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Color name
RGB 84 240 25

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 240 25 it is the complementary color RGB 171 15 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 240 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 240 25 shade: RGB 89 240 20, RGB 106 255 39, RGB 123 255 58, RGB 140 255 77 and RGB 157 255 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 240 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 240 25 shade: RGB 84 240 25, RGB 67 222 6, RGB 50 204 0, RGB 33 186 0 and RGB 16 168 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 240 25 shade: RGB 84 240 24, RGB 142 240 24, RGB 200 240 24, RGB 240 222 24 and RGB 240 164 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 240 25 shade: RGB 84 240 24, RGB 25 240 24, RGB 24 240 81, RGB 24 240 140 and RGB 24 240 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 240 25 shade matches the following richer shades: RGB 84 240 24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 240 25 shade: RGB 84 240 24, RGB 92 220 44, RGB 101 200 64, RGB 110 180 84 and RGB 119 161 104

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 240 25 shade: RGB 200 240 24, RGB 143 240 24, RGB 85 240 24, RGB 28 240 24 and RGB 24 240 78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 240 25 shade: RGB 55 171 10, RGB 67 210 13, RGB 84 240 24, RGB 112 242 63 and RGB 141 245 102

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 240 25 shade: RGB 84 240 25, RGB 24 240 222 and RGB 240 24 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 240 25 shade: RGB 84 240 25, RGB 24 85 240 and RGB 240 24 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 240 25 shade: RGB 84 240 25, RGB 24 240 222, RGB 179 24 240 and RGB 240 24 42

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 240 25 shade: RGB 84 240 25, RGB 24 193 240, RGB 179 24 240 and RGB 240 71 24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 90 / 6

HEX #54F019

RGB 84 240 25

HSL 103.53, 0.88%, 0.52%

LAB 84.11, -73.15, 78.11

 

Complementary color

CMYK 26 / 93 / 0 / 10

HEX #AB0FE6

RGB 171 15 230

HSL 283.53, 0.88%, 0.48%

LAB 45.24, 81.13, -71.87

 

CMYK 63 / 0 / 92 / 6

HEX #59F014

RGB 89 240 20

HSL 101.18, 0.88%, 0.51%

LAB 84.22, -72.23, 78.96

 

CMYK 58 / 0 / 85 / 0

HEX #6AFF27

RGB 106 255 39

HSL 101.39, 1%, 0.58%

LAB 89.27, -72.69, 80.25

 

CMYK 52 / 0 / 77 / 0

HEX #7BFF3A

RGB 123 255 58

HSL 100.2, 1%, 0.61%

LAB 89.88, -67.56, 76.3

 

CMYK 45 / 0 / 70 / 0

HEX #8CFF4D

RGB 140 255 77

HSL 98.76, 1%, 0.65%

LAB 90.61, -61.6, 71.12

 

CMYK 38 / 0 / 62 / 0

HEX #9DFF60

RGB 157 255 96

HSL 96.98, 1%, 0.69%

LAB 91.47, -54.9, 65.01

 

CMYK 65 / 0 / 90 / 6

HEX #54F019

RGB 84 240 25

HSL 103.53, 0.88%, 0.52%

LAB 84.11, -73.15, 78.11

 

CMYK 70 / 0 / 97 / 13

HEX #43DE06

RGB 67 222 6

HSL 103.06, 0.95%, 0.45%

LAB 78.14, -71.23, 75.23

 

CMYK 75 / 0 / 100 / 20

HEX #32CC00

RGB 50 204 0

HSL 105.29, 1%, 0.4%

LAB 72.14, -68.74, 70.86

 

CMYK 82 / 0 / 100 / 27

HEX #21BA00

RGB 33 186 0

HSL 109.35, 1%, 0.36%

LAB 66.09, -65.72, 65.93

 

CMYK 90 / 0 / 100 / 34

HEX #10A800

RGB 16 168 0

HSL 114.29, 1%, 0.33%

LAB 59.99, -62.14, 60.98

 

