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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 102 108 it is the complementary color RGB 168 153 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 102 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 102 108 shade: RGB 92 102 103, RGB 109 120 122, RGB 126 138 141, RGB 143 156 160 and RGB 160 174 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 102 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 102 108 shade: RGB 87 102 108, RGB 70 84 89, RGB 53 66 70, RGB 36 48 51 and RGB 19 30 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 102 108 shade: RGB 86 101 107, RGB 86 95 107, RGB 86 89 107, RGB 88 86 107 and RGB 94 86 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 102 108 shade: RGB 86 101 107, RGB 86 95 107, RGB 86 89 107 and RGB 86 86 107

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 102 108 shade matches the following richer shades: RGB 86 101 107, RGB 70 108 123, RGB 54 114 138, RGB 39 121 154 and RGB 23 128 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 102 108 shade: RGB 86 101 107, RGB 101 94 91, RGB 117 88 76, RGB 133 81 60 and RGB 148 74 44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 102 108 shade: RGB 86 107 102, RGB 86 107 107, RGB 86 101 107, RGB 86 95 107 and RGB 86 90 107

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 102 108 shade: RGB 49 58 61, RGB 67 79 84, RGB 86 101 107, RGB 104 123 130 and RGB 125 143 151

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 102 108 shade: RGB 87 102 108, RGB 96 86 107 and RGB 107 105 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 102 108 shade: RGB 87 102 108, RGB 107 86 101 and RGB 101 107 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 102 108 shade: RGB 87 102 108, RGB 96 86 107, RGB 107 92 86 and RGB 97 107 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 102 108 shade: RGB 87 102 108, RGB 102 86 107, RGB 107 92 86 and RGB 90 107 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 6 / 0 / 58

HEX #57666C

RGB 87 102 108

HSL 197.14, 0.11%, 0.38%

LAB 42.17, -4.24, -5.29

 

Complementary color

CMYK 0 / 9 / 13 / 34

HEX #A89993

RGB 168 153 147

HSL 17.14, 0.11%, 0.62%

LAB 64.33, 4.47, 5.14

 

CMYK 11 / 1 / 0 / 60

HEX #5C6667

RGB 92 102 103

HSL 185.45, 0.06%, 0.38%

LAB 42.4, -3.6, -1.88

 

CMYK 11 / 2 / 0 / 52

HEX #6D787A

RGB 109 120 122

HSL 189.23, 0.06%, 0.45%

LAB 49.6, -3.65, -2.5

 

CMYK 11 / 2 / 0 / 45

HEX #7E8A8D

RGB 126 138 141

HSL 192, 0.06%, 0.52%

LAB 56.62, -3.71, -3.1

 

CMYK 11 / 2 / 0 / 37

HEX #8F9CA0

RGB 143 156 160

HSL 194.12, 0.08%, 0.59%

LAB 63.47, -3.78, -3.68

 

CMYK 11 / 3 / 0 / 30

HEX #A0AEB3

RGB 160 174 179

HSL 195.79, 0.11%, 0.66%

LAB 70.18, -3.85, -4.24

 

CMYK 19 / 6 / 0 / 58

HEX #57666C

RGB 87 102 108

HSL 197.14, 0.11%, 0.38%

LAB 42.17, -4.24, -5.29

 

CMYK 21 / 6 / 0 / 65

HEX #465459

RGB 70 84 89

HSL 195.79, 0.12%, 0.31%

LAB 34.73, -4.21, -4.74

 

CMYK 24 / 6 / 0 / 73

HEX #354246

RGB 53 66 70

HSL 194.12, 0.14%, 0.24%

LAB 27.01, -4.19, -4.18

 

CMYK 29 / 6 / 0 / 80

HEX #243033

RGB 36 48 51

HSL 192, 0.17%, 0.17%

LAB 18.92, -4.2, -3.58

 

CMYK 41 / 6 / 0 / 87

HEX #131E20

RGB 19 30 32

HSL 189.23, 0.25%, 0.1%

LAB 10.34, -4.23, -2.95

 

CMYK 20 / 6 / 0 / 58

HEX #56656B

RGB 86 101 107

HSL 197.14, 0.11%, 0.38%

LAB 41.76, -4.25, -5.3

 

