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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 81 224 214 it is the complementary color RGB 174 31 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 81 224 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 81 224 214 shade: RGB 86 224 209, RGB 103 242 228, RGB 120 255 247, RGB 137 255 255 and RGB 154 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 81 224 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 81 224 214 shade: RGB 81 224 214, RGB 64 206 195, RGB 47 188 176, RGB 30 170 157 and RGB 13 152 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 81 224 214 shade: RGB 81 224 214, RGB 81 224 175, RGB 81 224 137, RGB 81 224 98 and RGB 102 224 81

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 81 224 214 shade: RGB 81 224 214, RGB 81 195 224, RGB 81 157 224, RGB 81 118 224 and RGB 81 81 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 81 224 214 shade matches the following richer shades: RGB 81 224 214 and RGB 65 240 228

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 81 224 214 shade: RGB 81 224 214, RGB 98 207 200, RGB 114 191 186, RGB 131 174 171 and RGB 147 158 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 81 224 214 shade: RGB 81 224 136, RGB 81 224 174, RGB 81 224 212, RGB 81 198 224 and RGB 81 160 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 81 224 214 shade: RGB 33 189 179, RGB 46 218 206, RGB 81 224 214, RGB 116 230 222 and RGB 151 236 230

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 81 224 214 shade: RGB 81 224 214, RGB 98 81 224 and RGB 224 155 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 81 224 214 shade: RGB 81 224 214, RGB 212 81 224 and RGB 224 212 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 81 224 214 shade: RGB 81 224 214, RGB 98 81 224, RGB 224 81 93 and RGB 207 224 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 81 224 214 shade: RGB 81 224 214, RGB 141 81 224, RGB 224 81 93 and RGB 164 224 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 4 / 12

HEX #51E0D6

RGB 81 224 214

HSL 175.8, 0.7%, 0.6%

LAB 81.79, -40.12, -6.41

 

Complementary color

CMYK 0 / 82 / 76 / 32

HEX #AE1F29

RGB 174 31 41

HSL 355.8, 0.7%, 0.4%

LAB 38.09, 55.81, 32.27

 

CMYK 62 / 0 / 7 / 12

HEX #56E0D1

RGB 86 224 209

HSL 173.48, 0.69%, 0.61%

LAB 81.78, -40.62, -3.75

 

CMYK 57 / 0 / 6 / 5

HEX #67F2E4

RGB 103 242 228

HSL 173.96, 0.84%, 0.68%

LAB 87.96, -40.89, -4.61

 

CMYK 53 / 0 / 3 / 0

HEX #78FFF7

RGB 120 255 247

HSL 176.44, 1%, 0.74%

LAB 92.68, -38.81, -7.48

 

CMYK 46 / 0 / 0 / 0

HEX #89FFFF

RGB 137 255 255

HSL 180, 1%, 0.77%

LAB 93.48, -33.34, -10.37

 

CMYK 40 / 0 / 0 / 0

HEX #9AFFFF

RGB 154 255 255

HSL 180, 1%, 0.8%

LAB 94.15, -29.47, -9.3

 

CMYK 64 / 0 / 4 / 12

HEX #51E0D6

RGB 81 224 214

HSL 175.8, 0.7%, 0.6%

LAB 81.79, -40.12, -6.41

 

CMYK 69 / 0 / 5 / 19

HEX #40CEC3

RGB 64 206 195

HSL 175.35, 0.59%, 0.53%

LAB 75.56, -39.59, -5.49

 

CMYK 75 / 0 / 6 / 26

HEX #2FBCB0

RGB 47 188 176

HSL 174.89, 0.6%, 0.46%

LAB 69.26, -38.85, -4.49

 

CMYK 82 / 0 / 8 / 33

HEX #1EAA9D

RGB 30 170 157

HSL 174.43, 0.7%, 0.39%

LAB 62.89, -37.81, -3.37

 

CMYK 91 / 0 / 9 / 40

HEX #0D988A

RGB 13 152 138

HSL 173.96, 0.84%, 0.32%

LAB 56.46, -36.37, -2.11

 

