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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 202 57 it is the complementary color RGB 173 53 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 202 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 202 57 shade: RGB 87 202 52, RGB 104 220 71, RGB 121 238 90, RGB 138 255 109 and RGB 155 255 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 202 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 202 57 shade: RGB 82 202 57, RGB 65 184 38, RGB 48 166 19, RGB 31 148 0 and RGB 14 130 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 202 57 shade: RGB 82 202 57, RGB 121 202 57, RGB 160 202 57, RGB 199 202 57 and RGB 202 166 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 202 57 shade: RGB 82 202 57, RGB 57 202 71, RGB 57 202 110, RGB 57 202 149 and RGB 57 202 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 202 57 shade matches the following richer shades: RGB 82 202 57, RGB 69 222 37 and RGB 56 242 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 202 57 shade: RGB 82 202 57, RGB 95 182 77, RGB 109 162 98, RGB 122 141 118 and RGB 135 121 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 202 57 shade: RGB 161 202 57, RGB 122 202 57, RGB 84 202 57, RGB 57 202 69 and RGB 57 202 108

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 202 57 shade: RGB 55 140 37, RGB 67 172 45, RGB 82 202 57, RGB 111 211 90 and RGB 139 219 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 202 57 shade: RGB 82 202 57, RGB 57 200 202 and RGB 202 57 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 202 57 shade: RGB 82 202 57, RGB 57 84 202 and RGB 202 57 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 202 57 shade: RGB 82 202 57, RGB 57 200 202, RGB 175 57 202 and RGB 202 59 57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 202 57 shade: RGB 82 202 57, RGB 57 156 202, RGB 175 57 202 and RGB 202 103 57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 72 / 21

HEX #52CA39

RGB 82 202 57

HSL 109.66, 0.58%, 0.51%

LAB 72.45, -59.44, 59.09

 

Complementary color

CMYK 13 / 73 / 0 / 22

HEX #AD35C6

RGB 173 53 198

HSL 289.66, 0.58%, 0.49%

LAB 46.32, 66.81, -51.74

 

CMYK 57 / 0 / 74 / 21

HEX #57CA34

RGB 87 202 52

HSL 106, 0.59%, 0.5%

LAB 72.57, -58.57, 61.03

 

CMYK 53 / 0 / 68 / 14

HEX #68DC47

RGB 104 220 71

HSL 106.71, 0.68%, 0.57%

LAB 78.8, -59.21, 60.65

 

CMYK 49 / 0 / 62 / 7

HEX #79EE5A

RGB 121 238 90

HSL 107.43, 0.81%, 0.64%

LAB 84.97, -59.58, 59.87

 

CMYK 46 / 0 / 57 / 0

HEX #8AFF6D

RGB 138 255 109

HSL 108.08, 1%, 0.71%

LAB 90.79, -59.39, 58.56

 

CMYK 39 / 0 / 50 / 0

HEX #9BFF80

RGB 155 255 128

HSL 107.24, 1%, 0.75%

LAB 91.71, -52.26, 51.26

 

CMYK 59 / 0 / 72 / 21

HEX #52CA39

RGB 82 202 57

HSL 109.66, 0.58%, 0.51%

LAB 72.45, -59.44, 59.09

 

CMYK 65 / 0 / 79 / 28

HEX #41B826

RGB 65 184 38

HSL 108.9, 0.66%, 0.44%

LAB 66.17, -58.43, 59.12

 

CMYK 71 / 0 / 89 / 35

HEX #30A613

RGB 48 166 19

HSL 108.16, 0.79%, 0.36%

LAB 59.84, -56.87, 58.1

 

CMYK 79 / 0 / 100 / 42

HEX #1F9400

RGB 31 148 0

HSL 107.43, 1%, 0.29%

LAB 53.46, -54.6, 55.83

 

CMYK 89 / 0 / 100 / 49

HEX #0E8200

RGB 14 130 0

HSL 113.54, 1%, 0.25%

LAB 47.05, -51.17, 50.61

 

CMYK 59 / 0 / 72 / 21

HEX #52CA39

RGB 82 202 57

HSL 109.66, 0.58%, 0.51%

LAB 72.45, -59.44, 59.09

 

