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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 40 173 it is the complementary color RGB 168 215 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 40 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 40 173 shade: RGB 92 40 168, RGB 109 58 187, RGB 126 76 206, RGB 143 94 225 and RGB 160 112 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 40 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 40 173 shade: RGB 87 40 173, RGB 70 22 154, RGB 53 4 135, RGB 36 0 116 and RGB 19 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 40 173 shade: RGB 87 40 173, RGB 123 40 173, RGB 159 40 173, RGB 173 40 151 and RGB 173 40 116

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 40 173 shade: RGB 87 40 173, RGB 51 40 173 and RGB 40 40 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 40 173 shade matches the following richer shades: RGB 87 40 173, RGB 82 23 190 and RGB 77 6 208

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 40 173 shade: RGB 87 40 173, RGB 92 58 156, RGB 97 75 138, RGB 102 92 121 and RGB 107 110 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 40 173 shade: RGB 40 65 173, RGB 51 40 173, RGB 87 40 173, RGB 122 40 173 and RGB 158 40 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 40 173 shade: RGB 53 25 106, RGB 70 32 140, RGB 87 40 173, RGB 104 48 206 and RGB 128 82 214

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 40 173 shade: RGB 87 40 173, RGB 173 40 100 and RGB 47 173 40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 40 173 shade: RGB 87 40 173, RGB 173 87 40 and RGB 40 173 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 40 173 shade: RGB 87 40 173, RGB 173 40 100, RGB 127 173 40 and RGB 40 173 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 40 173 shade: RGB 87 40 173, RGB 173 40 60, RGB 127 173 40 and RGB 40 173 153

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 77 / 0 / 32

HEX #5728AD

RGB 87 40 173

HSL 261.2, 0.62%, 0.42%

LAB 30.79, 50.78, -62.76

 

Complementary color

CMYK 22 / 0 / 62 / 16

HEX #A8D752

RGB 168 215 82

HSL 81.2, 0.62%, 0.58%

LAB 80.48, -35.11, 58.91

 

CMYK 45 / 76 / 0 / 34

HEX #5C28A8

RGB 92 40 168

HSL 264.38, 0.62%, 0.41%

LAB 30.93, 50.23, -59.51

 

CMYK 42 / 69 / 0 / 27

HEX #6D3ABB

RGB 109 58 187

HSL 263.72, 0.53%, 0.48%

LAB 37.6, 49.51, -59.84

 

CMYK 39 / 63 / 0 / 19

HEX #7E4CCE

RGB 126 76 206

HSL 263.08, 0.57%, 0.55%

LAB 44.32, 48.52, -59.9

 

CMYK 36 / 58 / 0 / 12

HEX #8F5EE1

RGB 143 94 225

HSL 262.44, 0.69%, 0.63%

LAB 51.01, 47.44, -59.85

 

CMYK 34 / 54 / 0 / 4

HEX #A070F4

RGB 160 112 244

HSL 261.82, 0.86%, 0.7%

LAB 57.65, 46.38, -59.74

 

CMYK 50 / 77 / 0 / 32

HEX #5728AD

RGB 87 40 173

HSL 261.2, 0.62%, 0.42%

LAB 30.79, 50.78, -62.76

 

CMYK 55 / 86 / 0 / 40

HEX #46169A

RGB 70 22 154

HSL 261.82, 0.75%, 0.35%

LAB 24.35, 50.94, -61.9

 

CMYK 61 / 97 / 0 / 47

HEX #350487

RGB 53 4 135

HSL 262.44, 0.94%, 0.27%

LAB 18.33, 49.81, -60.11

 

CMYK 69 / 100 / 0 / 55

HEX #240074

RGB 36 0 116

HSL 258.62, 1%, 0.23%

LAB 13.45, 45.23, -56.14

 

CMYK 80 / 100 / 0 / 62

HEX #130061

RGB 19 0 97

HSL 251.75, 1%, 0.19%

LAB 9, 39.44, -51.08

 

