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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 198 188 it is the complementary color RGB 174 57 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 198 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 198 188 shade: RGB 86 198 183, RGB 103 216 202, RGB 120 234 221, RGB 137 252 240 and RGB 154 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 198 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 198 188 shade: RGB 81 198 188, RGB 64 180 169, RGB 47 162 150, RGB 30 144 131 and RGB 13 126 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 198 188 shade: RGB 81 198 188, RGB 81 198 157, RGB 81 198 125, RGB 81 198 94 and RGB 100 198 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 198 188 shade: RGB 81 198 188, RGB 81 177 198, RGB 81 145 198, RGB 81 114 198 and RGB 81 82 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 198 188 shade matches the following richer shades: RGB 81 198 188, RGB 63 217 204, RGB 44 235 219 and RGB 26 254 234

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 198 188 shade: RGB 81 198 188, RGB 100 180 173, RGB 118 161 157, RGB 137 143 142 and RGB 155 124 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 198 188 shade: RGB 81 198 124, RGB 81 198 155, RGB 81 198 187, RGB 81 179 198 and RGB 81 148 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 198 188 shade: RGB 48 149 140, RGB 58 180 170, RGB 81 198 188, RGB 112 208 200 and RGB 144 218 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 198 188 shade: RGB 81 198 188, RGB 93 81 198 and RGB 198 140 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 198 188 shade: RGB 81 198 188, RGB 187 81 198 and RGB 198 187 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 198 188 shade: RGB 81 198 188, RGB 93 81 198, RGB 198 81 93 and RGB 187 198 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 198 188 shade: RGB 81 198 188, RGB 128 81 198, RGB 198 81 93 and RGB 151 198 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 5 / 22

HEX #51C6BC

RGB 81 198 188

HSL 174.87, 0.51%, 0.55%

LAB 73.39, -35.1, -4.85

 

Complementary color

CMYK 0 / 67 / 61 / 32

HEX #AE3943

RGB 174 57 67

HSL 354.87, 0.51%, 0.45%

LAB 41.74, 48.19, 20.82

 

CMYK 57 / 0 / 8 / 22

HEX #56C6B7

RGB 86 198 183

HSL 171.96, 0.5%, 0.56%

LAB 73.41, -35.45, -2.1

 

CMYK 52 / 0 / 6 / 15

HEX #67D8CA

RGB 103 216 202

HSL 172.57, 0.59%, 0.63%

LAB 79.76, -35.56, -2.94

 

CMYK 49 / 0 / 6 / 8

HEX #78EADD

RGB 120 234 221

HSL 173.16, 0.73%, 0.69%

LAB 86.04, -35.59, -3.71

 

CMYK 46 / 0 / 5 / 1

HEX #89FCF0

RGB 137 252 240

HSL 173.74, 0.95%, 0.76%

LAB 92.23, -35.58, -4.44

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 59 / 0 / 5 / 22

HEX #51C6BC

RGB 81 198 188

HSL 174.87, 0.51%, 0.55%

LAB 73.39, -35.1, -4.85

 

CMYK 64 / 0 / 6 / 29

HEX #40B4A9

RGB 64 180 169

HSL 174.31, 0.48%, 0.48%

LAB 66.97, -34.76, -3.96

 

CMYK 71 / 0 / 7 / 36

HEX #2FA296

RGB 47 162 150

HSL 173.74, 0.55%, 0.41%

LAB 60.47, -34.22, -2.97

 

CMYK 79 / 0 / 9 / 44

HEX #1E9083

RGB 30 144 131

HSL 173.16, 0.66%, 0.34%

LAB 53.88, -33.39, -1.86

 

CMYK 90 / 0 / 11 / 51

HEX #0D7E70

RGB 13 126 112

HSL 172.57, 0.81%, 0.27%

LAB 47.21, -32.14, -0.58

 

CMYK 59 / 0 / 5 / 22

HEX #51C6BC

RGB 81 198 188

HSL 174.87, 0.51%, 0.55%

LAB 73.39, -35.1, -4.85

 

CMYK 59 / 0 / 21 / 22

HEX #51C69D

RGB 81 198 157

HSL 158.97, 0.51%, 0.55%

LAB 72.61, -42.74, 10.81

 

