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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 52 243 it is the complementary color RGB 173 203 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 52 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 52 243 shade: RGB 87 52 238, RGB 104 70 255, RGB 121 88 255, RGB 138 106 255 and RGB 155 124 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 52 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 52 243 shade: RGB 82 52 243, RGB 65 34 224, RGB 48 16 205, RGB 31 0 186 and RGB 14 0 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 52 243 shade: RGB 82 52 243, RGB 133 52 243, RGB 185 52 243, RGB 236 52 243 and RGB 243 52 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 52 243 shade: RGB 82 52 243 and RGB 52 52 243

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 52 243 shade matches the following richer shades: RGB 82 52 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 52 243 shade: RGB 82 52 243, RGB 94 69 225, RGB 106 87 208, RGB 118 104 191 and RGB 130 121 173

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 52 243 shade: RGB 52 125 243, RGB 52 74 243, RGB 81 52 243, RGB 132 52 243 and RGB 182 52 243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 52 243 shade: RGB 41 11 201, RGB 49 13 240, RGB 82 52 243, RGB 115 91 245 and RGB 148 130 247

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 52 243 shade: RGB 82 52 243, RGB 243 52 176 and RGB 100 243 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 52 243 shade: RGB 82 52 243, RGB 243 81 52 and RGB 52 243 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 52 243 shade: RGB 82 52 243, RGB 243 52 176, RGB 214 243 52 and RGB 52 243 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 52 243 shade: RGB 82 52 243, RGB 243 52 119, RGB 214 243 52 and RGB 52 243 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 79 / 0 / 5

HEX #5234F3

RGB 82 52 243

HSL 249.42, 0.89%, 0.58%

LAB 39.11, 64.19, -89.69

 

Complementary color

CMYK 15 / 0 / 94 / 20

HEX #ADCB0C

RGB 173 203 12

HSL 69.42, 0.89%, 0.42%

LAB 77.05, -30.65, 75.72

 

CMYK 63 / 78 / 0 / 7

HEX #5734EE

RGB 87 52 238

HSL 251.29, 0.85%, 0.57%

LAB 38.99, 63.25, -87.04

 

CMYK 59 / 73 / 0 / 0

HEX #6846FF

RGB 104 70 255

HSL 251.03, 1%, 0.64%

LAB 45, 61.42, -86.63

 

CMYK 53 / 65 / 0 / 0

HEX #7958FF

RGB 121 88 255

HSL 251.86, 1%, 0.67%

LAB 49.82, 54.56, -78.69

 

CMYK 46 / 58 / 0 / 0

HEX #8A6AFF

RGB 138 106 255

HSL 252.89, 1%, 0.71%

LAB 55, 47.8, -70.2

 

CMYK 39 / 51 / 0 / 0

HEX #9B7CFF

RGB 155 124 255

HSL 254.2, 1%, 0.74%

LAB 60.43, 41.39, -61.38

 

CMYK 66 / 79 / 0 / 5

HEX #5234F3

RGB 82 52 243

HSL 249.42, 0.89%, 0.58%

LAB 39.11, 64.19, -89.69

 

CMYK 71 / 85 / 0 / 12

HEX #4122E0

RGB 65 34 224

HSL 249.79, 0.75%, 0.51%

LAB 33.24, 65.01, -88.65

 

CMYK 77 / 92 / 0 / 20

HEX #3010CD

RGB 48 16 205

HSL 250.16, 0.86%, 0.43%

LAB 27.86, 64.68, -86.64

 

CMYK 83 / 100 / 0 / 27

HEX #1F00BA

RGB 31 0 186

HSL 250, 1%, 0.36%

LAB 23.12, 62.82, -83.37

 

CMYK 92 / 100 / 0 / 35

HEX #0E00A7

RGB 14 0 167

HSL 245.03, 1%, 0.33%

LAB 19.57, 57.81, -77.91

 

CMYK 66 / 79 / 0 / 5

HEX #5234F3

RGB 82 52 243

HSL 249.42, 0.89%, 0.58%

LAB 39.11, 64.19, -89.69

 

CMYK 45 / 79 / 0 / 5

HEX #8534F3

RGB 133 52 243

HSL 265.45, 0.89%, 0.58%

LAB 44.11, 69.91, -81.28

 

CMYK 24 / 79 / 0 / 5

HEX #B934F3

RGB 185 52 243

HSL 281.78, 0.89%, 0.58%

LAB 50.97, 77.78, -69.79

 

CMYK 3 / 79 / 0 / 5

HEX #EC34F3

RGB 236 52 243

HSL 297.8, 0.89%, 0.58%

LAB 58.75, 86.73, -56.86

 

CMYK 0 / 79 / 19 / 5

HEX #F334C6

RGB 243 52 198

HSL 314.14, 0.89%, 0.58%

LAB 57.64, 81.8, -33.09

 

CMYK 66 / 79 / 0 / 5

HEX #5234F3

RGB 82 52 243

HSL 249.42, 0.89%, 0.58%

LAB 39.11, 64.19, -89.69

 

CMYK 79 / 79 / 0 / 5

HEX #3434F3

RGB 52 52 243

HSL 240, 0.89%, 0.58%

LAB 37.22, 62.04, -92.88

 

CMYK 66 / 79 / 0 / 5

HEX #5234F3

RGB 82 52 243

HSL 249.42, 0.89%, 0.58%

LAB 39.11, 64.19, -89.69

 

CMYK 66 / 79 / 0 / 5

HEX #5234F3

RGB 82 52 243

HSL 249.42, 0.89%, 0.58%

LAB 39.11, 64.19, -89.69

 

