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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 80 206 220 it is the complementary color RGB 175 49 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 80 206 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 80 206 220 shade: RGB 85 206 215, RGB 102 224 234, RGB 119 242 253, RGB 136 255 255 and RGB 153 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 80 206 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 80 206 220 shade: RGB 80 206 220, RGB 63 188 201, RGB 46 170 182, RGB 29 152 163 and RGB 12 134 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 80 206 220 shade: RGB 80 206 220, RGB 80 168 220, RGB 80 130 220, RGB 80 93 220 and RGB 105 80 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 80 206 220 shade: RGB 80 206 220, RGB 80 168 220, RGB 80 130 220, RGB 80 93 220 and RGB 80 80 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 80 206 220 shade matches the following richer shades: RGB 80 206 220, RGB 63 220 237 and RGB 46 233 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 80 206 220 shade: RGB 80 206 220, RGB 97 192 203, RGB 114 179 186, RGB 131 165 169 and RGB 148 152 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 80 206 220 shade: RGB 80 220 159, RGB 80 220 197, RGB 80 206 220, RGB 80 169 220 and RGB 80 131 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 80 206 220 shade: RGB 36 167 182, RGB 45 196 213, RGB 80 206 220, RGB 114 216 227 and RGB 149 225 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 80 206 220 shade: RGB 80 206 220, RGB 122 80 220 and RGB 220 178 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 80 206 220 shade: RGB 80 206 220, RGB 220 80 206 and RGB 206 220 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 80 206 220 shade: RGB 80 206 220, RGB 122 80 220, RGB 220 94 80 and RGB 178 220 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 80 206 220 shade: RGB 80 206 220, RGB 164 80 220, RGB 220 94 80 and RGB 136 220 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

Complementary color

CMYK 0 / 72 / 80 / 31

HEX #AF3123

RGB 175 49 35

HSL 6, 0.67%, 0.41%

LAB 40.3, 50.1, 38.1

 

CMYK 60 / 4 / 0 / 16

HEX #55CED7

RGB 85 206 215

HSL 184.15, 0.62%, 0.59%

LAB 76.67, -30.82, -14.57

 

CMYK 56 / 4 / 0 / 8

HEX #66E0EA

RGB 102 224 234

HSL 184.55, 0.76%, 0.66%

LAB 82.95, -31.18, -15.22

 

CMYK 53 / 4 / 0 / 1

HEX #77F2FD

RGB 119 242 253

HSL 184.93, 0.97%, 0.73%

LAB 89.17, -31.44, -15.83

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

CMYK 69 / 6 / 0 / 21

HEX #3FBCC9

RGB 63 188 201

HSL 185.65, 0.56%, 0.52%

LAB 70.34, -29.58, -16.55

 

CMYK 75 / 7 / 0 / 29

HEX #2EAAB6

RGB 46 170 182

HSL 185.29, 0.6%, 0.45%

LAB 63.92, -28.71, -15.79

 

CMYK 82 / 7 / 0 / 36

HEX #1D98A3

RGB 29 152 163

HSL 184.93, 0.7%, 0.38%

LAB 57.43, -27.53, -14.93

 

CMYK 92 / 7 / 0 / 44

HEX #0C8690

RGB 12 134 144

HSL 184.55, 0.85%, 0.31%

LAB 50.85, -25.93, -13.94

 

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

CMYK 64 / 24 / 0 / 14

HEX #50A8DC

RGB 80 168 220

HSL 202.29, 0.67%, 0.59%

LAB 65.65, -10.66, -34.14

 

CMYK 64 / 41 / 0 / 14

HEX #5082DC

RGB 80 130 220

HSL 218.57, 0.67%, 0.59%

LAB 54.91, 11.32, -51.05

 

CMYK 64 / 58 / 0 / 14

HEX #505DDC

RGB 80 93 220

HSL 234.43, 0.67%, 0.59%

LAB 45.22, 34.2, -66.63

 

CMYK 52 / 64 / 0 / 14

HEX #6950DC

RGB 105 80 220

HSL 250.71, 0.67%, 0.59%

LAB 44.1, 46.13, -68.38

 

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

CMYK 64 / 24 / 0 / 14

HEX #50A8DC

RGB 80 168 220

HSL 202.29, 0.67%, 0.59%

LAB 65.65, -10.66, -34.14

 

CMYK 64 / 41 / 0 / 14

HEX #5082DC

RGB 80 130 220

HSL 218.57, 0.67%, 0.59%

LAB 54.91, 11.32, -51.05

 

CMYK 64 / 58 / 0 / 14

HEX #505DDC

RGB 80 93 220

HSL 234.43, 0.67%, 0.59%

LAB 45.22, 34.2, -66.63

 

CMYK 64 / 64 / 0 / 14

HEX #5050DC

RGB 80 80 220

HSL 240, 0.67%, 0.59%

LAB 42.17, 42.11, -71.61

 

