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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 110 124 it is the complementary color RGB 171 145 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 110 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 110 124 shade: RGB 89 110 119, RGB 106 128 138, RGB 123 146 157, RGB 140 164 176 and RGB 157 182 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 110 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 110 124 shade: RGB 84 110 124, RGB 67 92 105, RGB 50 74 86, RGB 33 56 67 and RGB 16 38 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 110 124 shade: RGB 84 110 124, RGB 84 99 124, RGB 84 89 124, RGB 91 84 124 and RGB 101 84 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 110 124 shade: RGB 84 110 124, RGB 84 99 124, RGB 84 89 124 and RGB 84 84 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 110 124 shade matches the following richer shades: RGB 84 110 124, RGB 67 115 141, RGB 50 120 158, RGB 33 125 175 and RGB 17 130 192

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 110 124 shade: RGB 84 110 124, RGB 101 105 107, RGB 118 100 90, RGB 135 95 73 and RGB 152 90 56

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 110 124 shade: RGB 84 124 117, RGB 84 121 124, RGB 84 110 124, RGB 84 99 124 and RGB 84 89 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 110 124 shade: RGB 51 66 75, RGB 67 88 99, RGB 84 110 124, RGB 101 132 148 and RGB 125 152 166

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 110 124 shade: RGB 84 110 124, RGB 106 84 124 and RGB 124 122 84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 110 124 shade: RGB 84 110 124, RGB 124 84 110 and RGB 110 124 84

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 110 124 shade: RGB 84 110 124, RGB 106 84 124, RGB 124 98 84 and RGB 102 124 84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 110 124 shade: RGB 84 110 124, RGB 118 84 124, RGB 124 98 84 and RGB 90 124 84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 11 / 0 / 51

HEX #546E7C

RGB 84 110 124

HSL 201, 0.19%, 0.41%

LAB 44.93, -5.88, -10.84

 

Complementary color

CMYK 0 / 15 / 23 / 33

HEX #AB9183

RGB 171 145 131

HSL 21, 0.19%, 0.59%

LAB 62.12, 7.5, 11.04

 

CMYK 25 / 8 / 0 / 53

HEX #596E77

RGB 89 110 119

HSL 198, 0.14%, 0.41%

LAB 45.09, -5.54, -7.57

 

CMYK 23 / 7 / 0 / 46

HEX #6A808A

RGB 106 128 138

HSL 198.75, 0.13%, 0.48%

LAB 52.22, -5.58, -8.05

 

CMYK 22 / 7 / 0 / 38

HEX #7B929D

RGB 123 146 157

HSL 199.41, 0.15%, 0.55%

LAB 59.16, -5.62, -8.52

 

CMYK 20 / 7 / 0 / 31

HEX #8CA4B0

RGB 140 164 176

HSL 200, 0.19%, 0.62%

LAB 65.95, -5.67, -8.99

 

CMYK 19 / 7 / 0 / 24

HEX #9DB6C3

RGB 157 182 195

HSL 200.53, 0.24%, 0.69%

LAB 72.6, -5.72, -9.45

 

CMYK 32 / 11 / 0 / 51

HEX #546E7C

RGB 84 110 124

HSL 201, 0.19%, 0.41%

LAB 44.93, -5.88, -10.84

 

CMYK 36 / 12 / 0 / 59

HEX #435C69

RGB 67 92 105

HSL 200.53, 0.22%, 0.34%

LAB 37.6, -5.79, -10.44

 

CMYK 42 / 14 / 0 / 66

HEX #324A56

RGB 50 74 86

HSL 200, 0.26%, 0.27%

LAB 30.03, -5.66, -10.03

 

CMYK 51 / 16 / 0 / 74

HEX #213843

RGB 33 56 67

HSL 199.41, 0.34%, 0.2%

LAB 22.15, -5.47, -9.63

 

CMYK 67 / 21 / 0 / 81

HEX #102630

RGB 16 38 48

HSL 198.75, 0.5%, 0.13%

LAB 13.88, -5.08, -9.22

 

CMYK 32 / 11 / 0 / 51

HEX #546E7C

RGB 84 110 124

HSL 201, 0.19%, 0.41%

LAB 44.93, -5.88, -10.84

 

