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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 47 53 it is the complementary color RGB 170 208 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 47 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 47 53 shade: RGB 90 47 48, RGB 107 65 67, RGB 124 83 86, RGB 141 101 105 and RGB 158 119 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 47 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 47 53 shade: RGB 85 47 53, RGB 68 29 34, RGB 51 11 15, RGB 34 0 0 and RGB 17 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 47 53 shade: RGB 85 47 53 and RGB 85 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 47 53 shade: RGB 85 47 53, RGB 85 47 63, RGB 85 47 73, RGB 85 47 84 and RGB 76 47 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 47 53 shade matches the following richer shades: RGB 85 47 53, RGB 96 36 45, RGB 106 25 38, RGB 117 14 31 and RGB 128 4 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 47 53 shade: RGB 85 47 53, RGB 74 57 60, RGB 64 68 67, RGB 53 79 75 and RGB 42 89 82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 47 53 shade: RGB 85 47 73, RGB 85 47 63, RGB 85 47 53, RGB 85 50 47 and RGB 85 61 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 47 53 shade: RGB 32 17 20, RGB 58 32 36, RGB 85 47 53, RGB 112 61 69 and RGB 138 76 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 47 53 shade: RGB 85 47 53, RGB 84 85 47 and RGB 47 68 85

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 47 53 shade: RGB 85 47 53, RGB 53 85 47 and RGB 47 53 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 47 53 shade: RGB 85 47 53, RGB 84 85 47, RGB 47 85 79 and RGB 48 47 85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 47 53 shade: RGB 85 47 53, RGB 72 85 47, RGB 47 85 79 and RGB 59 47 85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 38 / 67

HEX #552F35

RGB 85 47 53

HSL 350.53, 0.29%, 0.26%

LAB 24.39, 18.18, 3.72

 

Complementary color

CMYK 18 / 0 / 3 / 18

HEX #AAD0CA

RGB 170 208 202

HSL 170.53, 0.29%, 0.74%

LAB 80.7, -13.72, -1.19

 

CMYK 0 / 48 / 47 / 65

HEX #5A2F30

RGB 90 47 48

HSL 358.6, 0.31%, 0.27%

LAB 25.01, 19.68, 8.07

 

CMYK 0 / 39 / 37 / 58

HEX #6B4143

RGB 107 65 67

HSL 357.14, 0.24%, 0.34%

LAB 32.51, 18.54, 6.49

 

CMYK 0 / 33 / 31 / 51

HEX #7C5356

RGB 124 83 86

HSL 355.61, 0.2%, 0.41%

LAB 39.82, 17.57, 5.22

 

CMYK 0 / 28 / 26 / 45

HEX #8D6569

RGB 141 101 105

HSL 354, 0.17%, 0.47%

LAB 46.96, 16.74, 4.14

 

CMYK 0 / 25 / 22 / 38

HEX #9E777C

RGB 158 119 124

HSL 352.31, 0.17%, 0.54%

LAB 53.94, 16.03, 3.2

 

CMYK 0 / 45 / 38 / 67

HEX #552F35

RGB 85 47 53

HSL 350.53, 0.29%, 0.26%

LAB 24.39, 18.18, 3.72

 

CMYK 0 / 57 / 50 / 73

HEX #441D22

RGB 68 29 34

HSL 352.31, 0.4%, 0.19%

LAB 16.62, 19.37, 5.49

 

CMYK 0 / 78 / 71 / 80

HEX #330B0F

RGB 51 11 15

HSL 354, 0.65%, 0.12%

LAB 8.8, 20.46, 7.2

 

CMYK 0 / 100 / 100 / 87

HEX #220000

RGB 34 0 0

HSL 0, 1%, 0.07%

LAB 3.07, 13.78, 4.85

 

CMYK 0 / 100 / 100 / 93

HEX #110000

RGB 17 0 0

HSL 0, 1%, 0.03%

LAB 1.08, 4.83, 1.7

 