CMYK 59 / 0 / 37 / 22

HEX #51C67D

RGB 81 198 125

HSL 142.56, 0.51%, 0.55%

LAB 71.97, -49.34, 26.99

 

CMYK 59 / 0 / 53 / 22

HEX #51C65E

RGB 81 198 94

HSL 126.67, 0.51%, 0.55%

LAB 71.52, -54.3, 42.09

 

CMYK 49 / 0 / 59 / 22

HEX #64C651

RGB 100 198 81

HSL 110.26, 0.51%, 0.55%

LAB 72.02, -50.99, 48.93

 

CMYK 59 / 0 / 5 / 22

HEX #51C6BC

RGB 81 198 188

HSL 174.87, 0.51%, 0.55%

LAB 73.39, -35.1, -4.85

 

CMYK 59 / 11 / 0 / 22

HEX #51B1C6

RGB 81 177 198

HSL 190.77, 0.51%, 0.55%

LAB 67.48, -22.03, -19.19

 

CMYK 59 / 27 / 0 / 22

HEX #5191C6

RGB 81 145 198

HSL 207.18, 0.51%, 0.55%

LAB 58.11, -4.68, -33.61

 

CMYK 59 / 42 / 0 / 22

HEX #5172C6

RGB 81 114 198

HSL 223.08, 0.51%, 0.55%

LAB 49.33, 13.83, -47.45

 

CMYK 59 / 59 / 0 / 22

HEX #5152C6

RGB 81 82 198

HSL 239.49, 0.51%, 0.55%

LAB 40.99, 33.84, -60.86

 

CMYK 59 / 0 / 5 / 22

HEX #51C6BC

RGB 81 198 188

HSL 174.87, 0.51%, 0.55%

LAB 73.39, -35.1, -4.85

 

CMYK 71 / 0 / 6 / 15

HEX #3FD9CC

RGB 63 217 204

HSL 174.94, 0.67%, 0.55%

LAB 79.07, -42.19, -5.15

 

CMYK 81 / 0 / 7 / 8

HEX #2CEBDB

RGB 44 235 219

HSL 174.97, 0.83%, 0.55%

LAB 84.52, -47.85, -5.1

 

CMYK 90 / 0 / 8 / 0

HEX #1AFEEA

RGB 26 254 234

HSL 174.74, 0.99%, 0.55%

LAB 90.34, -52.82, -4.38

 

CMYK 59 / 0 / 5 / 22

HEX #51C6BC

RGB 81 198 188

HSL 174.87, 0.51%, 0.55%

LAB 73.39, -35.1, -4.85

 

CMYK 44 / 0 / 4 / 29

HEX #64B4AD

RGB 100 180 173

HSL 174.75, 0.35%, 0.55%

LAB 68.29, -26.26, -4.09

 

CMYK 27 / 0 / 2 / 37

HEX #76A19D

RGB 118 161 157

HSL 174.42, 0.19%, 0.55%

LAB 63.16, -15.37, -2.64

 

CMYK 4 / 0 / 1 / 44

HEX #898F8E

RGB 137 143 142

HSL 170, 0.03%, 0.55%

LAB 58.9, -2.38, -0.24

 

CMYK 0 / 20 / 18 / 39

HEX #9B7C7F

RGB 155 124 127

HSL 354.19, 0.13%, 0.55%

LAB 54.99, 12.48, 2.92

 

CMYK 59 / 0 / 37 / 22

HEX #51C67C

RGB 81 198 124

HSL 142.05, 0.51%, 0.55%

LAB 71.96, -49.52, 27.49

 

CMYK 59 / 0 / 22 / 22

HEX #51C69B

RGB 81 198 155

HSL 157.95, 0.51%, 0.55%

LAB 72.56, -43.2, 11.83

 

CMYK 59 / 0 / 6 / 22

HEX #51C6BB

RGB 81 198 187

HSL 174.36, 0.51%, 0.55%

LAB 73.37, -35.36, -4.35

 

CMYK 59 / 10 / 0 / 22

HEX #51B3C6

RGB 81 179 198

HSL 189.74, 0.51%, 0.55%

LAB 68.07, -23.05, -18.3

 

