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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 80 121 it is the complementary color RGB 171 175 134. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 80 121. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 80 121 shade: RGB 89 80 116, RGB 106 98 135, RGB 123 116 154, RGB 140 134 173 and RGB 157 152 192

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 80 121. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 80 121 shade: RGB 84 80 121, RGB 67 62 102, RGB 50 44 83, RGB 33 26 64 and RGB 16 8 45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 80 121 shade: RGB 83 79 119, RGB 94 79 119, RGB 104 79 119, RGB 115 79 119 and RGB 119 79 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 80 121 shade: RGB 83 79 119 and RGB 79 79 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 80 121 shade matches the following richer shades: RGB 83 79 119, RGB 70 63 135, RGB 57 47 151, RGB 44 31 167 and RGB 31 15 183

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 80 121 shade: RGB 83 79 119, RGB 96 95 103, RGB 109 111 87, RGB 122 127 71 and RGB 135 143 54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 80 121 shade: RGB 79 97 119, RGB 79 86 119, RGB 82 79 119, RGB 93 79 119 and RGB 104 79 119

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 80 121 shade: RGB 48 46 69, RGB 66 63 94, RGB 83 79 119, RGB 100 96 144 and RGB 122 117 163

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 80 121 shade: RGB 84 80 121, RGB 119 79 108 and RGB 92 119 79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 80 121 shade: RGB 84 80 121, RGB 119 82 79 and RGB 79 119 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 80 121 shade: RGB 84 80 121, RGB 119 79 108, RGB 116 119 79 and RGB 79 119 90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 80 121 shade: RGB 84 80 121, RGB 119 79 96, RGB 116 119 79 and RGB 79 119 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 34 / 0 / 53

HEX #545079

RGB 84 80 121

HSL 245.85, 0.2%, 0.39%

LAB 35.99, 11.76, -22.71

 

Complementary color

CMYK 2 / 0 / 23 / 31

HEX #ABAF86

RGB 171 175 134

HSL 65.85, 0.2%, 0.61%

LAB 70.2, -8.38, 20.61

 

CMYK 23 / 31 / 0 / 55

HEX #595074

RGB 89 80 116

HSL 255, 0.18%, 0.38%

LAB 36.22, 12.07, -19.22

 

CMYK 21 / 27 / 0 / 47

HEX #6A6287

RGB 106 98 135

HSL 252.97, 0.16%, 0.46%

LAB 43.58, 11.49, -19.36

 

CMYK 20 / 25 / 0 / 40

HEX #7B749A

RGB 123 116 154

HSL 251.05, 0.16%, 0.53%

LAB 50.73, 10.99, -19.54

 

CMYK 19 / 23 / 0 / 32

HEX #8C86AD

RGB 140 134 173

HSL 249.23, 0.19%, 0.6%

LAB 57.7, 10.55, -19.75

 

CMYK 18 / 21 / 0 / 25

HEX #9D98C0

RGB 157 152 192

HSL 247.5, 0.24%, 0.67%

LAB 64.51, 10.16, -19.99

 

CMYK 31 / 34 / 0 / 53

HEX #545079

RGB 84 80 121

HSL 245.85, 0.2%, 0.39%

LAB 35.99, 11.76, -22.71

 

CMYK 34 / 39 / 0 / 60

HEX #433E66

RGB 67 62 102

HSL 247.5, 0.24%, 0.32%

LAB 28.37, 12.52, -22.76

 

CMYK 40 / 47 / 0 / 67

HEX #322C53

RGB 50 44 83

HSL 249.23, 0.31%, 0.25%

LAB 20.46, 13.49, -22.9

 

CMYK 48 / 59 / 0 / 75

HEX #211A40

RGB 33 26 64

HSL 251.05, 0.42%, 0.18%

LAB 12.17, 14.79, -23.17

 

CMYK 64 / 82 / 0 / 82

HEX #10082D

RGB 16 8 45

HSL 252.97, 0.7%, 0.1%

LAB 4.28, 13.29, -22.14

 

