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Color name
RGB 88 125 199

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 125 199 it is the complementary color RGB 167 130 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 125 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88 125 199 shade: RGB 93 125 194, RGB 110 143 213, RGB 127 161 232, RGB 144 179 251 and RGB 161 197 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 125 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88 125 199 shade: RGB 88 125 199, RGB 71 107 180, RGB 54 89 161, RGB 37 71 142 and RGB 20 53 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88 125 199 shade: RGB 86 124 198, RGB 86 93 198, RGB 109 86 198, RGB 140 86 198 and RGB 170 86 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88 125 199 shade: RGB 86 124 198, RGB 86 93 198 and RGB 86 86 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88 125 199 shade matches the following richer shades: RGB 86 124 198, RGB 68 118 217, RGB 50 111 235 and RGB 32 105 253

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88 125 199 shade: RGB 86 124 198, RGB 104 130 180, RGB 123 136 162, RGB 141 142 144 and RGB 159 148 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88 125 199 shade: RGB 86 183 198, RGB 86 154 198, RGB 86 124 198, RGB 86 94 198 and RGB 109 86 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88 125 199 shade: RGB 50 84 152, RGB 61 101 183, RGB 86 124 198, RGB 117 148 209 and RGB 148 172 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88 125 199 shade: RGB 88 125 199, RGB 183 86 198 and RGB 168 198 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88 125 199 shade: RGB 88 125 199, RGB 198 86 124 and RGB 124 198 86

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88 125 199 shade: RGB 88 125 199, RGB 183 86 198, RGB 198 161 86 and RGB 101 198 86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88 125 199 shade: RGB 88 125 199, RGB 198 86 180, RGB 198 161 86 and RGB 86 198 105

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 37 / 0 / 22

HEX #587DC7

RGB 88 125 199

HSL 220, 0.5%, 0.56%

LAB 52.8, 8.88, -42.49

 

Complementary color

CMYK 0 / 22 / 66 / 35

HEX #A78238

RGB 167 130 56

HSL 40, 0.5%, 0.44%

LAB 56.55, 6.06, 44.34

 

CMYK 52 / 36 / 0 / 24

HEX #5D7DC2

RGB 93 125 194

HSL 220.99, 0.45%, 0.56%

LAB 52.83, 8.38, -39.58

 

CMYK 48 / 33 / 0 / 16

HEX #6E8FD5

RGB 110 143 213

HSL 220.78, 0.55%, 0.63%

LAB 59.67, 7.55, -39.49

 

CMYK 45 / 31 / 0 / 9

HEX #7FA1E8

RGB 127 161 232

HSL 220.57, 0.7%, 0.7%

LAB 66.39, 6.85, -39.44

 

CMYK 43 / 29 / 0 / 2

HEX #90B3FB

RGB 144 179 251

HSL 220.37, 0.93%, 0.77%

LAB 72.98, 6.26, -39.43

 

CMYK 37 / 23 / 0 / 0

HEX #A1C5FF

RGB 161 197 255

HSL 217.02, 1%, 0.82%

LAB 78.89, 1.81, -32.35

 

CMYK 56 / 37 / 0 / 22

HEX #587DC7

RGB 88 125 199

HSL 220, 0.5%, 0.56%

LAB 52.8, 8.88, -42.49

 

CMYK 61 / 41 / 0 / 29

HEX #476BB4

RGB 71 107 180

HSL 220.18, 0.43%, 0.49%

LAB 45.84, 10.07, -42.64

 

CMYK 66 / 45 / 0 / 37

HEX #3659A1

RGB 54 89 161

HSL 220.37, 0.5%, 0.42%

LAB 38.73, 11.59, -42.82

 

CMYK 74 / 50 / 0 / 44

HEX #25478E

RGB 37 71 142

HSL 220.57, 0.59%, 0.35%

LAB 31.47, 13.58, -43.02

 

CMYK 84 / 57 / 0 / 52

HEX #14357B

RGB 20 53 123

HSL 220.78, 0.72%, 0.28%

LAB 24.08, 16.28, -43.17

 