CMYK 32 / 20 / 0 / 51

HEX #54637C

RGB 84 99 124

HSL 217.5, 0.19%, 0.41%

LAB 41.63, 0.71, -15.85

 

CMYK 32 / 28 / 0 / 51

HEX #54597C

RGB 84 89 124

HSL 232.5, 0.19%, 0.41%

LAB 38.7, 6.9, -20.36

 

CMYK 27 / 32 / 0 / 51

HEX #5B547C

RGB 91 84 124

HSL 250.5, 0.19%, 0.41%

LAB 37.88, 12.33, -21.58

 

CMYK 19 / 32 / 0 / 51

HEX #65547C

RGB 101 84 124

HSL 265.5, 0.19%, 0.41%

LAB 38.83, 15.7, -20.02

 

CMYK 32 / 11 / 0 / 51

HEX #546E7C

RGB 84 110 124

HSL 201, 0.19%, 0.41%

LAB 44.93, -5.88, -10.84

 

CMYK 32 / 20 / 0 / 51

HEX #54637C

RGB 84 99 124

HSL 217.5, 0.19%, 0.41%

LAB 41.63, 0.71, -15.85

 

CMYK 32 / 28 / 0 / 51

HEX #54597C

RGB 84 89 124

HSL 232.5, 0.19%, 0.41%

LAB 38.7, 6.9, -20.36

 

CMYK 32 / 32 / 0 / 51

HEX #54547C

RGB 84 84 124

HSL 240, 0.19%, 0.41%

LAB 37.26, 10.06, -22.58

 

CMYK 32 / 11 / 0 / 51

HEX #546E7C

RGB 84 110 124

HSL 201, 0.19%, 0.41%

LAB 44.93, -5.88, -10.84

 

CMYK 52 / 18 / 0 / 45

HEX #43738D

RGB 67 115 141

HSL 201.08, 0.36%, 0.41%

LAB 46.15, -8.6, -19.22

 

CMYK 68 / 24 / 0 / 38

HEX #32789E

RGB 50 120 158

HSL 201.11, 0.52%, 0.41%

LAB 47.73, -9.35, -26.87

 

CMYK 81 / 29 / 0 / 31

HEX #217DAF

RGB 33 125 175

HSL 201.13, 0.68%, 0.41%

LAB 49.6, -8.43, -33.88

 

CMYK 91 / 32 / 0 / 25

HEX #1182C0

RGB 17 130 192

HSL 201.26, 0.84%, 0.41%

LAB 51.71, -6.19, -40.36

 

CMYK 32 / 11 / 0 / 51

HEX #546E7C

RGB 84 110 124

HSL 201, 0.19%, 0.41%

LAB 44.93, -5.88, -10.84

 

CMYK 6 / 2 / 0 / 58

HEX #65696B

RGB 101 105 107

HSL 200, 0.03%, 0.41%

LAB 44.13, -1.11, -1.66

 

CMYK 0 / 15 / 24 / 54

HEX #76645A

RGB 118 100 90

HSL 21.43, 0.13%, 0.41%

LAB 43.81, 5.48, 8.34

 

CMYK 0 / 30 / 46 / 47

HEX #875F49

RGB 135 95 73

HSL 21.29, 0.3%, 0.41%

LAB 43.97, 13.43, 19.06

 

CMYK 0 / 41 / 63 / 40

HEX #985A38

RGB 152 90 56

HSL 21.25, 0.46%, 0.41%

LAB 44.62, 22.16, 30.22

 

CMYK 32 / 0 / 6 / 51

HEX #547C75

RGB 84 124 117

HSL 169.5, 0.19%, 0.41%

LAB 48.99, -15.59, -0.65

 

CMYK 32 / 2 / 0 / 51

HEX #54797C

RGB 84 121 124

HSL 184.5, 0.19%, 0.41%

LAB 48.28, -12.18, -5.83

 

CMYK 32 / 11 / 0 / 51

HEX #546E7C

RGB 84 110 124

HSL 201, 0.19%, 0.41%

LAB 44.93, -5.88, -10.84

 

