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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 89 203 it is the complementary color RGB 168 166 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 89 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 89 203 shade: RGB 92 89 198, RGB 109 107 217, RGB 126 125 236, RGB 143 143 255 and RGB 160 161 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 89 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 89 203 shade: RGB 87 89 203, RGB 70 71 184, RGB 53 53 165, RGB 36 35 146 and RGB 19 17 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 89 203 shade: RGB 87 89 203, RGB 116 87 203, RGB 147 87 203, RGB 179 87 203 and RGB 203 87 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 89 203 shade: RGB 87 89 203 and RGB 87 87 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 89 203 shade matches the following richer shades: RGB 87 89 203, RGB 69 72 221 and RGB 51 54 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 89 203 shade: RGB 87 89 203, RGB 104 106 185, RGB 122 123 167, RGB 140 140 150 and RGB 158 157 132

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 89 203 shade: RGB 87 153 203, RGB 87 122 203, RGB 87 91 203, RGB 114 87 203 and RGB 145 87 203

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 89 203 shade: RGB 48 50 159, RGB 58 60 190, RGB 87 89 203, RGB 118 120 213 and RGB 150 151 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 89 203 shade: RGB 87 89 203, RGB 203 87 184 and RGB 137 203 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 89 203 shade: RGB 87 89 203, RGB 203 87 91 and RGB 91 203 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 89 203 shade: RGB 87 89 203, RGB 203 87 184, RGB 203 199 87 and RGB 87 203 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 89 203 shade: RGB 87 89 203, RGB 203 87 149, RGB 203 199 87 and RGB 87 203 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 56 / 0 / 20

HEX #5759CB

RGB 87 89 203

HSL 238.97, 0.53%, 0.57%

LAB 43.48, 32.24, -59.7

 

Complementary color

CMYK 0 / 1 / 69 / 34

HEX #A8A634

RGB 168 166 52

HSL 58.97, 0.53%, 0.43%

LAB 66.4, -13.22, 56.38

 

CMYK 54 / 55 / 0 / 22

HEX #5C59C6

RGB 92 89 198

HSL 241.65, 0.49%, 0.56%

LAB 43.5, 31.6, -56.76

 

CMYK 50 / 51 / 0 / 15

HEX #6D6BD9

RGB 109 107 217

HSL 241.09, 0.59%, 0.64%

LAB 50.42, 30.11, -56.43

 

CMYK 47 / 47 / 0 / 7

HEX #7E7DEC

RGB 126 125 236

HSL 240.54, 0.74%, 0.71%

LAB 57.23, 28.82, -56.13

 

CMYK 44 / 44 / 0 / 0

HEX #8F8FFF

RGB 143 143 255

HSL 240, 1%, 0.78%

LAB 63.92, 27.69, -55.87

 

CMYK 37 / 37 / 0 / 0

HEX #A0A1FF

RGB 160 161 255

HSL 239.37, 1%, 0.81%

LAB 69.6, 21.57, -46.81

 

CMYK 57 / 56 / 0 / 20

HEX #5759CB

RGB 87 89 203

HSL 238.97, 0.53%, 0.57%

LAB 43.48, 32.24, -59.7

 

CMYK 62 / 61 / 0 / 28

HEX #4647B8

RGB 70 71 184

HSL 239.47, 0.45%, 0.5%

LAB 36.5, 34.15, -60.02

 

CMYK 68 / 68 / 0 / 35

HEX #3535A5

RGB 53 53 165

HSL 240, 0.51%, 0.43%

LAB 29.46, 36.35, -60.24

 

CMYK 75 / 76 / 0 / 43

HEX #242392

RGB 36 35 146

HSL 240.54, 0.61%, 0.35%

LAB 22.49, 38.75, -60.15

 

CMYK 85 / 87 / 0 / 50

HEX #13117F

RGB 19 17 127

HSL 241.09, 0.76%, 0.28%

LAB 15.86, 40.84, -59.24

 