CMYK 0 / 45 / 38 / 67

HEX #552F35

RGB 85 47 53

HSL 350.53, 0.29%, 0.26%

LAB 24.39, 18.18, 3.72

 

CMYK 0 / 45 / 45 / 67

HEX #552F2F

RGB 85 47 47

HSL 0, 0.29%, 0.26%

LAB 24.22, 17.35, 7.53

 

CMYK 0 / 45 / 38 / 67

HEX #552F35

RGB 85 47 53

HSL 350.53, 0.29%, 0.26%

LAB 24.39, 18.18, 3.72

 

CMYK 0 / 45 / 26 / 67

HEX #552F3F

RGB 85 47 63

HSL 334.74, 0.29%, 0.26%

LAB 24.71, 19.77, -2.55

 

CMYK 0 / 45 / 14 / 67

HEX #552F49

RGB 85 47 73

HSL 318.95, 0.29%, 0.26%

LAB 25.09, 21.58, -8.68

 

CMYK 0 / 45 / 1 / 67

HEX #552F54

RGB 85 47 84

HSL 301.58, 0.29%, 0.26%

LAB 25.58, 23.81, -15.25

 

CMYK 11 / 45 / 0 / 67

HEX #4C2F55

RGB 76 47 85

HSL 285.79, 0.29%, 0.26%

LAB 24.4, 20.83, -17.82

 

CMYK 0 / 45 / 38 / 67

HEX #552F35

RGB 85 47 53

HSL 350.53, 0.29%, 0.26%

LAB 24.39, 18.18, 3.72

 

CMYK 0 / 63 / 53 / 62

HEX #60242D

RGB 96 36 45

HSL 351, 0.45%, 0.26%

LAB 23.47, 28.18, 8.11

 

CMYK 0 / 76 / 64 / 58

HEX #6A1926

RGB 106 25 38

HSL 350.37, 0.62%, 0.26%

LAB 23.34, 36.39, 13.05

 

CMYK 0 / 88 / 74 / 54

HEX #750E1F

RGB 117 14 31

HSL 350.1, 0.79%, 0.26%

LAB 24.31, 43, 19.52

 

CMYK 0 / 97 / 82 / 50

HEX #800417

RGB 128 4 23

HSL 350.81, 0.94%, 0.26%

LAB 25.97, 47.81, 27.31

 

CMYK 0 / 45 / 38 / 67

HEX #552F35

RGB 85 47 53

HSL 350.53, 0.29%, 0.26%

LAB 24.39, 18.18, 3.72

 

CMYK 0 / 23 / 19 / 71

HEX #4A393C

RGB 74 57 60

HSL 349.41, 0.13%, 0.26%

LAB 25.89, 8.07, 1.01

 

CMYK 6 / 0 / 1 / 73

HEX #404443

RGB 64 68 67

HSL 165, 0.03%, 0.26%

LAB 28.46, -1.88, 0.03

 

CMYK 33 / 0 / 5 / 69

HEX #354F4B

RGB 53 79 75

HSL 170.77, 0.2%, 0.26%

LAB 31.48, -10.86, -0.81

 

CMYK 53 / 0 / 8 / 65

HEX #2A5952

RGB 42 89 82

HSL 171.06, 0.36%, 0.26%

LAB 34.49, -17.99, -0.89

 

CMYK 0 / 45 / 14 / 67

HEX #552F49

RGB 85 47 73

HSL 318.95, 0.29%, 0.26%

LAB 25.09, 21.58, -8.68

 

CMYK 0 / 45 / 26 / 67

HEX #552F3F

RGB 85 47 63

HSL 334.74, 0.29%, 0.26%

LAB 24.71, 19.77, -2.55

 

CMYK 0 / 45 / 38 / 67

HEX #552F35

RGB 85 47 53

HSL 350.53, 0.29%, 0.26%

LAB 24.39, 18.18, 3.72

 

CMYK 0 / 41 / 45 / 67

HEX #55322F

RGB 85 50 47

HSL 4.74, 0.29%, 0.26%

LAB 25.01, 15.46, 8.61

 

