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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 129 3 it is the complementary color RGB 171 126 252. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 129 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 129 3 shade: RGB 89 129 0, RGB 106 147 17, RGB 123 165 36, RGB 140 183 55 and RGB 157 201 74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 129 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 129 3 shade: RGB 84 129 3, RGB 67 111 0, RGB 50 93 0, RGB 33 75 0 and RGB 16 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 129 3 shade: RGB 84 129 3, RGB 118 129 3, RGB 129 106 3, RGB 129 72 3 and RGB 129 38 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 129 3 shade: RGB 84 129 3, RGB 50 129 3, RGB 16 129 3, RGB 3 129 24 and RGB 3 129 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 129 3 shade matches the following richer shades: RGB 84 129 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 129 3 shade: RGB 84 129 3, RGB 81 118 14, RGB 78 107 24, RGB 75 97 35 and RGB 72 86 46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 129 3 shade: RGB 129 106 3, RGB 118 129 3, RGB 85 129 3, RGB 51 129 3 and RGB 18 129 3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 129 3 shade: RGB 31 48 1, RGB 58 89 2, RGB 84 129 3, RGB 110 169 4 and RGB 136 209 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 129 3 shade: RGB 84 129 3, RGB 3 129 72 and RGB 122 3 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 129 3 shade: RGB 84 129 3, RGB 3 85 129 and RGB 129 3 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 129 3 shade: RGB 84 129 3, RGB 3 129 72, RGB 47 3 129 and RGB 129 3 60

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 129 3 shade: RGB 84 129 3, RGB 3 129 110, RGB 47 3 129 and RGB 129 3 22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 98 / 49

HEX #548103

RGB 84 129 3

HSL 81.43, 0.95%, 0.26%

LAB 49, -32.7, 52.51

 

Complementary color

CMYK 32 / 50 / 0 / 1

HEX #AB7EFC

RGB 171 126 252

HSL 261.43, 0.95%, 0.74%

LAB 62.18, 43.35, -56.86

 

CMYK 31 / 0 / 100 / 49

HEX #598100

RGB 89 129 0

HSL 78.6, 1%, 0.25%

LAB 49.28, -30.77, 53.46

 

CMYK 28 / 0 / 88 / 42

HEX #6A9311

RGB 106 147 17

HSL 78.92, 0.79%, 0.32%

LAB 56.06, -31.8, 56.19

 

CMYK 25 / 0 / 78 / 35

HEX #7BA524

RGB 123 165 36

HSL 79.53, 0.64%, 0.39%

LAB 62.72, -32.57, 57.38

 

CMYK 23 / 0 / 70 / 28

HEX #8CB737

RGB 140 183 55

HSL 80.16, 0.54%, 0.47%

LAB 69.27, -33.12, 57.44

 

CMYK 22 / 0 / 63 / 21

HEX #9DC94A

RGB 157 201 74

HSL 80.79, 0.54%, 0.54%

LAB 75.72, -33.5, 56.9

 

CMYK 35 / 0 / 98 / 49

HEX #548103

RGB 84 129 3

HSL 81.43, 0.95%, 0.26%

LAB 49, -32.7, 52.51

 

CMYK 40 / 0 / 100 / 56

HEX #436F00

RGB 67 111 0

HSL 83.78, 1%, 0.22%

LAB 42.1, -31.3, 47.37

 

CMYK 46 / 0 / 100 / 64

HEX #325D00

RGB 50 93 0

HSL 87.74, 1%, 0.18%

LAB 35.02, -29.73, 41.48

 

CMYK 56 / 0 / 100 / 71

HEX #214B00

RGB 33 75 0

HSL 93.6, 1%, 0.15%

LAB 27.72, -27.98, 35.38

 

CMYK 72 / 0 / 100 / 78

HEX #103900

RGB 16 57 0

HSL 103.16, 1%, 0.11%

LAB 20.19, -25.83, 27.69

 

