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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 95 143 it is the complementary color RGB 174 160 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 95 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 95 143 shade: RGB 86 95 138, RGB 103 113 157, RGB 120 131 176, RGB 137 149 195 and RGB 154 167 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 95 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 95 143 shade: RGB 81 95 143, RGB 64 77 124, RGB 47 59 105, RGB 30 41 86 and RGB 13 23 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 95 143 shade: RGB 80 94 143, RGB 83 80 143, RGB 100 80 143, RGB 117 80 143 and RGB 134 80 143

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 95 143 shade: RGB 80 94 143 and RGB 80 80 143

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 95 143 shade matches the following richer shades: RGB 80 94 143, RGB 62 85 161, RGB 44 75 179, RGB 26 65 198 and RGB 8 55 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 95 143 shade: RGB 80 94 143, RGB 98 104 125, RGB 117 114 107, RGB 135 124 89 and RGB 153 134 71

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 95 143 shade: RGB 80 128 143, RGB 80 112 143, RGB 80 95 143, RGB 82 80 143 and RGB 99 80 143

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 95 143 shade: RGB 51 60 90, RGB 65 77 117, RGB 80 94 143, RGB 98 114 167 and RGB 125 137 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 95 143 shade: RGB 81 95 143, RGB 141 80 143 and RGB 120 143 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 95 143 shade: RGB 81 95 143, RGB 143 80 95 and RGB 95 143 80

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 95 143 shade: RGB 81 95 143, RGB 141 80 143, RGB 143 128 80 and RGB 82 143 80

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 95 143 shade: RGB 81 95 143, RGB 143 80 126, RGB 143 128 80 and RGB 80 143 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 34 / 0 / 44

HEX #515F8F

RGB 81 95 143

HSL 226.45, 0.28%, 0.44%

LAB 41.08, 7.83, -28.2

 

Complementary color

CMYK 0 / 8 / 36 / 32

HEX #AEA070

RGB 174 160 112

HSL 46.45, 0.28%, 0.56%

LAB 65.99, -2.16, 26.9

 

CMYK 38 / 31 / 0 / 46

HEX #565F8A

RGB 86 95 138

HSL 229.62, 0.23%, 0.44%

LAB 41.21, 7.78, -24.96

 

CMYK 34 / 28 / 0 / 38

HEX #67719D

RGB 103 113 157

HSL 228.89, 0.22%, 0.51%

LAB 48.42, 7.23, -24.98

 

CMYK 32 / 26 / 0 / 31

HEX #7883B0

RGB 120 131 176

HSL 228.21, 0.26%, 0.58%

LAB 55.44, 6.76, -25.06

 

CMYK 30 / 24 / 0 / 24

HEX #8995C3

RGB 137 149 195

HSL 227.59, 0.33%, 0.65%

LAB 62.3, 6.36, -25.18

 

CMYK 28 / 22 / 0 / 16

HEX #9AA7D6

RGB 154 167 214

HSL 227, 0.42%, 0.72%

LAB 69.01, 6.01, -25.33

 

CMYK 43 / 34 / 0 / 44

HEX #515F8F

RGB 81 95 143

HSL 226.45, 0.28%, 0.44%

LAB 41.08, 7.83, -28.2

 

CMYK 48 / 38 / 0 / 51

HEX #404D7C

RGB 64 77 124

HSL 227, 0.32%, 0.37%

LAB 33.67, 8.66, -28.31

 

CMYK 55 / 44 / 0 / 59

HEX #2F3B69

RGB 47 59 105

HSL 227.59, 0.38%, 0.3%

LAB 26.02, 9.75, -28.51

 

CMYK 65 / 52 / 0 / 66

HEX #1E2956

RGB 30 41 86

HSL 228.21, 0.48%, 0.23%

LAB 18.07, 11.3, -28.81

 

CMYK 81 / 66 / 0 / 74

HEX #0D1743

RGB 13 23 67

HSL 228.89, 0.68%, 0.16%

LAB 9.83, 13.69, -29.16

 

