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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 136 114 it is the complementary color RGB 173 119 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 136 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 136 114 shade: RGB 87 136 109, RGB 104 154 128, RGB 121 172 147, RGB 138 190 166 and RGB 155 208 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 136 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 136 114 shade: RGB 82 136 114, RGB 65 118 95, RGB 48 100 76, RGB 31 82 57 and RGB 14 64 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 136 114 shade: RGB 82 137 114, RGB 82 137 99, RGB 82 137 85, RGB 94 137 82 and RGB 108 137 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 136 114 shade: RGB 82 137 114, RGB 82 137 129, RGB 82 129 137, RGB 82 115 137 and RGB 82 100 137

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 136 114 shade matches the following richer shades: RGB 82 137 114, RGB 64 154 118, RGB 46 172 121, RGB 29 190 124 and RGB 11 208 127

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 136 114 shade: RGB 82 137 114, RGB 99 119 111, RGB 117 101 108, RGB 135 83 104 and RGB 153 66 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 136 114 shade: RGB 82 137 84, RGB 82 137 99, RGB 82 137 114, RGB 82 137 128 and RGB 82 130 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 136 114 shade: RGB 51 85 71, RGB 66 111 93, RGB 82 137 114, RGB 99 161 136 and RGB 124 176 155

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 136 114 shade: RGB 82 136 114, RGB 82 94 137 and RGB 137 92 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 136 114 shade: RGB 82 136 114, RGB 114 82 137 and RGB 137 114 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 136 114 shade: RGB 82 136 114, RGB 82 94 137, RGB 137 82 105 and RGB 137 125 82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 136 114 shade: RGB 82 136 114, RGB 86 82 137, RGB 137 82 105 and RGB 132 137 82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 16 / 47

HEX #528872

RGB 82 136 114

HSL 155.56, 0.25%, 0.43%

LAB 52.53, -23.26, 6.21

 

Complementary color

CMYK 0 / 31 / 18 / 32

HEX #AD778D

RGB 173 119 141

HSL 335.56, 0.25%, 0.57%

LAB 56.09, 24.47, -3.38

 

CMYK 36 / 0 / 20 / 47

HEX #57886D

RGB 87 136 109

HSL 146.94, 0.22%, 0.44%

LAB 52.66, -22.82, 9.32

 

CMYK 32 / 0 / 17 / 40

HEX #689A80

RGB 104 154 128

HSL 148.8, 0.2%, 0.51%

LAB 59.54, -22.55, 8.36

 

CMYK 30 / 0 / 15 / 33

HEX #79AC93

RGB 121 172 147

HSL 150.59, 0.24%, 0.57%

LAB 66.27, -22.31, 7.48

 

CMYK 27 / 0 / 13 / 25

HEX #8ABEA6

RGB 138 190 166

HSL 152.31, 0.29%, 0.64%

LAB 72.88, -22.09, 6.65

 

CMYK 25 / 0 / 11 / 18

HEX #9BD0B9

RGB 155 208 185

HSL 153.96, 0.36%, 0.71%

LAB 79.38, -21.9, 5.87

 

CMYK 40 / 0 / 16 / 47

HEX #528872

RGB 82 136 114

HSL 155.56, 0.25%, 0.43%

LAB 52.53, -23.26, 6.21

 

CMYK 45 / 0 / 19 / 54

HEX #41765F

RGB 65 118 95

HSL 153.96, 0.29%, 0.36%

LAB 45.51, -23.51, 7.21

 

CMYK 52 / 0 / 24 / 61

HEX #30644C

RGB 48 100 76

HSL 152.31, 0.35%, 0.29%

LAB 38.31, -23.72, 8.35

 

CMYK 62 / 0 / 30 / 68

HEX #1F5239

RGB 31 82 57

HSL 150.59, 0.45%, 0.22%

LAB 30.93, -23.83, 9.67

 

CMYK 78 / 0 / 41 / 75

HEX #0E4026

RGB 14 64 38

HSL 148.8, 0.64%, 0.15%

LAB 23.34, -23.6, 11.27

 

CMYK 40 / 0 / 17 / 46

HEX #528972

RGB 82 137 114

HSL 154.91, 0.25%, 0.43%

LAB 52.84, -23.77, 6.66

 