CMYK 35 / 0 / 98 / 49

HEX #548103

RGB 84 129 3

HSL 81.43, 0.95%, 0.26%

LAB 49, -32.7, 52.51

 

CMYK 9 / 0 / 98 / 49

HEX #768103

RGB 118 129 3

HSL 65.24, 0.95%, 0.26%

LAB 51.33, -18.02, 55.33

 

CMYK 0 / 18 / 98 / 49

HEX #816A03

RGB 129 106 3

HSL 49.05, 0.95%, 0.26%

LAB 45.61, -0.1, 51.52

 

CMYK 0 / 44 / 98 / 49

HEX #814803

RGB 129 72 3

HSL 32.86, 0.95%, 0.26%

LAB 36.57, 19.89, 45.13

 

CMYK 0 / 71 / 98 / 49

HEX #812603

RGB 129 38 3

HSL 16.67, 0.95%, 0.26%

LAB 29.56, 37.77, 40.37

 

CMYK 35 / 0 / 98 / 49

HEX #548103

RGB 84 129 3

HSL 81.43, 0.95%, 0.26%

LAB 49, -32.7, 52.51

 

CMYK 61 / 0 / 98 / 49

HEX #328103

RGB 50 129 3

HSL 97.62, 0.95%, 0.26%

LAB 47.48, -44.18, 50.66

 

CMYK 88 / 0 / 98 / 49

HEX #108103

RGB 16 129 3

HSL 113.81, 0.95%, 0.26%

LAB 46.73, -50.55, 49.74

 

CMYK 98 / 0 / 81 / 49

HEX #038118

RGB 3 129 24

HSL 130, 0.95%, 0.26%

LAB 46.69, -50.62, 44.58

 

CMYK 98 / 0 / 55 / 49

HEX #03813A

RGB 3 129 58

HSL 146.19, 0.95%, 0.26%

LAB 47.01, -46.67, 29.91

 

CMYK 35 / 0 / 98 / 49

HEX #548103

RGB 84 129 3

HSL 81.43, 0.95%, 0.26%

LAB 49, -32.7, 52.51

 

CMYK 35 / 0 / 98 / 49

HEX #548103

RGB 84 129 3

HSL 81.43, 0.95%, 0.26%

LAB 49, -32.7, 52.51

 

CMYK 31 / 0 / 88 / 54

HEX #51760E

RGB 81 118 14

HSL 81.35, 0.79%, 0.26%

LAB 45.27, -28.45, 47.07

 

CMYK 27 / 0 / 78 / 58

HEX #4E6B18

RGB 78 107 24

HSL 80.96, 0.63%, 0.26%

LAB 41.53, -23.83, 40.39

 

CMYK 23 / 0 / 64 / 62

HEX #4B6123

RGB 75 97 35

HSL 81.29, 0.47%, 0.26%

LAB 38.14, -19.1, 31.89

 

CMYK 16 / 0 / 47 / 66

HEX #48562E

RGB 72 86 46

HSL 81, 0.3%, 0.26%

LAB 34.46, -13.09, 21.46

 

CMYK 0 / 18 / 98 / 49

HEX #816A03

RGB 129 106 3

HSL 49.05, 0.95%, 0.26%

LAB 45.61, -0.1, 51.52

 

CMYK 9 / 0 / 98 / 49

HEX #768103

RGB 118 129 3

HSL 65.24, 0.95%, 0.26%

LAB 51.33, -18.02, 55.33

 

CMYK 34 / 0 / 98 / 49

HEX #558103

RGB 85 129 3

HSL 80.95, 0.95%, 0.26%

LAB 49.05, -32.3, 52.58

 

CMYK 60 / 0 / 98 / 49

HEX #338103

RGB 51 129 3

HSL 97.14, 0.95%, 0.26%

LAB 47.51, -43.91, 50.7

 

CMYK 86 / 0 / 98 / 49

HEX #128103

RGB 18 129 3

HSL 112.86, 0.95%, 0.26%

LAB 46.76, -50.33, 49.77

 

