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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 87 131 115 it is the complementary color RGB 168 124 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 87 131 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 87 131 115 shade: RGB 92 131 110, RGB 109 149 129, RGB 126 167 148, RGB 143 185 167 and RGB 160 203 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 87 131 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 87 131 115 shade: RGB 87 131 115, RGB 70 113 96, RGB 53 95 77, RGB 36 77 58 and RGB 19 59 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 87 131 115 shade: RGB 87 131 115, RGB 87 131 103, RGB 87 131 91, RGB 95 131 87 and RGB 107 131 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 87 131 115 shade: RGB 87 131 115, RGB 87 131 127, RGB 87 123 131, RGB 87 112 131 and RGB 87 100 131

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 87 131 115 shade matches the following richer shades: RGB 87 131 115, RGB 69 149 120, RGB 52 167 125, RGB 34 184 130 and RGB 16 202 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 87 131 115 shade: RGB 87 131 115, RGB 105 113 110, RGB 123 96 105, RGB 140 78 101 and RGB 158 60 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 87 131 115 shade: RGB 87 131 92, RGB 87 131 103, RGB 87 131 115, RGB 87 131 127 and RGB 87 124 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 87 131 115 shade: RGB 54 82 72, RGB 71 106 93, RGB 87 131 115, RGB 105 155 137 and RGB 130 171 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 87 131 115 shade: RGB 87 131 115, RGB 87 95 131 and RGB 131 97 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 87 131 115 shade: RGB 87 131 115, RGB 115 87 131 and RGB 131 115 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 87 131 115 shade: RGB 87 131 115, RGB 87 95 131, RGB 131 87 103 and RGB 131 124 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 87 131 115 shade: RGB 87 131 115, RGB 93 87 131, RGB 131 87 103 and RGB 125 131 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 12 / 49

HEX #578373

RGB 87 131 115

HSL 158.18, 0.2%, 0.43%

LAB 51.26, -18.88, 3.85

 

Complementary color

CMYK 0 / 26 / 17 / 34

HEX #A87C8C

RGB 168 124 140

HSL 338.18, 0.2%, 0.57%

LAB 56.72, 19.61, -1.94

 

CMYK 30 / 0 / 16 / 49

HEX #5C836E

RGB 92 131 110

HSL 147.69, 0.17%, 0.44%

LAB 51.42, -18.35, 7.02

 

CMYK 27 / 0 / 13 / 42

HEX #6D9581

RGB 109 149 129

HSL 150, 0.16%, 0.51%

LAB 58.35, -18.12, 6.14

 

CMYK 25 / 0 / 11 / 35

HEX #7EA794

RGB 126 167 148

HSL 152.2, 0.19%, 0.57%

LAB 65.13, -17.93, 5.32

 

CMYK 23 / 0 / 10 / 27

HEX #8FB9A7

RGB 143 185 167

HSL 154.29, 0.23%, 0.64%

LAB 71.78, -17.76, 4.56

 

CMYK 21 / 0 / 8 / 20

HEX #A0CBBA

RGB 160 203 186

HSL 156.28, 0.29%, 0.71%

LAB 78.3, -17.61, 3.83

 

CMYK 34 / 0 / 12 / 49

HEX #578373

RGB 87 131 115

HSL 158.18, 0.2%, 0.43%

LAB 51.26, -18.88, 3.85

 

CMYK 38 / 0 / 15 / 56

HEX #467160

RGB 70 113 96

HSL 156.28, 0.23%, 0.36%

LAB 44.17, -19.12, 4.75

 

CMYK 44 / 0 / 19 / 63

HEX #355F4D

RGB 53 95 77

HSL 154.29, 0.28%, 0.29%

LAB 36.89, -19.38, 5.75

 

CMYK 53 / 0 / 25 / 70

HEX #244D3A

RGB 36 77 58

HSL 152.2, 0.36%, 0.22%

LAB 29.38, -19.62, 6.91

 

CMYK 68 / 0 / 34 / 77

HEX #133B27

RGB 19 59 39

HSL 150, 0.51%, 0.15%

LAB 21.63, -19.72, 8.32

 

CMYK 34 / 0 / 12 / 49

HEX #578373

RGB 87 131 115

HSL 158.18, 0.2%, 0.43%

LAB 51.26, -18.88, 3.85

 