CMYK 50 / 77 / 0 / 32

HEX #5728AD

RGB 87 40 173

HSL 261.2, 0.62%, 0.42%

LAB 30.79, 50.78, -62.76

 

CMYK 29 / 77 / 0 / 32

HEX #7B28AD

RGB 123 40 173

HSL 277.44, 0.62%, 0.42%

LAB 35.49, 56.82, -54.89

 

CMYK 8 / 77 / 0 / 32

HEX #9F28AD

RGB 159 40 173

HSL 293.68, 0.62%, 0.42%

LAB 41.07, 63.79, -45.61

 

CMYK 0 / 77 / 13 / 32

HEX #AD2897

RGB 173 40 151

HSL 309.92, 0.62%, 0.42%

LAB 42.21, 63.26, -30.46

 

CMYK 0 / 77 / 33 / 32

HEX #AD2874

RGB 173 40 116

HSL 325.71, 0.62%, 0.42%

LAB 40.68, 58.68, -11.35

 

CMYK 50 / 77 / 0 / 32

HEX #5728AD

RGB 87 40 173

HSL 261.2, 0.62%, 0.42%

LAB 30.79, 50.78, -62.76

 

CMYK 71 / 77 / 0 / 32

HEX #3328AD

RGB 51 40 173

HSL 244.96, 0.62%, 0.42%

LAB 27.4, 46.31, -68.45

 

CMYK 77 / 77 / 0 / 32

HEX #2828AD

RGB 40 40 173

HSL 240, 0.62%, 0.42%

LAB 26.69, 45.35, -69.65

 

CMYK 50 / 77 / 0 / 32

HEX #5728AD

RGB 87 40 173

HSL 261.2, 0.62%, 0.42%

LAB 30.79, 50.78, -62.76

 

CMYK 57 / 88 / 0 / 25

HEX #5217BE

RGB 82 23 190

HSL 261.2, 0.78%, 0.42%

LAB 29.72, 61.06, -74.65

 

CMYK 63 / 97 / 0 / 18

HEX #4D06D0

RGB 77 6 208

HSL 261.09, 0.94%, 0.42%

LAB 30.06, 68.68, -84.66

 

CMYK 50 / 77 / 0 / 32

HEX #5728AD

RGB 87 40 173

HSL 261.2, 0.62%, 0.42%

LAB 30.79, 50.78, -62.76

 

CMYK 41 / 63 / 0 / 39

HEX #5C3A9C

RGB 92 58 156

HSL 260.82, 0.46%, 0.42%

LAB 33.35, 37.59, -48.31

 

CMYK 30 / 46 / 0 / 46

HEX #614B8A

RGB 97 75 138

HSL 260.95, 0.3%, 0.42%

LAB 36.76, 23.65, -31.87

 

CMYK 16 / 24 / 0 / 53

HEX #665C79

RGB 102 92 121

HSL 260.69, 0.14%, 0.42%

LAB 40.99, 10.35, -14.87

 

CMYK 3 / 0 / 5 / 57

HEX #6B6E68

RGB 107 110 104

HSL 90, 0.03%, 0.42%

LAB 46.01, -2.37, 2.94

 

CMYK 77 / 62 / 0 / 32

HEX #2841AD

RGB 40 65 173

HSL 228.72, 0.62%, 0.42%

LAB 32.37, 29.97, -60.31

 

CMYK 71 / 77 / 0 / 32

HEX #3328AD

RGB 51 40 173

HSL 244.96, 0.62%, 0.42%

LAB 27.4, 46.31, -68.45

 

CMYK 50 / 77 / 0 / 32

HEX #5728AD

RGB 87 40 173

HSL 261.2, 0.62%, 0.42%

LAB 30.79, 50.78, -62.76

 

CMYK 29 / 77 / 0 / 32

HEX #7A28AD

RGB 122 40 173

HSL 276.99, 0.62%, 0.42%

LAB 35.35, 56.63, -55.13

 