CMYK 57 / 37 / 0 / 22

HEX #567CC6

RGB 86 124 198

HSL 219.64, 0.5%, 0.56%

LAB 52.37, 8.73, -42.61

 

CMYK 57 / 53 / 0 / 22

HEX #565DC6

RGB 86 93 198

HSL 236.25, 0.5%, 0.56%

LAB 44.07, 27.93, -55.87

 

CMYK 45 / 57 / 0 / 22

HEX #6D56C6

RGB 109 86 198

HSL 252.32, 0.5%, 0.56%

LAB 44.21, 37.01, -55.55

 

CMYK 29 / 57 / 0 / 22

HEX #8C56C6

RGB 140 86 198

HSL 268.93, 0.5%, 0.56%

LAB 47.38, 44.32, -50.29

 

CMYK 14 / 57 / 0 / 22

HEX #AA56C6

RGB 170 86 198

HSL 285, 0.5%, 0.56%

LAB 51.01, 51.96, -44.28

 

CMYK 57 / 37 / 0 / 22

HEX #567CC6

RGB 86 124 198

HSL 219.64, 0.5%, 0.56%

LAB 52.37, 8.73, -42.61

 

CMYK 57 / 53 / 0 / 22

HEX #565DC6

RGB 86 93 198

HSL 236.25, 0.5%, 0.56%

LAB 44.07, 27.93, -55.87

 

CMYK 57 / 57 / 0 / 22

HEX #5656C6

RGB 86 86 198

HSL 240, 0.5%, 0.56%

LAB 42.32, 32.28, -58.69

 

CMYK 57 / 37 / 0 / 22

HEX #567CC6

RGB 86 124 198

HSL 219.64, 0.5%, 0.56%

LAB 52.37, 8.73, -42.61

 

CMYK 69 / 46 / 0 / 15

HEX #4476D9

RGB 68 118 217

HSL 219.87, 0.66%, 0.56%

LAB 50.92, 15.69, -55.77

 

CMYK 79 / 53 / 0 / 8

HEX #326FEB

RGB 50 111 235

HSL 220.22, 0.82%, 0.56%

LAB 49.55, 24.43, -68.14

 

CMYK 87 / 58 / 0 / 1

HEX #2069FD

RGB 32 105 253

HSL 220.18, 0.98%, 0.56%

LAB 48.89, 33.59, -79.29

 

CMYK 57 / 37 / 0 / 22

HEX #567CC6

RGB 86 124 198

HSL 219.64, 0.5%, 0.56%

LAB 52.37, 8.73, -42.61

 

CMYK 42 / 28 / 0 / 29

HEX #6882B4

RGB 104 130 180

HSL 219.47, 0.34%, 0.56%

LAB 54.24, 3.9, -29.3

 

CMYK 24 / 16 / 0 / 36

HEX #7B88A2

RGB 123 136 162

HSL 220, 0.17%, 0.56%

LAB 56.51, 1.23, -15.37

 

CMYK 2 / 1 / 0 / 44

HEX #8D8E90

RGB 141 142 144

HSL 220, 0.01%, 0.56%

LAB 58.99, 0.03, -1.2

 

CMYK 0 / 7 / 21 / 38

HEX #9F947E

RGB 159 148 126

HSL 40, 0.15%, 0.56%

LAB 61.7, 0.33, 13.11

 

CMYK 57 / 8 / 0 / 22

HEX #56B7C6

RGB 86 183 198

HSL 188.04, 0.5%, 0.56%

LAB 69.41, -24.12, -16.25

 

CMYK 57 / 22 / 0 / 22

HEX #569AC6

RGB 86 154 198

HSL 203.57, 0.5%, 0.56%

LAB 60.93, -8.74, -29.22

 

CMYK 57 / 37 / 0 / 22

HEX #567CC6

RGB 86 124 198

HSL 219.64, 0.5%, 0.56%

LAB 52.37, 8.73, -42.61

 

CMYK 57 / 53 / 0 / 22

HEX #565EC6

RGB 86 94 198

HSL 235.71, 0.5%, 0.56%

LAB 44.32, 27.31, -55.46

 