CMYK 65 / 0 / 90 / 6

HEX #54F018

RGB 84 240 24

HSL 103.33, 0.88%, 0.52%

LAB 84.11, -73.18, 78.26

 

CMYK 41 / 0 / 90 / 6

HEX #8EF018

RGB 142 240 24

HSL 87.22, 0.88%, 0.52%

LAB 86.07, -57.69, 80.7

 

CMYK 17 / 0 / 90 / 6

HEX #C8F018

RGB 200 240 24

HSL 71.11, 0.88%, 0.52%

LAB 89.24, -36.58, 84.58

 

CMYK 0 / 8 / 90 / 6

HEX #F0DE18

RGB 240 222 24

HSL 55, 0.88%, 0.52%

LAB 87.4, -11.56, 84.42

 

CMYK 0 / 32 / 90 / 6

HEX #F0A418

RGB 240 164 24

HSL 38.89, 0.88%, 0.52%

LAB 72.99, 18.38, 73.4

 

CMYK 65 / 0 / 90 / 6

HEX #54F018

RGB 84 240 24

HSL 103.33, 0.88%, 0.52%

LAB 84.11, -73.18, 78.26

 

CMYK 90 / 0 / 90 / 6

HEX #19F018

RGB 25 240 24

HSL 119.72, 0.88%, 0.52%

LAB 83.23, -80.87, 77.17

 

CMYK 90 / 0 / 66 / 6

HEX #18F051

RGB 24 240 81

HSL 135.83, 0.88%, 0.52%

LAB 83.5, -77.38, 61.33

 

CMYK 90 / 0 / 42 / 6

HEX #18F08C

RGB 24 240 140

HSL 152.22, 0.88%, 0.52%

LAB 84.18, -69.13, 35.29

 

CMYK 90 / 0 / 18 / 6

HEX #18F0C6

RGB 24 240 198

HSL 168.33, 0.88%, 0.52%

LAB 85.3, -56.61, 7.05

 

CMYK 65 / 0 / 90 / 6

HEX #54F018

RGB 84 240 24

HSL 103.33, 0.88%, 0.52%

LAB 84.11, -73.18, 78.26

 

CMYK 65 / 0 / 90 / 6

HEX #54F018

RGB 84 240 24

HSL 103.33, 0.88%, 0.52%

LAB 84.11, -73.18, 78.26

 

CMYK 58 / 0 / 80 / 14

HEX #5CDC2C

RGB 92 220 44

HSL 103.64, 0.72%, 0.52%

LAB 78.25, -64.1, 68.99

 

CMYK 50 / 0 / 68 / 22

HEX #65C840

RGB 101 200 64

HSL 103.68, 0.55%, 0.52%

LAB 72.53, -53.11, 56.72

 

CMYK 39 / 0 / 53 / 29

HEX #6EB454

RGB 110 180 84

HSL 103.75, 0.39%, 0.52%

LAB 66.97, -40.08, 41.71

 

CMYK 26 / 0 / 35 / 37

HEX #77A168

RGB 119 161 104

HSL 104.21, 0.23%, 0.52%

LAB 62.01, -25.33, 25.21

 

CMYK 17 / 0 / 90 / 6

HEX #C8F018

RGB 200 240 24

HSL 71.11, 0.88%, 0.52%

LAB 89.24, -36.58, 84.58

 

CMYK 40 / 0 / 90 / 6

HEX #8FF018

RGB 143 240 24

HSL 86.94, 0.88%, 0.52%

LAB 86.12, -57.37, 80.75

 

CMYK 65 / 0 / 90 / 6

HEX #55F018

RGB 85 240 24

HSL 103.06, 0.88%, 0.52%

LAB 84.13, -72.97, 78.29

 

CMYK 88 / 0 / 90 / 6

HEX #1CF018

RGB 28 240 24

HSL 118.89, 0.88%, 0.52%

LAB 83.25, -80.67, 77.19

 

