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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 76 112 it is the complementary color RGB 170 179 143. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 76 112. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 76 112 shade: RGB 90 76 107, RGB 107 94 126, RGB 124 112 145, RGB 141 130 164 and RGB 158 148 183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 76 112. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 76 112 shade: RGB 85 76 112, RGB 68 58 93, RGB 51 40 74, RGB 34 22 55 and RGB 17 4 36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 76 112 shade: RGB 85 76 112, RGB 95 76 112, RGB 104 76 112, RGB 112 76 110 and RGB 112 76 100

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 76 112 shade: RGB 85 76 112 and RGB 76 76 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 76 112 shade matches the following richer shades: RGB 85 76 112, RGB 77 61 127, RGB 70 45 142, RGB 62 30 158 and RGB 54 15 173

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 76 112 shade: RGB 85 76 112, RGB 93 91 97, RGB 100 106 81, RGB 108 122 66 and RGB 115 137 51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 76 112 shade: RGB 76 86 112, RGB 76 77 112, RGB 85 76 112, RGB 94 76 112 and RGB 104 76 112

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 76 112 shade: RGB 48 43 63, RGB 66 59 87, RGB 85 76 112, RGB 104 93 136 and RGB 124 112 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 76 112 shade: RGB 85 76 112, RGB 112 76 96 and RGB 81 112 76

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 76 112 shade: RGB 85 76 112, RGB 112 85 76 and RGB 76 112 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 76 112 shade: RGB 85 76 112, RGB 112 76 96, RGB 103 112 76 and RGB 76 112 92

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 76 112 shade: RGB 85 76 112, RGB 112 76 85, RGB 103 112 76 and RGB 76 112 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 32 / 0 / 56

HEX #554C70

RGB 85 76 112

HSL 255, 0.19%, 0.37%

LAB 34.54, 12.19, -19.36

 

Complementary color

CMYK 5 / 0 / 20 / 30

HEX #AAB38F

RGB 170 179 143

HSL 75, 0.19%, 0.63%

LAB 71.4, -9.49, 17.36

 

CMYK 16 / 29 / 0 / 58

HEX #5A4C6B

RGB 90 76 107

HSL 267.1, 0.17%, 0.36%

LAB 34.81, 12.66, -15.77

 

CMYK 15 / 25 / 0 / 51

HEX #6B5E7E

RGB 107 94 126

HSL 264.38, 0.15%, 0.43%

LAB 42.21, 12.08, -16.01

 

CMYK 14 / 23 / 0 / 43

HEX #7C7091

RGB 124 112 145

HSL 261.82, 0.13%, 0.5%

LAB 49.4, 11.58, -16.27

 

CMYK 14 / 21 / 0 / 36

HEX #8D82A4

RGB 141 130 164

HSL 259.41, 0.16%, 0.58%

LAB 56.4, 11.14, -16.56

 

CMYK 14 / 19 / 0 / 28

HEX #9E94B7

RGB 158 148 183

HSL 257.14, 0.2%, 0.65%

LAB 63.23, 10.74, -16.86

 

CMYK 24 / 32 / 0 / 56

HEX #554C70

RGB 85 76 112

HSL 255, 0.19%, 0.37%

LAB 34.54, 12.19, -19.36

 

CMYK 27 / 38 / 0 / 64

HEX #443A5D

RGB 68 58 93

HSL 257.14, 0.23%, 0.3%

LAB 26.86, 12.91, -19.3

 

CMYK 31 / 46 / 0 / 71

HEX #33284A

RGB 51 40 74

HSL 259.41, 0.3%, 0.22%

LAB 18.87, 13.81, -19.33

 

CMYK 38 / 60 / 0 / 78

HEX #221637

RGB 34 22 55

HSL 261.82, 0.43%, 0.15%

LAB 10.48, 14.96, -19.46

 

CMYK 53 / 89 / 0 / 86

HEX #110424

RGB 17 4 36

HSL 264.38, 0.8%, 0.08%

LAB 3.01, 11.31, -17.23

 