CMYK 57 / 56 / 0 / 20

HEX #5759CB

RGB 87 89 203

HSL 238.97, 0.53%, 0.57%

LAB 43.48, 32.24, -59.7

 

CMYK 43 / 57 / 0 / 20

HEX #7457CB

RGB 116 87 203

HSL 255, 0.53%, 0.57%

LAB 45.42, 39.41, -56.46

 

CMYK 28 / 57 / 0 / 20

HEX #9357CB

RGB 147 87 203

HSL 271.03, 0.53%, 0.57%

LAB 48.67, 46.72, -51.05

 

CMYK 12 / 57 / 0 / 20

HEX #B357CB

RGB 179 87 203

HSL 287.59, 0.53%, 0.57%

LAB 52.63, 54.8, -44.51

 

CMYK 0 / 57 / 3 / 20

HEX #CB57C4

RGB 203 87 196

HSL 303.62, 0.53%, 0.57%

LAB 55.58, 59.8, -35.63

 

CMYK 57 / 56 / 0 / 20

HEX #5759CB

RGB 87 89 203

HSL 238.97, 0.53%, 0.57%

LAB 43.48, 32.24, -59.7

 

CMYK 57 / 57 / 0 / 20

HEX #5757CB

RGB 87 87 203

HSL 240, 0.53%, 0.57%

LAB 43, 33.47, -60.49

 

CMYK 57 / 56 / 0 / 20

HEX #5759CB

RGB 87 89 203

HSL 238.97, 0.53%, 0.57%

LAB 43.48, 32.24, -59.7

 

CMYK 69 / 67 / 0 / 13

HEX #4548DD

RGB 69 72 221

HSL 238.82, 0.69%, 0.57%

LAB 39.78, 45.74, -76.12

 

CMYK 79 / 77 / 0 / 7

HEX #3336EE

RGB 51 54 238

HSL 239.04, 0.85%, 0.57%

LAB 36.96, 59.49, -90.49

 

CMYK 57 / 56 / 0 / 20

HEX #5759CB

RGB 87 89 203

HSL 238.97, 0.53%, 0.57%

LAB 43.48, 32.24, -59.7

 

CMYK 44 / 43 / 0 / 27

HEX #686AB9

RGB 104 106 185

HSL 238.52, 0.37%, 0.57%

LAB 47.95, 19.86, -42.06

 

CMYK 27 / 26 / 0 / 35

HEX #7A7BA7

RGB 122 123 167

HSL 238.67, 0.2%, 0.57%

LAB 53.05, 9.75, -23.55

 

CMYK 7 / 7 / 0 / 41

HEX #8C8C96

RGB 140 140 150

HSL 240, 0.05%, 0.57%

LAB 58.54, 2.02, -5.31

 

CMYK 0 / 1 / 16 / 38

HEX #9E9D84

RGB 158 157 132

HSL 57.69, 0.12%, 0.57%

LAB 64.2, -4.04, 13.23

 

CMYK 57 / 25 / 0 / 20

HEX #5799CB

RGB 87 153 203

HSL 205.86, 0.53%, 0.57%

LAB 60.89, -6.42, -32.08

 

CMYK 57 / 40 / 0 / 20

HEX #577ACB

RGB 87 122 203

HSL 221.9, 0.53%, 0.57%

LAB 52.13, 11.8, -45.84

 

CMYK 57 / 55 / 0 / 20

HEX #575BCB

RGB 87 91 203

HSL 237.93, 0.53%, 0.57%

LAB 43.97, 31, -58.9

 

CMYK 44 / 57 / 0 / 20

HEX #7257CB

RGB 114 87 203

HSL 253.97, 0.53%, 0.57%

LAB 45.23, 38.96, -56.77

 

CMYK 29 / 57 / 0 / 20

HEX #9157CB

RGB 145 87 203

HSL 270, 0.53%, 0.57%

LAB 48.45, 46.23, -51.43

 