CMYK 44 / 34 / 0 / 44

HEX #505E8F

RGB 80 94 143

HSL 226.67, 0.28%, 0.44%

LAB 40.73, 8.19, -28.77

 

CMYK 42 / 44 / 0 / 44

HEX #53508F

RGB 83 80 143

HSL 242.86, 0.28%, 0.44%

LAB 37.04, 17.92, -34.56

 

CMYK 30 / 44 / 0 / 44

HEX #64508F

RGB 100 80 143

HSL 259.05, 0.28%, 0.44%

LAB 38.6, 22.8, -31.99

 

CMYK 18 / 44 / 0 / 44

HEX #75508F

RGB 117 80 143

HSL 275.24, 0.28%, 0.44%

LAB 40.41, 28.01, -29.01

 

CMYK 6 / 44 / 0 / 44

HEX #86508F

RGB 134 80 143

HSL 291.43, 0.28%, 0.44%

LAB 42.44, 33.39, -25.69

 

CMYK 44 / 34 / 0 / 44

HEX #505E8F

RGB 80 94 143

HSL 226.67, 0.28%, 0.44%

LAB 40.73, 8.19, -28.77

 

CMYK 44 / 44 / 0 / 44

HEX #50508F

RGB 80 80 143

HSL 240, 0.28%, 0.44%

LAB 36.79, 17.1, -34.97

 

CMYK 44 / 34 / 0 / 44

HEX #505E8F

RGB 80 94 143

HSL 226.67, 0.28%, 0.44%

LAB 40.73, 8.19, -28.77

 

CMYK 61 / 47 / 0 / 37

HEX #3E55A1

RGB 62 85 161

HSL 226.06, 0.44%, 0.44%

LAB 38.01, 15.69, -43.95

 

CMYK 75 / 58 / 0 / 30

HEX #2C4BB3

RGB 44 75 179

HSL 226.22, 0.61%, 0.44%

LAB 35.64, 26.08, -58.53

 

CMYK 87 / 67 / 0 / 22

HEX #1A41C6

RGB 26 65 198

HSL 226.4, 0.77%, 0.44%

LAB 34.14, 38.2, -72.17

 

CMYK 96 / 75 / 0 / 15

HEX #0837D8

RGB 8 55 216

HSL 226.44, 0.93%, 0.44%

LAB 33.44, 50.08, -83.79

 

CMYK 44 / 34 / 0 / 44

HEX #505E8F

RGB 80 94 143

HSL 226.67, 0.28%, 0.44%

LAB 40.73, 8.19, -28.77

 

CMYK 22 / 17 / 0 / 51

HEX #62687D

RGB 98 104 125

HSL 226.67, 0.12%, 0.44%

LAB 44.2, 2.6, -12.45

 

CMYK 0 / 3 / 9 / 54

HEX #75726B

RGB 117 114 107

HSL 42, 0.04%, 0.44%

LAB 48.11, -0.2, 4.28

 

CMYK 0 / 8 / 34 / 47

HEX #877C59

RGB 135 124 89

HSL 45.65, 0.21%, 0.44%

LAB 52.16, -1.43, 20.67

 

CMYK 0 / 12 / 54 / 40

HEX #998647

RGB 153 134 71

HSL 46.1, 0.37%, 0.44%

LAB 56.36, -1.25, 36.23

 

CMYK 44 / 10 / 0 / 44

HEX #50808F

RGB 80 128 143

HSL 194.29, 0.28%, 0.44%

LAB 50.84, -12.09, -13.2

 

CMYK 44 / 22 / 0 / 44

HEX #50708F

RGB 80 112 143

HSL 209.52, 0.28%, 0.44%

LAB 46.01, -2.85, -20.56

 

CMYK 44 / 34 / 0 / 44

HEX #505F8F

RGB 80 95 143

HSL 225.71, 0.28%, 0.44%

LAB 41.01, 7.56, -28.32

 

CMYK 43 / 44 / 0 / 44

HEX #52508F

RGB 82 80 143

HSL 241.9, 0.28%, 0.44%

LAB 36.96, 17.64, -34.7

 