CMYK 24 / 32 / 0 / 56

HEX #554C70

RGB 85 76 112

HSL 255, 0.19%, 0.37%

LAB 34.54, 12.19, -19.36

 

CMYK 15 / 32 / 0 / 56

HEX #5F4C70

RGB 95 76 112

HSL 271.67, 0.19%, 0.37%

LAB 35.54, 15.67, -17.73

 

CMYK 7 / 32 / 0 / 56

HEX #684C70

RGB 104 76 112

HSL 286.67, 0.19%, 0.37%

LAB 36.52, 18.88, -16.14

 

CMYK 0 / 32 / 2 / 56

HEX #704C6E

RGB 112 76 110

HSL 303.33, 0.19%, 0.37%

LAB 37.37, 21.35, -13.51

 

CMYK 0 / 32 / 11 / 56

HEX #704C64

RGB 112 76 100

HSL 320, 0.19%, 0.37%

LAB 36.99, 19.36, -7.84

 

CMYK 24 / 32 / 0 / 56

HEX #554C70

RGB 85 76 112

HSL 255, 0.19%, 0.37%

LAB 34.54, 12.19, -19.36

 

CMYK 32 / 32 / 0 / 56

HEX #4C4C70

RGB 76 76 112

HSL 240, 0.19%, 0.37%

LAB 33.72, 9.19, -20.69

 

CMYK 24 / 32 / 0 / 56

HEX #554C70

RGB 85 76 112

HSL 255, 0.19%, 0.37%

LAB 34.54, 12.19, -19.36

 

CMYK 39 / 52 / 0 / 50

HEX #4D3D7F

RGB 77 61 127

HSL 254.55, 0.35%, 0.37%

LAB 30.51, 23.63, -35.12

 

CMYK 51 / 68 / 0 / 44

HEX #462D8E

RGB 70 45 142

HSL 255.46, 0.52%, 0.37%

LAB 27.11, 36.44, -49.98

 

CMYK 61 / 81 / 0 / 38

HEX #3E1E9E

RGB 62 30 158

HSL 255, 0.68%, 0.37%

LAB 25.02, 47.86, -63.28

 

CMYK 69 / 91 / 0 / 32

HEX #360FAD

RGB 54 15 173

HSL 254.81, 0.84%, 0.37%

LAB 24.14, 56.85, -73.85

 

CMYK 24 / 32 / 0 / 56

HEX #554C70

RGB 85 76 112

HSL 255, 0.19%, 0.37%

LAB 34.54, 12.19, -19.36

 

CMYK 4 / 6 / 0 / 62

HEX #5D5B61

RGB 93 91 97

HSL 260, 0.03%, 0.37%

LAB 39.02, 2.08, -3.16

 

CMYK 6 / 0 / 24 / 58

HEX #646A51

RGB 100 106 81

HSL 74.4, 0.13%, 0.37%

LAB 43.67, -7.1, 13.3

 

CMYK 11 / 0 / 46 / 52

HEX #6C7A42

RGB 108 122 66

HSL 75, 0.3%, 0.37%

LAB 48.88, -14.82, 28.85

 

CMYK 16 / 0 / 63 / 46

HEX #738933

RGB 115 137 51

HSL 75.35, 0.46%, 0.37%

LAB 53.79, -21.25, 42.32

 

CMYK 32 / 23 / 0 / 56

HEX #4C5670

RGB 76 86 112

HSL 223.33, 0.19%, 0.37%

LAB 36.67, 2.81, -16.14

 

CMYK 32 / 31 / 0 / 56

HEX #4C4D70

RGB 76 77 112

HSL 238.33, 0.19%, 0.37%

LAB 34.01, 8.54, -20.24

 

CMYK 24 / 32 / 0 / 56

HEX #554C70

RGB 85 76 112

HSL 255, 0.19%, 0.37%

LAB 34.54, 12.19, -19.36

 

CMYK 16 / 32 / 0 / 56

HEX #5E4C70

RGB 94 76 112

HSL 270, 0.19%, 0.37%

LAB 35.44, 15.31, -17.9

 

