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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 145 38 it is the complementary color RGB 173 110 217. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 145 38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 145 38 shade: RGB 87 145 33, RGB 104 163 52, RGB 121 181 71, RGB 138 199 90 and RGB 155 217 109

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 145 38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 145 38 shade: RGB 82 145 38, RGB 65 127 19, RGB 48 109 0, RGB 31 91 0 and RGB 14 73 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 145 38 shade: RGB 82 145 38, RGB 111 145 38, RGB 139 145 38, RGB 145 121 38 and RGB 145 92 38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 145 38 shade: RGB 82 145 38, RGB 53 145 38, RGB 38 145 52, RGB 38 145 80 and RGB 38 145 109

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 145 38 shade matches the following richer shades: RGB 82 145 38, RGB 79 159 23 and RGB 77 174 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 145 38 shade: RGB 82 145 38, RGB 84 130 53, RGB 87 115 68, RGB 90 100 83 and RGB 92 85 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 145 38 shade: RGB 139 145 38, RGB 111 145 38, RGB 82 145 38, RGB 54 145 38 and RGB 38 145 50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 145 38 shade: RGB 45 79 21, RGB 63 112 29, RGB 82 145 38, RGB 100 177 47 and RGB 120 203 62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 145 38 shade: RGB 82 145 38, RGB 38 145 121 and RGB 145 38 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 145 38 shade: RGB 82 145 38, RGB 38 82 145 and RGB 145 38 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 145 38 shade: RGB 82 145 38, RGB 38 145 121, RGB 100 38 145 and RGB 145 38 61

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 145 38 shade: RGB 82 145 38, RGB 38 136 145, RGB 100 38 145 and RGB 145 47 38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 74 / 43

HEX #529126

RGB 82 145 38

HSL 95.33, 0.58%, 0.36%

LAB 54.22, -38.91, 47.68

 

Complementary color

CMYK 20 / 49 / 0 / 15

HEX #AD6ED9

RGB 173 110 217

HSL 275.33, 0.58%, 0.64%

LAB 57.12, 44.35, -45.4

 

CMYK 40 / 0 / 77 / 43

HEX #579121

RGB 87 145 33

HSL 91.07, 0.63%, 0.35%

LAB 54.44, -37.48, 49.8

 

CMYK 36 / 0 / 68 / 36

HEX #68A334

RGB 104 163 52

HSL 91.89, 0.52%, 0.42%

LAB 61.12, -37.89, 49.56

 

CMYK 33 / 0 / 61 / 29

HEX #79B547

RGB 121 181 71

HSL 92.73, 0.44%, 0.49%

LAB 67.7, -38.1, 48.78

 

CMYK 31 / 0 / 55 / 22

HEX #8AC75A

RGB 138 199 90

HSL 93.58, 0.49%, 0.57%

LAB 74.18, -38.18, 47.76

 

CMYK 29 / 0 / 50 / 15

HEX #9BD96D

RGB 155 217 109

HSL 94.44, 0.59%, 0.64%

LAB 80.57, -38.18, 46.64

 

CMYK 43 / 0 / 74 / 43

HEX #529126

RGB 82 145 38

HSL 95.33, 0.58%, 0.36%

LAB 54.22, -38.91, 47.68

 

CMYK 49 / 0 / 85 / 50

HEX #417F13

RGB 65 127 19

HSL 94.44, 0.74%, 0.29%

LAB 47.43, -38.26, 47.32

 

CMYK 56 / 0 / 100 / 57

HEX #306D00

RGB 48 109 0

HSL 93.58, 1%, 0.21%

LAB 40.52, -37.19, 45.75

 

CMYK 66 / 0 / 100 / 64

HEX #1F5B00

RGB 31 91 0

HSL 99.56, 1%, 0.18%

LAB 33.51, -35.14, 39.96

 

CMYK 81 / 0 / 100 / 71

HEX #0E4900

RGB 14 73 0

HSL 108.49, 1%, 0.14%

LAB 26.33, -32.5, 33.91

 