CMYK 30 / 34 / 0 / 53

HEX #534F77

RGB 83 79 119

HSL 246, 0.2%, 0.39%

LAB 35.52, 11.52, -22.2

 

CMYK 21 / 34 / 0 / 53

HEX #5E4F77

RGB 94 79 119

HSL 262.5, 0.2%, 0.39%

LAB 36.56, 15.18, -20.51

 

CMYK 13 / 34 / 0 / 53

HEX #684F77

RGB 104 79 119

HSL 277.5, 0.2%, 0.39%

LAB 37.6, 18.63, -18.82

 

CMYK 3 / 34 / 0 / 53

HEX #734F77

RGB 115 79 119

HSL 294, 0.2%, 0.39%

LAB 38.84, 22.51, -16.8

 

CMYK 0 / 34 / 6 / 53

HEX #774F70

RGB 119 79 112

HSL 310.5, 0.2%, 0.39%

LAB 39.04, 22.51, -12.13

 

CMYK 30 / 34 / 0 / 53

HEX #534F77

RGB 83 79 119

HSL 246, 0.2%, 0.39%

LAB 35.52, 11.52, -22.2

 

CMYK 34 / 34 / 0 / 53

HEX #4F4F77

RGB 79 79 119

HSL 240, 0.2%, 0.39%

LAB 35.17, 10.23, -22.77

 

CMYK 30 / 34 / 0 / 53

HEX #534F77

RGB 83 79 119

HSL 246, 0.2%, 0.39%

LAB 35.52, 11.52, -22.2

 

CMYK 48 / 53 / 0 / 47

HEX #463F87

RGB 70 63 135

HSL 245.83, 0.36%, 0.39%

LAB 30.89, 23.01, -39.52

 

CMYK 62 / 69 / 0 / 41

HEX #392F97

RGB 57 47 151

HSL 245.77, 0.53%, 0.39%

LAB 27.12, 35.87, -55.55

 

CMYK 74 / 81 / 0 / 35

HEX #2C1FA7

RGB 44 31 167

HSL 245.74, 0.69%, 0.39%

LAB 24.66, 48.38, -69.39

 

CMYK 83 / 92 / 0 / 28

HEX #1F0FB7

RGB 31 15 183

HSL 245.71, 0.85%, 0.39%

LAB 23.84, 58.53, -80.38

 

CMYK 30 / 34 / 0 / 53

HEX #534F77

RGB 83 79 119

HSL 246, 0.2%, 0.39%

LAB 35.52, 11.52, -22.2

 

CMYK 7 / 8 / 0 / 60

HEX #605F67

RGB 96 95 103

HSL 247.5, 0.04%, 0.39%

LAB 40.66, 2.12, -4.41

 

CMYK 2 / 0 / 22 / 56

HEX #6D6F57

RGB 109 111 87

HSL 65, 0.12%, 0.39%

LAB 46.05, -5.24, 13.14

 

CMYK 4 / 0 / 44 / 50

HEX #7A7F47

RGB 122 127 71

HSL 65.36, 0.28%, 0.39%

LAB 51.58, -10.94, 29.73

 

CMYK 6 / 0 / 62 / 44

HEX #878F36

RGB 135 143 54

HSL 65.39, 0.45%, 0.39%

LAB 57.14, -15.49, 45.04

 

CMYK 34 / 18 / 0 / 53

HEX #4F6177

RGB 79 97 119

HSL 213, 0.2%, 0.39%

LAB 40.48, -1.06, -14.6

 

CMYK 34 / 28 / 0 / 53

HEX #4F5677

RGB 79 86 119

HSL 229.5, 0.2%, 0.39%

LAB 37.21, 5.77, -19.62

 

CMYK 31 / 34 / 0 / 53

HEX #524F77

RGB 82 79 119

HSL 244.5, 0.2%, 0.39%

LAB 35.44, 11.19, -22.35

 

CMYK 22 / 34 / 0 / 53

HEX #5D4F77

RGB 93 79 119

HSL 261, 0.2%, 0.39%

LAB 36.46, 14.84, -20.67

 

