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Color name
RGB 80 199 80

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 199 80 it is the complementary color RGB 175 56 175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 199 80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 199 80 shade: RGB 85 199 75, RGB 102 217 94, RGB 119 235 113, RGB 136 253 132 and RGB 153 255 151

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 199 80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 199 80 shade: RGB 80 199 80, RGB 63 181 61, RGB 46 163 42, RGB 29 145 23 and RGB 12 127 4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 199 80 shade: RGB 80 199 80, RGB 112 199 80, RGB 144 199 80, RGB 177 199 80 and RGB 199 190 80

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 199 80 shade: RGB 80 199 80, RGB 80 199 112, RGB 80 199 144, RGB 80 199 177 and RGB 80 190 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 199 80 shade matches the following richer shades: RGB 80 199 80, RGB 62 218 62 and RGB 43 237 43

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 199 80 shade: RGB 80 199 80, RGB 99 181 99, RGB 117 162 117, RGB 136 144 136 and RGB 154 125 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 199 80 shade: RGB 144 199 80, RGB 112 199 80, RGB 80 199 80, RGB 80 199 112 and RGB 80 199 144

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 199 80 shade: RGB 47 150 47, RGB 57 181 57, RGB 80 199 80, RGB 111 209 111 and RGB 143 219 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 199 80 shade: RGB 80 199 80, RGB 80 176 199 and RGB 199 80 128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 199 80 shade: RGB 80 199 80, RGB 80 80 199 and RGB 199 80 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 199 80 shade: RGB 80 199 80, RGB 80 176 199, RGB 199 80 199 and RGB 199 104 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 199 80 shade: RGB 80 199 80, RGB 80 140 199, RGB 199 80 199 and RGB 199 140 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 60 / 22

HEX #50C750

RGB 80 199 80

HSL 120, 0.52%, 0.55%

LAB 71.64, -56.65, 48.77

 

Complementary color

CMYK 0 / 68 / 0 / 31

HEX #AF38AF

RGB 175 56 175

HSL 300, 0.52%, 0.45%

LAB 45.69, 62.11, -39.29

 

CMYK 57 / 0 / 62 / 22

HEX #55C74B

RGB 85 199 75

HSL 115.16, 0.53%, 0.54%

LAB 71.75, -56, 51.14

 

CMYK 53 / 0 / 57 / 15

HEX #66D95E

RGB 102 217 94

HSL 116.1, 0.62%, 0.61%

LAB 78.03, -56.33, 50.03

 

CMYK 49 / 0 / 52 / 8

HEX #77EB71

RGB 119 235 113

HSL 117.05, 0.75%, 0.68%

LAB 84.24, -56.46, 48.82

 

CMYK 46 / 0 / 48 / 1

HEX #88FD84

RGB 136 253 132

HSL 118.02, 0.97%, 0.75%

LAB 90.39, -56.46, 47.59

 

CMYK 40 / 0 / 41 / 0

HEX #99FF97

RGB 153 255 151

HSL 118.85, 1%, 0.8%

LAB 91.92, -49.83, 40.54

 

CMYK 60 / 0 / 60 / 22

HEX #50C750

RGB 80 199 80

HSL 120, 0.52%, 0.55%

LAB 71.64, -56.65, 48.77

 

CMYK 65 / 0 / 66 / 29

HEX #3FB53D

RGB 63 181 61

HSL 119, 0.5%, 0.47%

LAB 65.31, -56.01, 49.84

 

CMYK 72 / 0 / 74 / 36

HEX #2EA32A

RGB 46 163 42

HSL 118.02, 0.59%, 0.4%

LAB 58.92, -54.9, 50.53

 

CMYK 80 / 0 / 84 / 43

HEX #1D9117

RGB 29 145 23

HSL 117.05, 0.73%, 0.33%

LAB 52.48, -53.09, 50.42

 

CMYK 91 / 0 / 97 / 50

HEX #0C7F04

RGB 12 127 4

HSL 116.1, 0.94%, 0.26%

LAB 46, -50.29, 48.91

 