CMYK 58 / 69 / 0 / 12

HEX #5E45E1

RGB 94 69 225

HSL 249.62, 0.72%, 0.58%

LAB 41.33, 51.93, -75.79

 

CMYK 49 / 58 / 0 / 18

HEX #6A57D0

RGB 106 87 208

HSL 249.42, 0.56%, 0.58%

LAB 44.85, 38.72, -60.29

 

CMYK 38 / 46 / 0 / 25

HEX #7668BF

RGB 118 104 191

HSL 249.66, 0.4%, 0.58%

LAB 48.9, 26.44, -43.95

 

CMYK 25 / 30 / 0 / 32

HEX #8279AD

RGB 130 121 173

HSL 250.38, 0.24%, 0.58%

LAB 53.43, 14.96, -26.38

 

CMYK 79 / 49 / 0 / 5

HEX #347DF3

RGB 52 125 243

HSL 217.07, 0.89%, 0.58%

LAB 53.89, 18.81, -65.59

 

CMYK 79 / 70 / 0 / 5

HEX #344AF3

RGB 52 74 243

HSL 233.09, 0.89%, 0.58%

LAB 41.37, 50.31, -86.01

 

CMYK 67 / 79 / 0 / 5

HEX #5134F3

RGB 81 52 243

HSL 249.11, 0.89%, 0.58%

LAB 39.03, 64.11, -89.82

 

CMYK 46 / 79 / 0 / 5

HEX #8434F3

RGB 132 52 243

HSL 265.13, 0.89%, 0.58%

LAB 43.99, 69.78, -81.47

 

CMYK 25 / 79 / 0 / 5

HEX #B634F3

RGB 182 52 243

HSL 280.84, 0.89%, 0.58%

LAB 50.54, 77.28, -70.51

 

CMYK 80 / 95 / 0 / 21

HEX #290BC9

RGB 41 11 201

HSL 249.47, 0.9%, 0.42%

LAB 26.53, 64.54, -86.53

 

CMYK 80 / 95 / 0 / 6

HEX #310DF0

RGB 49 13 240

HSL 249.52, 0.9%, 0.5%

LAB 32.33, 74.16, -99.32

 

CMYK 66 / 79 / 0 / 5

HEX #5234F3

RGB 82 52 243

HSL 249.42, 0.89%, 0.58%

LAB 39.11, 64.19, -89.69

 

CMYK 53 / 63 / 0 / 4

HEX #735BF5

RGB 115 91 245

HSL 249.35, 0.89%, 0.66%

LAB 49.15, 49.03, -74.22

 

CMYK 40 / 47 / 0 / 3

HEX #9482F7

RGB 148 130 247

HSL 249.23, 0.88%, 0.74%

LAB 60.76, 34.16, -56.48

 

CMYK 66 / 79 / 0 / 5

HEX #5234F3

RGB 82 52 243

HSL 249.42, 0.89%, 0.58%

LAB 39.11, 64.19, -89.69

 

CMYK 0 / 79 / 28 / 5

HEX #F334B0

RGB 243 52 176

HSL 321.05, 0.89%, 0.58%

LAB 56.73, 79.16, -21.8

 

CMYK 59 / 0 / 79 / 5

HEX #64F334

RGB 100 243 52

HSL 104.92, 0.89%, 0.58%

LAB 85.53, -69.54, 73.65

 

CMYK 66 / 79 / 0 / 5

HEX #5234F3

RGB 82 52 243

HSL 249.42, 0.89%, 0.58%

LAB 39.11, 64.19, -89.69

 

CMYK 0 / 67 / 79 / 5

HEX #F35134

RGB 243 81 52

HSL 9.11, 0.89%, 0.58%

LAB 57.26, 60.56, 50.31

 

CMYK 79 / 0 / 67 / 5

HEX #34F351

RGB 52 243 81

HSL 129.11, 0.89%, 0.58%

LAB 84.7, -75.84, 62.71

 

CMYK 66 / 79 / 0 / 5

HEX #5234F3

RGB 82 52 243

HSL 249.42, 0.89%, 0.58%

LAB 39.11, 64.19, -89.69

 

CMYK 0 / 79 / 28 / 5

HEX #F334B0

RGB 243 52 176

HSL 321.05, 0.89%, 0.58%

LAB 56.73, 79.16, -21.8

 

CMYK 12 / 0 / 79 / 5

HEX #D6F334

RGB 214 243 52

HSL 69.11, 0.89%, 0.58%

LAB 91.07, -31.65, 80.76

 

CMYK 79 / 0 / 51 / 5

HEX #34F377

RGB 52 243 119

HSL 141.05, 0.89%, 0.58%

LAB 85.08, -71.28, 46.66

 

CMYK 66 / 79 / 0 / 5

HEX #5234F3

RGB 82 52 243

HSL 249.42, 0.89%, 0.58%

LAB 39.11, 64.19, -89.69

 

CMYK 0 / 79 / 51 / 5

HEX #F33477

RGB 243 52 119

HSL 338.95, 0.89%, 0.58%

LAB 54.91, 73.74, 9.19

 

CMYK 12 / 0 / 79 / 5

HEX #D6F334

RGB 214 243 52

HSL 69.11, 0.89%, 0.58%

LAB 91.07, -31.65, 80.76

 

CMYK 79 / 0 / 28 / 5

HEX #34F3B0

RGB 52 243 176

HSL 158.95, 0.89%, 0.58%

LAB 85.99, -60.89, 19.5

 

Description

Color code: RGB 82 52 243 | qconv.com Color code: RGB 82 52 243 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 52 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 52 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 79 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 79% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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