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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 72 22 it is the complementary color RGB 171 183 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 72 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 72 22 shade: RGB 89 72 17, RGB 106 90 36, RGB 123 108 55, RGB 140 126 74 and RGB 157 144 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 72 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 72 22 shade: RGB 84 72 22, RGB 67 54 3, RGB 50 36 0, RGB 33 18 0 and RGB 16 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 72 22 shade: RGB 84 72 22, RGB 84 55 22, RGB 84 39 22 and RGB 84 22 22

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 72 22 shade: RGB 84 72 22, RGB 79 84 22, RGB 63 84 22, RGB 46 84 22 and RGB 29 84 22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 72 22 shade matches the following richer shades: RGB 84 72 22, RGB 93 77 13 and RGB 101 83 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 72 22 shade: RGB 84 72 22, RGB 75 67 31, RGB 67 61 39, RGB 58 56 48 and RGB 49 51 57

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 72 22 shade: RGB 84 39 22, RGB 84 55 22, RGB 84 72 22, RGB 80 84 22 and RGB 63 84 22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 72 22 shade: RGB 19 16 5, RGB 52 44 13, RGB 84 72 22, RGB 117 100 31 and RGB 149 128 39

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 72 22 shade: RGB 84 72 22, RGB 22 84 22 and RGB 47 22 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 72 22 shade: RGB 84 72 22, RGB 22 84 72 and RGB 72 22 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 72 22 shade: RGB 84 72 22, RGB 22 84 22, RGB 22 34 84 and RGB 84 22 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 72 22 shade: RGB 84 72 22, RGB 22 84 41, RGB 22 34 84 and RGB 84 22 65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

Complementary color

CMYK 27 / 21 / 0 / 9

HEX #ABB7E9

RGB 171 183 233

HSL 228.39, 0.58%, 0.79%

LAB 75.08, 6.78, -26.31

 

CMYK 0 / 19 / 81 / 65

HEX #594811

RGB 89 72 17

HSL 45.83, 0.68%, 0.21%

LAB 31.34, 0.8, 33.71

 

CMYK 0 / 15 / 66 / 58

HEX #6A5A24

RGB 106 90 36

HSL 46.29, 0.49%, 0.28%

LAB 38.73, -0.51, 32.81

 

CMYK 0 / 12 / 55 / 52

HEX #7B6C37

RGB 123 108 55

HSL 46.76, 0.38%, 0.35%

LAB 45.92, -1.47, 31.51

 

CMYK 0 / 10 / 47 / 45

HEX #8C7E4A

RGB 140 126 74

HSL 47.27, 0.31%, 0.42%

LAB 52.94, -2.2, 30.15

 

CMYK 0 / 8 / 41 / 38

HEX #9D905D

RGB 157 144 93

HSL 47.81, 0.26%, 0.49%

LAB 59.8, -2.77, 28.85

 

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

CMYK 0 / 19 / 96 / 74

HEX #433603

RGB 67 54 3

HSL 47.81, 0.91%, 0.14%

LAB 23.13, 0.03, 30.8

 

CMYK 0 / 28 / 100 / 80

HEX #322400

RGB 50 36 0

HSL 43.2, 1%, 0.1%

LAB 15.17, 2.44, 22.26

 

CMYK 0 / 45 / 100 / 87

HEX #211200

RGB 33 18 0

HSL 32.73, 1%, 0.06%

LAB 6.83, 5.12, 10.32

 

CMYK 0 / 100 / 100 / 94

HEX #100000

RGB 16 0 0

HSL 0, 1%, 0.03%

LAB 1, 4.46, 1.57

 

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

CMYK 0 / 35 / 74 / 67

HEX #543716

RGB 84 55 22

HSL 31.94, 0.58%, 0.21%

LAB 25.79, 9.29, 25.32

 

CMYK 0 / 54 / 74 / 67

HEX #542716

RGB 84 39 22

HSL 16.45, 0.58%, 0.21%

LAB 21.56, 19.35, 20.55

 

CMYK 0 / 74 / 74 / 67

HEX #541616

RGB 84 22 22

HSL 0, 0.58%, 0.21%

LAB 17.99, 28.66, 16.32

 

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

CMYK 6 / 0 / 74 / 67

HEX #4F5416

RGB 79 84 22

HSL 64.84, 0.58%, 0.21%

LAB 34.11, -11.1, 33.89

 

CMYK 25 / 0 / 74 / 67

HEX #3F5416

RGB 63 84 22

HSL 80.32, 0.58%, 0.21%

LAB 32.82, -18.64, 32.16

 

CMYK 45 / 0 / 74 / 67

HEX #2E5416

RGB 46 84 22

HSL 96.77, 0.58%, 0.21%

LAB 31.76, -25.76, 30.72

 

CMYK 65 / 0 / 74 / 67

HEX #1D5416

RGB 29 84 22

HSL 113.23, 0.58%, 0.21%

LAB 31.02, -31.37, 29.72

 

