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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 86 249 215 it is the complementary color RGB 169 6 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 86 249 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 86 249 215 shade: RGB 91 249 210, RGB 108 255 229, RGB 125 255 248, RGB 142 255 255 and RGB 159 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 86 249 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 86 249 215 shade: RGB 86 249 215, RGB 69 231 196, RGB 52 213 177, RGB 35 195 158 and RGB 18 177 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 86 249 215 shade: RGB 87 248 215, RGB 87 248 171, RGB 87 248 128, RGB 90 248 87 and RGB 134 248 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 86 249 215 shade: RGB 87 248 215, RGB 87 239 248, RGB 87 195 248, RGB 87 152 248 and RGB 87 108 248

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 86 249 215 shade matches the following richer shades: RGB 87 248 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 86 249 215 shade: RGB 87 248 215, RGB 101 234 207, RGB 115 220 198, RGB 129 206 190 and RGB 143 192 182

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 86 249 215 shade: RGB 87 248 127, RGB 87 248 170, RGB 87 248 213, RGB 87 240 248 and RGB 87 197 248

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 86 249 215 shade: RGB 8 245 195, RGB 47 247 205, RGB 87 248 215, RGB 127 250 224 and RGB 167 251 234

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 86 249 215 shade: RGB 86 249 215, RGB 87 90 248 and RGB 248 149 87

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 86 249 215 shade: RGB 86 249 215, RGB 213 87 248 and RGB 248 213 87

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 86 249 215 shade: RGB 86 249 215, RGB 87 90 248, RGB 248 87 122 and RGB 248 246 87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 86 249 215 shade: RGB 86 249 215, RGB 133 87 248, RGB 248 87 122 and RGB 203 248 87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 14 / 2

HEX #56F9D7

RGB 86 249 215

HSL 167.48, 0.93%, 0.66%

LAB 89.22, -49.97, 3.96

 

Complementary color

CMYK 0 / 96 / 76 / 34

HEX #A90628

RGB 169 6 40

HSL 347.48, 0.93%, 0.34%

LAB 35.44, 58.95, 29.62

 

CMYK 63 / 0 / 16 / 2

HEX #5BF9D2

RGB 91 249 210

HSL 165.19, 0.93%, 0.67%

LAB 89.22, -50.38, 6.56

 

CMYK 58 / 0 / 10 / 0

HEX #6CFFE5

RGB 108 255 229

HSL 169.39, 1%, 0.71%

LAB 91.85, -45.48, 0.58

 

CMYK 51 / 0 / 3 / 0

HEX #7DFFF8

RGB 125 255 248

HSL 176.77, 1%, 0.75%

LAB 92.86, -37.58, -7.7

 

CMYK 44 / 0 / 0 / 0

HEX #8EFFFF

RGB 142 255 255

HSL 180, 1%, 0.78%

LAB 93.66, -32.25, -10.07

 

CMYK 38 / 0 / 0 / 0

HEX #9FFFFF

RGB 159 255 255

HSL 180, 1%, 0.81%

LAB 94.36, -28.26, -8.96

 

CMYK 65 / 0 / 14 / 2

HEX #56F9D7

RGB 86 249 215

HSL 167.48, 0.93%, 0.66%

LAB 89.22, -49.97, 3.96

 

CMYK 70 / 0 / 15 / 9

HEX #45E7C4

RGB 69 231 196

HSL 167.04, 0.77%, 0.59%

LAB 83.13, -49.5, 5.04

 

CMYK 76 / 0 / 17 / 16

HEX #34D5B1

RGB 52 213 177

HSL 166.58, 0.66%, 0.52%

LAB 76.98, -48.82, 6.22

 

CMYK 82 / 0 / 19 / 24

HEX #23C39E

RGB 35 195 158

HSL 166.13, 0.7%, 0.45%

LAB 70.77, -47.87, 7.53

 

CMYK 90 / 0 / 21 / 31

HEX #12B18B

RGB 18 177 139

HSL 165.66, 0.82%, 0.38%

LAB 64.51, -46.55, 8.97

 

