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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 85 12 94 it is the complementary color RGB 170 243 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 85 12 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 85 12 94 shade: RGB 90 12 89, RGB 107 30 108, RGB 124 48 127, RGB 141 66 146 and RGB 158 84 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 85 12 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 85 12 94 shade: RGB 85 12 94, RGB 68 0 75, RGB 51 0 56, RGB 34 0 37 and RGB 17 0 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 85 12 94 shade: RGB 85 12 94, RGB 94 12 81, RGB 94 12 59, RGB 94 12 37 and RGB 94 12 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 85 12 94 shade: RGB 85 12 94, RGB 63 12 94, RGB 41 12 94, RGB 19 12 94 and RGB 12 12 94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 85 12 94 shade matches the following richer shades: RGB 85 12 94 and RGB 92 3 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 85 12 94 shade: RGB 85 12 94, RGB 78 20 86, RGB 72 29 77, RGB 65 38 68 and RGB 58 46 60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 85 12 94 shade: RGB 41 12 94, RGB 63 12 94, RGB 85 12 94, RGB 94 12 82 and RGB 94 12 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 85 12 94 shade: RGB 19 2 21, RGB 52 7 58, RGB 85 12 94, RGB 118 17 131 and RGB 151 21 167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 85 12 94 shade: RGB 85 12 94, RGB 94 19 12 and RGB 12 94 52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 85 12 94 shade: RGB 85 12 94, RGB 94 85 12 and RGB 12 94 85

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 85 12 94 shade: RGB 85 12 94, RGB 94 19 12, RGB 21 94 12 and RGB 12 87 94

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 85 12 94 shade: RGB 85 12 94, RGB 94 43 12, RGB 21 94 12 and RGB 12 63 94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 87 / 0 / 63

HEX #550C5E

RGB 85 12 94

HSL 293.41, 0.77%, 0.21%

LAB 20.05, 42.55, -30.59

 

Complementary color

CMYK 30 / 0 / 34 / 5

HEX #AAF3A1

RGB 170 243 161

HSL 113.41, 0.77%, 0.79%

LAB 89.5, -37.91, 32.55

 

CMYK 0 / 87 / 1 / 65

HEX #5A0C59

RGB 90 12 89

HSL 300.77, 0.76%, 0.2%

LAB 20.67, 42.7, -26.22

 

CMYK 1 / 72 / 0 / 58

HEX #6B1E6C

RGB 107 30 108

HSL 299.23, 0.57%, 0.27%

LAB 27.12, 43.99, -28.23

 

CMYK 2 / 62 / 0 / 50

HEX #7C307F

RGB 124 48 127

HSL 297.72, 0.45%, 0.34%

LAB 33.84, 44.1, -29.47

 

CMYK 3 / 55 / 0 / 43

HEX #8D4292

RGB 141 66 146

HSL 296.25, 0.38%, 0.42%

LAB 40.63, 43.68, -30.28

 

CMYK 4 / 49 / 0 / 35

HEX #9E54A5

RGB 158 84 165

HSL 294.81, 0.33%, 0.49%

LAB 47.4, 43.03, -30.86

 

CMYK 10 / 87 / 0 / 63

HEX #550C5E

RGB 85 12 94

HSL 293.41, 0.77%, 0.21%

LAB 20.05, 42.55, -30.59

 

CMYK 9 / 100 / 0 / 71

HEX #44004B

RGB 68 0 75

HSL 294.4, 1%, 0.15%

LAB 14.04, 39.26, -27.55

 

CMYK 9 / 100 / 0 / 78

HEX #330038

RGB 51 0 56

HSL 294.64, 1%, 0.11%

LAB 8.9, 32.5, -22.55

 

CMYK 8 / 100 / 0 / 85

HEX #220025

RGB 34 0 37

HSL 295.14, 1%, 0.07%

LAB 4.28, 21.92, -15.88

 

CMYK 6 / 100 / 0 / 93

HEX #110012

RGB 17 0 18

HSL 296.67, 1%, 0.04%

LAB 1.47, 7.6, -5.84

 