CMYK 34 / 0 / 21 / 49

HEX #578367

RGB 87 131 103

HSL 141.82, 0.2%, 0.43%

LAB 50.96, -21.51, 10.4

 

CMYK 34 / 0 / 31 / 49

HEX #57835B

RGB 87 131 91

HSL 125.45, 0.2%, 0.43%

LAB 50.7, -23.87, 16.95

 

CMYK 27 / 0 / 34 / 49

HEX #5F8357

RGB 95 131 87

HSL 109.09, 0.2%, 0.43%

LAB 51.1, -21.71, 19.84

 

CMYK 18 / 0 / 34 / 49

HEX #6B8357

RGB 107 131 87

HSL 92.73, 0.2%, 0.43%

LAB 51.89, -17.13, 21.03

 

CMYK 34 / 0 / 12 / 49

HEX #578373

RGB 87 131 115

HSL 158.18, 0.2%, 0.43%

LAB 51.26, -18.88, 3.85

 

CMYK 34 / 0 / 3 / 49

HEX #57837F

RGB 87 131 127

HSL 174.55, 0.2%, 0.43%

LAB 51.6, -16.01, -2.67

 

CMYK 34 / 6 / 0 / 49

HEX #577B83

RGB 87 123 131

HSL 190.91, 0.2%, 0.43%

LAB 49.29, -10.56, -8.44

 

CMYK 34 / 15 / 0 / 49

HEX #577083

RGB 87 112 131

HSL 205.91, 0.2%, 0.43%

LAB 45.98, -4.22, -13.43

 

CMYK 34 / 24 / 0 / 49

HEX #576483

RGB 87 100 131

HSL 222.27, 0.2%, 0.43%

LAB 42.43, 2.99, -18.85

 

CMYK 34 / 0 / 12 / 49

HEX #578373

RGB 87 131 115

HSL 158.18, 0.2%, 0.43%

LAB 51.26, -18.88, 3.85

 

CMYK 54 / 0 / 19 / 42

HEX #459578

RGB 69 149 120

HSL 158.25, 0.37%, 0.43%

LAB 56.2, -31.78, 7.94

 

CMYK 69 / 0 / 25 / 35

HEX #34A77D

RGB 52 167 125

HSL 158.09, 0.53%, 0.43%

LAB 61.52, -42.12, 12.57

 

CMYK 82 / 0 / 29 / 28

HEX #22B882

RGB 34 184 130

HSL 158.4, 0.69%, 0.43%

LAB 66.7, -50.25, 16.99

 

CMYK 92 / 0 / 34 / 21

HEX #10CA86

RGB 16 202 134

HSL 158.06, 0.85%, 0.43%

LAB 72.28, -57.45, 22.48

 

CMYK 34 / 0 / 12 / 49

HEX #578373

RGB 87 131 115

HSL 158.18, 0.2%, 0.43%

LAB 51.26, -18.88, 3.85

 

CMYK 7 / 0 / 3 / 56

HEX #69716E

RGB 105 113 110

HSL 157.5, 0.04%, 0.43%

LAB 46.89, -3.65, 0.61

 

CMYK 0 / 22 / 15 / 52

HEX #7B6069

RGB 123 96 105

HSL 340, 0.12%, 0.43%

LAB 43.65, 12.5, -0.92

 

CMYK 0 / 44 / 28 / 45

HEX #8C4E65

RGB 140 78 101

HSL 337.74, 0.28%, 0.43%

LAB 41.16, 29.06, -1.87

 

CMYK 0 / 62 / 39 / 38

HEX #9E3C60

RGB 158 60 96

HSL 337.96, 0.45%, 0.43%

LAB 40.16, 44.16, 0.1

 

CMYK 34 / 0 / 30 / 49

HEX #57835C

RGB 87 131 92

HSL 126.82, 0.2%, 0.43%

LAB 50.72, -23.68, 16.4

 

CMYK 34 / 0 / 21 / 49

HEX #578367

RGB 87 131 103

HSL 141.82, 0.2%, 0.43%

LAB 50.96, -21.51, 10.4

 

CMYK 34 / 0 / 12 / 49

HEX #578373

RGB 87 131 115

HSL 158.18, 0.2%, 0.43%

LAB 51.26, -18.88, 3.85

 

