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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 130 183 it is the complementary color RGB 168 125 72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 130 183. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 130 183 shade: RGB 92 130 178, RGB 109 148 197, RGB 126 166 216, RGB 143 184 235 and RGB 160 202 254

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 130 183. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 130 183 shade: RGB 87 130 183, RGB 70 112 164, RGB 53 94 145, RGB 36 76 126 and RGB 19 58 107

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 130 183 shade: RGB 87 130 183, RGB 87 104 183, RGB 95 87 183, RGB 121 87 183 and RGB 147 87 183

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 130 183 shade: RGB 87 130 183, RGB 87 104 183 and RGB 87 87 183

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 130 183 shade matches the following richer shades: RGB 87 130 183, RGB 67 128 202, RGB 48 126 221 and RGB 29 124 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 130 183 shade: RGB 87 130 183, RGB 106 132 163, RGB 125 134 144, RGB 145 136 124 and RGB 164 138 105

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 130 183 shade: RGB 87 181 183, RGB 87 155 183, RGB 87 130 183, RGB 87 104 183 and RGB 95 87 183

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 130 183 shade: RGB 56 89 131, RGB 68 109 160, RGB 87 130 183, RGB 116 151 195 and RGB 144 173 207

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 130 183 shade: RGB 87 130 183, RGB 159 87 183 and RGB 168 183 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 130 183 shade: RGB 87 130 183, RGB 183 87 130 and RGB 130 183 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 130 183 shade: RGB 87 130 183, RGB 159 87 183, RGB 183 139 87 and RGB 111 183 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 130 183 shade: RGB 87 130 183, RGB 183 87 178, RGB 183 139 87 and RGB 87 183 92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

Complementary color

CMYK 0 / 26 / 57 / 34

HEX #A87D48

RGB 168 125 72

HSL 33.13, 0.4%, 0.47%

LAB 55.54, 10.49, 35.08

 

CMYK 48 / 27 / 0 / 30

HEX #5C82B2

RGB 92 130 178

HSL 213.49, 0.36%, 0.53%

LAB 53.44, 0.2, -29.45

 

CMYK 45 / 25 / 0 / 23

HEX #6D94C5

RGB 109 148 197

HSL 213.41, 0.43%, 0.6%

LAB 60.3, -0.32, -29.53

 

CMYK 42 / 23 / 0 / 15

HEX #7EA6D8

RGB 126 166 216

HSL 213.33, 0.54%, 0.67%

LAB 67.03, -0.74, -29.64

 

CMYK 39 / 22 / 0 / 8

HEX #8FB8EB

RGB 143 184 235

HSL 213.26, 0.7%, 0.74%

LAB 73.62, -1.09, -29.78

 

CMYK 37 / 20 / 0 / 0

HEX #A0CAFE

RGB 160 202 254

HSL 213.19, 0.98%, 0.81%

LAB 80.11, -1.4, -29.94

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 57 / 32 / 0 / 36

HEX #4670A4

RGB 70 112 164

HSL 213.19, 0.4%, 0.46%

LAB 46.41, 1.33, -32.39

 

CMYK 63 / 35 / 0 / 43

HEX #355E91

RGB 53 94 145

HSL 213.26, 0.46%, 0.39%

LAB 39.25, 2.38, -32.4

 

CMYK 71 / 40 / 0 / 51

HEX #244C7E

RGB 36 76 126

HSL 213.33, 0.56%, 0.32%

LAB 31.92, 3.8, -32.43

 

CMYK 82 / 46 / 0 / 58

HEX #133A6B

RGB 19 58 107

HSL 213.41, 0.7%, 0.25%

LAB 24.41, 5.85, -32.45

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 52 / 43 / 0 / 28

HEX #5768B7

RGB 87 104 183

HSL 229.38, 0.4%, 0.53%

LAB 46.1, 16.37, -43.91

 

CMYK 48 / 52 / 0 / 28

HEX #5F57B7

RGB 95 87 183

HSL 245, 0.4%, 0.53%

LAB 42.26, 28.79, -50.02

 

CMYK 34 / 52 / 0 / 28

HEX #7957B7

RGB 121 87 183

HSL 261.25, 0.4%, 0.53%

LAB 44.66, 35.14, -46.04

 

CMYK 20 / 52 / 0 / 28

HEX #9357B7

RGB 147 87 183

HSL 277.5, 0.4%, 0.53%

LAB 47.54, 42.08, -41.28

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 52 / 43 / 0 / 28

HEX #5768B7

RGB 87 104 183

HSL 229.38, 0.4%, 0.53%

LAB 46.1, 16.37, -43.91

 

CMYK 52 / 52 / 0 / 28

HEX #5757B7

RGB 87 87 183

HSL 240, 0.4%, 0.53%

LAB 41.63, 27.02, -51.07

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 67 / 37 / 0 / 21

HEX #4380CA

RGB 67 128 202

HSL 212.89, 0.56%, 0.53%

LAB 52.84, 4.09, -44.2

 