CMYK 40 / 0 / 72 / 21

HEX #79CA39

RGB 121 202 57

HSL 93.52, 0.58%, 0.51%

LAB 73.93, -48.18, 61.08

 

CMYK 21 / 0 / 72 / 21

HEX #A0CA39

RGB 160 202 57

HSL 77.38, 0.58%, 0.51%

LAB 76.08, -33.92, 63.92

 

CMYK 1 / 0 / 72 / 21

HEX #C7CA39

RGB 199 202 57

HSL 61.24, 0.58%, 0.51%

LAB 78.86, -17.98, 67.57

 

CMYK 0 / 18 / 72 / 21

HEX #CAA639

RGB 202 166 57

HSL 45.1, 0.58%, 0.51%

LAB 69.56, 1.91, 58.58

 

CMYK 59 / 0 / 72 / 21

HEX #52CA39

RGB 82 202 57

HSL 109.66, 0.58%, 0.51%

LAB 72.45, -59.44, 59.09

 

CMYK 72 / 0 / 65 / 21

HEX #39CA47

RGB 57 202 71

HSL 125.79, 0.58%, 0.51%

LAB 71.94, -63.25, 52.86

 

CMYK 72 / 0 / 46 / 21

HEX #39CA6E

RGB 57 202 110

HSL 141.93, 0.58%, 0.51%

LAB 72.39, -57.98, 35.14

 

CMYK 72 / 0 / 26 / 21

HEX #39CA95

RGB 57 202 149

HSL 158.07, 0.58%, 0.51%

LAB 73.08, -50.34, 15.69

 

CMYK 72 / 0 / 7 / 21

HEX #39CABC

RGB 57 202 188

HSL 174.21, 0.58%, 0.51%

LAB 74.02, -40.62, -3.99

 

CMYK 59 / 0 / 72 / 21

HEX #52CA39

RGB 82 202 57

HSL 109.66, 0.58%, 0.51%

LAB 72.45, -59.44, 59.09

 

CMYK 69 / 0 / 83 / 13

HEX #45DE25

RGB 69 222 37

HSL 109.62, 0.74%, 0.51%

LAB 78.25, -70, 70.56

 

CMYK 77 / 0 / 93 / 5

HEX #38F211

RGB 56 242 17

HSL 109.6, 0.9%, 0.51%

LAB 84.17, -78.62, 79.01

 

CMYK 59 / 0 / 72 / 21

HEX #52CA39

RGB 82 202 57

HSL 109.66, 0.58%, 0.51%

LAB 72.45, -59.44, 59.09

 

CMYK 48 / 0 / 58 / 29

HEX #5FB64D

RGB 95 182 77

HSL 109.71, 0.42%, 0.51%

LAB 66.84, -46.47, 44.73

 

CMYK 33 / 0 / 40 / 36

HEX #6DA262

RGB 109 162 98

HSL 109.69, 0.26%, 0.51%

LAB 61.63, -30.29, 27.85

 

CMYK 13 / 0 / 16 / 45

HEX #7A8D76

RGB 122 141 118

HSL 109.57, 0.09%, 0.51%

LAB 56.58, -11.44, 10.01

 

CMYK 2 / 12 / 0 / 46

HEX #87798A

RGB 135 121 138

HSL 289.41, 0.07%, 0.51%

LAB 52.58, 8.67, -7.27

 

CMYK 20 / 0 / 72 / 21

HEX #A1CA39

RGB 161 202 57

HSL 76.97, 0.58%, 0.51%

LAB 76.14, -33.53, 64

 

CMYK 40 / 0 / 72 / 21

HEX #7ACA39

RGB 122 202 57

HSL 93.1, 0.58%, 0.51%

LAB 73.98, -47.85, 61.14

 

CMYK 58 / 0 / 72 / 21

HEX #54CA39

RGB 84 202 57

HSL 108.83, 0.58%, 0.51%

LAB 72.51, -58.96, 59.17

 

CMYK 72 / 0 / 66 / 21

HEX #39CA45

RGB 57 202 69

HSL 124.97, 0.58%, 0.51%

LAB 71.92, -63.46, 53.67

 