CMYK 31 / 44 / 0 / 44

HEX #63508F

RGB 99 80 143

HSL 258.1, 0.28%, 0.44%

LAB 38.5, 22.5, -32.15

 

CMYK 43 / 33 / 0 / 65

HEX #333C5A

RGB 51 60 90

HSL 226.15, 0.28%, 0.28%

LAB 25.78, 5.05, -19.15

 

CMYK 44 / 34 / 0 / 54

HEX #414D75

RGB 65 77 117

HSL 226.15, 0.29%, 0.36%

LAB 33.38, 6.67, -24.41

 

CMYK 44 / 34 / 0 / 44

HEX #505E8F

RGB 80 94 143

HSL 226.67, 0.28%, 0.44%

LAB 40.73, 8.19, -28.77

 

CMYK 41 / 32 / 0 / 35

HEX #6272A7

RGB 98 114 167

HSL 226.09, 0.28%, 0.52%

LAB 48.79, 8.04, -30.3

 

CMYK 31 / 24 / 0 / 29

HEX #7D89B5

RGB 125 137 181

HSL 227.14, 0.27%, 0.6%

LAB 57.64, 6.08, -24.5

 

CMYK 43 / 34 / 0 / 44

HEX #515F8F

RGB 81 95 143

HSL 226.45, 0.28%, 0.44%

LAB 41.08, 7.83, -28.2

 

CMYK 1 / 44 / 0 / 44

HEX #8D508F

RGB 141 80 143

HSL 298.1, 0.28%, 0.44%

LAB 43.34, 35.63, -24.24

 

CMYK 16 / 0 / 44 / 44

HEX #788F50

RGB 120 143 80

HSL 81.9, 0.28%, 0.44%

LAB 56.3, -19.22, 30.78

 

CMYK 43 / 34 / 0 / 44

HEX #515F8F

RGB 81 95 143

HSL 226.45, 0.28%, 0.44%

LAB 41.08, 7.83, -28.2

 

CMYK 0 / 44 / 34 / 44

HEX #8F505F

RGB 143 80 95

HSL 345.71, 0.28%, 0.44%

LAB 41.85, 28.22, 2.89

 

CMYK 34 / 0 / 44 / 44

HEX #5F8F50

RGB 95 143 80

HSL 105.71, 0.28%, 0.44%

LAB 54.72, -28.8, 28.44

 

CMYK 43 / 34 / 0 / 44

HEX #515F8F

RGB 81 95 143

HSL 226.45, 0.28%, 0.44%

LAB 41.08, 7.83, -28.2

 

CMYK 1 / 44 / 0 / 44

HEX #8D508F

RGB 141 80 143

HSL 298.1, 0.28%, 0.44%

LAB 43.34, 35.63, -24.24

 

CMYK 0 / 10 / 44 / 44

HEX #8F8050

RGB 143 128 80

HSL 45.71, 0.28%, 0.44%

LAB 53.88, -1.36, 28.1

 

CMYK 43 / 0 / 44 / 44

HEX #528F50

RGB 82 143 80

HSL 118.1, 0.28%, 0.44%

LAB 54.05, -33.23, 27.45

 

CMYK 43 / 34 / 0 / 44

HEX #515F8F

RGB 81 95 143

HSL 226.45, 0.28%, 0.44%

LAB 41.08, 7.83, -28.2

 

CMYK 0 / 44 / 12 / 44

HEX #8F507E

RGB 143 80 126

HSL 316.19, 0.28%, 0.44%

LAB 42.89, 33.1, -14.6

 

CMYK 0 / 10 / 44 / 44

HEX #8F8050

RGB 143 128 80

HSL 45.71, 0.28%, 0.44%

LAB 53.88, -1.36, 28.1

 

CMYK 44 / 0 / 32 / 44

HEX #508F61

RGB 80 143 97

HSL 136.19, 0.28%, 0.44%

LAB 54.25, -30.89, 18.31

 

Description

Color code: RGB 81 95 143 | qconv.com Color code: RGB 81 95 143 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 95 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 95 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 34 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 34% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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