CMYK 35 / 0 / 98 / 81

HEX #1F3001

RGB 31 48 1

HSL 81.7, 0.96%, 0.1%

LAB 17.49, -15.5, 24.33

 

CMYK 35 / 0 / 98 / 65

HEX #3A5902

RGB 58 89 2

HSL 81.38, 0.96%, 0.18%

LAB 34.08, -24.52, 40.29

 

CMYK 35 / 0 / 98 / 49

HEX #548103

RGB 84 129 3

HSL 81.43, 0.95%, 0.26%

LAB 49, -32.7, 52.51

 

CMYK 35 / 0 / 98 / 34

HEX #6EA904

RGB 110 169 4

HSL 81.45, 0.95%, 0.34%

LAB 63.09, -40.39, 64.06

 

CMYK 35 / 0 / 98 / 18

HEX #88D105

RGB 136 209 5

HSL 81.47, 0.95%, 0.42%

LAB 76.59, -47.72, 75.1

 

CMYK 35 / 0 / 98 / 49

HEX #548103

RGB 84 129 3

HSL 81.43, 0.95%, 0.26%

LAB 49, -32.7, 52.51

 

CMYK 98 / 0 / 44 / 49

HEX #038148

RGB 3 129 72

HSL 152.86, 0.95%, 0.26%

LAB 47.22, -44.12, 22.6

 

CMYK 5 / 98 / 0 / 49

HEX #7A0381

RGB 122 3 129

HSL 296.67, 0.95%, 0.26%

LAB 28.87, 57.57, -38.65

 

CMYK 35 / 0 / 98 / 49

HEX #548103

RGB 84 129 3

HSL 81.43, 0.95%, 0.26%

LAB 49, -32.7, 52.51

 

CMYK 98 / 34 / 0 / 49

HEX #035581

RGB 3 85 129

HSL 200.95, 0.95%, 0.26%

LAB 34.19, -4.31, -30.73

 

CMYK 0 / 98 / 34 / 49

HEX #810355

RGB 129 3 85

HSL 320.95, 0.95%, 0.26%

LAB 27.81, 52.77, -11.8

 

CMYK 35 / 0 / 98 / 49

HEX #548103

RGB 84 129 3

HSL 81.43, 0.95%, 0.26%

LAB 49, -32.7, 52.51

 

CMYK 98 / 0 / 44 / 49

HEX #038148

RGB 3 129 72

HSL 152.86, 0.95%, 0.26%

LAB 47.22, -44.12, 22.6

 

CMYK 64 / 98 / 0 / 49

HEX #2F0381

RGB 47 3 129

HSL 260.95, 0.95%, 0.26%

LAB 16.77, 48.17, -58.93

 

CMYK 0 / 98 / 53 / 49

HEX #81033C

RGB 129 3 60

HSL 332.86, 0.95%, 0.26%

LAB 26.9, 50.35, 3.66

 

CMYK 35 / 0 / 98 / 49

HEX #548103

RGB 84 129 3

HSL 81.43, 0.95%, 0.26%

LAB 49, -32.7, 52.51

 

CMYK 98 / 0 / 15 / 49

HEX #03816E

RGB 3 129 110

HSL 170.95, 0.95%, 0.26%

LAB 48.06, -34.7, 1.84

 

CMYK 64 / 98 / 0 / 49

HEX #2F0381

RGB 47 3 129

HSL 260.95, 0.95%, 0.26%

LAB 16.77, 48.17, -58.93

 

CMYK 0 / 98 / 83 / 49

HEX #810316

RGB 129 3 22

HSL 350.95, 0.95%, 0.26%

LAB 26.13, 48.24, 28.16

 

Description

Color code: RGB 84 129 3 | qconv.com Color code: RGB 84 129 3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 129 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 129 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 98 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 98% 49% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

57% - Registro Único
Link: http://www.cifsanisidro.com.ar

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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