CMYK 65 / 0 / 13 / 3

HEX #57F8D7

RGB 87 248 215

HSL 167.7, 0.92%, 0.66%

LAB 88.95, -49.4, 3.57

 

CMYK 65 / 0 / 31 / 3

HEX #57F8AB

RGB 87 248 171

HSL 151.3, 0.92%, 0.66%

LAB 88.02, -59.09, 24.96

 

CMYK 65 / 0 / 48 / 3

HEX #57F880

RGB 87 248 128

HSL 135.28, 0.92%, 0.66%

LAB 87.35, -66.47, 45.37

 

CMYK 64 / 0 / 65 / 3

HEX #5AF857

RGB 90 248 87

HSL 118.88, 0.92%, 0.66%

LAB 87, -70.81, 63.05

 

CMYK 46 / 0 / 65 / 3

HEX #86F857

RGB 134 248 87

HSL 102.48, 0.92%, 0.66%

LAB 88.4, -59.94, 64.98

 

CMYK 65 / 0 / 13 / 3

HEX #57F8D7

RGB 87 248 215

HSL 167.7, 0.92%, 0.66%

LAB 88.95, -49.4, 3.57

 

CMYK 65 / 4 / 0 / 3

HEX #57EFF8

RGB 87 239 248

HSL 183.35, 0.92%, 0.66%

LAB 87.26, -36.83, -16.17

 

CMYK 65 / 21 / 0 / 3

HEX #57C3F8

RGB 87 195 248

HSL 199.75, 0.92%, 0.66%

LAB 74.72, -15.13, -35.31

 

CMYK 65 / 39 / 0 / 3

HEX #5798F8

RGB 87 152 248

HSL 215.78, 0.92%, 0.66%

LAB 62.73, 8.87, -54.13

 

CMYK 65 / 56 / 0 / 3

HEX #576CF8

RGB 87 108 248

HSL 232.17, 0.92%, 0.66%

LAB 51.3, 35.47, -72.49

 

CMYK 65 / 0 / 13 / 3

HEX #57F8D7

RGB 87 248 215

HSL 167.7, 0.92%, 0.66%

LAB 88.95, -49.4, 3.57

 

CMYK 65 / 0 / 13 / 3

HEX #57F8D7

RGB 87 248 215

HSL 167.7, 0.92%, 0.66%

LAB 88.95, -49.4, 3.57

 

CMYK 57 / 0 / 12 / 8

HEX #65EACF

RGB 101 234 207

HSL 167.82, 0.76%, 0.66%

LAB 85.06, -42.88, 2.14

 

CMYK 48 / 0 / 10 / 14

HEX #73DCC6

RGB 115 220 198

HSL 167.43, 0.6%, 0.66%

LAB 81.24, -35.73, 1.41

 

CMYK 37 / 0 / 8 / 19

HEX #81CEBE

RGB 129 206 190

HSL 167.53, 0.44%, 0.66%

LAB 77.6, -27.43, 0.44

 

CMYK 26 / 0 / 5 / 25

HEX #8FC0B6

RGB 143 192 182

HSL 167.76, 0.28%, 0.66%

LAB 74.14, -18.18, -0.19

 

CMYK 65 / 0 / 49 / 3

HEX #57F87F

RGB 87 248 127

HSL 134.91, 0.92%, 0.66%

LAB 87.34, -66.62, 45.83

 

CMYK 65 / 0 / 31 / 3

HEX #57F8AA

RGB 87 248 170

HSL 150.93, 0.92%, 0.66%

LAB 88, -59.29, 25.44

 

CMYK 65 / 0 / 14 / 3

HEX #57F8D5

RGB 87 248 213

HSL 166.96, 0.92%, 0.66%

LAB 88.91, -49.88, 4.54

 

CMYK 65 / 3 / 0 / 3

HEX #57F0F8

RGB 87 240 248

HSL 182.98, 0.92%, 0.66%

LAB 87.55, -37.29, -15.75

 