CMYK 60 / 0 / 60 / 22

HEX #50C750

RGB 80 199 80

HSL 120, 0.52%, 0.55%

LAB 71.64, -56.65, 48.77

 

CMYK 44 / 0 / 60 / 22

HEX #70C750

RGB 112 199 80

HSL 103.87, 0.52%, 0.55%

LAB 72.81, -47.92, 50.41

 

CMYK 28 / 0 / 60 / 22

HEX #90C750

RGB 144 199 80

HSL 87.73, 0.52%, 0.55%

LAB 74.42, -36.99, 52.66

 

CMYK 11 / 0 / 60 / 22

HEX #B1C750

RGB 177 199 80

HSL 71.09, 0.52%, 0.55%

LAB 76.54, -24.18, 55.62

 

CMYK 0 / 5 / 60 / 22

HEX #C7BE50

RGB 199 190 80

HSL 55.46, 0.52%, 0.55%

LAB 75.79, -10.58, 55.28

 

CMYK 60 / 0 / 60 / 22

HEX #50C750

RGB 80 199 80

HSL 120, 0.52%, 0.55%

LAB 71.64, -56.65, 48.77

 

CMYK 60 / 0 / 44 / 22

HEX #50C770

RGB 80 199 112

HSL 136.13, 0.52%, 0.55%

LAB 72.04, -52.21, 33.8

 

CMYK 60 / 0 / 28 / 22

HEX #50C790

RGB 80 199 144

HSL 152.27, 0.52%, 0.55%

LAB 72.61, -46.22, 17.79

 

CMYK 60 / 0 / 11 / 22

HEX #50C7B1

RGB 80 199 177

HSL 168.91, 0.52%, 0.55%

LAB 73.37, -38.58, 1.08

 

CMYK 60 / 5 / 0 / 22

HEX #50BEC7

RGB 80 190 199

HSL 184.54, 0.52%, 0.55%

LAB 71.32, -28.44, -13.94

 

CMYK 60 / 0 / 60 / 22

HEX #50C750

RGB 80 199 80

HSL 120, 0.52%, 0.55%

LAB 71.64, -56.65, 48.77

 

CMYK 72 / 0 / 72 / 15

HEX #3EDA3E

RGB 62 218 62

HSL 120, 0.68%, 0.55%

LAB 76.99, -68.41, 61.77

 

CMYK 82 / 0 / 82 / 7

HEX #2BED2B

RGB 43 237 43

HSL 120, 0.84%, 0.55%

LAB 82.52, -77.83, 72.81

 

CMYK 60 / 0 / 60 / 22

HEX #50C750

RGB 80 199 80

HSL 120, 0.52%, 0.55%

LAB 71.64, -56.65, 48.77

 

CMYK 45 / 0 / 45 / 29

HEX #63B563

RGB 99 181 99

HSL 120, 0.36%, 0.55%

LAB 66.98, -41.97, 34.1

 

CMYK 28 / 0 / 28 / 36

HEX #75A275

RGB 117 162 117

HSL 120, 0.19%, 0.55%

LAB 62.43, -24.38, 18.65

 

CMYK 6 / 0 / 6 / 44

HEX #889088

RGB 136 144 136

HSL 120, 0.03%, 0.55%

LAB 58.94, -4.48, 3.24

 

CMYK 0 / 19 / 0 / 40

HEX #9A7D9A

RGB 154 125 154

HSL 300, 0.13%, 0.55%

LAB 55.96, 16.45, -11.33

 

CMYK 28 / 0 / 60 / 22

HEX #90C750

RGB 144 199 80

HSL 87.73, 0.52%, 0.55%

LAB 74.42, -36.99, 52.66

 

CMYK 44 / 0 / 60 / 22

HEX #70C750

RGB 112 199 80

HSL 103.87, 0.52%, 0.55%

LAB 72.81, -47.92, 50.41

 

CMYK 60 / 0 / 60 / 22

HEX #50C750

RGB 80 199 80

HSL 120, 0.52%, 0.55%

LAB 71.64, -56.65, 48.77

 

