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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 86 102 it is the complementary color RGB 173 169 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 86 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 86 102 shade: RGB 87 86 97, RGB 104 104 116, RGB 121 122 135, RGB 138 140 154 and RGB 155 158 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 86 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 86 102 shade: RGB 82 86 102, RGB 65 68 83, RGB 48 50 64, RGB 31 32 45 and RGB 14 14 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 86 102 shade: RGB 81 85 101, RGB 83 81 101, RGB 88 81 101, RGB 94 81 101 and RGB 99 81 101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 86 102 shade: RGB 81 85 101 and RGB 81 81 101

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 86 102 shade matches the following richer shades: RGB 81 85 101, RGB 66 76 116, RGB 51 67 131, RGB 37 59 146 and RGB 22 50 161

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 86 102 shade: RGB 81 85 101, RGB 96 94 87, RGB 111 103 72, RGB 126 112 57 and RGB 141 121 42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 86 102 shade: RGB 81 96 101, RGB 81 91 101, RGB 81 85 101, RGB 83 81 101 and RGB 88 81 101

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 86 102 shade: RGB 44 47 56, RGB 63 66 78, RGB 81 85 101, RGB 100 105 124 and RGB 119 125 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 86 102 shade: RGB 82 86 102, RGB 101 81 101 and RGB 93 101 81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 86 102 shade: RGB 82 86 102, RGB 101 81 85 and RGB 85 101 81

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 86 102 shade: RGB 82 86 102, RGB 101 81 101, RGB 101 97 81 and RGB 81 101 81

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 86 102 shade: RGB 82 86 102, RGB 101 81 95, RGB 101 97 81 and RGB 81 101 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 16 / 0 / 60

HEX #525666

RGB 82 86 102

HSL 228, 0.11%, 0.36%

LAB 36.76, 2.21, -9.74

 

Complementary color

CMYK 0 / 2 / 12 / 32

HEX #ADA999

RGB 173 169 153

HSL 48, 0.11%, 0.64%

LAB 69.16, -1.4, 8.76

 

CMYK 10 / 11 / 0 / 62

HEX #575661

RGB 87 86 97

HSL 245.45, 0.06%, 0.36%

LAB 37.01, 2.85, -6.2

 

CMYK 10 / 10 / 0 / 55

HEX #686874

RGB 104 104 116

HSL 240, 0.05%, 0.43%

LAB 44.38, 2.6, -6.7

 

CMYK 10 / 10 / 0 / 47

HEX #797A87

RGB 121 122 135

HSL 235.71, 0.06%, 0.5%

LAB 51.53, 2.37, -7.19

 

CMYK 10 / 9 / 0 / 40

HEX #8A8C9A

RGB 138 140 154

HSL 232.5, 0.07%, 0.57%

LAB 58.5, 2.16, -7.67

 

CMYK 10 / 9 / 0 / 32

HEX #9B9EAD

RGB 155 158 173

HSL 230, 0.1%, 0.64%

LAB 65.31, 1.96, -8.15

 

CMYK 20 / 16 / 0 / 60

HEX #525666

RGB 82 86 102

HSL 228, 0.11%, 0.36%

LAB 36.76, 2.21, -9.74

 

CMYK 22 / 18 / 0 / 67

HEX #414453

RGB 65 68 83

HSL 230, 0.12%, 0.29%

LAB 29.11, 2.49, -9.38

 

CMYK 25 / 22 / 0 / 75

HEX #303240

RGB 48 50 64

HSL 232.5, 0.14%, 0.22%

LAB 21.13, 2.82, -9.05

 

CMYK 31 / 29 / 0 / 82

HEX #1F202D

RGB 31 32 45

HSL 235.71, 0.18%, 0.15%

LAB 12.7, 3.25, -8.8

 

CMYK 46 / 46 / 0 / 90

HEX #0E0E1A

RGB 14 14 26

HSL 240, 0.3%, 0.08%

LAB 4.35, 2.72, -7.38

 