CMYK 72 / 0 / 47 / 21

HEX #39CA6C

RGB 57 202 108

HSL 141.1, 0.58%, 0.51%

LAB 72.36, -58.31, 36.11

 

CMYK 61 / 0 / 74 / 45

HEX #378C25

RGB 55 140 37

HSL 109.51, 0.58%, 0.35%

LAB 51.5, -45.17, 44.96

 

CMYK 61 / 0 / 74 / 33

HEX #43AC2D

RGB 67 172 45

HSL 109.61, 0.59%, 0.43%

LAB 62.41, -53.32, 53.14

 

CMYK 59 / 0 / 72 / 21

HEX #52CA39

RGB 82 202 57

HSL 109.66, 0.58%, 0.51%

LAB 72.45, -59.44, 59.09

 

CMYK 47 / 0 / 57 / 17

HEX #6FD35A

RGB 111 211 90

HSL 109.59, 0.58%, 0.59%

LAB 76.5, -51.98, 50.15

 

CMYK 37 / 0 / 44 / 14

HEX #8BDB7A

RGB 139 219 122

HSL 109.48, 0.57%, 0.67%

LAB 80.49, -42.81, 40.04

 

CMYK 59 / 0 / 72 / 21

HEX #52CA39

RGB 82 202 57

HSL 109.66, 0.58%, 0.51%

LAB 72.45, -59.44, 59.09

 

CMYK 72 / 1 / 0 / 21

HEX #39C8CA

RGB 57 200 202

HSL 180.83, 0.58%, 0.51%

LAB 73.83, -35.78, -11.86

 

CMYK 0 / 72 / 30 / 21

HEX #CA398E

RGB 202 57 142

HSL 324.83, 0.58%, 0.51%

LAB 48.8, 63.74, -14.44

 

CMYK 59 / 0 / 72 / 21

HEX #52CA39

RGB 82 202 57

HSL 109.66, 0.58%, 0.51%

LAB 72.45, -59.44, 59.09

 

CMYK 72 / 58 / 0 / 21

HEX #3954CA

RGB 57 84 202

HSL 228.83, 0.58%, 0.51%

LAB 40.37, 30.31, -64.26

 

CMYK 0 / 72 / 58 / 21

HEX #CA3954

RGB 202 57 84

HSL 348.83, 0.58%, 0.51%

LAB 47.14, 58.25, 18.46

 

CMYK 59 / 0 / 72 / 21

HEX #52CA39

RGB 82 202 57

HSL 109.66, 0.58%, 0.51%

LAB 72.45, -59.44, 59.09

 

CMYK 72 / 1 / 0 / 21

HEX #39C8CA

RGB 57 200 202

HSL 180.83, 0.58%, 0.51%

LAB 73.83, -35.78, -11.86

 

CMYK 13 / 72 / 0 / 21

HEX #AF39CA

RGB 175 57 202

HSL 288.83, 0.58%, 0.51%

LAB 47.37, 66.53, -52.35

 

CMYK 0 / 71 / 72 / 21

HEX #CA3B39

RGB 202 59 57

HSL 0.83, 0.58%, 0.51%

LAB 46.95, 55.97, 34.38

 

CMYK 59 / 0 / 72 / 21

HEX #52CA39

RGB 82 202 57

HSL 109.66, 0.58%, 0.51%

LAB 72.45, -59.44, 59.09

 

CMYK 72 / 23 / 0 / 21

HEX #399CCA

RGB 57 156 202

HSL 199.03, 0.58%, 0.51%

LAB 60.7, -13.55, -31.89

 

CMYK 13 / 72 / 0 / 21

HEX #AF39CA

RGB 175 57 202

HSL 288.83, 0.58%, 0.51%

LAB 47.37, 66.53, -52.35

 

CMYK 0 / 49 / 72 / 21

HEX #CA6739

RGB 202 103 57

HSL 19.03, 0.58%, 0.51%

LAB 54.61, 35.88, 42.99

 

Description

Color code: RGB 82 202 57 | qconv.com Color code: RGB 82 202 57 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 202 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 202 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 72 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 72% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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