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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 124 146 it is the complementary color RGB 168 131 109. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 124 146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 124 146 shade: RGB 92 124 141, RGB 109 142 160, RGB 126 160 179, RGB 143 178 198 and RGB 160 196 217

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 124 146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 124 146 shade: RGB 87 124 146, RGB 70 106 127, RGB 53 88 108, RGB 36 70 89 and RGB 19 52 70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 124 146 shade: RGB 87 124 146, RGB 87 108 146, RGB 87 93 146, RGB 98 87 146 and RGB 114 87 146

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 124 146 shade: RGB 87 124 146, RGB 87 108 146, RGB 87 93 146 and RGB 87 87 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 124 146 shade matches the following richer shades: RGB 87 124 146, RGB 68 129 165, RGB 50 134 184, RGB 31 139 203 and RGB 12 144 222

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 124 146 shade: RGB 87 124 146, RGB 106 119 127, RGB 125 115 108, RGB 144 110 89 and RGB 163 105 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 124 146 shade: RGB 87 146 136, RGB 87 140 146, RGB 87 125 146, RGB 87 109 146 and RGB 87 93 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 124 146 shade: RGB 57 80 95, RGB 72 102 120, RGB 87 124 146, RGB 108 145 167 and RGB 134 164 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 124 146 shade: RGB 87 124 146, RGB 121 87 146 and RGB 146 144 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 124 146 shade: RGB 87 124 146, RGB 146 87 125 and RGB 125 146 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 124 146 shade: RGB 87 124 146, RGB 121 87 146, RGB 146 109 87 and RGB 113 146 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 124 146 shade: RGB 87 124 146, RGB 138 87 146, RGB 146 109 87 and RGB 95 146 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

Complementary color

CMYK 0 / 22 / 35 / 34

HEX #A8836D

RGB 168 131 109

HSL 22.37, 0.25%, 0.54%

LAB 57.71, 11.05, 17.33

 

CMYK 35 / 12 / 0 / 45

HEX #5C7C8D

RGB 92 124 141

HSL 200.82, 0.21%, 0.46%

LAB 50.23, -6.96, -12.88

 

CMYK 32 / 11 / 0 / 37

HEX #6D8EA0

RGB 109 142 160

HSL 201.18, 0.21%, 0.53%

LAB 57.21, -7.05, -13.26

 

CMYK 30 / 11 / 0 / 30

HEX #7EA0B3

RGB 126 160 179

HSL 201.51, 0.26%, 0.6%

LAB 64.02, -7.12, -13.65

 

CMYK 28 / 10 / 0 / 22

HEX #8FB2C6

RGB 143 178 198

HSL 201.82, 0.33%, 0.67%

LAB 70.7, -7.19, -14.03

 

CMYK 26 / 10 / 0 / 15

HEX #A0C4D9

RGB 160 196 217

HSL 202.11, 0.43%, 0.74%

LAB 77.26, -7.26, -14.42

 

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

CMYK 45 / 17 / 0 / 50

HEX #466A7F

RGB 70 106 127

HSL 202.11, 0.29%, 0.39%

LAB 42.98, -6.84, -15.69

 

CMYK 51 / 19 / 0 / 58

HEX #35586C

RGB 53 88 108

HSL 201.82, 0.34%, 0.32%

LAB 35.63, -6.54, -15.37

 

CMYK 60 / 21 / 0 / 65

HEX #244659

RGB 36 70 89

HSL 201.51, 0.42%, 0.25%

LAB 28.05, -6.08, -15.06

 

CMYK 73 / 26 / 0 / 73

HEX #133446

RGB 19 52 70

HSL 201.18, 0.57%, 0.17%

LAB 20.19, -5.3, -14.73

 

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

CMYK 40 / 26 / 0 / 43

HEX #576C92

RGB 87 108 146

HSL 218.64, 0.25%, 0.46%

LAB 45.4, 2.41, -23.26

 

CMYK 40 / 36 / 0 / 43

HEX #575D92

RGB 87 93 146

HSL 233.9, 0.25%, 0.46%

LAB 41.11, 11.69, -29.94

 

CMYK 33 / 40 / 0 / 43

HEX #625792

RGB 98 87 146

HSL 251.19, 0.25%, 0.46%

LAB 40.39, 18.67, -31

 

CMYK 22 / 40 / 0 / 43

HEX #725792

RGB 114 87 146

HSL 267.46, 0.25%, 0.46%

LAB 41.95, 23.59, -28.44

 

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

CMYK 40 / 26 / 0 / 43

HEX #576C92

RGB 87 108 146

HSL 218.64, 0.25%, 0.46%

LAB 45.4, 2.41, -23.26

 

CMYK 40 / 36 / 0 / 43

HEX #575D92

RGB 87 93 146

HSL 233.9, 0.25%, 0.46%

LAB 41.11, 11.69, -29.94

 

CMYK 40 / 40 / 0 / 43

HEX #575792

RGB 87 87 146

HSL 240, 0.25%, 0.46%

LAB 39.44, 15.48, -32.56

 

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

CMYK 59 / 22 / 0 / 35

HEX #4481A5

RGB 68 129 165

HSL 202.27, 0.42%, 0.46%

LAB 51.43, -8.81, -25.15

 