CMYK 34 / 0 / 3 / 49

HEX #57837F

RGB 87 131 127

HSL 174.55, 0.2%, 0.43%

LAB 51.6, -16.01, -2.67

 

CMYK 34 / 5 / 0 / 49

HEX #577C83

RGB 87 124 131

HSL 189.55, 0.2%, 0.43%

LAB 49.59, -11.13, -7.99

 

CMYK 34 / 0 / 12 / 68

HEX #365248

RGB 54 82 72

HSL 158.57, 0.21%, 0.27%

LAB 32.45, -13.03, 2.52

 

CMYK 33 / 0 / 12 / 58

HEX #476A5D

RGB 71 106 93

HSL 157.71, 0.2%, 0.35%

LAB 41.9, -15.7, 3.3

 

CMYK 34 / 0 / 12 / 49

HEX #578373

RGB 87 131 115

HSL 158.18, 0.2%, 0.43%

LAB 51.26, -18.88, 3.85

 

CMYK 32 / 0 / 12 / 39

HEX #699B89

RGB 105 155 137

HSL 158.4, 0.2%, 0.51%

LAB 60.12, -20.8, 4.12

 

CMYK 24 / 0 / 9 / 33

HEX #82AB9C

RGB 130 171 156

HSL 158.05, 0.2%, 0.59%

LAB 66.73, -17.02, 3.21

 

CMYK 34 / 0 / 12 / 49

HEX #578373

RGB 87 131 115

HSL 158.18, 0.2%, 0.43%

LAB 51.26, -18.88, 3.85

 

CMYK 34 / 27 / 0 / 49

HEX #575F83

RGB 87 95 131

HSL 229.09, 0.2%, 0.43%

LAB 40.98, 6.08, -21.09

 

CMYK 0 / 26 / 34 / 49

HEX #836157

RGB 131 97 87

HSL 13.64, 0.2%, 0.43%

LAB 44.32, 12.3, 11.08

 

CMYK 34 / 0 / 12 / 49

HEX #578373

RGB 87 131 115

HSL 158.18, 0.2%, 0.43%

LAB 51.26, -18.88, 3.85

 

CMYK 12 / 34 / 0 / 49

HEX #735783

RGB 115 87 131

HSL 278.18, 0.2%, 0.43%

LAB 41.37, 20.32, -20.26

 

CMYK 0 / 12 / 34 / 49

HEX #837357

RGB 131 115 87

HSL 38.18, 0.2%, 0.43%

LAB 49.22, 1.75, 17.8

 

CMYK 34 / 0 / 12 / 49

HEX #578373

RGB 87 131 115

HSL 158.18, 0.2%, 0.43%

LAB 51.26, -18.88, 3.85

 

CMYK 34 / 27 / 0 / 49

HEX #575F83

RGB 87 95 131

HSL 229.09, 0.2%, 0.43%

LAB 40.98, 6.08, -21.09

 

CMYK 0 / 34 / 21 / 49

HEX #835767

RGB 131 87 103

HSL 338.18, 0.2%, 0.43%

LAB 42.19, 20.69, -1.73

 

CMYK 0 / 5 / 34 / 49

HEX #837C57

RGB 131 124 87

HSL 50.45, 0.2%, 0.43%

LAB 51.76, -3.4, 21.2

 

CMYK 34 / 0 / 12 / 49

HEX #578373

RGB 87 131 115

HSL 158.18, 0.2%, 0.43%

LAB 51.26, -18.88, 3.85

 

CMYK 29 / 34 / 0 / 49

HEX #5D5783

RGB 93 87 131

HSL 248.18, 0.2%, 0.43%

LAB 39.21, 12.99, -23.78

 

CMYK 0 / 34 / 21 / 49

HEX #835767

RGB 131 87 103

HSL 338.18, 0.2%, 0.43%

LAB 42.19, 20.69, -1.73

 

CMYK 5 / 0 / 34 / 49

HEX #7D8357

RGB 125 131 87

HSL 68.18, 0.2%, 0.43%

LAB 53.26, -9.83, 23.09

 

Description

Color code: RGB 87 131 115 | qconv.com Color code: RGB 87 131 115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 87 red, 131 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
87 131 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 12 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 12% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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