CMYK 40 / 0 / 28 / 46

HEX #528963

RGB 82 137 99

HSL 138.55, 0.25%, 0.43%

LAB 52.49, -26.98, 14.79

 

CMYK 40 / 0 / 38 / 46

HEX #528955

RGB 82 137 85

HSL 123.27, 0.25%, 0.43%

LAB 52.22, -29.59, 22.32

 

CMYK 31 / 0 / 40 / 46

HEX #5E8952

RGB 94 137 82

HSL 106.91, 0.25%, 0.43%

LAB 52.82, -25.92, 24.89

 

CMYK 21 / 0 / 40 / 46

HEX #6C8952

RGB 108 137 82

HSL 91.64, 0.25%, 0.43%

LAB 53.7, -20.63, 26.2

 

CMYK 40 / 0 / 17 / 46

HEX #528972

RGB 82 137 114

HSL 154.91, 0.25%, 0.43%

LAB 52.84, -23.77, 6.66

 

CMYK 40 / 0 / 6 / 46

HEX #528981

RGB 82 137 129

HSL 171.27, 0.25%, 0.43%

LAB 53.24, -20.18, -1.44

 

CMYK 40 / 6 / 0 / 46

HEX #528189

RGB 82 129 137

HSL 188.73, 0.25%, 0.43%

LAB 51.04, -13.77, -9.38

 

CMYK 40 / 16 / 0 / 46

HEX #527389

RGB 82 115 137

HSL 204, 0.25%, 0.43%

LAB 46.79, -5.81, -15.79

 

CMYK 40 / 27 / 0 / 46

HEX #526489

RGB 82 100 137

HSL 220.36, 0.25%, 0.43%

LAB 42.33, 3.2, -22.65

 

CMYK 40 / 0 / 17 / 46

HEX #528972

RGB 82 137 114

HSL 154.91, 0.25%, 0.43%

LAB 52.84, -23.77, 6.66

 

CMYK 58 / 0 / 23 / 40

HEX #409A76

RGB 64 154 118

HSL 156, 0.41%, 0.43%

LAB 57.57, -35.72, 10.98

 

CMYK 73 / 0 / 30 / 33

HEX #2EAC79

RGB 46 172 121

HSL 155.71, 0.58%, 0.43%

LAB 62.9, -46.04, 16.67

 

CMYK 85 / 0 / 35 / 25

HEX #1DBE7C

RGB 29 190 124

HSL 155.4, 0.74%, 0.43%

LAB 68.42, -54.31, 22.56

 

CMYK 95 / 0 / 39 / 18

HEX #0BD07F

RGB 11 208 127

HSL 155.33, 0.9%, 0.43%

LAB 74.01, -61.22, 28.46

 

CMYK 40 / 0 / 17 / 46

HEX #528972

RGB 82 137 114

HSL 154.91, 0.25%, 0.43%

LAB 52.84, -23.77, 6.66

 

CMYK 17 / 0 / 7 / 53

HEX #63776F

RGB 99 119 111

HSL 156, 0.09%, 0.43%

LAB 48.25, -9.1, 1.94

 

CMYK 0 / 14 / 8 / 54

HEX #75656C

RGB 117 101 108

HSL 333.75, 0.07%, 0.43%

LAB 44.48, 7.68, -1.59

 

CMYK 0 / 39 / 23 / 47

HEX #875368

RGB 135 83 104

HSL 335.77, 0.24%, 0.43%

LAB 41.75, 24.75, -2.94

 

CMYK 0 / 57 / 34 / 40

HEX #994265

RGB 153 66 101

HSL 335.86, 0.4%, 0.43%

LAB 40.59, 40.18, -2.49

 

CMYK 40 / 0 / 39 / 46

HEX #528954

RGB 82 137 84

HSL 122.18, 0.25%, 0.43%

LAB 52.2, -29.76, 22.86

 

CMYK 40 / 0 / 28 / 46

HEX #528963

RGB 82 137 99

HSL 138.55, 0.25%, 0.43%

LAB 52.49, -26.98, 14.79

 

CMYK 40 / 0 / 17 / 46

HEX #528972

RGB 82 137 114

HSL 154.91, 0.25%, 0.43%

LAB 52.84, -23.77, 6.66

 