CMYK 43 / 0 / 74 / 43

HEX #529126

RGB 82 145 38

HSL 95.33, 0.58%, 0.36%

LAB 54.22, -38.91, 47.68

 

CMYK 23 / 0 / 74 / 43

HEX #6F9126

RGB 111 145 38

HSL 79.07, 0.58%, 0.36%

LAB 55.86, -27.85, 49.85

 

CMYK 4 / 0 / 74 / 43

HEX #8B9126

RGB 139 145 38

HSL 63.36, 0.58%, 0.36%

LAB 57.92, -15.77, 52.57

 

CMYK 0 / 17 / 74 / 43

HEX #917926

RGB 145 121 38

HSL 46.54, 0.58%, 0.36%

LAB 51.65, 0.06, 46.64

 

CMYK 0 / 37 / 74 / 43

HEX #915C26

RGB 145 92 38

HSL 30.28, 0.58%, 0.36%

LAB 43.96, 16.77, 38.82

 

CMYK 43 / 0 / 74 / 43

HEX #529126

RGB 82 145 38

HSL 95.33, 0.58%, 0.36%

LAB 54.22, -38.91, 47.68

 

CMYK 63 / 0 / 74 / 43

HEX #359126

RGB 53 145 38

HSL 111.59, 0.58%, 0.36%

LAB 53.11, -47.45, 46.2

 

CMYK 74 / 0 / 64 / 43

HEX #269134

RGB 38 145 52

HSL 127.85, 0.58%, 0.36%

LAB 52.85, -49.16, 39.84

 

CMYK 74 / 0 / 45 / 43

HEX #269150

RGB 38 145 80

HSL 143.55, 0.58%, 0.36%

LAB 53.21, -44.93, 26.08

 

CMYK 74 / 0 / 25 / 43

HEX #26916D

RGB 38 145 109

HSL 159.81, 0.58%, 0.36%

LAB 53.78, -38.71, 10.65

 

CMYK 43 / 0 / 74 / 43

HEX #529126

RGB 82 145 38

HSL 95.33, 0.58%, 0.36%

LAB 54.22, -38.91, 47.68

 

CMYK 50 / 0 / 86 / 38

HEX #4F9F17

RGB 79 159 23

HSL 95.29, 0.75%, 0.36%

LAB 58.53, -46.45, 56.41

 

CMYK 56 / 0 / 95 / 32

HEX #4DAE08

RGB 77 174 8

HSL 95.06, 0.91%, 0.36%

LAB 63.23, -53.12, 63.04

 

CMYK 43 / 0 / 74 / 43

HEX #529126

RGB 82 145 38

HSL 95.33, 0.58%, 0.36%

LAB 54.22, -38.91, 47.68

 

CMYK 35 / 0 / 59 / 49

HEX #548235

RGB 84 130 53

HSL 95.84, 0.42%, 0.36%

LAB 49.63, -30.09, 36.14

 

CMYK 24 / 0 / 41 / 55

HEX #577344

RGB 87 115 68

HSL 95.74, 0.26%, 0.36%

LAB 45.23, -19.48, 22.78

 

CMYK 10 / 0 / 17 / 61

HEX #5A6453

RGB 90 100 83

HSL 95.29, 0.09%, 0.36%

LAB 41.08, -7.37, 8.36

 

CMYK 5 / 12 / 0 / 62

HEX #5C5561

RGB 92 85 97

HSL 275, 0.07%, 0.36%

LAB 37.18, 5.39, -5.9

 

CMYK 4 / 0 / 74 / 43

HEX #8B9126

RGB 139 145 38

HSL 63.36, 0.58%, 0.36%

LAB 57.92, -15.77, 52.57

 

CMYK 23 / 0 / 74 / 43

HEX #6F9126

RGB 111 145 38

HSL 79.07, 0.58%, 0.36%

LAB 55.86, -27.85, 49.85

 

CMYK 43 / 0 / 74 / 43

HEX #529126

RGB 82 145 38

HSL 95.33, 0.58%, 0.36%

LAB 54.22, -38.91, 47.68

 

CMYK 63 / 0 / 74 / 43

HEX #369126

RGB 54 145 38

HSL 111.03, 0.58%, 0.36%

LAB 53.14, -47.21, 46.24

 

