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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 58 42 it is the complementary color RGB 174 197 213. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 58 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 58 42 shade: RGB 86 58 37, RGB 103 76 56, RGB 120 94 75, RGB 137 112 94 and RGB 154 130 113

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 58 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 58 42 shade: RGB 81 58 42, RGB 64 40 23, RGB 47 22 4, RGB 30 4 0 and RGB 13 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 58 42 shade: RGB 80 57 41, RGB 80 47 41 and RGB 80 41 41

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 58 42 shade: RGB 80 57 41, RGB 80 68 41, RGB 80 78 41, RGB 72 80 41 and RGB 61 80 41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 58 42 shade matches the following richer shades: RGB 80 57 41, RGB 90 55 31, RGB 100 54 21, RGB 110 52 11 and RGB 120 50 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 58 42 shade: RGB 80 57 41, RGB 70 59 51, RGB 60 61 61, RGB 51 63 71 and RGB 41 64 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 58 42 shade: RGB 80 41 46, RGB 80 46 41, RGB 80 57 41, RGB 80 67 41 and RGB 80 78 41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 58 42 shade: RGB 26 18 13, RGB 53 38 27, RGB 80 57 41, RGB 108 77 55 and RGB 135 96 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 58 42 shade: RGB 81 58 42, RGB 57 80 41 and RGB 41 41 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 58 42 shade: RGB 81 58 42, RGB 41 80 57 and RGB 57 41 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 58 42 shade: RGB 81 58 42, RGB 57 80 41, RGB 41 65 80 and RGB 65 41 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 58 42 shade: RGB 81 58 42, RGB 45 80 41, RGB 41 65 80 and RGB 76 41 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 48 / 68

HEX #513A2A

RGB 81 58 42

HSL 24.62, 0.32%, 0.24%

LAB 26.57, 7.82, 13.92

 

Complementary color

CMYK 18 / 8 / 0 / 16

HEX #AEC5D5

RGB 174 197 213

HSL 204.62, 0.32%, 0.76%

LAB 78.31, -4.4, -10.6

 

CMYK 0 / 33 / 57 / 66

HEX #563A25

RGB 86 58 37

HSL 25.71, 0.4%, 0.24%

LAB 27.12, 9.65, 17.95

 

CMYK 0 / 26 / 46 / 60

HEX #674C38

RGB 103 76 56

HSL 25.53, 0.3%, 0.31%

LAB 34.68, 8.54, 16.32

 

CMYK 0 / 22 / 38 / 53

HEX #785E4B

RGB 120 94 75

HSL 25.33, 0.23%, 0.38%

LAB 42.01, 7.69, 14.93

 

CMYK 0 / 18 / 31 / 46

HEX #89705E

RGB 137 112 94

HSL 25.12, 0.19%, 0.45%

LAB 49.15, 7.01, 13.71

 

CMYK 0 / 16 / 27 / 40

HEX #9A8271

RGB 154 130 113

HSL 24.88, 0.17%, 0.52%

LAB 56.12, 6.45, 12.61

 

CMYK 0 / 28 / 48 / 68

HEX #513A2A

RGB 81 58 42

HSL 24.62, 0.32%, 0.24%

LAB 26.57, 7.82, 13.92

 

CMYK 0 / 38 / 64 / 75

HEX #402817

RGB 64 40 23

HSL 24.88, 0.47%, 0.17%

LAB 18.67, 9.07, 15.69

 

CMYK 0 / 53 / 91 / 82

HEX #2F1604

RGB 47 22 4

HSL 25.12, 0.84%, 0.1%

LAB 10.46, 10.83, 14.23

 

CMYK 0 / 87 / 100 / 88

HEX #1E0400

RGB 30 4 0

HSL 8, 1%, 0.06%

LAB 3.28, 9.58, 5.09

 

CMYK 0 / 100 / 100 / 95

HEX #0D0000

RGB 13 0 0

HSL 0, 1%, 0.03%

LAB 0.77, 3.47, 1.22

 

CMYK 0 / 29 / 49 / 69

HEX #503929

RGB 80 57 41

HSL 24.62, 0.32%, 0.24%

LAB 26.13, 7.86, 13.96

 

CMYK 0 / 41 / 49 / 69

HEX #502F29

RGB 80 47 41

HSL 9.23, 0.32%, 0.24%

LAB 23.33, 14.31, 10.21

 