CMYK 70 / 69 / 0 / 38

HEX #30329F

RGB 48 50 159

HSL 238.92, 0.54%, 0.41%

LAB 27.88, 35.48, -59.22

 

CMYK 69 / 68 / 0 / 25

HEX #3A3CBE

RGB 58 60 190

HSL 239.09, 0.53%, 0.49%

LAB 33.67, 41.24, -68.22

 

CMYK 57 / 56 / 0 / 20

HEX #5759CB

RGB 87 89 203

HSL 238.97, 0.53%, 0.57%

LAB 43.48, 32.24, -59.7

 

CMYK 45 / 44 / 0 / 16

HEX #7678D5

RGB 118 120 213

HSL 238.74, 0.53%, 0.65%

LAB 54.12, 23.15, -48.22

 

CMYK 32 / 32 / 0 / 13

HEX #9697DE

RGB 150 151 222

HSL 239.17, 0.52%, 0.73%

LAB 64.88, 15.92, -36.17

 

CMYK 57 / 56 / 0 / 20

HEX #5759CB

RGB 87 89 203

HSL 238.97, 0.53%, 0.57%

LAB 43.48, 32.24, -59.7

 

CMYK 0 / 57 / 9 / 20

HEX #CB57B8

RGB 203 87 184

HSL 309.83, 0.53%, 0.57%

LAB 55.05, 57.83, -29.56

 

CMYK 33 / 0 / 57 / 20

HEX #89CB57

RGB 137 203 87

HSL 94.14, 0.53%, 0.57%

LAB 75.28, -40.62, 50.4

 

CMYK 57 / 56 / 0 / 20

HEX #5759CB

RGB 87 89 203

HSL 238.97, 0.53%, 0.57%

LAB 43.48, 32.24, -59.7

 

CMYK 0 / 57 / 55 / 20

HEX #CB575B

RGB 203 87 91

HSL 357.93, 0.53%, 0.57%

LAB 52.14, 46.45, 20.98

 

CMYK 55 / 0 / 57 / 20

HEX #5BCB57

RGB 91 203 87

HSL 117.93, 0.53%, 0.57%

LAB 73.3, -54.66, 47.6

 

CMYK 57 / 56 / 0 / 20

HEX #5759CB

RGB 87 89 203

HSL 238.97, 0.53%, 0.57%

LAB 43.48, 32.24, -59.7

 

CMYK 0 / 57 / 9 / 20

HEX #CB57B8

RGB 203 87 184

HSL 309.83, 0.53%, 0.57%

LAB 55.05, 57.83, -29.56

 

CMYK 0 / 2 / 57 / 20

HEX #CBC757

RGB 203 199 87

HSL 57.93, 0.53%, 0.57%

LAB 78.6, -13, 55.36

 

CMYK 57 / 0 / 48 / 20

HEX #57CB6A

RGB 87 203 106

HSL 129.83, 0.53%, 0.57%

LAB 73.4, -53.1, 38.58

 

CMYK 57 / 56 / 0 / 20

HEX #5759CB

RGB 87 89 203

HSL 238.97, 0.53%, 0.57%

LAB 43.48, 32.24, -59.7

 

CMYK 0 / 57 / 27 / 20

HEX #CB5795

RGB 203 87 149

HSL 327.93, 0.53%, 0.57%

LAB 53.69, 52.67, -11.21

 

CMYK 0 / 2 / 57 / 20

HEX #CBC757

RGB 203 199 87

HSL 57.93, 0.53%, 0.57%

LAB 78.6, -13, 55.36

 

CMYK 57 / 0 / 31 / 20

HEX #57CB8D

RGB 87 203 141

HSL 147.93, 0.53%, 0.57%

LAB 73.97, -47.02, 21.3

 

Description

Color code: RGB 87 89 203 | qconv.com Color code: RGB 87 89 203 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 89 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 89 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 56 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 56% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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