CMYK 7 / 32 / 0 / 56

HEX #684C70

RGB 104 76 112

HSL 286.67, 0.19%, 0.37%

LAB 36.52, 18.88, -16.14

 

CMYK 24 / 32 / 0 / 75

HEX #302B3F

RGB 48 43 63

HSL 255, 0.19%, 0.21%

LAB 18.86, 7.39, -11.84

 

CMYK 24 / 32 / 0 / 66

HEX #423B57

RGB 66 59 87

HSL 255, 0.19%, 0.29%

LAB 26.66, 9.87, -15.72

 

CMYK 24 / 32 / 0 / 56

HEX #554C70

RGB 85 76 112

HSL 255, 0.19%, 0.37%

LAB 34.54, 12.19, -19.36

 

CMYK 24 / 32 / 0 / 47

HEX #685D88

RGB 104 93 136

HSL 255.35, 0.19%, 0.45%

LAB 42.08, 14.15, -22.29

 

CMYK 22 / 29 / 0 / 38

HEX #7C709E

RGB 124 112 158

HSL 255.65, 0.19%, 0.53%

LAB 49.91, 14.68, -23.13

 

CMYK 24 / 32 / 0 / 56

HEX #554C70

RGB 85 76 112

HSL 255, 0.19%, 0.37%

LAB 34.54, 12.19, -19.36

 

CMYK 0 / 32 / 14 / 56

HEX #704C60

RGB 112 76 96

HSL 326.67, 0.19%, 0.37%

LAB 36.85, 18.61, -5.54

 

CMYK 28 / 0 / 32 / 56

HEX #51704C

RGB 81 112 76

HSL 111.67, 0.19%, 0.37%

LAB 44.03, -18.9, 16.51

 

CMYK 24 / 32 / 0 / 56

HEX #554C70

RGB 85 76 112

HSL 255, 0.19%, 0.37%

LAB 34.54, 12.19, -19.36

 

CMYK 0 / 24 / 32 / 56

HEX #70554C

RGB 112 85 76

HSL 15, 0.19%, 0.37%

LAB 38.66, 9.77, 9.56

 

CMYK 32 / 0 / 24 / 56

HEX #4C7055

RGB 76 112 85

HSL 135, 0.19%, 0.37%

LAB 43.92, -19, 11

 

CMYK 24 / 32 / 0 / 56

HEX #554C70

RGB 85 76 112

HSL 255, 0.19%, 0.37%

LAB 34.54, 12.19, -19.36

 

CMYK 0 / 32 / 14 / 56

HEX #704C60

RGB 112 76 96

HSL 326.67, 0.19%, 0.37%

LAB 36.85, 18.61, -5.54

 

CMYK 8 / 0 / 32 / 56

HEX #67704C

RGB 103 112 76

HSL 75, 0.19%, 0.37%

LAB 45.63, -10.06, 18.93

 

CMYK 32 / 0 / 18 / 56

HEX #4C705C

RGB 76 112 92

HSL 146.67, 0.19%, 0.37%

LAB 44.09, -17.51, 7.06

 

CMYK 24 / 32 / 0 / 56

HEX #554C70

RGB 85 76 112

HSL 255, 0.19%, 0.37%

LAB 34.54, 12.19, -19.36

 

CMYK 0 / 32 / 24 / 56

HEX #704C55

RGB 112 76 85

HSL 345, 0.19%, 0.37%

LAB 36.5, 16.68, 0.86

 

CMYK 8 / 0 / 32 / 56

HEX #67704C

RGB 103 112 76

HSL 75, 0.19%, 0.37%

LAB 45.63, -10.06, 18.93

 

CMYK 32 / 0 / 8 / 56

HEX #4C7067

RGB 76 112 103

HSL 165, 0.19%, 0.37%

LAB 44.38, -14.97, 0.9

 

Description

Color code: RGB 85 76 112 | qconv.com Color code: RGB 85 76 112 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 76 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 76 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 32 magenta, none yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 32% 0% 56% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

14% - 1+1 media — офіційни...
Link: http://media.1plus1.ua

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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