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

CMYK 73 / 7 / 0 / 7

HEX #3FDCED

RGB 63 220 237

HSL 185.86, 0.83%, 0.59%

LAB 80.94, -34.21, -19.95

 

CMYK 82 / 8 / 0 / 0

HEX #2EE9FE

RGB 46 233 254

HSL 186.06, 0.99%, 0.59%

LAB 85, -36.76, -22.8

 

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

CMYK 52 / 5 / 0 / 20

HEX #61C0CB

RGB 97 192 203

HSL 186.23, 0.5%, 0.59%

LAB 72.6, -25.01, -14.15

 

CMYK 39 / 4 / 0 / 27

HEX #72B3BA

RGB 114 179 186

HSL 185.83, 0.34%, 0.59%

LAB 69.01, -18.88, -10.13

 

CMYK 22 / 2 / 0 / 34

HEX #83A5A9

RGB 131 165 169

HSL 186.32, 0.18%, 0.59%

LAB 65.44, -10.67, -5.91

 

CMYK 3 / 0 / 0 / 40

HEX #949898

RGB 148 152 152

HSL 180, 0.02%, 0.59%

LAB 62.52, -1.44, -0.51

 

CMYK 64 / 0 / 28 / 14

HEX #50DC9F

RGB 80 220 159

HSL 153.86, 0.67%, 0.59%

LAB 79.27, -51.71, 19.08

 

CMYK 64 / 0 / 10 / 14

HEX #50DCC5

RGB 80 220 197

HSL 170.14, 0.67%, 0.59%

LAB 80.14, -42.9, 0.2

 

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

CMYK 64 / 23 / 0 / 14

HEX #50A9DC

RGB 80 169 220

HSL 201.86, 0.67%, 0.59%

LAB 65.94, -11.2, -33.7

 

CMYK 64 / 40 / 0 / 14

HEX #5083DC

RGB 80 131 220

HSL 218.14, 0.67%, 0.59%

LAB 55.18, 10.71, -50.61

 

CMYK 80 / 8 / 0 / 29

HEX #24A7B6

RGB 36 167 182

HSL 186.16, 0.67%, 0.43%

LAB 62.84, -28.28, -17.45

 

CMYK 79 / 8 / 0 / 16

HEX #2DC4D5

RGB 45 196 213

HSL 186.07, 0.67%, 0.51%

LAB 72.79, -31.88, -19.43

 

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

CMYK 50 / 5 / 0 / 11

HEX #72D8E3

RGB 114 216 227

HSL 185.84, 0.67%, 0.67%

LAB 80.87, -26.8, -14.59

 

CMYK 36 / 4 / 0 / 8

HEX #95E1EA

RGB 149 225 234

HSL 186.35, 0.67%, 0.75%

LAB 85.09, -21.17, -11.84

 

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

CMYK 45 / 64 / 0 / 14

HEX #7A50DC

RGB 122 80 220

HSL 258, 0.67%, 0.59%

LAB 45.69, 49.29, -65.72

 

CMYK 0 / 19 / 64 / 14

HEX #DCB250

RGB 220 178 80

HSL 42, 0.67%, 0.59%

LAB 74.59, 4.57, 54.51

 

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

CMYK 0 / 64 / 6 / 14

HEX #DC50CE

RGB 220 80 206

HSL 306, 0.67%, 0.59%

LAB 57.47, 68.7, -38.2

 

CMYK 6 / 0 / 64 / 14

HEX #CEDC50

RGB 206 220 80

HSL 66, 0.67%, 0.59%

LAB 84.43, -22.64, 64.73

 

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

CMYK 45 / 64 / 0 / 14

HEX #7A50DC

RGB 122 80 220

HSL 258, 0.67%, 0.59%

LAB 45.69, 49.29, -65.72

 

CMYK 0 / 57 / 64 / 14

HEX #DC5E50

RGB 220 94 80

HSL 6, 0.67%, 0.59%

LAB 55.89, 48.41, 32.7

 

CMYK 19 / 0 / 64 / 14

HEX #B2DC50

RGB 178 220 80

HSL 78, 0.67%, 0.59%

LAB 82.5, -33.73, 62.11

 

CMYK 64 / 6 / 0 / 14

HEX #50CEDC

RGB 80 206 220

HSL 186, 0.67%, 0.59%

LAB 76.69, -30.22, -17.24

 

CMYK 25 / 64 / 0 / 14

HEX #A450DC

RGB 164 80 220

HSL 276, 0.67%, 0.59%

LAB 50.45, 58.11, -57.8

 

CMYK 0 / 57 / 64 / 14

HEX #DC5E50

RGB 220 94 80

HSL 6, 0.67%, 0.59%

LAB 55.89, 48.41, 32.7

 

CMYK 38 / 0 / 64 / 14

HEX #88DC50

RGB 136 220 80

HSL 96, 0.67%, 0.59%

LAB 80.18, -48.85, 58.92

 

Description

Color code: RGB 80 206 220 | qconv.com Color code: RGB 80 206 220 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 206 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 206 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 6 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 6% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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