CMYK 20 / 11 / 0 / 58

HEX #565F6B

RGB 86 95 107

HSL 214.29, 0.11%, 0.38%

LAB 39.96, -0.64, -8

 

CMYK 20 / 17 / 0 / 58

HEX #56596B

RGB 86 89 107

HSL 231.43, 0.11%, 0.38%

LAB 38.17, 3.05, -10.68

 

CMYK 18 / 20 / 0 / 58

HEX #58566B

RGB 88 86 107

HSL 245.71, 0.11%, 0.38%

LAB 37.47, 5.63, -11.73

 

CMYK 12 / 20 / 0 / 58

HEX #5E566B

RGB 94 86 107

HSL 262.86, 0.11%, 0.38%

LAB 38.02, 7.83, -10.85

 

CMYK 20 / 6 / 0 / 58

HEX #56656B

RGB 86 101 107

HSL 197.14, 0.11%, 0.38%

LAB 41.76, -4.25, -5.3

 

CMYK 20 / 11 / 0 / 58

HEX #565F6B

RGB 86 95 107

HSL 214.29, 0.11%, 0.38%

LAB 39.96, -0.64, -8

 

CMYK 20 / 17 / 0 / 58

HEX #56596B

RGB 86 89 107

HSL 231.43, 0.11%, 0.38%

LAB 38.17, 3.05, -10.68

 

CMYK 20 / 20 / 0 / 58

HEX #56566B

RGB 86 86 107

HSL 240, 0.11%, 0.38%

LAB 37.29, 4.91, -12.02

 

CMYK 20 / 6 / 0 / 58

HEX #56656B

RGB 86 101 107

HSL 197.14, 0.11%, 0.38%

LAB 41.76, -4.25, -5.3

 

CMYK 43 / 12 / 0 / 52

HEX #466C7B

RGB 70 108 123

HSL 196.98, 0.27%, 0.38%

LAB 43.44, -9.19, -12.57

 

CMYK 61 / 17 / 0 / 46

HEX #36728A

RGB 54 114 138

HSL 197.14, 0.44%, 0.38%

LAB 45.16, -11.9, -19.01

 

CMYK 75 / 21 / 0 / 40

HEX #27799A

RGB 39 121 154

HSL 197.22, 0.6%, 0.38%

LAB 47.55, -12.98, -24.83

 

CMYK 86 / 25 / 0 / 33

HEX #1780AA

RGB 23 128 170

HSL 197.14, 0.76%, 0.38%

LAB 50.12, -12.86, -30.18

 

CMYK 20 / 6 / 0 / 58

HEX #56656B

RGB 86 101 107

HSL 197.14, 0.11%, 0.38%

LAB 41.76, -4.25, -5.3

 

CMYK 0 / 7 / 10 / 60

HEX #655E5B

RGB 101 94 91

HSL 18, 0.05%, 0.38%

LAB 40.45, 2.21, 2.72

 

CMYK 0 / 25 / 35 / 54

HEX #75584C

RGB 117 88 76

HSL 17.56, 0.21%, 0.38%

LAB 40.05, 10.13, 11.58

 

CMYK 0 / 39 / 55 / 48

HEX #85513C

RGB 133 81 60

HSL 17.26, 0.38%, 0.38%

LAB 39.91, 19.43, 21.46

 

CMYK 0 / 50 / 70 / 42

HEX #944A2C

RGB 148 74 44

HSL 17.31, 0.54%, 0.38%

LAB 40.21, 28.63, 31.65

 

CMYK 20 / 0 / 5 / 58

HEX #566B66

RGB 86 107 102

HSL 165.71, 0.11%, 0.38%

LAB 43.44, -8.94, 0.2

 

CMYK 20 / 0 / 0 / 58

HEX #566B6B

RGB 86 107 107

HSL 180, 0.11%, 0.38%

LAB 43.59, -7.77, -2.6

 

CMYK 20 / 6 / 0 / 58

HEX #56656B

RGB 86 101 107

HSL 197.14, 0.11%, 0.38%

LAB 41.76, -4.25, -5.3

 

CMYK 20 / 11 / 0 / 58

HEX #565F6B

RGB 86 95 107

HSL 214.29, 0.11%, 0.38%

LAB 39.96, -0.64, -8

 

