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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 88 148 53 it is the complementary color RGB 167 107 202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 88 148 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 88 148 53 shade: RGB 93 148 48, RGB 110 166 67, RGB 127 184 86, RGB 144 202 105 and RGB 161 220 124

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 88 148 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 88 148 53 shade: RGB 88 148 53, RGB 71 130 34, RGB 54 112 15, RGB 37 94 0 and RGB 20 76 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 88 148 53 shade: RGB 87 146 52, RGB 112 146 52, RGB 137 146 52, RGB 146 129 52 and RGB 146 104 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 88 148 53 shade: RGB 87 146 52, RGB 61 146 52, RGB 52 146 68, RGB 52 146 93 and RGB 52 146 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 88 148 53 shade matches the following richer shades: RGB 87 146 52, RGB 82 162 36, RGB 78 178 20 and RGB 74 194 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 88 148 53 shade: RGB 87 146 52, RGB 91 130 68, RGB 95 114 84, RGB 99 97 100 and RGB 104 81 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 88 148 53 shade: RGB 138 146 52, RGB 113 146 52, RGB 88 146 52, RGB 63 146 52 and RGB 52 146 66

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 88 148 53 shade: RGB 50 85 30, RGB 69 115 41, RGB 87 146 52, RGB 105 176 63 and RGB 126 194 86

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 88 148 53 shade: RGB 88 148 53, RGB 52 146 129 and RGB 146 52 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 88 148 53 shade: RGB 88 148 53, RGB 52 88 146 and RGB 146 52 88

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 88 148 53 shade: RGB 88 148 53, RGB 52 146 129, RGB 110 52 146 and RGB 146 52 69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 88 148 53 shade: RGB 88 148 53, RGB 52 135 146, RGB 110 52 146 and RGB 146 63 52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 64 / 42

HEX #589435

RGB 88 148 53

HSL 97.89, 0.47%, 0.39%

LAB 55.6, -36.86, 42.93

 

Complementary color

CMYK 17 / 47 / 0 / 21

HEX #A76BCA

RGB 167 107 202

HSL 277.89, 0.47%, 0.61%

LAB 55.07, 40.98, -40.19

 

CMYK 37 / 0 / 68 / 42

HEX #5D9430

RGB 93 148 48

HSL 93, 0.51%, 0.38%

LAB 55.81, -35.53, 45.44

 

CMYK 34 / 0 / 60 / 35

HEX #6EA643

RGB 110 166 67

HSL 93.94, 0.42%, 0.46%

LAB 62.5, -35.71, 44.57

 

CMYK 31 / 0 / 53 / 28

HEX #7FB856

RGB 127 184 86

HSL 94.9, 0.41%, 0.53%

LAB 69.09, -35.76, 43.48

 

CMYK 29 / 0 / 48 / 21

HEX #90CA69

RGB 144 202 105

HSL 95.88, 0.48%, 0.6%

LAB 75.57, -35.73, 42.31

 

CMYK 27 / 0 / 44 / 14

HEX #A1DC7C

RGB 161 220 124

HSL 96.88, 0.58%, 0.67%

LAB 81.96, -35.65, 41.14

 

CMYK 41 / 0 / 64 / 42

HEX #589435

RGB 88 148 53

HSL 97.89, 0.47%, 0.39%

LAB 55.6, -36.86, 42.93

 

CMYK 45 / 0 / 74 / 49

HEX #478222

RGB 71 130 34

HSL 96.88, 0.59%, 0.32%

LAB 48.79, -36.55, 43.58

 

CMYK 52 / 0 / 87 / 56

HEX #36700F

RGB 54 112 15

HSL 95.88, 0.76%, 0.25%

LAB 41.86, -35.86, 43.24

 

CMYK 61 / 0 / 100 / 63

HEX #255E00

RGB 37 94 0

HSL 96.38, 1%, 0.18%

LAB 34.8, -34.59, 41.07

 

CMYK 74 / 0 / 100 / 70

HEX #144C00

RGB 20 76 0

HSL 104.21, 1%, 0.15%

LAB 27.62, -32.27, 35.11

 