CMYK 60 / 0 / 44 / 22

HEX #50C770

RGB 80 199 112

HSL 136.13, 0.52%, 0.55%

LAB 72.04, -52.21, 33.8

 

CMYK 60 / 0 / 28 / 22

HEX #50C790

RGB 80 199 144

HSL 152.27, 0.52%, 0.55%

LAB 72.61, -46.22, 17.79

 

CMYK 69 / 0 / 69 / 41

HEX #2F962F

RGB 47 150 47

HSL 120, 0.52%, 0.39%

LAB 54.68, -49.77, 44.13

 

CMYK 69 / 0 / 69 / 29

HEX #39B539

RGB 57 181 57

HSL 120, 0.52%, 0.47%

LAB 65.13, -57.61, 51.25

 

CMYK 60 / 0 / 60 / 22

HEX #50C750

RGB 80 199 80

HSL 120, 0.52%, 0.55%

LAB 71.64, -56.65, 48.77

 

CMYK 47 / 0 / 47 / 18

HEX #6FD16F

RGB 111 209 111

HSL 120, 0.52%, 0.63%

LAB 76.15, -48.54, 39.74

 

CMYK 35 / 0 / 35 / 14

HEX #8FDB8F

RGB 143 219 143

HSL 120, 0.51%, 0.71%

LAB 81.01, -38.46, 30.14

 

CMYK 60 / 0 / 60 / 22

HEX #50C750

RGB 80 199 80

HSL 120, 0.52%, 0.55%

LAB 71.64, -56.65, 48.77

 

CMYK 60 / 12 / 0 / 22

HEX #50B0C7

RGB 80 176 199

HSL 191.6, 0.52%, 0.55%

LAB 67.19, -21.41, -20.19

 

CMYK 0 / 60 / 36 / 22

HEX #C75080

RGB 199 80 128

HSL 335.8, 0.52%, 0.55%

LAB 51.2, 51.99, -2.52

 

CMYK 60 / 0 / 60 / 22

HEX #50C750

RGB 80 199 80

HSL 120, 0.52%, 0.55%

LAB 71.64, -56.65, 48.77

 

CMYK 60 / 60 / 0 / 22

HEX #5050C7

RGB 80 80 199

HSL 240, 0.52%, 0.55%

LAB 40.52, 35.23, -62.22

 

CMYK 0 / 60 / 60 / 22

HEX #C75050

RGB 199 80 80

HSL 0, 0.52%, 0.55%

LAB 50.05, 47.49, 24.6

 

CMYK 60 / 0 / 60 / 22

HEX #50C750

RGB 80 199 80

HSL 120, 0.52%, 0.55%

LAB 71.64, -56.65, 48.77

 

CMYK 60 / 12 / 0 / 22

HEX #50B0C7

RGB 80 176 199

HSL 191.6, 0.52%, 0.55%

LAB 67.19, -21.41, -20.19

 

CMYK 0 / 60 / 0 / 22

HEX #C750C7

RGB 199 80 199

HSL 300, 0.52%, 0.55%

LAB 54.03, 62.34, -39.83

 

CMYK 0 / 48 / 60 / 22

HEX #C76850

RGB 199 104 80

HSL 12.1, 0.52%, 0.55%

LAB 54.68, 35.59, 30.51

 

CMYK 60 / 0 / 60 / 22

HEX #50C750

RGB 80 199 80

HSL 120, 0.52%, 0.55%

LAB 71.64, -56.65, 48.77

 

CMYK 60 / 30 / 0 / 22

HEX #508CC7

RGB 80 140 199

HSL 209.75, 0.52%, 0.55%

LAB 56.67, -1.67, -36.43

 

CMYK 0 / 60 / 0 / 22

HEX #C750C7

RGB 199 80 199

HSL 300, 0.52%, 0.55%

LAB 54.03, 62.34, -39.83

 

CMYK 0 / 30 / 60 / 22

HEX #C78C50

RGB 199 140 80

HSL 30.25, 0.52%, 0.55%

LAB 62.91, 16.13, 40.55

 

Description

Color code: RGB 80 199 80 | qconv.com Color code: RGB 80 199 80 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 199 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 199 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 60 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 60% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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