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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 84 246 154 it is the complementary color RGB 171 9 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 84 246 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 84 246 154 shade: RGB 89 246 149, RGB 106 255 168, RGB 123 255 187, RGB 140 255 206 and RGB 157 255 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 84 246 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 84 246 154 shade: RGB 84 246 154, RGB 67 228 135, RGB 50 210 116, RGB 33 192 97 and RGB 16 174 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 84 246 154 shade: RGB 85 246 154, RGB 85 246 111, RGB 102 246 85, RGB 145 246 85 and RGB 189 246 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 84 246 154 shade: RGB 85 246 154, RGB 85 246 198, RGB 85 246 241, RGB 85 207 246 and RGB 85 164 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 84 246 154 shade matches the following richer shades: RGB 85 246 154

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 84 246 154 shade: RGB 85 246 154, RGB 99 231 156, RGB 114 217 158, RGB 128 202 160 and RGB 143 188 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 84 246 154 shade: RGB 104 246 85, RGB 85 246 109, RGB 85 246 152, RGB 85 246 195 and RGB 85 246 238

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 84 246 154 shade: RGB 12 236 109, RGB 46 244 131, RGB 85 246 154, RGB 124 248 178 and RGB 163 250 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 84 246 154 shade: RGB 84 246 154, RGB 85 147 246 and RGB 246 88 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 84 246 154 shade: RGB 84 246 154, RGB 152 85 246 and RGB 246 152 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 84 246 154 shade: RGB 84 246 154, RGB 85 147 246, RGB 246 85 179 and RGB 246 184 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 84 246 154 shade: RGB 84 246 154, RGB 85 98 246, RGB 246 85 179 and RGB 246 232 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 37 / 4

HEX #54F69A

RGB 84 246 154

HSL 145.93, 0.9%, 0.65%

LAB 87.06, -62.05, 32.25

 

Complementary color

CMYK 0 / 95 / 41 / 33

HEX #AB0965

RGB 171 9 101

HSL 325.93, 0.9%, 0.35%

LAB 37.47, 63.12, -6.77

 

CMYK 64 / 0 / 39 / 4

HEX #59F695

RGB 89 246 149

HSL 142.93, 0.9%, 0.66%

LAB 87.1, -62.04, 34.82

 

CMYK 58 / 0 / 34 / 0

HEX #6AFFA8

RGB 106 255 168

HSL 144.97, 1%, 0.71%

LAB 90.51, -58.8, 29.94

 

CMYK 52 / 0 / 27 / 0

HEX #7BFFBB

RGB 123 255 187

HSL 149.09, 1%, 0.74%

LAB 91.38, -51.56, 21.59

 

CMYK 45 / 0 / 19 / 0

HEX #8CFFCE

RGB 140 255 206

HSL 154.43, 1%, 0.77%

LAB 92.38, -43.74, 13.35

 

CMYK 38 / 0 / 12 / 0

HEX #9DFFE1

RGB 157 255 225

HSL 161.63, 1%, 0.81%

LAB 93.5, -35.46, 5.27

 

CMYK 66 / 0 / 37 / 4

HEX #54F69A

RGB 84 246 154

HSL 145.93, 0.9%, 0.65%

LAB 87.06, -62.05, 32.25

 

CMYK 71 / 0 / 41 / 11

HEX #43E487

RGB 67 228 135

HSL 145.34, 0.75%, 0.58%

LAB 80.98, -61.57, 33.7

 

CMYK 76 / 0 / 45 / 18

HEX #32D274

RGB 50 210 116

HSL 144.75, 0.64%, 0.51%

LAB 74.85, -60.82, 35.24

 

CMYK 83 / 0 / 49 / 25

HEX #21C061

RGB 33 192 97

HSL 144.15, 0.71%, 0.44%

LAB 68.67, -59.66, 36.88

 

CMYK 91 / 0 / 55 / 32

HEX #10AE4E

RGB 16 174 78

HSL 143.54, 0.83%, 0.37%

LAB 62.45, -57.96, 38.59

 