CMYK 74 / 0 / 66 / 43

HEX #269132

RGB 38 145 50

HSL 126.73, 0.58%, 0.36%

LAB 52.83, -49.39, 40.74

 

CMYK 43 / 0 / 73 / 69

HEX #2D4F15

RGB 45 79 21

HSL 95.17, 0.58%, 0.2%

LAB 29.92, -23.82, 29.23

 

CMYK 44 / 0 / 74 / 56

HEX #3F701D

RGB 63 112 29

HSL 95.42, 0.59%, 0.28%

LAB 42.36, -31.83, 38.93

 

CMYK 43 / 0 / 74 / 43

HEX #529126

RGB 82 145 38

HSL 95.33, 0.58%, 0.36%

LAB 54.22, -38.91, 47.68

 

CMYK 44 / 0 / 73 / 31

HEX #64B12F

RGB 100 177 47

HSL 95.54, 0.58%, 0.44%

LAB 65.25, -45.59, 55.66

 

CMYK 41 / 0 / 69 / 20

HEX #78CB3E

RGB 120 203 62

HSL 95.32, 0.58%, 0.52%

LAB 74.22, -48.57, 59.51

 

CMYK 43 / 0 / 74 / 43

HEX #529126

RGB 82 145 38

HSL 95.33, 0.58%, 0.36%

LAB 54.22, -38.91, 47.68

 

CMYK 74 / 0 / 17 / 43

HEX #269179

RGB 38 145 121

HSL 166.54, 0.58%, 0.36%

LAB 54.07, -35.64, 4.2

 

CMYK 0 / 74 / 14 / 43

HEX #91267D

RGB 145 38 125

HSL 311.21, 0.58%, 0.36%

LAB 35.77, 53.36, -24.95

 

CMYK 43 / 0 / 74 / 43

HEX #529126

RGB 82 145 38

HSL 95.33, 0.58%, 0.36%

LAB 54.22, -38.91, 47.68

 

CMYK 74 / 43 / 0 / 43

HEX #265291

RGB 38 82 145

HSL 215.33, 0.58%, 0.36%

LAB 34.99, 7.52, -39.21

 

CMYK 0 / 74 / 43 / 43

HEX #912652

RGB 145 38 82

HSL 335.33, 0.58%, 0.36%

LAB 34.01, 47.81, -0.23

 

CMYK 43 / 0 / 74 / 43

HEX #529126

RGB 82 145 38

HSL 95.33, 0.58%, 0.36%

LAB 54.22, -38.91, 47.68

 

CMYK 74 / 0 / 17 / 43

HEX #269179

RGB 38 145 121

HSL 166.54, 0.58%, 0.36%

LAB 54.07, -35.64, 4.2

 

CMYK 31 / 74 / 0 / 43

HEX #642691

RGB 100 38 145

HSL 274.77, 0.58%, 0.36%

LAB 29.76, 46.85, -47.35

 

CMYK 0 / 74 / 58 / 43

HEX #91263D

RGB 145 38 61

HSL 347.1, 0.58%, 0.36%

LAB 33.44, 45.9, 12.62

 

CMYK 43 / 0 / 74 / 43

HEX #529126

RGB 82 145 38

HSL 95.33, 0.58%, 0.36%

LAB 54.22, -38.91, 47.68

 

CMYK 74 / 6 / 0 / 43

HEX #268891

RGB 38 136 145

HSL 185.05, 0.58%, 0.36%

LAB 51.91, -24.24, -12.89

 

CMYK 31 / 74 / 0 / 43

HEX #642691

RGB 100 38 145

HSL 274.77, 0.58%, 0.36%

LAB 29.76, 46.85, -47.35

 

CMYK 0 / 68 / 74 / 43

HEX #912F26

RGB 145 47 38

HSL 5.05, 0.58%, 0.36%

LAB 34.38, 40.74, 28.34

 

Description

Color code: RGB 82 145 38 | qconv.com Color code: RGB 82 145 38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 145 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 145 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 74 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 74% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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