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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 121 203 it is the complementary color RGB 171 134 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 121 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 121 203 shade: RGB 89 121 198, RGB 106 139 217, RGB 123 157 236, RGB 140 175 255 and RGB 157 193 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 121 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 121 203 shade: RGB 84 121 203, RGB 67 103 184, RGB 50 85 165, RGB 33 67 146 and RGB 16 49 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 121 203 shade: RGB 83 120 202, RGB 83 88 202, RGB 110 83 202, RGB 142 83 202 and RGB 174 83 202

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 121 203 shade: RGB 83 120 202, RGB 83 88 202 and RGB 83 83 202

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 121 203 shade matches the following richer shades: RGB 83 120 202, RGB 65 113 220 and RGB 47 106 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 121 203 shade: RGB 83 120 202, RGB 101 127 184, RGB 119 134 165, RGB 137 140 147 and RGB 155 147 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 121 203 shade: RGB 83 184 202, RGB 83 152 202, RGB 83 120 202, RGB 83 89 202 and RGB 109 83 202

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 121 203 shade: RGB 47 81 155, RGB 57 97 186, RGB 83 120 202, RGB 114 145 211 and RGB 146 169 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 121 203 shade: RGB 84 121 203, RGB 188 83 202 and RGB 168 202 83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 121 203 shade: RGB 84 121 203, RGB 202 83 120 and RGB 120 202 83

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 121 203 shade: RGB 84 121 203, RGB 188 83 202, RGB 202 164 83 and RGB 97 202 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 121 203 shade: RGB 84 121 203, RGB 202 83 180, RGB 202 164 83 and RGB 83 202 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 40 / 0 / 20

HEX #5479CB

RGB 84 121 203

HSL 221.34, 0.53%, 0.56%

LAB 51.69, 11.8, -46.54

 

Complementary color

CMYK 0 / 22 / 70 / 33

HEX #AB8634

RGB 171 134 52

HSL 41.34, 0.53%, 0.44%

LAB 58, 5.38, 47.87

 

CMYK 55 / 39 / 0 / 22

HEX #5979C6

RGB 89 121 198

HSL 222.39, 0.49%, 0.56%

LAB 51.7, 11.2, -43.66

 

CMYK 51 / 36 / 0 / 15

HEX #6A8BD9

RGB 106 139 217

HSL 222.16, 0.59%, 0.63%

LAB 58.55, 10.19, -43.52

 

CMYK 48 / 33 / 0 / 7

HEX #7B9DEC

RGB 123 157 236

HSL 221.95, 0.75%, 0.7%

LAB 65.26, 9.35, -43.41

 

CMYK 45 / 31 / 0 / 0

HEX #8CAFFF

RGB 140 175 255

HSL 221.74, 1%, 0.77%

LAB 71.86, 8.64, -43.35

 

CMYK 38 / 24 / 0 / 0

HEX #9DC1FF

RGB 157 193 255

HSL 217.96, 1%, 0.81%

LAB 77.6, 2.94, -34.36

 

CMYK 59 / 40 / 0 / 20

HEX #5479CB

RGB 84 121 203

HSL 221.34, 0.53%, 0.56%

LAB 51.69, 11.8, -46.54

 

CMYK 64 / 44 / 0 / 28

HEX #4367B8

RGB 67 103 184

HSL 221.54, 0.47%, 0.49%

LAB 44.74, 13.22, -46.74

 

CMYK 70 / 48 / 0 / 35

HEX #3255A5

RGB 50 85 165

HSL 221.74, 0.53%, 0.42%

LAB 37.65, 15.02, -46.95

 

CMYK 77 / 54 / 0 / 43

HEX #214392

RGB 33 67 146

HSL 221.95, 0.63%, 0.35%

LAB 30.43, 17.36, -47.16

 

CMYK 87 / 61 / 0 / 50

HEX #10317F

RGB 16 49 127

HSL 222.16, 0.78%, 0.28%

LAB 23.13, 20.44, -47.25

 