CMYK 20 / 16 / 0 / 60

HEX #515565

RGB 81 85 101

HSL 228, 0.11%, 0.36%

LAB 36.34, 2.22, -9.76

 

CMYK 18 / 20 / 0 / 60

HEX #535165

RGB 83 81 101

HSL 246, 0.11%, 0.36%

LAB 35.33, 5.46, -11.27

 

CMYK 13 / 20 / 0 / 60

HEX #585165

RGB 88 81 101

HSL 261, 0.11%, 0.36%

LAB 35.79, 7.3, -10.53

 

CMYK 7 / 20 / 0 / 60

HEX #5E5165

RGB 94 81 101

HSL 279, 0.11%, 0.36%

LAB 36.37, 9.56, -9.59

 

CMYK 2 / 20 / 0 / 60

HEX #635165

RGB 99 81 101

HSL 294, 0.11%, 0.36%

LAB 36.89, 11.47, -8.77

 

CMYK 20 / 16 / 0 / 60

HEX #515565

RGB 81 85 101

HSL 228, 0.11%, 0.36%

LAB 36.34, 2.22, -9.76

 

CMYK 20 / 20 / 0 / 60

HEX #515165

RGB 81 81 101

HSL 240, 0.11%, 0.36%

LAB 35.15, 4.73, -11.56

 

CMYK 20 / 16 / 0 / 60

HEX #515565

RGB 81 85 101

HSL 228, 0.11%, 0.36%

LAB 36.34, 2.22, -9.76

 

CMYK 43 / 34 / 0 / 55

HEX #424C74

RGB 66 76 116

HSL 228, 0.27%, 0.36%

LAB 33.11, 7.29, -24.21

 

CMYK 61 / 49 / 0 / 49

HEX #334383

RGB 51 67 131

HSL 228, 0.44%, 0.36%

LAB 30.3, 14.62, -38.08

 

CMYK 75 / 60 / 0 / 43

HEX #253B92

RGB 37 59 146

HSL 227.89, 0.6%, 0.36%

LAB 28.37, 23.35, -50.5

 

CMYK 86 / 69 / 0 / 37

HEX #1632A1

RGB 22 50 161

HSL 227.91, 0.76%, 0.36%

LAB 26.81, 33.74, -62.24

 

CMYK 20 / 16 / 0 / 60

HEX #515565

RGB 81 85 101

HSL 228, 0.11%, 0.36%

LAB 36.34, 2.22, -9.76

 

CMYK 0 / 2 / 9 / 62

HEX #605E57

RGB 96 94 87

HSL 46.67, 0.05%, 0.36%

LAB 39.88, -0.6, 4.29

 

CMYK 0 / 7 / 35 / 56

HEX #6F6748

RGB 111 103 72

HSL 47.69, 0.21%, 0.36%

LAB 43.58, -2.02, 18.66

 

CMYK 0 / 11 / 55 / 51

HEX #7E7039

RGB 126 112 57

HSL 47.83, 0.38%, 0.36%

LAB 47.39, -2.22, 32.26

 

CMYK 0 / 14 / 70 / 45

HEX #8D792A

RGB 141 121 42

HSL 47.88, 0.54%, 0.36%

LAB 51.27, -1.57, 44.4

 

CMYK 20 / 5 / 0 / 60

HEX #516065

RGB 81 96 101

HSL 195, 0.11%, 0.36%

LAB 39.67, -4.51, -4.77

 

CMYK 20 / 10 / 0 / 60

HEX #515B65

RGB 81 91 101

HSL 210, 0.11%, 0.36%

LAB 38.15, -1.49, -7.04

 

CMYK 20 / 16 / 0 / 60

HEX #515565

RGB 81 85 101

HSL 228, 0.11%, 0.36%

LAB 36.34, 2.22, -9.76

 

CMYK 18 / 20 / 0 / 60

HEX #535165

RGB 83 81 101

HSL 246, 0.11%, 0.36%

LAB 35.33, 5.46, -11.27

 