CMYK 40 / 0 / 64 / 43

HEX #579234

RGB 87 146 52

HSL 97.66, 0.47%, 0.39%

LAB 54.9, -36.43, 42.6

 

CMYK 23 / 0 / 64 / 43

HEX #709234

RGB 112 146 52

HSL 81.7, 0.47%, 0.39%

LAB 56.34, -26.91, 44.59

 

CMYK 6 / 0 / 64 / 43

HEX #899234

RGB 137 146 52

HSL 65.74, 0.47%, 0.39%

LAB 58.15, -16.33, 47.08

 

CMYK 0 / 12 / 64 / 43

HEX #928134

RGB 146 129 52

HSL 49.15, 0.47%, 0.39%

LAB 54.09, -3.12, 42.94

 

CMYK 0 / 29 / 64 / 43

HEX #926834

RGB 146 104 52

HSL 33.19, 0.47%, 0.39%

LAB 47.31, 11.14, 35.37

 

CMYK 40 / 0 / 64 / 43

HEX #579234

RGB 87 146 52

HSL 97.66, 0.47%, 0.39%

LAB 54.9, -36.43, 42.6

 

CMYK 58 / 0 / 64 / 43

HEX #3D9234

RGB 61 146 52

HSL 114.26, 0.47%, 0.39%

LAB 53.81, -44.47, 41.09

 

CMYK 64 / 0 / 53 / 43

HEX #349244

RGB 52 146 68

HSL 130.21, 0.47%, 0.39%

LAB 53.71, -44.61, 33.12

 

CMYK 64 / 0 / 36 / 43

HEX #34925D

RGB 52 146 93

HSL 146.17, 0.47%, 0.39%

LAB 54.11, -40.23, 20.18

 

CMYK 64 / 0 / 18 / 43

HEX #349277

RGB 52 146 119

HSL 162.77, 0.47%, 0.39%

LAB 54.68, -34.3, 6.26

 

CMYK 40 / 0 / 64 / 43

HEX #579234

RGB 87 146 52

HSL 97.66, 0.47%, 0.39%

LAB 54.9, -36.43, 42.6

 

CMYK 49 / 0 / 78 / 36

HEX #52A224

RGB 82 162 36

HSL 98.1, 0.64%, 0.39%

LAB 59.67, -46.03, 53.75

 

CMYK 56 / 0 / 89 / 30

HEX #4EB214

RGB 78 178 20

HSL 97.97, 0.8%, 0.39%

LAB 64.57, -53.98, 62.31

 

CMYK 62 / 0 / 98 / 24

HEX #4AC204

RGB 74 194 4

HSL 97.89, 0.96%, 0.39%

LAB 69.5, -60.92, 68.55

 

CMYK 40 / 0 / 64 / 43

HEX #579234

RGB 87 146 52

HSL 97.66, 0.47%, 0.39%

LAB 54.9, -36.43, 42.6

 

CMYK 30 / 0 / 48 / 49

HEX #5B8244

RGB 91 130 68

HSL 97.74, 0.31%, 0.39%

LAB 50.22, -25.6, 29.18

 

CMYK 17 / 0 / 26 / 55

HEX #5F7254

RGB 95 114 84

HSL 98, 0.15%, 0.39%

LAB 45.78, -13.14, 14.36

 

CMYK 1 / 3 / 0 / 61

HEX #636164

RGB 99 97 100

HSL 280, 0.02%, 0.39%

LAB 41.41, 1.42, -1.43

 

CMYK 11 / 31 / 0 / 54

HEX #685175

RGB 104 81 117

HSL 278.33, 0.18%, 0.39%

LAB 38.04, 16.92, -16.9

 

CMYK 5 / 0 / 64 / 43

HEX #8A9234

RGB 138 146 52

HSL 65.11, 0.47%, 0.39%

LAB 58.23, -15.89, 47.19

 

CMYK 23 / 0 / 64 / 43

HEX #719234

RGB 113 146 52

HSL 81.06, 0.47%, 0.39%

LAB 56.4, -26.51, 44.68

 

CMYK 40 / 0 / 64 / 43

HEX #589234

RGB 88 146 52

HSL 97.02, 0.47%, 0.39%

LAB 54.95, -36.07, 42.67

 