CMYK 59 / 41 / 0 / 21

HEX #5378CA

RGB 83 120 202

HSL 221.34, 0.53%, 0.56%

LAB 51.31, 11.88, -46.58

 

CMYK 59 / 56 / 0 / 21

HEX #5358CA

RGB 83 88 202

HSL 237.48, 0.53%, 0.56%

LAB 42.89, 31.8, -60.1

 

CMYK 46 / 59 / 0 / 21

HEX #6E53CA

RGB 110 83 202

HSL 253.61, 0.53%, 0.56%

LAB 43.9, 40.14, -58.36

 

CMYK 30 / 59 / 0 / 21

HEX #8E53CA

RGB 142 83 202

HSL 269.75, 0.53%, 0.56%

LAB 47.24, 47.39, -52.81

 

CMYK 14 / 59 / 0 / 21

HEX #AE53CA

RGB 174 83 202

HSL 285.88, 0.53%, 0.56%

LAB 51.21, 55.25, -46.24

 

CMYK 59 / 41 / 0 / 21

HEX #5378CA

RGB 83 120 202

HSL 221.34, 0.53%, 0.56%

LAB 51.31, 11.88, -46.58

 

CMYK 59 / 56 / 0 / 21

HEX #5358CA

RGB 83 88 202

HSL 237.48, 0.53%, 0.56%

LAB 42.89, 31.8, -60.1

 

CMYK 59 / 59 / 0 / 21

HEX #5353CA

RGB 83 83 202

HSL 240, 0.53%, 0.56%

LAB 41.67, 34.89, -62.07

 

CMYK 59 / 41 / 0 / 21

HEX #5378CA

RGB 83 120 202

HSL 221.34, 0.53%, 0.56%

LAB 51.31, 11.88, -46.58

 

CMYK 70 / 49 / 0 / 14

HEX #4171DC

RGB 65 113 220

HSL 221.42, 0.69%, 0.56%

LAB 49.62, 19.45, -59.56

 

CMYK 80 / 55 / 0 / 7

HEX #2F6AEE

RGB 47 106 238

HSL 221.47, 0.85%, 0.56%

LAB 48.37, 28.42, -71.75

 

CMYK 59 / 41 / 0 / 21

HEX #5378CA

RGB 83 120 202

HSL 221.34, 0.53%, 0.56%

LAB 51.31, 11.88, -46.58

 

CMYK 45 / 31 / 0 / 28

HEX #657FB8

RGB 101 127 184

HSL 221.2, 0.37%, 0.56%

LAB 53.39, 6.06, -32.93

 

CMYK 28 / 19 / 0 / 35

HEX #7786A5

RGB 119 134 165

HSL 220.43, 0.2%, 0.56%

LAB 55.77, 1.86, -18.24

 

CMYK 7 / 5 / 0 / 42

HEX #898C93

RGB 137 140 147

HSL 222, 0.04%, 0.56%

LAB 58.21, 0.33, -4.11

 

CMYK 0 / 5 / 17 / 39

HEX #9B9381

RGB 155 147 129

HSL 41.54, 0.12%, 0.56%

LAB 61.15, -0.2, 10.59

 

CMYK 59 / 9 / 0 / 21

HEX #53B8CA

RGB 83 184 202

HSL 189.08, 0.53%, 0.56%

LAB 69.74, -24.05, -17.96

 

CMYK 59 / 25 / 0 / 21

HEX #5398CA

RGB 83 152 202

HSL 205.21, 0.53%, 0.56%

LAB 60.39, -6.98, -32.3

 

CMYK 59 / 41 / 0 / 21

HEX #5378CA

RGB 83 120 202

HSL 221.34, 0.53%, 0.56%

LAB 51.31, 11.88, -46.58

 

CMYK 59 / 56 / 0 / 21

HEX #5359CA

RGB 83 89 202

HSL 236.97, 0.53%, 0.56%

LAB 43.13, 31.18, -59.7

 

