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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 59 174 it is the complementary color RGB 173 196 81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 59 174. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 59 174 shade: RGB 87 59 169, RGB 104 77 188, RGB 121 95 207, RGB 138 113 226 and RGB 155 131 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 59 174. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 59 174 shade: RGB 82 59 174, RGB 65 41 155, RGB 48 23 136, RGB 31 5 117 and RGB 14 0 98

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 59 174 shade: RGB 82 59 174, RGB 113 59 174, RGB 144 59 174, RGB 174 59 173 and RGB 174 59 142

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 59 174 shade: RGB 82 59 174 and RGB 59 59 174

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 59 174 shade matches the following richer shades: RGB 82 59 174, RGB 71 40 193, RGB 60 21 212 and RGB 48 2 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 59 174 shade: RGB 82 59 174, RGB 94 78 155, RGB 105 97 136, RGB 116 116 117 and RGB 128 135 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 59 174 shade: RGB 59 98 174, RGB 59 67 174, RGB 82 59 174, RGB 113 59 174 and RGB 144 59 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 59 174 shade: RGB 53 38 113, RGB 68 49 144, RGB 82 59 174, RGB 103 80 195 and RGB 130 111 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 59 174 shade: RGB 82 59 174, RGB 174 59 128 and RGB 82 174 59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 59 174 shade: RGB 82 59 174, RGB 174 82 59 and RGB 59 174 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 59 174 shade: RGB 82 59 174, RGB 174 59 128, RGB 151 174 59 and RGB 59 174 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 59 174 shade: RGB 82 59 174, RGB 174 59 94, RGB 151 174 59 and RGB 59 174 140

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

Complementary color

CMYK 12 / 0 / 59 / 23

HEX #ADC451

RGB 173 196 81

HSL 72, 0.49%, 0.54%

LAB 75.43, -24.26, 53.86

 

CMYK 49 / 65 / 0 / 34

HEX #573BA9

RGB 87 59 169

HSL 255.27, 0.48%, 0.45%

LAB 34.02, 39.71, -55.08

 

CMYK 45 / 59 / 0 / 26

HEX #684DBC

RGB 104 77 188

HSL 254.59, 0.45%, 0.52%

LAB 41.03, 38.31, -54.89

 

CMYK 42 / 54 / 0 / 19

HEX #795FCF

RGB 121 95 207

HSL 253.93, 0.54%, 0.59%

LAB 47.95, 37.01, -54.65

 

CMYK 39 / 50 / 0 / 11

HEX #8A71E2

RGB 138 113 226

HSL 253.27, 0.66%, 0.66%

LAB 54.77, 35.83, -54.42

 

CMYK 37 / 47 / 0 / 4

HEX #9B83F5

RGB 155 131 245

HSL 252.63, 0.85%, 0.74%

LAB 61.48, 34.77, -54.21

 

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

CMYK 58 / 74 / 0 / 39

HEX #41299B

RGB 65 41 155

HSL 252.63, 0.58%, 0.38%

LAB 26.95, 41.83, -58.25

 

CMYK 65 / 83 / 0 / 47

HEX #301788

RGB 48 23 136

HSL 253.27, 0.71%, 0.31%

LAB 20.12, 43.06, -57.8

 

CMYK 74 / 96 / 0 / 54

HEX #1F0575

RGB 31 5 117

HSL 253.93, 0.92%, 0.24%

LAB 13.73, 43.26, -56.33

 

CMYK 86 / 100 / 0 / 62

HEX #0E0062

RGB 14 0 98

HSL 248.57, 1%, 0.19%

LAB 8.78, 39.57, -52.13

 

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

CMYK 35 / 66 / 0 / 32

HEX #713BAE

RGB 113 59 174

HSL 268.17, 0.49%, 0.46%

LAB 37.29, 46.47, -52.63

 

CMYK 17 / 66 / 0 / 32

HEX #903BAE

RGB 144 59 174

HSL 284.35, 0.49%, 0.46%

LAB 41.4, 53.46, -45.81

 

CMYK 0 / 66 / 1 / 32

HEX #AE3BAD

RGB 174 59 173

HSL 300.52, 0.49%, 0.46%

LAB 45.83, 60.39, -37.89

 

CMYK 0 / 66 / 18 / 32

HEX #AE3B8E

RGB 174 59 142

HSL 316.7, 0.49%, 0.46%

LAB 44.35, 55.48, -21.68

 

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

CMYK 66 / 66 / 0 / 32

HEX #3B3BAE

RGB 59 59 174

HSL 240, 0.49%, 0.46%

LAB 32.06, 36.54, -61.36

 

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

CMYK 63 / 79 / 0 / 24

HEX #4728C1

RGB 71 40 193

HSL 252.16, 0.66%, 0.46%

LAB 31.13, 54.35, -74.12

 

CMYK 72 / 90 / 0 / 17

HEX #3C15D4

RGB 60 21 212

HSL 252.25, 0.82%, 0.46%

LAB 30.04, 65.72, -87.07

 