CMYK 32 / 20 / 0 / 51

HEX #54637C

RGB 84 99 124

HSL 217.5, 0.19%, 0.41%

LAB 41.63, 0.71, -15.85

 

CMYK 32 / 28 / 0 / 51

HEX #54597C

RGB 84 89 124

HSL 232.5, 0.19%, 0.41%

LAB 38.7, 6.9, -20.36

 

CMYK 32 / 12 / 0 / 71

HEX #33424B

RGB 51 66 75

HSL 202.5, 0.19%, 0.25%

LAB 27.04, -3.53, -7.41

 

CMYK 32 / 11 / 0 / 61

HEX #435863

RGB 67 88 99

HSL 200.63, 0.19%, 0.33%

LAB 36.13, -5.04, -8.94

 

CMYK 32 / 11 / 0 / 51

HEX #546E7C

RGB 84 110 124

HSL 201, 0.19%, 0.41%

LAB 44.93, -5.88, -10.84

 

CMYK 32 / 11 / 0 / 42

HEX #658494

RGB 101 132 148

HSL 200.43, 0.19%, 0.49%

LAB 53.39, -6.94, -12.14

 

CMYK 25 / 8 / 0 / 35

HEX #7D98A6

RGB 125 152 166

HSL 200.49, 0.19%, 0.57%

LAB 61.28, -6.18, -10.45

 

CMYK 32 / 11 / 0 / 51

HEX #546E7C

RGB 84 110 124

HSL 201, 0.19%, 0.41%

LAB 44.93, -5.88, -10.84

 

CMYK 15 / 32 / 0 / 51

HEX #6A547C

RGB 106 84 124

HSL 273, 0.19%, 0.41%

LAB 39.34, 17.42, -19.2

 

CMYK 0 / 2 / 32 / 51

HEX #7C7A54

RGB 124 122 84

HSL 57, 0.19%, 0.41%

LAB 50.5, -5.65, 21.13

 

CMYK 32 / 11 / 0 / 51

HEX #546E7C

RGB 84 110 124

HSL 201, 0.19%, 0.41%

LAB 44.93, -5.88, -10.84

 

CMYK 0 / 32 / 11 / 51

HEX #7C546E

RGB 124 84 110

HSL 321, 0.19%, 0.41%

LAB 40.82, 21.01, -8.16

 

CMYK 11 / 0 / 32 / 51

HEX #6E7C54

RGB 110 124 84

HSL 81, 0.19%, 0.41%

LAB 49.94, -12.61, 20.18

 

CMYK 32 / 11 / 0 / 51

HEX #546E7C

RGB 84 110 124

HSL 201, 0.19%, 0.41%

LAB 44.93, -5.88, -10.84

 

CMYK 15 / 32 / 0 / 51

HEX #6A547C

RGB 106 84 124

HSL 273, 0.19%, 0.41%

LAB 39.34, 17.42, -19.2

 

CMYK 0 / 21 / 32 / 51

HEX #7C6254

RGB 124 98 84

HSL 21, 0.19%, 0.41%

LAB 43.74, 8.3, 11.96

 

CMYK 18 / 0 / 32 / 51

HEX #667C54

RGB 102 124 84

HSL 93, 0.19%, 0.41%

LAB 49.35, -15.83, 19.28

 

CMYK 32 / 11 / 0 / 51

HEX #546E7C

RGB 84 110 124

HSL 201, 0.19%, 0.41%

LAB 44.93, -5.88, -10.84

 

CMYK 5 / 32 / 0 / 51

HEX #76547C

RGB 118 84 124

HSL 291, 0.19%, 0.41%

LAB 40.65, 21.62, -17.08

 

CMYK 0 / 21 / 32 / 51

HEX #7C6254

RGB 124 98 84

HSL 21, 0.19%, 0.41%

LAB 43.74, 8.3, 11.96

 

CMYK 27 / 0 / 32 / 51

HEX #5A7C54

RGB 90 124 84

HSL 111, 0.19%, 0.41%

LAB 48.55, -20.45, 18.07

 

Description

Color code: RGB 84 110 124 | qconv.com Color code: RGB 84 110 124 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 110 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 110 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 11 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 11% 0% 51% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

74% - PerfectShow :: Digit...
Link: http://perfectshow.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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