CMYK 0 / 49 / 49 / 69

HEX #502929

RGB 80 41 41

HSL 0, 0.32%, 0.24%

LAB 21.77, 18.11, 8.07

 

CMYK 0 / 29 / 49 / 69

HEX #503929

RGB 80 57 41

HSL 24.62, 0.32%, 0.24%

LAB 26.13, 7.86, 13.96

 

CMYK 0 / 15 / 49 / 69

HEX #504429

RGB 80 68 41

HSL 41.54, 0.32%, 0.24%

LAB 29.41, 0.83, 18.22

 

CMYK 0 / 2 / 49 / 69

HEX #504E29

RGB 80 78 41

HSL 56.92, 0.32%, 0.24%

LAB 32.51, -5.34, 22.11

 

CMYK 10 / 0 / 49 / 69

HEX #485029

RGB 72 80 41

HSL 72.31, 0.32%, 0.24%

LAB 32.43, -10.29, 21.84

 

CMYK 24 / 0 / 49 / 69

HEX #3D5029

RGB 61 80 41

HSL 89.23, 0.32%, 0.24%

LAB 31.55, -15.24, 20.57

 

CMYK 0 / 29 / 49 / 69

HEX #503929

RGB 80 57 41

HSL 24.62, 0.32%, 0.24%

LAB 26.13, 7.86, 13.96

 

CMYK 0 / 39 / 66 / 65

HEX #5A371F

RGB 90 55 31

HSL 24.41, 0.49%, 0.24%

LAB 26.75, 12.92, 21.33

 

CMYK 0 / 46 / 79 / 61

HEX #643615

RGB 100 54 21

HSL 25.06, 0.65%, 0.24%

LAB 27.85, 17.64, 28.77

 

CMYK 0 / 53 / 90 / 57

HEX #6E340B

RGB 110 52 11

HSL 24.85, 0.82%, 0.24%

LAB 28.89, 23.03, 35.12

 

CMYK 0 / 58 / 98 / 53

HEX #783202

RGB 120 50 2

HSL 24.41, 0.97%, 0.24%

LAB 30.1, 28.3, 40.46

 

CMYK 0 / 29 / 49 / 69

HEX #503929

RGB 80 57 41

HSL 24.62, 0.32%, 0.24%

LAB 26.13, 7.86, 13.96

 

CMYK 0 / 16 / 27 / 73

HEX #463B33

RGB 70 59 51

HSL 25.26, 0.16%, 0.24%

LAB 25.77, 3.31, 6.74

 

CMYK 2 / 0 / 0 / 76

HEX #3C3D3D

RGB 60 61 61

HSL 180, 0.01%, 0.24%

LAB 25.67, -0.42, -0.15

 

CMYK 28 / 11 / 0 / 72

HEX #333F47

RGB 51 63 71

HSL 204, 0.16%, 0.24%

LAB 25.9, -2.73, -6.5

 

CMYK 49 / 21 / 0 / 68

HEX #294051

RGB 41 64 81

HSL 205.5, 0.33%, 0.24%

LAB 25.96, -3.62, -13.05

 

CMYK 0 / 49 / 43 / 69

HEX #50292E

RGB 80 41 46

HSL 352.31, 0.32%, 0.24%

LAB 21.9, 18.76, 4.84

 

CMYK 0 / 43 / 49 / 69

HEX #502E29

RGB 80 46 41

HSL 7.69, 0.32%, 0.24%

LAB 23.07, 14.95, 9.85

 

CMYK 0 / 29 / 49 / 69

HEX #503929

RGB 80 57 41

HSL 24.62, 0.32%, 0.24%

LAB 26.13, 7.86, 13.96

 

CMYK 0 / 16 / 49 / 69

HEX #504329

RGB 80 67 41

HSL 40, 0.32%, 0.24%

LAB 29.11, 1.46, 17.83

 

CMYK 0 / 2 / 49 / 69

HEX #504E29

RGB 80 78 41

HSL 56.92, 0.32%, 0.24%

LAB 32.51, -5.34, 22.11

 

CMYK 0 / 31 / 50 / 90

HEX #1A120D

RGB 26 18 13

HSL 23.08, 0.33%, 0.08%

LAB 6.15, 2.76, 3.82

 

CMYK 0 / 28 / 49 / 79

HEX #35261B

RGB 53 38 27

HSL 25.38, 0.33%, 0.16%

LAB 16.61, 5.28, 10.04

 