CMYK 20 / 16 / 0 / 58

HEX #565A6B

RGB 86 90 107

HSL 228.57, 0.11%, 0.38%

LAB 38.47, 2.43, -10.23

 

CMYK 20 / 5 / 0 / 76

HEX #313A3D

RGB 49 58 61

HSL 195, 0.11%, 0.22%

LAB 23.72, -2.97, -3.13

 

CMYK 20 / 6 / 0 / 67

HEX #434F54

RGB 67 79 84

HSL 197.65, 0.11%, 0.3%

LAB 32.76, -3.5, -4.54

 

CMYK 20 / 6 / 0 / 58

HEX #56656B

RGB 86 101 107

HSL 197.14, 0.11%, 0.38%

LAB 41.76, -4.25, -5.3

 

CMYK 20 / 5 / 0 / 49

HEX #687B82

RGB 104 123 130

HSL 196.15, 0.11%, 0.46%

LAB 50.36, -5.31, -6.14

 

CMYK 17 / 5 / 0 / 41

HEX #7D8F97

RGB 125 143 151

HSL 198.46, 0.11%, 0.54%

LAB 58.26, -4.66, -6.42

 

CMYK 19 / 6 / 0 / 58

HEX #57666C

RGB 87 102 108

HSL 197.14, 0.11%, 0.38%

LAB 42.17, -4.24, -5.29

 

CMYK 10 / 20 / 0 / 58

HEX #60566B

RGB 96 86 107

HSL 268.57, 0.11%, 0.38%

LAB 38.21, 8.57, -10.54

 

CMYK 0 / 2 / 20 / 58

HEX #6B6956

RGB 107 105 86

HSL 54.29, 0.11%, 0.38%

LAB 44.09, -2.76, 10.99

 

CMYK 19 / 6 / 0 / 58

HEX #57666C

RGB 87 102 108

HSL 197.14, 0.11%, 0.38%

LAB 42.17, -4.24, -5.29

 

CMYK 0 / 20 / 6 / 58

HEX #6B5665

RGB 107 86 101

HSL 317.14, 0.11%, 0.38%

LAB 39.11, 11.48, -5.36

 

CMYK 6 / 0 / 20 / 58

HEX #656B56

RGB 101 107 86

HSL 77.14, 0.11%, 0.38%

LAB 44.17, -6.4, 11.02

 

CMYK 19 / 6 / 0 / 58

HEX #57666C

RGB 87 102 108

HSL 197.14, 0.11%, 0.38%

LAB 42.17, -4.24, -5.29

 

CMYK 10 / 20 / 0 / 58

HEX #60566B

RGB 96 86 107

HSL 268.57, 0.11%, 0.38%

LAB 38.21, 8.57, -10.54

 

CMYK 0 / 14 / 20 / 58

HEX #6B5C56

RGB 107 92 86

HSL 17.14, 0.11%, 0.38%

LAB 40.33, 4.99, 5.69

 

CMYK 9 / 0 / 20 / 58

HEX #616B56

RGB 97 107 86

HSL 88.57, 0.11%, 0.38%

LAB 43.84, -8.03, 10.51

 

CMYK 19 / 6 / 0 / 58

HEX #57666C

RGB 87 102 108

HSL 197.14, 0.11%, 0.38%

LAB 42.17, -4.24, -5.29

 

CMYK 5 / 20 / 0 / 58

HEX #66566B

RGB 102 86 107

HSL 285.71, 0.11%, 0.38%

LAB 38.8, 10.82, -9.59

 

CMYK 0 / 14 / 20 / 58

HEX #6B5C56

RGB 107 92 86

HSL 17.14, 0.11%, 0.38%

LAB 40.33, 4.99, 5.69

 

CMYK 16 / 0 / 20 / 58

HEX #5A6B56

RGB 90 107 86

HSL 108.57, 0.11%, 0.38%

LAB 43.3, -10.82, 9.68

 

Description

Color code: RGB 87 102 108 | qconv.com Color code: RGB 87 102 108 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 102 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 102 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 6 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 6% 0% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

31% - cyansoda
Link: http://www.cyansoda.com

22% - Liz Earle Naturally ...
Link: http://uk.lizearle.com

22% - ジャンクワードの森│イベントレポート、パ...
Link: http://blog.junkword.net

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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