CMYK 10 / 87 / 0 / 63

HEX #550C5E

RGB 85 12 94

HSL 293.41, 0.77%, 0.21%

LAB 20.05, 42.55, -30.59

 

CMYK 0 / 87 / 14 / 63

HEX #5E0C51

RGB 94 12 81

HSL 309.51, 0.77%, 0.21%

LAB 20.97, 42.28, -20.31

 

CMYK 0 / 87 / 37 / 63

HEX #5E0C3B

RGB 94 12 59

HSL 325.61, 0.77%, 0.21%

LAB 19.88, 39.19, -6.86

 

CMYK 0 / 87 / 61 / 63

HEX #5E0C25

RGB 94 12 37

HSL 341.71, 0.77%, 0.21%

LAB 19.12, 36.96, 7.63

 

CMYK 0 / 87 / 85 / 63

HEX #5E0C0E

RGB 94 12 14

HSL 358.54, 0.77%, 0.21%

LAB 18.69, 35.64, 22.54

 

CMYK 10 / 87 / 0 / 63

HEX #550C5E

RGB 85 12 94

HSL 293.41, 0.77%, 0.21%

LAB 20.05, 42.55, -30.59

 

CMYK 33 / 87 / 0 / 63

HEX #3F0C5E

RGB 63 12 94

HSL 277.32, 0.77%, 0.21%

LAB 16.14, 38.24, -37.1

 

CMYK 56 / 87 / 0 / 63

HEX #290C5E

RGB 41 12 94

HSL 261.22, 0.77%, 0.21%

LAB 12.88, 34.71, -42.58

 

CMYK 80 / 87 / 0 / 63

HEX #130C5E

RGB 19 12 94

HSL 245.12, 0.77%, 0.21%

LAB 10.63, 32.33, -46.37

 

CMYK 87 / 87 / 0 / 63

HEX #0C0C5E

RGB 12 12 94

HSL 240, 0.77%, 0.21%

LAB 10.18, 31.86, -47.13

 

CMYK 10 / 87 / 0 / 63

HEX #550C5E

RGB 85 12 94

HSL 293.41, 0.77%, 0.21%

LAB 20.05, 42.55, -30.59

 

CMYK 11 / 97 / 0 / 60

HEX #5C0367

RGB 92 3 103

HSL 293.4, 0.94%, 0.21%

LAB 21.28, 47.83, -34.48

 

CMYK 10 / 87 / 0 / 63

HEX #550C5E

RGB 85 12 94

HSL 293.41, 0.77%, 0.21%

LAB 20.05, 42.55, -30.59

 

CMYK 9 / 77 / 0 / 66

HEX #4E1456

RGB 78 20 86

HSL 292.73, 0.62%, 0.21%

LAB 19.19, 36.56, -26.69

 

CMYK 6 / 62 / 0 / 70

HEX #481D4D

RGB 72 29 77

HSL 293.75, 0.45%, 0.21%

LAB 19.19, 28.54, -20.67

 

CMYK 4 / 44 / 0 / 73

HEX #412644

RGB 65 38 68

HSL 294, 0.28%, 0.21%

LAB 19.75, 18.6, -13.73

 

CMYK 3 / 23 / 0 / 76

HEX #3A2E3C

RGB 58 46 60

HSL 291.43, 0.13%, 0.21%

LAB 20.75, 8.53, -6.81

 

CMYK 56 / 87 / 0 / 63

HEX #290C5E

RGB 41 12 94

HSL 261.22, 0.77%, 0.21%

LAB 12.88, 34.71, -42.58

 

CMYK 33 / 87 / 0 / 63

HEX #3F0C5E

RGB 63 12 94

HSL 277.32, 0.77%, 0.21%

LAB 16.14, 38.24, -37.1

 

CMYK 10 / 87 / 0 / 63

HEX #550C5E

RGB 85 12 94

HSL 293.41, 0.77%, 0.21%

LAB 20.05, 42.55, -30.59

 

CMYK 0 / 87 / 13 / 63

HEX #5E0C52

RGB 94 12 82

HSL 308.78, 0.77%, 0.21%

LAB 21.03, 42.44, -20.9

 