CMYK 90 / 0 / 68 / 6

HEX #18F04E

RGB 24 240 78

HSL 135, 0.88%, 0.52%

LAB 83.48, -77.67, 62.47

 

CMYK 68 / 0 / 94 / 33

HEX #37AB0A

RGB 55 171 10

HSL 103.23, 0.89%, 0.35%

LAB 61.62, -57.38, 61.19

 

CMYK 68 / 0 / 94 / 18

HEX #43D20D

RGB 67 210 13

HSL 103.55, 0.88%, 0.44%

LAB 74.39, -67.41, 71.48

 

CMYK 65 / 0 / 90 / 6

HEX #54F018

RGB 84 240 24

HSL 103.33, 0.88%, 0.52%

LAB 84.11, -73.18, 78.26

 

CMYK 54 / 0 / 74 / 5

HEX #70F23F

RGB 112 242 63

HSL 103.58, 0.87%, 0.6%

LAB 85.66, -65.59, 70.57

 

CMYK 42 / 0 / 58 / 4

HEX #8DF566

RGB 141 245 102

HSL 103.64, 0.88%, 0.68%

LAB 87.93, -55.33, 58.34

 

CMYK 65 / 0 / 90 / 6

HEX #54F019

RGB 84 240 25

HSL 103.53, 0.88%, 0.52%

LAB 84.11, -73.15, 78.11

 

CMYK 90 / 0 / 8 / 6

HEX #18F0DE

RGB 24 240 222

HSL 175, 0.88%, 0.52%

LAB 85.9, -50.33, -4.66

 

CMYK 0 / 90 / 28 / 6

HEX #F018AC

RGB 240 24 172

HSL 318.89, 0.88%, 0.52%

LAB 54.19, 83.38, -23.4

 

CMYK 65 / 0 / 90 / 6

HEX #54F019

RGB 84 240 25

HSL 103.53, 0.88%, 0.52%

LAB 84.11, -73.15, 78.11

 

CMYK 90 / 65 / 0 / 6

HEX #1855F0

RGB 24 85 240

HSL 223.06, 0.88%, 0.52%

LAB 42.74, 40.98, -82.1

 

CMYK 0 / 90 / 65 / 6

HEX #F01855

RGB 240 24 85

HSL 343.06, 0.88%, 0.52%

LAB 51.65, 76.43, 25.14

 

CMYK 65 / 0 / 90 / 6

HEX #54F019

RGB 84 240 25

HSL 103.53, 0.88%, 0.52%

LAB 84.11, -73.15, 78.11

 

CMYK 90 / 0 / 8 / 6

HEX #18F0DE

RGB 24 240 222

HSL 175, 0.88%, 0.52%

LAB 85.9, -50.33, -4.66

 

CMYK 25 / 90 / 0 / 6

HEX #B318F0

RGB 179 24 240

HSL 283.06, 0.88%, 0.52%

LAB 47.66, 82.77, -73.53

 

CMYK 0 / 90 / 83 / 6

HEX #F0182A

RGB 240 24 42

HSL 355, 0.88%, 0.52%

LAB 51.09, 74.85, 49.23

 

CMYK 65 / 0 / 90 / 6

HEX #54F019

RGB 84 240 25

HSL 103.53, 0.88%, 0.52%

LAB 84.11, -73.15, 78.11

 

CMYK 90 / 20 / 0 / 6

HEX #18C1F0

RGB 24 193 240

HSL 193.06, 0.88%, 0.52%

LAB 72.64, -23.11, -34.3

 

CMYK 25 / 90 / 0 / 6

HEX #B318F0

RGB 179 24 240

HSL 283.06, 0.88%, 0.52%

LAB 47.66, 82.77, -73.53

 

CMYK 0 / 70 / 90 / 6

HEX #F04718

RGB 240 71 24

HSL 13.06, 0.88%, 0.52%

LAB 55.17, 62.7, 60.35

 

Description

Color code: RGB 84 240 25 | qconv.com Color code: RGB 84 240 25 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 240 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 240 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 90 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 90% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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