CMYK 79 / 99 / 0 / 9

HEX #3002E7

RGB 48 2 231

HSL 252.05, 0.98%, 0.46%

LAB 30.5, 73.7, -97.25

 

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

CMYK 39 / 50 / 0 / 39

HEX #5E4E9B

RGB 94 78 155

HSL 252.47, 0.33%, 0.46%

LAB 38.19, 25.72, -39.93

 

CMYK 23 / 29 / 0 / 47

HEX #696188

RGB 105 97 136

HSL 252.31, 0.17%, 0.46%

LAB 43.26, 12.02, -20.46

 

CMYK 1 / 1 / 0 / 54

HEX #747475

RGB 116 116 117

HSL 240, 0%, 0.46%

LAB 48.87, 0.21, -0.56

 

CMYK 5 / 0 / 27 / 47

HEX #808762

RGB 128 135 98

HSL 71.35, 0.16%, 0.46%

LAB 54.86, -9.2, 19.08

 

CMYK 66 / 44 / 0 / 32

HEX #3B62AE

RGB 59 98 174

HSL 219.65, 0.49%, 0.46%

LAB 42.34, 11.4, -44.74

 

CMYK 66 / 61 / 0 / 32

HEX #3B43AE

RGB 59 67 174

HSL 235.83, 0.49%, 0.46%

LAB 33.98, 31.5, -58.23

 

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

CMYK 35 / 66 / 0 / 32

HEX #713BAE

RGB 113 59 174

HSL 268.17, 0.49%, 0.46%

LAB 37.29, 46.47, -52.63

 

CMYK 17 / 66 / 0 / 32

HEX #903BAE

RGB 144 59 174

HSL 284.35, 0.49%, 0.46%

LAB 41.4, 53.46, -45.81

 

CMYK 53 / 66 / 0 / 56

HEX #352671

RGB 53 38 113

HSL 252, 0.5%, 0.3%

LAB 21.34, 28.16, -41.15

 

CMYK 53 / 66 / 0 / 44

HEX #443190

RGB 68 49 144

HSL 252, 0.49%, 0.38%

LAB 27.95, 34.29, -49.85

 

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

CMYK 47 / 59 / 0 / 24

HEX #6750C3

RGB 103 80 195

HSL 252, 0.49%, 0.54%

LAB 42.09, 38.38, -57.25

 

CMYK 37 / 46 / 0 / 20

HEX #826FCD

RGB 130 111 205

HSL 252.13, 0.48%, 0.62%

LAB 52.42, 29.27, -46.32

 

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

CMYK 0 / 66 / 26 / 32

HEX #AE3B80

RGB 174 59 128

HSL 324, 0.49%, 0.46%

LAB 43.78, 53.53, -14.04

 

CMYK 53 / 0 / 66 / 32

HEX #52AE3B

RGB 82 174 59

HSL 108, 0.49%, 0.46%

LAB 63.66, -48.93, 49.06

 

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

CMYK 0 / 53 / 66 / 32

HEX #AE523B

RGB 174 82 59

HSL 12, 0.49%, 0.46%

LAB 46.11, 35.82, 31.06

 

CMYK 66 / 0 / 53 / 32

HEX #3BAE52

RGB 59 174 82

HSL 132, 0.49%, 0.46%

LAB 63.19, -51.75, 37.67

 

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

CMYK 0 / 66 / 26 / 32

HEX #AE3B80

RGB 174 59 128

HSL 324, 0.49%, 0.46%

LAB 43.78, 53.53, -14.04

 

CMYK 13 / 0 / 66 / 32

HEX #97AE3B

RGB 151 174 59

HSL 72, 0.49%, 0.46%

LAB 67.4, -24.1, 54.17

 

CMYK 66 / 0 / 40 / 32

HEX #3BAE69

RGB 59 174 105

HSL 144, 0.49%, 0.46%

LAB 63.53, -47.94, 26.23

 

CMYK 53 / 66 / 0 / 32

HEX #523BAE

RGB 82 59 174

HSL 252, 0.49%, 0.46%

LAB 33.94, 40.26, -58.23

 

CMYK 0 / 66 / 46 / 32

HEX #AE3B5E

RGB 174 59 94

HSL 341.74, 0.49%, 0.46%

LAB 42.66, 49.6, 5.32

 

CMYK 13 / 0 / 66 / 32

HEX #97AE3B

RGB 151 174 59

HSL 72, 0.49%, 0.46%

LAB 67.4, -24.1, 54.17

 

CMYK 66 / 0 / 20 / 32

HEX #3BAE8C

RGB 59 174 140

HSL 162.26, 0.49%, 0.46%

LAB 64.24, -40.39, 8.12

 

Description

Color code: RGB 82 59 174 | qconv.com Color code: RGB 82 59 174 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 59 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 59 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 66 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 66% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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