CMYK 65 / 0 / 37 / 4

HEX #55F69A

RGB 85 246 154

HSL 145.71, 0.9%, 0.65%

LAB 87.08, -61.88, 32.29

 

CMYK 65 / 0 / 55 / 4

HEX #55F66F

RGB 85 246 111

HSL 129.69, 0.9%, 0.65%

LAB 86.5, -68.46, 52.22

 

CMYK 59 / 0 / 65 / 4

HEX #66F655

RGB 102 246 85

HSL 113.66, 0.9%, 0.65%

LAB 86.7, -67.74, 63.61

 

CMYK 41 / 0 / 65 / 4

HEX #91F655

RGB 145 246 85

HSL 97.64, 0.9%, 0.65%

LAB 88.25, -56.02, 65.74

 

CMYK 23 / 0 / 65 / 4

HEX #BDF655

RGB 189 246 85

HSL 81.24, 0.9%, 0.65%

LAB 90.5, -40.93, 68.8

 

CMYK 65 / 0 / 37 / 4

HEX #55F69A

RGB 85 246 154

HSL 145.71, 0.9%, 0.65%

LAB 87.08, -61.88, 32.29

 

CMYK 65 / 0 / 20 / 4

HEX #55F6C6

RGB 85 246 198

HSL 162.11, 0.9%, 0.65%

LAB 87.93, -52.88, 10.93

 

CMYK 65 / 0 / 2 / 4

HEX #55F6F1

RGB 85 246 241

HSL 178.14, 0.9%, 0.65%

LAB 89.01, -42.19, -9.9

 

CMYK 65 / 16 / 0 / 4

HEX #55CFF6

RGB 85 207 246

HSL 194.53, 0.9%, 0.65%

LAB 78, -22.25, -29.18

 

CMYK 65 / 33 / 0 / 4

HEX #55A4F6

RGB 85 164 246

HSL 210.56, 0.9%, 0.65%

LAB 65.85, 0.92, -48.08

 

CMYK 65 / 0 / 37 / 4

HEX #55F69A

RGB 85 246 154

HSL 145.71, 0.9%, 0.65%

LAB 87.08, -61.88, 32.29

 

CMYK 65 / 0 / 37 / 4

HEX #55F69A

RGB 85 246 154

HSL 145.71, 0.9%, 0.65%

LAB 87.08, -61.88, 32.29

 

CMYK 57 / 0 / 32 / 9

HEX #63E79C

RGB 99 231 156

HSL 145.91, 0.73%, 0.65%

LAB 83.02, -52.99, 25.88

 

CMYK 47 / 0 / 27 / 15

HEX #72D99E

RGB 114 217 158

HSL 145.63, 0.58%, 0.65%

LAB 79.43, -43.23, 19.99

 

CMYK 37 / 0 / 21 / 21

HEX #80CAA0

RGB 128 202 160

HSL 145.95, 0.41%, 0.65%

LAB 75.68, -32.18, 13.8

 

CMYK 24 / 0 / 14 / 26

HEX #8FBCA2

RGB 143 188 162

HSL 145.33, 0.25%, 0.65%

LAB 72.5, -20.28, 8.33

 

CMYK 58 / 0 / 65 / 4

HEX #68F655

RGB 104 246 85

HSL 112.92, 0.9%, 0.65%

LAB 86.76, -67.27, 63.69

 

CMYK 65 / 0 / 56 / 4

HEX #55F66D

RGB 85 246 109

HSL 128.94, 0.9%, 0.65%

LAB 86.48, -68.71, 53.09

 

CMYK 65 / 0 / 38 / 4

HEX #55F698

RGB 85 246 152

HSL 144.97, 0.9%, 0.65%

LAB 87.05, -62.23, 33.24

 

CMYK 65 / 0 / 21 / 4

HEX #55F6C3

RGB 85 246 195

HSL 160.99, 0.9%, 0.65%

LAB 87.86, -53.56, 12.39

 