CMYK 73 / 27 / 0 / 28

HEX #3286B8

RGB 50 134 184

HSL 202.39, 0.57%, 0.46%

LAB 53.16, -8.36, -33.47

 

CMYK 85 / 32 / 0 / 20

HEX #1F8BCB

RGB 31 139 203

HSL 202.33, 0.74%, 0.46%

LAB 55.14, -6.42, -41.19

 

CMYK 95 / 35 / 0 / 13

HEX #0C90DE

RGB 12 144 222

HSL 202.29, 0.9%, 0.46%

LAB 57.37, -3.26, -48.36

 

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

CMYK 17 / 6 / 0 / 50

HEX #6A777F

RGB 106 119 127

HSL 202.86, 0.09%, 0.46%

LAB 49.24, -3.01, -6.02

 

CMYK 0 / 8 / 14 / 51

HEX #7D736C

RGB 125 115 108

HSL 24.71, 0.07%, 0.46%

LAB 49.14, 2.58, 5.26

 

CMYK 0 / 24 / 38 / 44

HEX #906E59

RGB 144 110 89

HSL 22.91, 0.24%, 0.46%

LAB 49.26, 10.47, 16.91

 

CMYK 0 / 36 / 57 / 36

HEX #A36946

RGB 163 105 70

HSL 22.58, 0.4%, 0.46%

LAB 49.9, 19.48, 29.11

 

CMYK 40 / 0 / 7 / 43

HEX #579288

RGB 87 146 136

HSL 169.83, 0.25%, 0.46%

LAB 56.45, -21.71, -0.76

 

CMYK 40 / 4 / 0 / 43

HEX #578C92

RGB 87 140 146

HSL 186.1, 0.25%, 0.46%

LAB 54.93, -15.96, -8.76

 

CMYK 40 / 14 / 0 / 43

HEX #577D92

RGB 87 125 146

HSL 201.36, 0.25%, 0.46%

LAB 50.42, -7.62, -15.56

 

CMYK 40 / 25 / 0 / 43

HEX #576D92

RGB 87 109 146

HSL 217.63, 0.25%, 0.46%

LAB 45.69, 1.81, -22.81

 

CMYK 40 / 36 / 0 / 43

HEX #575D92

RGB 87 93 146

HSL 233.9, 0.25%, 0.46%

LAB 41.11, 11.69, -29.94

 

CMYK 40 / 16 / 0 / 63

HEX #39505F

RGB 57 80 95

HSL 203.68, 0.25%, 0.3%

LAB 32.77, -4.5, -11.56

 

CMYK 40 / 15 / 0 / 53

HEX #486678

RGB 72 102 120

HSL 202.5, 0.25%, 0.38%

LAB 41.59, -5.95, -13.56

 

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

CMYK 35 / 13 / 0 / 35

HEX #6C91A7

RGB 108 145 167

HSL 202.37, 0.25%, 0.54%

LAB 58.25, -7.2, -15.69

 

CMYK 26 / 10 / 0 / 29

HEX #86A4B6

RGB 134 164 182

HSL 202.5, 0.25%, 0.62%

LAB 65.75, -6.15, -12.69

 

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

CMYK 17 / 40 / 0 / 43

HEX #795792

RGB 121 87 146

HSL 274.58, 0.25%, 0.46%

LAB 42.7, 25.81, -27.22

 

CMYK 0 / 1 / 40 / 43

HEX #929057

RGB 146 144 87

HSL 57.97, 0.25%, 0.46%

LAB 58.74, -8.12, 30.53

 

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

CMYK 0 / 40 / 14 / 43

HEX #92577D

RGB 146 87 125

HSL 321.36, 0.25%, 0.46%

LAB 44.81, 30.05, -11.04

 

CMYK 14 / 0 / 40 / 43

HEX #7D9257

RGB 125 146 87

HSL 81.36, 0.25%, 0.46%

LAB 57.66, -17.86, 28.82

 

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

CMYK 17 / 40 / 0 / 43

HEX #795792

RGB 121 87 146

HSL 274.58, 0.25%, 0.46%

LAB 42.7, 25.81, -27.22

 

CMYK 0 / 25 / 40 / 43

HEX #926D57

RGB 146 109 87

HSL 22.37, 0.25%, 0.46%

LAB 49.17, 11.65, 18.01

 

CMYK 23 / 0 / 40 / 43

HEX #719257

RGB 113 146 87

HSL 93.56, 0.25%, 0.46%

LAB 56.84, -22.58, 27.6

 

CMYK 40 / 15 / 0 / 43

HEX #577C92

RGB 87 124 146

HSL 202.37, 0.25%, 0.46%

LAB 50.12, -7.05, -16.01

 

CMYK 5 / 40 / 0 / 43

HEX #8A5792

RGB 138 87 146

HSL 291.86, 0.25%, 0.46%

LAB 44.65, 31.32, -24.03

 

CMYK 0 / 25 / 40 / 43

HEX #926D57

RGB 146 109 87

HSL 22.37, 0.25%, 0.46%

LAB 49.17, 11.65, 18.01

 

CMYK 35 / 0 / 40 / 43

HEX #5F9257

RGB 95 146 87

HSL 111.86, 0.25%, 0.46%

LAB 55.76, -29.18, 26

 

Description

Color code: RGB 87 124 146 | qconv.com Color code: RGB 87 124 146 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 124 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 124 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 15 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 15% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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