CMYK 13 / 20 / 0 / 60

HEX #585165

RGB 88 81 101

HSL 261, 0.11%, 0.36%

LAB 35.79, 7.3, -10.53

 

CMYK 21 / 16 / 0 / 78

HEX #2C2F38

RGB 44 47 56

HSL 225, 0.12%, 0.2%

LAB 19.45, 1.05, -6.17

 

CMYK 19 / 15 / 0 / 69

HEX #3F424E

RGB 63 66 78

HSL 228, 0.11%, 0.28%

LAB 28.12, 1.71, -7.65

 

CMYK 20 / 16 / 0 / 60

HEX #515565

RGB 81 85 101

HSL 228, 0.11%, 0.36%

LAB 36.34, 2.22, -9.76

 

CMYK 19 / 15 / 0 / 51

HEX #64697C

RGB 100 105 124

HSL 227.5, 0.11%, 0.44%

LAB 44.61, 2.44, -11.21

 

CMYK 18 / 14 / 0 / 43

HEX #777D92

RGB 119 125 146

HSL 226.67, 0.11%, 0.52%

LAB 52.58, 2.43, -12.08

 

CMYK 20 / 16 / 0 / 60

HEX #525666

RGB 82 86 102

HSL 228, 0.11%, 0.36%

LAB 36.76, 2.21, -9.74

 

CMYK 0 / 20 / 0 / 60

HEX #655165

RGB 101 81 101

HSL 300, 0.11%, 0.36%

LAB 37.1, 12.24, -8.43

 

CMYK 8 / 0 / 20 / 60

HEX #5D6551

RGB 93 101 81

HSL 84, 0.11%, 0.36%

LAB 41.58, -7.1, 10.31

 

CMYK 20 / 16 / 0 / 60

HEX #525666

RGB 82 86 102

HSL 228, 0.11%, 0.36%

LAB 36.76, 2.21, -9.74

 

CMYK 0 / 20 / 16 / 60

HEX #655155

RGB 101 81 85

HSL 348, 0.11%, 0.36%

LAB 36.57, 9.05, 0.81

 

CMYK 16 / 0 / 20 / 60

HEX #556551

RGB 85 101 81

HSL 108, 0.11%, 0.36%

LAB 40.95, -10.33, 9.33

 

CMYK 20 / 16 / 0 / 60

HEX #525666

RGB 82 86 102

HSL 228, 0.11%, 0.36%

LAB 36.76, 2.21, -9.74

 

CMYK 0 / 20 / 0 / 60

HEX #655165

RGB 101 81 101

HSL 300, 0.11%, 0.36%

LAB 37.1, 12.24, -8.43

 

CMYK 0 / 4 / 20 / 60

HEX #656151

RGB 101 97 81

HSL 48, 0.11%, 0.36%

LAB 41.07, -1.41, 9.71

 

CMYK 20 / 0 / 20 / 60

HEX #516551

RGB 81 101 81

HSL 120, 0.11%, 0.36%

LAB 40.66, -11.9, 8.88

 

CMYK 20 / 16 / 0 / 60

HEX #525666

RGB 82 86 102

HSL 228, 0.11%, 0.36%

LAB 36.76, 2.21, -9.74

 

CMYK 0 / 20 / 6 / 60

HEX #65515F

RGB 101 81 95

HSL 318, 0.11%, 0.36%

LAB 36.89, 10.99, -4.99

 

CMYK 0 / 4 / 20 / 60

HEX #656151

RGB 101 97 81

HSL 48, 0.11%, 0.36%

LAB 41.07, -1.41, 9.71

 

CMYK 20 / 0 / 14 / 60

HEX #516557

RGB 81 101 87

HSL 138, 0.11%, 0.36%

LAB 40.81, -10.66, 5.45

 

Description

Color code: RGB 82 86 102 | qconv.com Color code: RGB 82 86 102 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 86 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 86 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 16 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 16% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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