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

CMYK 0 / 17 / 86 / 64

HEX #5D4D0D

RGB 93 77 13

HSL 48, 0.75%, 0.21%

LAB 33.27, -0.43, 37.24

 

CMYK 0 / 18 / 95 / 60

HEX #655305

RGB 101 83 5

HSL 48.75, 0.91%, 0.21%

LAB 35.92, -0.29, 42.36

 

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

CMYK 0 / 11 / 59 / 71

HEX #4B431F

RGB 75 67 31

HSL 49.09, 0.42%, 0.21%

LAB 28.4, -2.12, 22.86

 

CMYK 0 / 9 / 42 / 74

HEX #433D27

RGB 67 61 39

HSL 47.14, 0.26%, 0.21%

LAB 25.79, -1.3, 14.52

 

CMYK 0 / 3 / 17 / 77

HEX #3A3830

RGB 58 56 48

HSL 48, 0.09%, 0.21%

LAB 23.48, -0.81, 5.32

 

CMYK 14 / 11 / 0 / 78

HEX #313339

RGB 49 51 57

HSL 225, 0.08%, 0.21%

LAB 21.27, 0.63, -4.08

 

CMYK 0 / 54 / 74 / 67

HEX #542716

RGB 84 39 22

HSL 16.45, 0.58%, 0.21%

LAB 21.56, 19.35, 20.55

 

CMYK 0 / 35 / 74 / 67

HEX #543716

RGB 84 55 22

HSL 31.94, 0.58%, 0.21%

LAB 25.79, 9.29, 25.32

 

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

CMYK 5 / 0 / 74 / 67

HEX #505416

RGB 80 84 22

HSL 63.87, 0.58%, 0.21%

LAB 34.2, -10.62, 34.01

 

CMYK 25 / 0 / 74 / 67

HEX #3F5416

RGB 63 84 22

HSL 80.32, 0.58%, 0.21%

LAB 32.82, -18.64, 32.16

 

CMYK 0 / 16 / 74 / 93

HEX #131005

RGB 19 16 5

HSL 47.14, 0.58%, 0.05%

LAB 4.7, -0.53, 4.97

 

CMYK 0 / 15 / 75 / 80

HEX #342C0D

RGB 52 44 13

HSL 47.69, 0.6%, 0.13%

LAB 18.19, -0.9, 20.65

 

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

CMYK 0 / 15 / 74 / 54

HEX #75641F

RGB 117 100 31

HSL 48.14, 0.58%, 0.29%

LAB 42.76, -1.45, 39.81

 

CMYK 0 / 14 / 74 / 42

HEX #958027

RGB 149 128 39

HSL 48.55, 0.59%, 0.37%

LAB 54, -1.97, 48.68

 

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

CMYK 74 / 0 / 74 / 67

HEX #165416

RGB 22 84 22

HSL 120, 0.58%, 0.21%

LAB 30.81, -33.12, 29.42

 

CMYK 44 / 74 / 0 / 67

HEX #2F1654

RGB 47 22 84

HSL 264.19, 0.58%, 0.21%

LAB 14.5, 27.57, -33.14

 

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

CMYK 74 / 0 / 14 / 67

HEX #165448

RGB 22 84 72

HSL 168.39, 0.58%, 0.21%

LAB 31.76, -22.72, 1.35

 

CMYK 14 / 74 / 0 / 67

HEX #481654

RGB 72 22 84

HSL 288.39, 0.58%, 0.21%

LAB 18.33, 33.71, -26.78

 

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

CMYK 74 / 0 / 74 / 67

HEX #165416

RGB 22 84 22

HSL 120, 0.58%, 0.21%

LAB 30.81, -33.12, 29.42

 

CMYK 74 / 60 / 0 / 67

HEX #162254

RGB 22 34 84

HSL 228.39, 0.58%, 0.21%

LAB 15.25, 14.07, -32.04

 

CMYK 0 / 74 / 0 / 67

HEX #541654

RGB 84 22 84

HSL 300, 0.58%, 0.21%

LAB 20.44, 36.85, -23.3

 

CMYK 0 / 14 / 74 / 67

HEX #544816

RGB 84 72 22

HSL 48.39, 0.58%, 0.21%

LAB 30.82, -1.45, 30.69

 

CMYK 74 / 0 / 51 / 67

HEX #165429

RGB 22 84 41

HSL 138.39, 0.58%, 0.21%

LAB 31.05, -30.31, 19.52

 

CMYK 74 / 60 / 0 / 67

HEX #162254

RGB 22 34 84

HSL 228.39, 0.58%, 0.21%

LAB 15.25, 14.07, -32.04

 

CMYK 0 / 74 / 23 / 67

HEX #541641

RGB 84 22 65

HSL 318.39, 0.58%, 0.21%

LAB 19.39, 33.5, -11.96

 

Description

Color code: RGB 84 72 22 | qconv.com Color code: RGB 84 72 22 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 72 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 72 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 74 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 74% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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