CMYK 78 / 43 / 0 / 13

HEX #307EDD

RGB 48 126 221

HSL 212.95, 0.72%, 0.53%

LAB 52.7, 9.63, -55.21

 

CMYK 88 / 49 / 0 / 5

HEX #1D7CF1

RGB 29 124 241

HSL 213.11, 0.88%, 0.53%

LAB 52.98, 16.9, -65.97

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 35 / 19 / 0 / 36

HEX #6A84A3

RGB 106 132 163

HSL 212.63, 0.24%, 0.53%

LAB 54.25, -1.47, -19.49

 

CMYK 13 / 7 / 0 / 44

HEX #7D8690

RGB 125 134 144

HSL 211.58, 0.08%, 0.53%

LAB 55.51, -1.14, -6.49

 

CMYK 0 / 6 / 14 / 43

HEX #91887C

RGB 145 136 124

HSL 34.29, 0.09%, 0.53%

LAB 57.16, 1.22, 7.65

 

CMYK 0 / 16 / 36 / 36

HEX #A48A69

RGB 164 138 105

HSL 33.56, 0.24%, 0.53%

LAB 59.06, 4.95, 21.35

 

CMYK 52 / 1 / 0 / 28

HEX #57B5B7

RGB 87 181 183

HSL 181.25, 0.4%, 0.53%

LAB 68.38, -27.1, -9.53

 

CMYK 52 / 15 / 0 / 28

HEX #579BB7

RGB 87 155 183

HSL 197.5, 0.4%, 0.53%

LAB 60.68, -13.63, -21.16

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 52 / 43 / 0 / 28

HEX #5768B7

RGB 87 104 183

HSL 229.38, 0.4%, 0.53%

LAB 46.1, 16.37, -43.91

 

CMYK 48 / 52 / 0 / 28

HEX #5F57B7

RGB 95 87 183

HSL 245, 0.4%, 0.53%

LAB 42.26, 28.79, -50.02

 

CMYK 57 / 32 / 0 / 49

HEX #385983

RGB 56 89 131

HSL 213.6, 0.4%, 0.37%

LAB 37.16, 1.27, -27.18

 

CMYK 58 / 32 / 0 / 37

HEX #446DA0

RGB 68 109 160

HSL 213.26, 0.4%, 0.45%

LAB 45.23, 1.39, -31.89

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 41 / 23 / 0 / 24

HEX #7497C3

RGB 116 151 195

HSL 213.42, 0.4%, 0.61%

LAB 61.47, -0.76, -26.57

 

CMYK 30 / 16 / 0 / 19

HEX #90ADCF

RGB 144 173 207

HSL 212.38, 0.4%, 0.69%

LAB 69.7, -1.99, -20.5

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 13 / 52 / 0 / 28

HEX #9F57B7

RGB 159 87 183

HSL 285, 0.4%, 0.53%

LAB 49.01, 45.39, -38.86

 

CMYK 8 / 0 / 52 / 28

HEX #A8B757

RGB 168 183 87

HSL 69.38, 0.4%, 0.53%

LAB 71.47, -19.33, 46.48

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 0 / 52 / 29 / 28

HEX #B75782

RGB 183 87 130

HSL 333.13, 0.4%, 0.53%

LAB 50.09, 43.67, -5.62

 

CMYK 29 / 0 / 52 / 28

HEX #82B757

RGB 130 183 87

HSL 93.13, 0.4%, 0.53%

LAB 68.97, -34.11, 42.9

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 13 / 52 / 0 / 28

HEX #9F57B7

RGB 159 87 183

HSL 285, 0.4%, 0.53%

LAB 49.01, 45.39, -38.86

 

CMYK 0 / 24 / 52 / 28

HEX #B78B57

RGB 183 139 87

HSL 32.5, 0.4%, 0.53%

LAB 60.98, 10.45, 34.11

 

CMYK 39 / 0 / 52 / 28

HEX #6FB757

RGB 111 183 87

HSL 105, 0.4%, 0.53%

LAB 67.97, -40.7, 41.46

 

CMYK 52 / 29 / 0 / 28

HEX #5782B7

RGB 87 130 183

HSL 213.13, 0.4%, 0.53%

LAB 53.4, 0.54, -32.41

 

CMYK 0 / 52 / 3 / 28

HEX #B757B2

RGB 183 87 178

HSL 303.13, 0.4%, 0.53%

LAB 51.95, 51.19, -31.12

 

CMYK 0 / 24 / 52 / 28

HEX #B78B57

RGB 183 139 87

HSL 32.5, 0.4%, 0.53%

LAB 60.98, 10.45, 34.11

 

CMYK 52 / 0 / 50 / 28

HEX #57B75C

RGB 87 183 92

HSL 123.13, 0.4%, 0.53%

LAB 67.03, -47.22, 37.61

 

Description

Color code: RGB 87 130 183 | qconv.com Color code: RGB 87 130 183 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 130 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 130 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 29 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 29% 0% 28% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

40% - 上海市注册税务师协会
Link: http://www.shcta.cn

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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