CMYK 45 / 57 / 0 / 22

HEX #6D56C6

RGB 109 86 198

HSL 252.32, 0.5%, 0.56%

LAB 44.21, 37.01, -55.55

 

CMYK 67 / 45 / 0 / 40

HEX #325498

RGB 50 84 152

HSL 220, 0.5%, 0.4%

LAB 36.53, 10.83, -40.95

 

CMYK 67 / 45 / 0 / 28

HEX #3D65B7

RGB 61 101 183

HSL 220.33, 0.5%, 0.48%

LAB 43.83, 13.08, -47.63

 

CMYK 57 / 37 / 0 / 22

HEX #567CC6

RGB 86 124 198

HSL 219.64, 0.5%, 0.56%

LAB 52.37, 8.73, -42.61

 

CMYK 44 / 29 / 0 / 18

HEX #7594D1

RGB 117 148 209

HSL 219.78, 0.5%, 0.64%

LAB 61.28, 5.19, -34.71

 

CMYK 32 / 21 / 0 / 14

HEX #94ACDB

RGB 148 172 219

HSL 219.72, 0.5%, 0.72%

LAB 70.12, 2.72, -26.42

 

CMYK 56 / 37 / 0 / 22

HEX #587DC7

RGB 88 125 199

HSL 220, 0.5%, 0.56%

LAB 52.8, 8.88, -42.49

 

CMYK 8 / 57 / 0 / 22

HEX #B756C6

RGB 183 86 198

HSL 291.96, 0.5%, 0.56%

LAB 52.73, 55.35, -41.45

 

CMYK 15 / 0 / 57 / 22

HEX #A8C656

RGB 168 198 86

HSL 76.07, 0.5%, 0.56%

LAB 75.69, -26.8, 51.82

 

CMYK 56 / 37 / 0 / 22

HEX #587DC7

RGB 88 125 199

HSL 220, 0.5%, 0.56%

LAB 52.8, 8.88, -42.49

 

CMYK 0 / 57 / 37 / 22

HEX #C6567C

RGB 198 86 124

HSL 339.64, 0.5%, 0.56%

LAB 51.97, 48.42, 0.98

 

CMYK 37 / 0 / 57 / 22

HEX #7CC656

RGB 124 198 86

HSL 99.64, 0.5%, 0.56%

LAB 73.12, -43, 48.19

 

CMYK 56 / 37 / 0 / 22

HEX #587DC7

RGB 88 125 199

HSL 220, 0.5%, 0.56%

LAB 52.8, 8.88, -42.49

 

CMYK 8 / 57 / 0 / 22

HEX #B756C6

RGB 183 86 198

HSL 291.96, 0.5%, 0.56%

LAB 52.73, 55.35, -41.45

 

CMYK 0 / 19 / 57 / 22

HEX #C6A156

RGB 198 161 86

HSL 40.18, 0.5%, 0.56%

LAB 68.14, 4.72, 43.69

 

CMYK 49 / 0 / 57 / 22

HEX #65C656

RGB 101 198 86

HSL 111.96, 0.5%, 0.56%

LAB 72.11, -50.14, 46.76

 

CMYK 56 / 37 / 0 / 22

HEX #587DC7

RGB 88 125 199

HSL 220, 0.5%, 0.56%

LAB 52.8, 8.88, -42.49

 

CMYK 0 / 57 / 9 / 22

HEX #C656B4

RGB 198 86 180

HSL 309.64, 0.5%, 0.56%

LAB 53.98, 56.24, -28.96

 

CMYK 0 / 19 / 57 / 22

HEX #C6A156

RGB 198 161 86

HSL 40.18, 0.5%, 0.56%

LAB 68.14, 4.72, 43.69

 

CMYK 57 / 0 / 47 / 22

HEX #56C669

RGB 86 198 105

HSL 130.18, 0.5%, 0.56%

LAB 71.82, -51.54, 37.08

 

Description

Color code: RGB 88 125 199 | qconv.com Color code: RGB 88 125 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 125 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 125 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 37 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 37% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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