CMYK 65 / 0 / 3 / 4

HEX #55F6EE

RGB 85 246 238

HSL 177.02, 0.9%, 0.65%

LAB 88.93, -42.99, -8.46

 

CMYK 95 / 0 / 54 / 7

HEX #0CEC6D

RGB 12 236 109

HSL 145.98, 0.9%, 0.49%

LAB 82.47, -73.35, 48.06

 

CMYK 81 / 0 / 46 / 4

HEX #2EF483

RGB 46 244 131

HSL 145.76, 0.9%, 0.57%

LAB 85.46, -70.38, 41.4

 

CMYK 65 / 0 / 37 / 4

HEX #55F69A

RGB 85 246 154

HSL 145.71, 0.9%, 0.65%

LAB 87.08, -61.88, 32.29

 

CMYK 50 / 0 / 28 / 3

HEX #7CF8B2

RGB 124 248 178

HSL 146.13, 0.9%, 0.73%

LAB 89.22, -50.14, 23.21

 

CMYK 35 / 0 / 20 / 2

HEX #A3FAC9

RGB 163 250 201

HSL 146.21, 0.9%, 0.81%

LAB 91.85, -36.36, 15.32

 

CMYK 66 / 0 / 37 / 4

HEX #54F69A

RGB 84 246 154

HSL 145.93, 0.9%, 0.65%

LAB 87.06, -62.05, 32.25

 

CMYK 65 / 40 / 0 / 4

HEX #5593F6

RGB 85 147 246

HSL 216.89, 0.9%, 0.65%

LAB 61.18, 10.82, -55.49

 

CMYK 0 / 64 / 65 / 4

HEX #F65855

RGB 246 88 85

HSL 1.12, 0.9%, 0.65%

LAB 59.18, 60.17, 34.88

 

CMYK 66 / 0 / 37 / 4

HEX #54F69A

RGB 84 246 154

HSL 145.93, 0.9%, 0.65%

LAB 87.06, -62.05, 32.25

 

CMYK 38 / 65 / 0 / 4

HEX #9855F6

RGB 152 85 246

HSL 264.97, 0.9%, 0.65%

LAB 51.64, 59.27, -70.58

 

CMYK 0 / 38 / 65 / 4

HEX #F69855

RGB 246 152 85

HSL 24.97, 0.9%, 0.65%

LAB 71.35, 29.44, 49.29

 

CMYK 66 / 0 / 37 / 4

HEX #54F69A

RGB 84 246 154

HSL 145.93, 0.9%, 0.65%

LAB 87.06, -62.05, 32.25

 

CMYK 65 / 40 / 0 / 4

HEX #5593F6

RGB 85 147 246

HSL 216.89, 0.9%, 0.65%

LAB 61.18, 10.82, -55.49

 

CMYK 0 / 65 / 27 / 4

HEX #F655B3

RGB 246 85 179

HSL 324.97, 0.9%, 0.65%

LAB 61.08, 69.72, -16.85

 

CMYK 0 / 25 / 65 / 4

HEX #F6B855

RGB 246 184 85

HSL 36.89, 0.9%, 0.65%

LAB 78.77, 12.63, 57.58

 

CMYK 66 / 0 / 37 / 4

HEX #54F69A

RGB 84 246 154

HSL 145.93, 0.9%, 0.65%

LAB 87.06, -62.05, 32.25

 

CMYK 65 / 60 / 0 / 4

HEX #5562F6

RGB 85 98 246

HSL 235.16, 0.9%, 0.65%

LAB 48.66, 40.57, -75.67

 

CMYK 0 / 65 / 27 / 4

HEX #F655B3

RGB 246 85 179

HSL 324.97, 0.9%, 0.65%

LAB 61.08, 69.72, -16.85

 

CMYK 0 / 6 / 65 / 4

HEX #F6E855

RGB 246 232 85

HSL 54.78, 0.9%, 0.65%

LAB 90.76, -11.89, 70.32

 

Description

Color code: RGB 84 246 154 | qconv.com Color code: RGB 84 246 154 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 84 red, 246 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
84 246 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 37 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 37% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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