CMYK 40 / 0 / 7 / 46

HEX #528980

RGB 82 137 128

HSL 170.18, 0.25%, 0.43%

LAB 53.22, -20.43, -0.91

 

CMYK 40 / 5 / 0 / 46

HEX #528289

RGB 82 130 137

HSL 187.64, 0.25%, 0.43%

LAB 51.34, -14.32, -8.92

 

CMYK 40 / 0 / 16 / 67

HEX #335547

RGB 51 85 71

HSL 155.29, 0.25%, 0.27%

LAB 33.26, -16.01, 4.29

 

CMYK 41 / 0 / 16 / 56

HEX #426F5D

RGB 66 111 93

HSL 156, 0.25%, 0.35%

LAB 43.24, -20.03, 5.18

 

CMYK 40 / 0 / 17 / 46

HEX #528972

RGB 82 137 114

HSL 154.91, 0.25%, 0.43%

LAB 52.84, -23.77, 6.66

 

CMYK 39 / 0 / 16 / 37

HEX #63A188

RGB 99 161 136

HSL 155.81, 0.25%, 0.51%

LAB 61.59, -25.88, 6.75

 

CMYK 30 / 0 / 12 / 31

HEX #7CB09B

RGB 124 176 155

HSL 155.77, 0.25%, 0.59%

LAB 67.8, -21.71, 5.27

 

CMYK 40 / 0 / 16 / 47

HEX #528872

RGB 82 136 114

HSL 155.56, 0.25%, 0.43%

LAB 52.53, -23.26, 6.21

 

CMYK 40 / 31 / 0 / 46

HEX #525E89

RGB 82 94 137

HSL 226.91, 0.25%, 0.43%

LAB 40.58, 6.93, -25.36

 

CMYK 0 / 33 / 40 / 46

HEX #895C52

RGB 137 92 82

HSL 10.91, 0.25%, 0.43%

LAB 43.63, 17.13, 13.24

 

CMYK 40 / 0 / 16 / 47

HEX #528872

RGB 82 136 114

HSL 155.56, 0.25%, 0.43%

LAB 52.53, -23.26, 6.21

 

CMYK 17 / 40 / 0 / 46

HEX #725289

RGB 114 82 137

HSL 274.91, 0.25%, 0.43%

LAB 40.28, 24.42, -25.62

 

CMYK 0 / 17 / 40 / 46

HEX #897252

RGB 137 114 82

HSL 34.91, 0.25%, 0.43%

LAB 49.45, 4.26, 21.11

 

CMYK 40 / 0 / 16 / 47

HEX #528872

RGB 82 136 114

HSL 155.56, 0.25%, 0.43%

LAB 52.53, -23.26, 6.21

 

CMYK 40 / 31 / 0 / 46

HEX #525E89

RGB 82 94 137

HSL 226.91, 0.25%, 0.43%

LAB 40.58, 6.93, -25.36

 

CMYK 0 / 40 / 23 / 46

HEX #895269

RGB 137 82 105

HSL 334.91, 0.25%, 0.43%

LAB 41.8, 26.26, -3.44

 

CMYK 0 / 9 / 40 / 46

HEX #897D52

RGB 137 125 82

HSL 46.91, 0.25%, 0.43%

LAB 52.5, -2.03, 25.11

 

CMYK 40 / 0 / 16 / 47

HEX #528872

RGB 82 136 114

HSL 155.56, 0.25%, 0.43%

LAB 52.53, -23.26, 6.21

 

CMYK 37 / 40 / 0 / 46

HEX #565289

RGB 86 82 137

HSL 244.36, 0.25%, 0.43%

LAB 37.52, 15.69, -30.14

 

CMYK 0 / 40 / 23 / 46

HEX #895269

RGB 137 82 105

HSL 334.91, 0.25%, 0.43%

LAB 41.8, 26.26, -3.44

 

CMYK 4 / 0 / 40 / 46

HEX #848952

RGB 132 137 82

HSL 65.45, 0.25%, 0.43%

LAB 55.49, -10.82, 28.86

 

Description

Color code: RGB 82 136 114 | qconv.com Color code: RGB 82 136 114 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 136 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 136 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 16 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 16% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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