGB 72 187 124

HSL 147.13, 0.46%, 0.51%

LAB 68.3, -46.96, 22.53

 

CMYK 59 / 0 / 64 / 49

HEX #35812F

RGB 53 129 47

HSL 115.61, 0.47%, 0.35%

LAB 47.83, -40.43, 36.63

 

CMYK 58 / 0 / 63 / 38

HEX #429F3B

RGB 66 159 59

HSL 115.8, 0.46%, 0.43%

LAB 58.29, -47.44, 42.97

 

CMYK 57 / 0 / 61 / 27

HEX #50BB48

RGB 80 187 72

HSL 115.83, 0.46%, 0.51%

LAB 67.81, -53.1, 47.98

 

CMYK 45 / 0 / 48 / 22

HEX #6DC666

RGB 109 198 102

HSL 115.63, 0.46%, 0.59%

LAB 72.63, -45.8, 39.77

 

CMYK 34 / 0 / 37 / 18

HEX #8AD184

RGB 138 209 132

HSL 115.32, 0.46%, 0.67%

LAB 77.68, -37.25, 31.34

 

CMYK 57 / 0 / 61 / 27

HEX #50BB48

RGB 80 187 72

HSL 115.83, 0.46%, 0.51%

LAB 67.81, -53.1, 47.98

 

CMYK 61 / 7 / 0 / 27

HEX #48AEBB

RGB 72 174 187

HSL 186.78, 0.46%, 0.51%

LAB 65.93, -25.38, -15.47

 

CMYK 0 / 61 / 32 / 27

HEX #BB4880

RGB 187 72 128

HSL 330.78, 0.46%, 0.51%

LAB 47.95, 51.83, -7.54

 

CMYK 57 / 0 / 61 / 27

HEX #50BB48

RGB 80 187 72

HSL 115.83, 0.46%, 0.51%

LAB 67.81, -53.1, 47.98

 

CMYK 61 / 56 / 0 / 27

HEX #4852BB

RGB 72 82 187

HSL 234.78, 0.46%, 0.51%

LAB 39.58, 28.57, -56.77

 

CMYK 0 / 61 / 56 / 27

HEX #BB4852

RGB 187 72 82

HSL 354.78, 0.46%, 0.51%

LAB 46.72, 47.13, 18.66

 

CMYK 57 / 0 / 61 / 27

HEX #50BB48

RGB 80 187 72

HSL 115.83, 0.46%, 0.51%

LAB 67.81, -53.1, 47.98

 

CMYK 61 / 7 / 0 / 27

HEX #48AEBB

RGB 72 174 187

HSL 186.78, 0.46%, 0.51%

LAB 65.93, -25.38, -15.47

 

CMYK 5 / 61 / 0 / 27

HEX #B148BB

RGB 177 72 187

HSL 294.78, 0.46%, 0.51%

LAB 48.97, 58.18, -41.1

 

CMYK 0 / 55 / 61 / 27

HEX #BB5548

RGB 187 85 72

HSL 6.78, 0.46%, 0.51%

LAB 48.92, 40.15, 27.47

 

CMYK 57 / 0 / 61 / 27

HEX #50BB48

RGB 80 187 72

HSL 115.83, 0.46%, 0.51%

LAB 67.81, -53.1, 47.98

 

CMYK 61 / 26 / 0 / 27

HEX #488BBB

RGB 72 139 187

HSL 205.04, 0.46%, 0.51%

LAB 55.51, -6.58, -31.45

 

CMYK 5 / 61 / 0 / 27

HEX #B148BB

RGB 177 72 187

HSL 294.78, 0.46%, 0.51%

LAB 48.97, 58.18, -41.1

 

CMYK 0 / 36 / 61 / 27

HEX #BB7848

RGB 187 120 72

HSL 25.04, 0.46%, 0.51%

LAB 56.55, 21.47, 36.83

 

Description

Color code: RGB 80 187 72 | qconv.com Color code: RGB 80 187 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 187 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 187 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 61 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 61% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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