CMYK 46 / 59 / 0 / 21

HEX #6D53CA

RGB 109 83 202

HSL 253.11, 0.53%, 0.56%

LAB 43.8, 39.93, -58.52

 

CMYK 70 / 48 / 0 / 39

HEX #2F519B

RGB 47 81 155

HSL 221.11, 0.53%, 0.4%

LAB 35.71, 13.42, -44.09

 

CMYK 69 / 48 / 0 / 27

HEX #3961BA

RGB 57 97 186

HSL 221.4, 0.53%, 0.48%

LAB 42.71, 16.09, -51.18

 

CMYK 59 / 41 / 0 / 21

HEX #5378CA

RGB 83 120 202

HSL 221.34, 0.53%, 0.56%

LAB 51.31, 11.88, -46.58

 

CMYK 46 / 31 / 0 / 17

HEX #7291D3

RGB 114 145 211

HSL 220.82, 0.52%, 0.64%

LAB 60.37, 6.76, -37.27

 

CMYK 34 / 24 / 0 / 13

HEX #92A9DD

RGB 146 169 221

HSL 221.6, 0.52%, 0.72%

LAB 69.26, 4.34, -28.85

 

CMYK 59 / 40 / 0 / 20

HEX #5479CB

RGB 84 121 203

HSL 221.34, 0.53%, 0.56%

LAB 51.69, 11.8, -46.54

 

CMYK 7 / 59 / 0 / 21

HEX #BC53CA

RGB 188 83 202

HSL 292.94, 0.53%, 0.56%

LAB 53.1, 58.78, -43.11

 

CMYK 17 / 0 / 59 / 21

HEX #A8CA53

RGB 168 202 83

HSL 77.14, 0.53%, 0.56%

LAB 76.79, -28.97, 54.41

 

CMYK 59 / 40 / 0 / 20

HEX #5479CB

RGB 84 121 203

HSL 221.34, 0.53%, 0.56%

LAB 51.69, 11.8, -46.54

 

CMYK 0 / 59 / 41 / 21

HEX #CA5378

RGB 202 83 120

HSL 341.34, 0.53%, 0.56%

LAB 51.95, 50.7, 3.42

 

CMYK 41 / 0 / 59 / 21

HEX #78CA53

RGB 120 202 83

HSL 101.34, 0.53%, 0.56%

LAB 74.1, -46.32, 50.64

 

CMYK 59 / 40 / 0 / 20

HEX #5479CB

RGB 84 121 203

HSL 221.34, 0.53%, 0.56%

LAB 51.69, 11.8, -46.54

 

CMYK 7 / 59 / 0 / 21

HEX #BC53CA

RGB 188 83 202

HSL 292.94, 0.53%, 0.56%

LAB 53.1, 58.78, -43.11

 

CMYK 0 / 19 / 59 / 21

HEX #CAA453

RGB 202 164 83

HSL 40.84, 0.53%, 0.56%

LAB 69.28, 4.58, 46.6

 

CMYK 52 / 0 / 59 / 21

HEX #61CA53

RGB 97 202 83

HSL 112.94, 0.53%, 0.56%

LAB 73.16, -53.16, 49.31

 

CMYK 59 / 40 / 0 / 20

HEX #5479CB

RGB 84 121 203

HSL 221.34, 0.53%, 0.56%

LAB 51.69, 11.8, -46.54

 

CMYK 0 / 59 / 11 / 21

HEX #CA53B4

RGB 202 83 180

HSL 311.09, 0.53%, 0.56%

LAB 54.07, 58.7, -28.78

 

CMYK 0 / 19 / 59 / 21

HEX #CAA453

RGB 202 164 83

HSL 40.84, 0.53%, 0.56%

LAB 69.28, 4.58, 46.6

 

CMYK 59 / 0 / 48 / 21

HEX #53CA69

RGB 83 202 105

HSL 131.09, 0.53%, 0.56%

LAB 72.96, -53.79, 38.5

 

Description

Color code: RGB 84 121 203 | qconv.com Color code: RGB 84 121 203 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 121 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 121 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 40 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 40% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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