CMYK 13 / 34 / 0 / 53

HEX #684F77

RGB 104 79 119

HSL 277.5, 0.2%, 0.39%

LAB 37.6, 18.63, -18.82

 

CMYK 30 / 33 / 0 / 73

HEX #302E45

RGB 48 46 69

HSL 245.22, 0.2%, 0.23%

LAB 20.09, 7.05, -14.05

 

CMYK 30 / 33 / 0 / 63

HEX #423F5E

RGB 66 63 94

HSL 245.81, 0.2%, 0.31%

LAB 28.17, 9.18, -17.93

 

CMYK 30 / 34 / 0 / 53

HEX #534F77

RGB 83 79 119

HSL 246, 0.2%, 0.39%

LAB 35.52, 11.52, -22.2

 

CMYK 31 / 33 / 0 / 44

HEX #646090

RGB 100 96 144

HSL 245, 0.2%, 0.47%

LAB 42.9, 13.13, -25.86

 

CMYK 25 / 28 / 0 / 36

HEX #7A75A3

RGB 122 117 163

HSL 246.52, 0.2%, 0.55%

LAB 51.27, 12.3, -23.97

 

CMYK 31 / 34 / 0 / 53

HEX #545079

RGB 84 80 121

HSL 245.85, 0.2%, 0.39%

LAB 35.99, 11.76, -22.71

 

CMYK 0 / 34 / 9 / 53

HEX #774F6C

RGB 119 79 108

HSL 316.5, 0.2%, 0.39%

LAB 38.89, 21.74, -9.88

 

CMYK 23 / 0 / 34 / 53

HEX #5C774F

RGB 92 119 79

HSL 100.5, 0.2%, 0.39%

LAB 47.02, -17.89, 18.91

 

CMYK 31 / 34 / 0 / 53

HEX #545079

RGB 84 80 121

HSL 245.85, 0.2%, 0.39%

LAB 35.99, 11.76, -22.71

 

CMYK 0 / 31 / 34 / 53

HEX #77524F

RGB 119 82 79

HSL 4.5, 0.2%, 0.39%

LAB 38.76, 15.04, 7.97

 

CMYK 34 / 0 / 31 / 53

HEX #4F7752

RGB 79 119 82

HSL 124.5, 0.2%, 0.39%

LAB 46.26, -22.2, 16.02

 

CMYK 31 / 34 / 0 / 53

HEX #545079

RGB 84 80 121

HSL 245.85, 0.2%, 0.39%

LAB 35.99, 11.76, -22.71

 

CMYK 0 / 34 / 9 / 53

HEX #774F6C

RGB 119 79 108

HSL 316.5, 0.2%, 0.39%

LAB 38.89, 21.74, -9.88

 

CMYK 3 / 0 / 34 / 53

HEX #74774F

RGB 116 119 79

HSL 64.5, 0.2%, 0.39%

LAB 48.85, -8.06, 21.67

 

CMYK 34 / 0 / 24 / 53

HEX #4F775A

RGB 79 119 90

HSL 136.5, 0.2%, 0.39%

LAB 46.44, -20.64, 11.58

 

CMYK 31 / 34 / 0 / 53

HEX #545079

RGB 84 80 121

HSL 245.85, 0.2%, 0.39%

LAB 35.99, 11.76, -22.71

 

CMYK 0 / 34 / 19 / 53

HEX #774F60

RGB 119 79 96

HSL 334.5, 0.2%, 0.39%

LAB 38.48, 19.55, -3.03

 

CMYK 3 / 0 / 34 / 53

HEX #74774F

RGB 116 119 79

HSL 64.5, 0.2%, 0.39%

LAB 48.85, -8.06, 21.67

 

CMYK 34 / 0 / 14 / 53

HEX #4F7766

RGB 79 119 102

HSL 154.5, 0.2%, 0.39%

LAB 46.73, -18.04, 4.91

 

Description

Color code: RGB 84 80 121 | qconv.com Color code: RGB 84 80 121 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 80 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 80 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 34 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 34% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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