CMYK 0 / 28 / 45 / 67

HEX #553D2F

RGB 85 61 47

HSL 22.11, 0.29%, 0.26%

LAB 28.04, 8.44, 12.75

 

CMYK 0 / 47 / 38 / 87

HEX #201114

RGB 32 17 20

HSL 348, 0.31%, 0.1%

LAB 6.85, 8.15, 0.95

 

CMYK 0 / 45 / 38 / 77

HEX #3A2024

RGB 58 32 36

HSL 350.77, 0.29%, 0.18%

LAB 15.8, 13.2, 2.67

 

CMYK 0 / 45 / 38 / 67

HEX #552F35

RGB 85 47 53

HSL 350.53, 0.29%, 0.26%

LAB 24.39, 18.18, 3.72

 

CMYK 0 / 46 / 38 / 56

HEX #703D45

RGB 112 61 69

HSL 350.59, 0.29%, 0.34%

LAB 32.28, 23.31, 4.98

 

CMYK 0 / 45 / 38 / 46

HEX #8A4C56

RGB 138 76 86

HSL 350.32, 0.29%, 0.42%

LAB 39.99, 27.33, 5.71

 

CMYK 0 / 45 / 38 / 67

HEX #552F35

RGB 85 47 53

HSL 350.53, 0.29%, 0.26%

LAB 24.39, 18.18, 3.72

 

CMYK 1 / 0 / 45 / 67

HEX #54552F

RGB 84 85 47

HSL 61.58, 0.29%, 0.26%

LAB 35.18, -6.92, 22

 

CMYK 45 / 20 / 0 / 67

HEX #2F4455

RGB 47 68 85

HSL 206.84, 0.29%, 0.26%

LAB 27.83, -3.1, -12.76

 

CMYK 0 / 45 / 38 / 67

HEX #552F35

RGB 85 47 53

HSL 350.53, 0.29%, 0.26%

LAB 24.39, 18.18, 3.72

 

CMYK 38 / 0 / 45 / 67

HEX #35552F

RGB 53 85 47

HSL 110.53, 0.29%, 0.26%

LAB 32.83, -20.3, 18.53

 

CMYK 45 / 38 / 0 / 67

HEX #2F3555

RGB 47 53 85

HSL 230.53, 0.29%, 0.26%

LAB 23.02, 6.95, -20.21

 

CMYK 0 / 45 / 38 / 67

HEX #552F35

RGB 85 47 53

HSL 350.53, 0.29%, 0.26%

LAB 24.39, 18.18, 3.72

 

CMYK 1 / 0 / 45 / 67

HEX #54552F

RGB 84 85 47

HSL 61.58, 0.29%, 0.26%

LAB 35.18, -6.92, 22

 

CMYK 45 / 0 / 7 / 67

HEX #2F554F

RGB 47 85 79

HSL 170.53, 0.29%, 0.26%

LAB 33.28, -15.19, -0.75

 

CMYK 44 / 45 / 0 / 67

HEX #302F55

RGB 48 47 85

HSL 241.58, 0.29%, 0.26%

LAB 21.27, 11.43, -22.96

 

CMYK 0 / 45 / 38 / 67

HEX #552F35

RGB 85 47 53

HSL 350.53, 0.29%, 0.26%

LAB 24.39, 18.18, 3.72

 

CMYK 15 / 0 / 45 / 67

HEX #48552F

RGB 72 85 47

HSL 80.53, 0.29%, 0.26%

LAB 34.15, -12.38, 20.48

 

CMYK 45 / 0 / 7 / 67

HEX #2F554F

RGB 47 85 79

HSL 170.53, 0.29%, 0.26%

LAB 33.28, -15.19, -0.75

 

CMYK 31 / 45 / 0 / 67

HEX #3B2F55

RGB 59 47 85

HSL 258.95, 0.29%, 0.26%

LAB 22.37, 14.96, -21.15

 

Description

Color code: RGB 85 47 53 | qconv.com Color code: RGB 85 47 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 47 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 47 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 38 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 38% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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