CMYK 64 / 0 / 4 / 12

HEX #51E0D6

RGB 81 224 214

HSL 175.8, 0.7%, 0.6%

LAB 81.79, -40.12, -6.41

 

CMYK 64 / 0 / 22 / 12

HEX #51E0AF

RGB 81 224 175

HSL 159.44, 0.7%, 0.6%

LAB 80.83, -49.7, 12.86

 

CMYK 64 / 0 / 39 / 12

HEX #51E089

RGB 81 224 137

HSL 143.5, 0.7%, 0.6%

LAB 80.1, -57.35, 31.6

 

CMYK 64 / 0 / 56 / 12

HEX #51E062

RGB 81 224 98

HSL 127.13, 0.7%, 0.6%

LAB 79.58, -63.24, 49.88

 

CMYK 54 / 0 / 64 / 12

HEX #66E051

RGB 102 224 81

HSL 111.19, 0.7%, 0.6%

LAB 80.03, -60.3, 57.95

 

CMYK 64 / 0 / 4 / 12

HEX #51E0D6

RGB 81 224 214

HSL 175.8, 0.7%, 0.6%

LAB 81.79, -40.12, -6.41

 

CMYK 64 / 13 / 0 / 12

HEX #51C3E0

RGB 81 195 224

HSL 192.17, 0.7%, 0.6%

LAB 73.65, -23.45, -24.01

 

CMYK 64 / 30 / 0 / 12

HEX #519DE0

RGB 81 157 224

HSL 208.11, 0.7%, 0.6%

LAB 62.71, -3.05, -40.94

 

CMYK 64 / 47 / 0 / 12

HEX #5176E0

RGB 81 118 224

HSL 224.48, 0.7%, 0.6%

LAB 51.94, 20.21, -58.05

 

CMYK 64 / 64 / 0 / 12

HEX #5151E0

RGB 81 81 224

HSL 240, 0.7%, 0.6%

LAB 42.79, 42.96, -72.88

 

CMYK 64 / 0 / 4 / 12

HEX #51E0D6

RGB 81 224 214

HSL 175.8, 0.7%, 0.6%

LAB 81.79, -40.12, -6.41

 

CMYK 73 / 0 / 5 / 6

HEX #41F0E4

RGB 65 240 228

HSL 175.89, 0.85%, 0.6%

LAB 86.53, -45.58, -6.83

 

CMYK 64 / 0 / 4 / 12

HEX #51E0D6

RGB 81 224 214

HSL 175.8, 0.7%, 0.6%

LAB 81.79, -40.12, -6.41

 

CMYK 53 / 0 / 3 / 19

HEX #62CFC8

RGB 98 207 200

HSL 176.15, 0.53%, 0.6%

LAB 76.92, -32.89, -6.08

 

CMYK 40 / 0 / 3 / 25

HEX #72BFBA

RGB 114 191 186

HSL 176.1, 0.38%, 0.6%

LAB 72.48, -24.96, -4.97

 

CMYK 25 / 0 / 2 / 32

HEX #83AEAB

RGB 131 174 171

HSL 175.81, 0.21%, 0.6%

LAB 68.05, -15, -3.17

 

CMYK 7 / 0 / 1 / 38

HEX #939E9D

RGB 147 158 157

HSL 174.55, 0.05%, 0.6%

LAB 64.23, -4.11, -0.83

 

CMYK 64 / 0 / 39 / 12

HEX #51E088

RGB 81 224 136

HSL 143.08, 0.7%, 0.6%

LAB 80.09, -57.53, 32.08

 

CMYK 64 / 0 / 22 / 12

HEX #51E0AE

RGB 81 224 174

HSL 159.02, 0.7%, 0.6%

LAB 80.8, -49.92, 13.35

 

CMYK 64 / 0 / 5 / 12

HEX #51E0D4

RGB 81 224 212

HSL 174.97, 0.7%, 0.6%

LAB 81.74, -40.65, -5.43

 

CMYK 64 / 12 / 0 / 12

HEX #51C6E0

RGB 81 198 224

HSL 190.91, 0.7%, 0.6%

LAB 74.52, -24.96, -22.69

 