CMYK 59 / 25 / 0 / 22

HEX #5194C6

RGB 81 148 198

HSL 205.64, 0.51%, 0.55%

LAB 58.98, -6.39, -32.26

 

CMYK 68 / 0 / 6 / 42

HEX #30958C

RGB 48 149 140

HSL 174.65, 0.51%, 0.39%

LAB 56.1, -30.75, -3.72

 

CMYK 68 / 0 / 6 / 29

HEX #3AB4AA

RGB 58 180 170

HSL 175.08, 0.51%, 0.47%

LAB 66.86, -35.42, -4.7

 

CMYK 59 / 0 / 5 / 22

HEX #51C6BC

RGB 81 198 188

HSL 174.87, 0.51%, 0.55%

LAB 73.39, -35.1, -4.85

 

CMYK 46 / 0 / 4 / 18

HEX #70D0C8

RGB 112 208 200

HSL 175, 0.51%, 0.63%

LAB 77.71, -30.3, -4.84

 

CMYK 34 / 0 / 3 / 15

HEX #90DAD4

RGB 144 218 212

HSL 175.14, 0.5%, 0.71%

LAB 82.28, -24.21, -4.36

 

CMYK 59 / 0 / 5 / 22

HEX #51C6BC

RGB 81 198 188

HSL 174.87, 0.51%, 0.55%

LAB 73.39, -35.1, -4.85

 

CMYK 53 / 59 / 0 / 22

HEX #5D51C6

RGB 93 81 198

HSL 246.15, 0.51%, 0.55%

LAB 41.67, 36.67, -59.72

 

CMYK 0 / 29 / 59 / 22

HEX #C68C51

RGB 198 140 81

HSL 30.26, 0.51%, 0.55%

LAB 62.81, 15.78, 39.89

 

CMYK 59 / 0 / 5 / 22

HEX #51C6BC

RGB 81 198 188

HSL 174.87, 0.51%, 0.55%

LAB 73.39, -35.1, -4.85

 

CMYK 6 / 59 / 0 / 22

HEX #BB51C6

RGB 187 81 198

HSL 294.36, 0.51%, 0.55%

LAB 52.43, 58.69, -41.89

 

CMYK 0 / 6 / 59 / 22

HEX #C6BB51

RGB 198 187 81

HSL 54.36, 0.51%, 0.55%

LAB 74.91, -9.39, 53.84

 

CMYK 59 / 0 / 5 / 22

HEX #51C6BC

RGB 81 198 188

HSL 174.87, 0.51%, 0.55%

LAB 73.39, -35.1, -4.85

 

CMYK 53 / 59 / 0 / 22

HEX #5D51C6

RGB 93 81 198

HSL 246.15, 0.51%, 0.55%

LAB 41.67, 36.67, -59.72

 

CMYK 0 / 59 / 53 / 22

HEX #C6515D

RGB 198 81 93

HSL 353.85, 0.51%, 0.55%

LAB 50.31, 47.68, 17.19

 

CMYK 6 / 0 / 59 / 22

HEX #BBC651

RGB 187 198 81

HSL 65.64, 0.51%, 0.55%

LAB 77.01, -19.54, 55.91

 

CMYK 59 / 0 / 5 / 22

HEX #51C6BC

RGB 81 198 188

HSL 174.87, 0.51%, 0.55%

LAB 73.39, -35.1, -4.85

 

CMYK 35 / 59 / 0 / 22

HEX #8051C6

RGB 128 81 198

HSL 264.1, 0.51%, 0.55%

LAB 45.01, 44.18, -54.16

 

CMYK 0 / 59 / 53 / 22

HEX #C6515D

RGB 198 81 93

HSL 353.85, 0.51%, 0.55%

LAB 50.31, 47.68, 17.19

 

CMYK 24 / 0 / 59 / 22

HEX #97C651

RGB 151 198 81

HSL 84.1, 0.51%, 0.55%

LAB 74.55, -33.82, 52.48

 

Description

Color code: RGB 81 198 188 | qconv.com Color code: RGB 81 198 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 198 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 198 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 5 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 5% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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