CMYK 0 / 87 / 36 / 63

HEX #5E0C3C

RGB 94 12 60

HSL 324.88, 0.77%, 0.21%

LAB 19.92, 39.31, -7.5

 

CMYK 10 / 90 / 0 / 92

HEX #130215

RGB 19 2 21

HSL 293.68, 0.83%, 0.05%

LAB 2.13, 8.25, -6.8

 

CMYK 10 / 88 / 0 / 77

HEX #34073A

RGB 52 7 58

HSL 292.94, 0.78%, 0.13%

LAB 10.46, 29.62, -21.48

 

CMYK 10 / 87 / 0 / 63

HEX #550C5E

RGB 85 12 94

HSL 293.41, 0.77%, 0.21%

LAB 20.05, 42.55, -30.59

 

CMYK 10 / 87 / 0 / 49

HEX #761183

RGB 118 17 131

HSL 293.16, 0.77%, 0.29%

LAB 29.14, 54.66, -39.52

 

CMYK 10 / 87 / 0 / 35

HEX #9715A7

RGB 151 21 167

HSL 293.42, 0.78%, 0.37%

LAB 37.67, 66.08, -47.55

 

CMYK 10 / 87 / 0 / 63

HEX #550C5E

RGB 85 12 94

HSL 293.41, 0.77%, 0.21%

LAB 20.05, 42.55, -30.59

 

CMYK 0 / 80 / 87 / 63

HEX #5E130C

RGB 94 19 12

HSL 5.12, 0.77%, 0.21%

LAB 19.52, 33.16, 24.46

 

CMYK 87 / 0 / 45 / 63

HEX #0C5E34

RGB 12 94 52

HSL 149.27, 0.77%, 0.21%

LAB 34.66, -33.9, 17.67

 

CMYK 10 / 87 / 0 / 63

HEX #550C5E

RGB 85 12 94

HSL 293.41, 0.77%, 0.21%

LAB 20.05, 42.55, -30.59

 

CMYK 0 / 10 / 87 / 63

HEX #5E550C

RGB 94 85 12

HSL 53.41, 0.77%, 0.21%

LAB 35.8, -4.77, 39.83

 

CMYK 87 / 0 / 10 / 63

HEX #0C5E55

RGB 12 94 85

HSL 173.41, 0.77%, 0.21%

LAB 35.48, -25.11, -1.41

 

CMYK 10 / 87 / 0 / 63

HEX #550C5E

RGB 85 12 94

HSL 293.41, 0.77%, 0.21%

LAB 20.05, 42.55, -30.59

 

CMYK 0 / 80 / 87 / 63

HEX #5E130C

RGB 94 19 12

HSL 5.12, 0.77%, 0.21%

LAB 19.52, 33.16, 24.46

 

CMYK 78 / 0 / 87 / 63

HEX #155E0C

RGB 21 94 12

HSL 113.41, 0.77%, 0.21%

LAB 34.38, -37.91, 36.89

 

CMYK 87 / 7 / 0 / 63

HEX #0C575E

RGB 12 87 94

HSL 185.12, 0.77%, 0.21%

LAB 33.36, -18.41, -10.21

 

CMYK 10 / 87 / 0 / 63

HEX #550C5E

RGB 85 12 94

HSL 293.41, 0.77%, 0.21%

LAB 20.05, 42.55, -30.59

 

CMYK 0 / 54 / 87 / 63

HEX #5E2B0C

RGB 94 43 12

HSL 22.68, 0.77%, 0.21%

LAB 24.11, 21.05, 29.36

 

CMYK 78 / 0 / 87 / 63

HEX #155E0C

RGB 21 94 12

HSL 113.41, 0.77%, 0.21%

LAB 34.38, -37.91, 36.89

 

CMYK 87 / 33 / 0 / 63

HEX #0C3F5E

RGB 12 63 94

HSL 202.68, 0.77%, 0.21%

LAB 25.08, -3.89, -22.99

 

Description

Color code: RGB 85 12 94 | qconv.com Color code: RGB 85 12 94 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 12 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 12 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 87 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 87% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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