CMYK 64 / 29 / 0 / 12

HEX #51A0E0

RGB 81 160 224

HSL 206.85, 0.7%, 0.6%

LAB 63.57, -4.74, -39.6

 

CMYK 83 / 0 / 5 / 26

HEX #21BDB3

RGB 33 189 179

HSL 176.15, 0.7%, 0.44%

LAB 69.45, -39.79, -5.88

 

CMYK 79 / 0 / 6 / 15

HEX #2EDACE

RGB 46 218 206

HSL 175.81, 0.7%, 0.52%

LAB 79.14, -43.91, -6.13

 

CMYK 64 / 0 / 4 / 12

HEX #51E0D6

RGB 81 224 214

HSL 175.8, 0.7%, 0.6%

LAB 81.79, -40.12, -6.41

 

CMYK 50 / 0 / 3 / 10

HEX #74E6DE

RGB 116 230 222

HSL 175.79, 0.7%, 0.68%

LAB 84.78, -34.35, -6.1

 

CMYK 36 / 0 / 3 / 7

HEX #97ECE6

RGB 151 236 230

HSL 175.76, 0.69%, 0.76%

LAB 88.1, -26.98, -5.25

 

CMYK 64 / 0 / 4 / 12

HEX #51E0D6

RGB 81 224 214

HSL 175.8, 0.7%, 0.6%

LAB 81.79, -40.12, -6.41

 

CMYK 56 / 64 / 0 / 12

HEX #6251E0

RGB 98 81 224

HSL 247.13, 0.7%, 0.6%

LAB 44.04, 45.56, -70.79

 

CMYK 0 / 31 / 64 / 12

HEX #E09B51

RGB 224 155 81

HSL 31.05, 0.7%, 0.6%

LAB 69.39, 18.59, 48.32

 

CMYK 64 / 0 / 4 / 12

HEX #51E0D6

RGB 81 224 214

HSL 175.8, 0.7%, 0.6%

LAB 81.79, -40.12, -6.41

 

CMYK 5 / 64 / 0 / 12

HEX #D451E0

RGB 212 81 224

HSL 294.97, 0.7%, 0.6%

LAB 57.33, 69.38, -48.69

 

CMYK 0 / 5 / 64 / 12

HEX #E0D451

RGB 224 212 81

HSL 54.97, 0.7%, 0.6%

LAB 83.72, -11.24, 64.01

 

CMYK 64 / 0 / 4 / 12

HEX #51E0D6

RGB 81 224 214

HSL 175.8, 0.7%, 0.6%

LAB 81.79, -40.12, -6.41

 

CMYK 56 / 64 / 0 / 12

HEX #6251E0

RGB 98 81 224

HSL 247.13, 0.7%, 0.6%

LAB 44.04, 45.56, -70.79

 

CMYK 0 / 64 / 58 / 12

HEX #E0515D

RGB 224 81 93

HSL 354.97, 0.7%, 0.6%

LAB 54.58, 56.41, 23.65

 

CMYK 8 / 0 / 64 / 12

HEX #CFE051

RGB 207 224 81

HSL 67.13, 0.7%, 0.6%

LAB 85.59, -24.1, 65.57

 

CMYK 64 / 0 / 4 / 12

HEX #51E0D6

RGB 81 224 214

HSL 175.8, 0.7%, 0.6%

LAB 81.79, -40.12, -6.41

 

CMYK 37 / 64 / 0 / 12

HEX #8D51E0

RGB 141 81 224

HSL 265.17, 0.7%, 0.6%

LAB 48.17, 53.63, -63.88

 

CMYK 0 / 64 / 58 / 12

HEX #E0515D

RGB 224 81 93

HSL 354.97, 0.7%, 0.6%

LAB 54.58, 56.41, 23.65

 

CMYK 27 / 0 / 64 / 12

HEX #A4E051

RGB 164 224 81

HSL 85.17, 0.7%, 0.6%

LAB 82.81, -40.71, 61.78

 

Description

Color code: RGB 81 224 214 | qconv.com Color code: RGB 81 224 214 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 81 red, 224 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
81 224 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 4 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 4% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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