CMYK 57 / 0 / 64 / 43

HEX #3F9234

RGB 63 146 52

HSL 112.98, 0.47%, 0.39%

LAB 53.88, -43.93, 41.19

 

CMYK 64 / 0 / 55 / 43

HEX #349242

RGB 52 146 66

HSL 128.94, 0.47%, 0.39%

LAB 53.69, -44.9, 34.1

 

CMYK 41 / 0 / 65 / 67

HEX #32551E

RGB 50 85 30

HSL 98.18, 0.48%, 0.23%

LAB 32.41, -23.88, 27.56

 

CMYK 40 / 0 / 64 / 55

HEX #457329

RGB 69 115 41

HSL 97.3, 0.47%, 0.31%

LAB 43.78, -29.9, 35.14

 

CMYK 40 / 0 / 64 / 43

HEX #579234

RGB 87 146 52

HSL 97.66, 0.47%, 0.39%

LAB 54.9, -36.43, 42.6

 

CMYK 40 / 0 / 64 / 31

HEX #69B03F

RGB 105 176 63

HSL 97.7, 0.47%, 0.47%

LAB 65.29, -42.24, 49.4

 

CMYK 35 / 0 / 56 / 24

HEX #7EC256

RGB 126 194 86

HSL 97.78, 0.47%, 0.55%

LAB 72.02, -40.58, 46.93

 

CMYK 41 / 0 / 64 / 42

HEX #589435

RGB 88 148 53

HSL 97.89, 0.47%, 0.39%

LAB 55.6, -36.86, 42.93

 

CMYK 64 / 0 / 12 / 43

HEX #349281

RGB 52 146 129

HSL 169.15, 0.47%, 0.39%

LAB 54.94, -31.69, 0.9

 

CMYK 0 / 64 / 14 / 43

HEX #92347D

RGB 146 52 125

HSL 313.4, 0.47%, 0.39%

LAB 37.93, 48.07, -21.57

 

CMYK 41 / 0 / 64 / 42

HEX #589435

RGB 88 148 53

HSL 97.89, 0.47%, 0.39%

LAB 55.6, -36.86, 42.93

 

CMYK 64 / 40 / 0 / 43

HEX #345892

RGB 52 88 146

HSL 217.02, 0.47%, 0.39%

LAB 37.45, 6.38, -35.85

 

CMYK 0 / 64 / 40 / 43

HEX #923458

RGB 146 52 88

HSL 337.02, 0.47%, 0.39%

LAB 36.5, 42.96, -0.43

 

CMYK 41 / 0 / 64 / 42

HEX #589435

RGB 88 148 53

HSL 97.89, 0.47%, 0.39%

LAB 55.6, -36.86, 42.93

 

CMYK 64 / 0 / 12 / 43

HEX #349281

RGB 52 146 129

HSL 169.15, 0.47%, 0.39%

LAB 54.94, -31.69, 0.9

 

CMYK 25 / 64 / 0 / 43

HEX #6E3492

RGB 110 52 146

HSL 277.02, 0.47%, 0.39%

LAB 33.66, 42.54, -41.61

 

CMYK 0 / 64 / 53 / 43

HEX #923445

RGB 146 52 69

HSL 349.15, 0.47%, 0.39%

LAB 35.98, 40.99, 10.97

 

CMYK 41 / 0 / 64 / 42

HEX #589435

RGB 88 148 53

HSL 97.89, 0.47%, 0.39%

LAB 55.6, -36.86, 42.93

 

CMYK 64 / 8 / 0 / 43

HEX #348792

RGB 52 135 146

HSL 187.02, 0.47%, 0.39%

LAB 51.99, -21.25, -13.32

 

CMYK 25 / 64 / 0 / 43

HEX #6E3492

RGB 110 52 146

HSL 277.02, 0.47%, 0.39%

LAB 33.66, 42.54, -41.61

 

CMYK 0 / 57 / 64 / 43

HEX #923F34

RGB 146 63 52

HSL 7.02, 0.47%, 0.39%

LAB 37.69, 34.22, 23.87

 

Description

Color code: RGB 88 148 53 | qconv.com Color code: RGB 88 148 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 88 red, 148 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
88 148 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 64 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 64% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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