CMYK 9 / 77 / 0 / 32

HEX #9E28AD

RGB 158 40 173

HSL 293.23, 0.62%, 0.42%

LAB 40.9, 63.58, -45.88

 

CMYK 50 / 76 / 0 / 58

HEX #35196A

RGB 53 25 106

HSL 260.74, 0.62%, 0.26%

LAB 17.89, 33.71, -42.24

 

CMYK 50 / 77 / 0 / 45

HEX #46208C

RGB 70 32 140

HSL 261.11, 0.63%, 0.34%

LAB 24.41, 42.86, -53.14

 

CMYK 50 / 77 / 0 / 32

HEX #5728AD

RGB 87 40 173

HSL 261.2, 0.62%, 0.42%

LAB 30.79, 50.78, -62.76

 

CMYK 50 / 77 / 0 / 19

HEX #6830CE

RGB 104 48 206

HSL 261.27, 0.62%, 0.5%

LAB 36.95, 58.38, -72.01

 

CMYK 40 / 62 / 0 / 16

HEX #8052D6

RGB 128 82 214

HSL 260.91, 0.62%, 0.58%

LAB 46.28, 47.82, -61.31

 

CMYK 50 / 77 / 0 / 32

HEX #5728AD

RGB 87 40 173

HSL 261.2, 0.62%, 0.42%

LAB 30.79, 50.78, -62.76

 

CMYK 0 / 77 / 42 / 32

HEX #AD2864

RGB 173 40 100

HSL 332.93, 0.62%, 0.42%

LAB 40.12, 56.95, -2.16

 

CMYK 73 / 0 / 77 / 32

HEX #2FAD28

RGB 47 173 40

HSL 116.84, 0.62%, 0.42%

LAB 62.21, -58.18, 54.52

 

CMYK 50 / 77 / 0 / 32

HEX #5728AD

RGB 87 40 173

HSL 261.2, 0.62%, 0.42%

LAB 30.79, 50.78, -62.76

 

CMYK 0 / 50 / 77 / 32

HEX #AD5728

RGB 173 87 40

HSL 21.2, 0.62%, 0.42%

LAB 46.78, 31.78, 41.98

 

CMYK 77 / 0 / 50 / 32

HEX #28AD57

RGB 40 173 87

HSL 141.2, 0.62%, 0.42%

LAB 62.53, -53.83, 34.26

 

CMYK 50 / 77 / 0 / 32

HEX #5728AD

RGB 87 40 173

HSL 261.2, 0.62%, 0.42%

LAB 30.79, 50.78, -62.76

 

CMYK 0 / 77 / 42 / 32

HEX #AD2864

RGB 173 40 100

HSL 332.93, 0.62%, 0.42%

LAB 40.12, 56.95, -2.16

 

CMYK 27 / 0 / 77 / 32

HEX #7FAD28

RGB 127 173 40

HSL 80.75, 0.62%, 0.42%

LAB 65.4, -34.48, 58.7

 

CMYK 77 / 0 / 35 / 32

HEX #28AD71

RGB 40 173 113

HSL 152.93, 0.62%, 0.42%

LAB 62.95, -48.99, 21.09

 

CMYK 50 / 77 / 0 / 32

HEX #5728AD

RGB 87 40 173

HSL 261.2, 0.62%, 0.42%

LAB 30.79, 50.78, -62.76

 

CMYK 0 / 77 / 65 / 32

HEX #AD283C

RGB 173 40 60

HSL 350.98, 0.62%, 0.42%

LAB 39.12, 53.79, 21.76

 

CMYK 27 / 0 / 77 / 32

HEX #7FAD28

RGB 127 173 40

HSL 80.75, 0.62%, 0.42%

LAB 65.4, -34.48, 58.7

 

CMYK 77 / 0 / 12 / 32

HEX #28AD99

RGB 40 173 153

HSL 170.98, 0.62%, 0.42%

LAB 63.87, -39.28, 0.31

 

Description

Color code: RGB 87 40 173 | qconv.com Color code: RGB 87 40 173 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 40 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 40 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 77 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 77% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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