CMYK 65 / 21 / 0 / 3

HEX #57C5F8

RGB 87 197 248

HSL 199.01, 0.92%, 0.66%

LAB 75.29, -16.18, -34.43

 

CMYK 97 / 0 / 20 / 4

HEX #08F5C3

RGB 8 245 195

HSL 167.34, 0.94%, 0.5%

LAB 86.65, -59.81, 10.54

 

CMYK 81 / 0 / 17 / 3

HEX #2FF7CD

RGB 47 247 205

HSL 167.4, 0.93%, 0.58%

LAB 87.74, -56.17, 6.94

 

CMYK 65 / 0 / 13 / 3

HEX #57F8D7

RGB 87 248 215

HSL 167.7, 0.92%, 0.66%

LAB 88.95, -49.4, 3.57

 

CMYK 49 / 0 / 10 / 2

HEX #7FFAE0

RGB 127 250 224

HSL 167.32, 0.92%, 0.74%

LAB 90.9, -40.64, 1.87

 

CMYK 33 / 0 / 7 / 2

HEX #A7FBEA

RGB 167 251 234

HSL 167.86, 0.91%, 0.82%

LAB 93.08, -29.01, 0.06

 

CMYK 65 / 0 / 14 / 2

HEX #56F9D7

RGB 86 249 215

HSL 167.48, 0.93%, 0.66%

LAB 89.22, -49.97, 3.96

 

CMYK 65 / 64 / 0 / 3

HEX #575AF8

RGB 87 90 248

HSL 238.88, 0.92%, 0.66%

LAB 47.13, 46.24, -79.29

 

CMYK 0 / 40 / 65 / 3

HEX #F89557

RGB 248 149 87

HSL 23.11, 0.92%, 0.66%

LAB 70.97, 31.92, 47.92

 

CMYK 65 / 0 / 14 / 2

HEX #56F9D7

RGB 86 249 215

HSL 167.48, 0.93%, 0.66%

LAB 89.22, -49.97, 3.96

 

CMYK 14 / 65 / 0 / 3

HEX #D557F8

RGB 213 87 248

HSL 286.96, 0.92%, 0.66%

LAB 59.65, 71.51, -58.4

 

CMYK 0 / 14 / 65 / 3

HEX #F8D557

RGB 248 213 87

HSL 46.96, 0.92%, 0.66%

LAB 86.12, -1.42, 64.7

 

CMYK 65 / 0 / 14 / 2

HEX #56F9D7

RGB 86 249 215

HSL 167.48, 0.93%, 0.66%

LAB 89.22, -49.97, 3.96

 

CMYK 65 / 64 / 0 / 3

HEX #575AF8

RGB 87 90 248

HSL 238.88, 0.92%, 0.66%

LAB 47.13, 46.24, -79.29

 

CMYK 0 / 65 / 51 / 3

HEX #F8577A

RGB 248 87 122

HSL 346.96, 0.92%, 0.66%

LAB 60.05, 63.72, 14.75

 

CMYK 0 / 1 / 65 / 3

HEX #F8F657

RGB 248 246 87

HSL 59.25, 0.92%, 0.66%

LAB 94.55, -17.8, 73.5

 

CMYK 65 / 0 / 14 / 2

HEX #56F9D7

RGB 86 249 215

HSL 167.48, 0.93%, 0.66%

LAB 89.22, -49.97, 3.96

 

CMYK 46 / 65 / 0 / 3

HEX #8557F8

RGB 133 87 248

HSL 257.14, 0.92%, 0.66%

LAB 50.19, 55.21, -74.13

 

CMYK 0 / 65 / 51 / 3

HEX #F8577A

RGB 248 87 122

HSL 346.96, 0.92%, 0.66%

LAB 60.05, 63.72, 14.75

 

CMYK 18 / 0 / 65 / 3

HEX #CBF857

RGB 203 248 87

HSL 76.77, 0.92%, 0.66%

LAB 91.92, -36.44, 69.78

 

Description

Color code: RGB 86 249 215 | qconv.com Color code: RGB 86 249 215 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 249 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 249 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 14 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 14% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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