CMYK 0 / 29 / 49 / 69

HEX #503929

RGB 80 57 41

HSL 24.62, 0.32%, 0.24%

LAB 26.13, 7.86, 13.96

 

CMYK 0 / 29 / 49 / 58

HEX #6C4D37

RGB 108 77 55

HSL 24.91, 0.33%, 0.32%

LAB 35.54, 10.11, 18.19

 

CMYK 0 / 29 / 49 / 47

HEX #876045

RGB 135 96 69

HSL 24.55, 0.32%, 0.4%

LAB 44.16, 12.39, 21.67

 

CMYK 0 / 28 / 48 / 68

HEX #513A2A

RGB 81 58 42

HSL 24.62, 0.32%, 0.24%

LAB 26.57, 7.82, 13.92

 

CMYK 29 / 0 / 49 / 69

HEX #395029

RGB 57 80 41

HSL 95.38, 0.32%, 0.24%

LAB 31.27, -16.96, 20.15

 

CMYK 49 / 49 / 0 / 69

HEX #292950

RGB 41 41 80

HSL 240, 0.32%, 0.24%

LAB 18.52, 11.88, -24

 

CMYK 0 / 28 / 48 / 68

HEX #513A2A

RGB 81 58 42

HSL 24.62, 0.32%, 0.24%

LAB 26.57, 7.82, 13.92

 

CMYK 49 / 0 / 29 / 69

HEX #295039

RGB 41 80 57

HSL 144.62, 0.32%, 0.24%

LAB 30.65, -19.91, 9.35

 

CMYK 29 / 49 / 0 / 69

HEX #392950

RGB 57 41 80

HSL 264.62, 0.32%, 0.24%

LAB 20.18, 16.91, -21.27

 

CMYK 0 / 28 / 48 / 68

HEX #513A2A

RGB 81 58 42

HSL 24.62, 0.32%, 0.24%

LAB 26.57, 7.82, 13.92

 

CMYK 29 / 0 / 49 / 69

HEX #395029

RGB 57 80 41

HSL 95.38, 0.32%, 0.24%

LAB 31.27, -16.96, 20.15

 

CMYK 49 / 19 / 0 / 69

HEX #294150

RGB 41 65 80

HSL 203.08, 0.32%, 0.24%

LAB 26.25, -4.6, -11.95

 

CMYK 19 / 49 / 0 / 69

HEX #412950

RGB 65 41 80

HSL 276.92, 0.32%, 0.24%

LAB 21.17, 19.62, -19.66

 

CMYK 0 / 28 / 48 / 68

HEX #513A2A

RGB 81 58 42

HSL 24.62, 0.32%, 0.24%

LAB 26.57, 7.82, 13.92

 

CMYK 44 / 0 / 49 / 69

HEX #2D5029

RGB 45 80 41

HSL 113.85, 0.32%, 0.24%

LAB 30.53, -21.71, 19.06

 

CMYK 49 / 19 / 0 / 69

HEX #294150

RGB 41 65 80

HSL 203.08, 0.32%, 0.24%

LAB 26.25, -4.6, -11.95

 

CMYK 5 / 49 / 0 / 69

HEX #4C2950

RGB 76 41 80

HSL 293.85, 0.32%, 0.24%

LAB 22.66, 23.44, -17.21

 

Description

Color code: RGB 81 58 42 | qconv.com Color code: RGB 81 58 42 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 58 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 58 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 48 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 48% 68% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

65% - 카페베네
Link: http://www.caffebene.co.kr

21% - Music for everyone -...
Link: https://www.spotify.com

23% - Música para todos - ...
Link: https://www.spotify.com

16% - Museo Storico Italia...
Link: http://www.museodellaguerra.it

21% - MSF - Médicos Sin Fr...
Link: http://www.msf.es

15% - アメヒヨ | 奈良発いえとくらしの物語マ...
Link: http://amehiyo.com

13% - japan2.jpg (500x444 ...
Link: http://mau.ru

20% - Home - Harbor Invest...
Link: http://harborinvestmentadvisory.com

22% - Smart Turn System - ...
Link: http://www.safer-turn.com

28% - BiertjeDrinken.nl - ...
Link: http://biertjedrinken.weebly.com

16% - 북카페심심푸리
Link: http://www.xn--oy2b33e52fa278lvih4rb.kr

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